Posts Tagged interview

STEM Tuesday Field Work — Interview with Loree Griffin Burns

By on March 27, 2018   /   Author Interviews, Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, Field Work, Giveaways, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing author Loree Griffin Burns who wrote this month’s featured book about real-life scientific field work, Life on Surtsey: Iceland’s Upstart Island.

The book takes place on an Icelandic island that’s only decades old. Readers join the scientists studying this new patch of land and the plants and animals that are colonizing it. Loree Griffin Burns earned science degrees from Worcester Polytechnic Institute and the University of Massachusetts. Since then she’s been writing books and articles that celebrate our natural world and the people who study it. To research these stories, she’s beachcombed on both coasts, cruised the Pacific Ocean in search of plastic, surveyed birds in Central Park, stung herself with a honey bee, visited the Mexican wintering grounds of the monarch butterfly (on horseback!) and lived on a Costa Rican butterfly farm. Her latest book, Life on Surtsey: Iceland’s Upstart Island was named a 2017 best children’s nonfiction title by both Kirkus Reviews and School Library Journal. Loree lives with her husband and three nearly-grown children in central Massachusetts.

 Mary Kay Carson: How did this book come about?

Loree Griffin Burns: In the spring of 2014, I had the opportunity to travel with my husband to Iceland. While we were there, we took a day-trip to the island of Heimaey, which is the largest of an archipelago off the southwestern coast of the country. It poured rain the entire time we were on Heimaey, so we toured by bus instead of on foot. At one point, as we rounded the southern end of the island, our bus driver pulled to the side of the road and pointed out to sea. “You see that island?” he asked. “The furthest one out?” We squinted through rain-soaked bus windows to see the rock he was talking about. “That’s Surtsey,” he said, “and I stood on the very spot this bus is parked, when I was a boy, and watched as it was born.” I knew the moment he said this that I’d just heard something incredibly special. I took out a notebook and started taking notes on everything he said from that moment on, including the fact that Surtsey was closed to all but the Icelandic scientists studying its transformation from a seething hunk of lava to an island that supported living, breathing organisms. As soon as I was home again, I began to research Surtsey’s story and became convinced it was the perfect subject for a ‘Scientists in the Field’ book. Once I’d convinced my editor of it too, I wrote to the Surtsey Research Society, the organization that controls access to the island as a research site, and pitched the idea the them. I was thrilled when they sent back an invitation to join an expedition the following summer.

MKC: Would you like to share a favorite part of spending time in the field researching this book?

Loree: I spent one working week, Monday through Friday, on Surtsey, as part of an expedition that included ten other scientists. Eight of those were Icelandic, and one was a Polish botanist who was living and working in Iceland at the time. Our team consisted of three women and seven men. Some of my favorite moments were getting to know the people I was with. As you’ll see when you read the book, I spent the most time with entomologists Erling Ólafsson and Matthais Alfredsson. But I got to know some other fascinating people, too. One of my favorite mornings was the one I spent with Lovisa Ásbjörnsdóttir, a geologist who has spent a lot of time on Surtsey. We hiked Austurbunki and Westurbunki together, mountains formed from Surtsey’s two volcanic cones, and spent several delightful hours sharing our work, our homelands, and what drew us each to Surtsey. Another highlight that didn’t make it into the book was my exploration inside the island. Underneath the hard lava crust of Surtsey is a network of lava tubes—tunnels through which molten lava once flowed but which now snake, empty and exploreable, underground. When botanist Paweł Wąsowicz first mentioned them to me, I didn’t believe him. And once I realized they existed, I was very nervous about checking them out. But I did, and it was an unforgettable experience.

Purchase a copy of  Life of Surtsey! 

MKC: Do you have a STEM background?

Loree: I do. I spent my twenties in a research lab studying the expression of genes in yeast cells and earning a PhD in biochemistry. So, science has been part of my life for a long time. I tell kids all the time that for me, science is not a subject, or a career, but a way of looking at the world, a way of asking questions about how it works, and then figuring out how to find the answers.

MKC: Could you give us a peek into your process by sharing how you’re tackling a current project?

Loree: I recently finished a picture book manuscript for older readers about fruit flies and how scientists came to realize they are a useful organism for studying DNA. I know. I know. It doesn’t sound like proper picture book material, does it? But it really is! The focus is entirely on the flies themselves, their bodies, their life cycles, their strange and adorable (!) laboratory habits, their easy to manipulate DNA. I think the right illustrator could have a great time with this book. (If you know one, send them my way.) While I try to find the perfect publishing home for the fruit fly book, I am working on another insect book: The Moth Ball. Coming from Charlesbridge in 2020, this book is an invitation into the nighttime exploits of the lesser-loved cousin of the butterfly: the moth. Right now, I’m reading up on moths and moth identification, and sketching out ideas for how best to structure a book that will excite readers about studying the moths in their own neighborhoods. The second spring finally arrives here in New England, photographer Ellen Harasimowicz and I will start calling moths into our own yards, using black lights and special sugar baits, and we’ll begin recording every moment for our book. We’re both pretty excited! What you can see from these two examples is that my bookmaking process involves a lot more than just writing. I spend a lot of time researching my subjects, by reading the words of other writers and by having my own first-hand experiences with the topic. I also spend time getting my finished manuscripts into the hands of publishers who can help me bring them to readers. This variety is one of the things I like about making books.

MKC: Any recommendations for readers who loved Life on Surtsey?

Loree: Nonfiction books are my passion, and titles I’ve loved lately include: Isaac the Alchemist: Secrets of Isaac Newton, Reveal’d by Mary Losure; The Girl Who Drew Butterflies: How Maria Merian’s Art Changed Science by Joyce Sidman; Finding Wonders: Three Girls Who Changed Science by Jeannine Atkins; Seeing into Tomorrow: Haiku by Richard Wright, Illustrated by Nina Crews.

More about Life on Surtsey:

Win a FREE copy of  Life of Surtsey! Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is Mary Kay Carson, fellow nature geek, science nerd, and author of Mission to Pluto and other nonfiction books for kids.

 

SaveSave

Back to Top

Interview and Giveaway with Author Varian Johnson

By on March 23, 2018   /   Author Interviews, Book Lists, Diversity, Fiction, Giveaways  

Varian Johnson is the author of several novels for children and young adults, including The Great Greene Heist, which was an ALA Notable Children’s Book, a Kirkus Reviews Best Book of 2014, and a Texas Library Association Lone Star List selection, and To Catch a Cheat, another Jackson Greene adventure and a Kids’ Indie Next List pick. He lives with his family near Austin, Texas. You can find him on the web at www.varianjohnson.com and @varianjohnson.

Photo credit: Kenneth B. Gall

Varian’s newest book, The Parker Inheritance (Arthur A. Levine/ Scholastic) will come out next week, and has received starred reviews from School Library Journal, The Horn Book, and Kirkus, and is a Junior Library Guild Spring 2018 Selection.   

About the book:

“When Candice finds a letter in an old attic in Lambert, South Carolina, she isn’t sure she should read it. It’s addressed to her grandmother, who left the town in shame. But the letter describes a young woman. An injustice that happened decades ago. A mystery enfolding the letter-writer. And the fortune that awaits the person who solves the puzzle.

So with the help of Brandon Jones, the quiet boy across the street, she begins to decipher the clues. The challenge will lead them deep into Lambert’s history, full of ugly deeds, forgotten heroes, and one great love; and deeper into their own families, with their own unspoken secrets. Can they find the fortune and fulfill the letter’s promise before the answers slip into the past yet again?”

How does your engineering background inform your writing?

The Parker Inheritance was probably influenced by my engineering career more than any of my other books. There are a lot of math terms in the book, much of which I learned while getting my civil engineering degree. But there’s also a very big difference between designing bridges and writing books. And as much as I liked my engineering job, I’m very happy now be a full-time children’s book author.

 

The Parker Inheritance pays homage to the classic puzzle novel, The Westing Game by Ellen Raskin. (The Cooperative Children’s’ Book Center at UW-Madison has many of her notes and drafts archived here.) Can you tell us about your process for constructing the Parker puzzle(s) and deciding how the clues would reveal the answer?

The novel that would eventually become The Parker Inheritance started off as two separate novel ideas, with one being a puzzle mystery and the other being a historical multi-generational novel. I tinkered with both on and off for years, but neither idea was strong enough to stand alone. It wasn’t until rereading Holes that I got the idea to combine the ideas. The puzzle was pretty well developed when I began writing the book—and it was surprising how well the puzzle fit into the larger historical story. Even though I was consciously writing two books, maybe my subconscious always knew that the stories belonged together.

Like your Jackson Greene books, The Parker Inheritance involves complex details for the characters to put together, but in a sort of reverse way. Instead of building the details into a caper like “Gang Greene,” Candice and Brandon are breaking down a mystery by revealing the details. Did that difference influence your approach to the writing?

Oh, totally. Candice and Brandon’s strategies mirror the real-life sleuthing I did to create and “solve” the puzzle. I ran each of the web searches that they performed in order to see what popped up—to make sure that the answer to a clue wasn’t revealed too quickly. In many ways, it was easy to write about the techniques that Candice and Brandon used for deciphering the letter, as I had performed that very same research to write the book.

What made you decide to use flashbacks and multiple points of view to tell part of the story instead of sticking with Candice’s POV?

I thought it was important to see the lives of the people from the puzzle through their own eyes—not just Candice and Brandon’s viewpoints. I also thought it would be interesting to show how race relations have improved from the 1950s to today…and unfortunately to also show how race relations have stayed the same.

If there was one single thing that you wanted readers to get from The Parker Inheritance what would it be?

If anything, I want readers to think about the preferences and preconceptions that they bring into any interaction. I want readers to question what they believe when they see someone; when they speak with someone. I want reader to step past their internal biases in order to see the real person standing in front of them.

What other books do you recommend to readers who enjoyed The Parker Inheritance?

The Westing Game, obviously! But also The Watsons Go To Birmingham—1963, Holes, March Book 3, and When You Reach Me.

And now for the giveaway:

a Rafflecopter giveaway

Back to Top

Interview with Author N.H. Senzai

By on January 4, 2018   /   Author Interviews, Diversity, For Kids, For Librarians, For Parents, For Teachers, For Writers, New Releases  

Naheed Hasnat Senzai calls herself a voracious reader, stalwart writer, intrepid traveler, and eater of good things.

Born in Chicago, she grew up in San Francisco, Jubail, Saudi Arabia, and attended boarding school in London, England. She has hiked across the Alps, road-tripped through Mexico, swum with barracudas in the Red Sea, taken a train across the Soviet Union, floated down the Nile, eaten gumbo in New Orleans and sat in contemplation at the Taj Mahal. She attended UC Berkeley and Columbia University, and lives in San Francisco.

She is the award-winning author of Shooting Kabul (Simon & Schuster/Paula Wiseman Books 2010), Saving Kabul Corner (Simon & Schuster/Paula Wiseman Books 2014), and Ticket to India (Simon & Schuster/Paula Wiseman Books 2015).

She joins us today to talk about her newest book, released this week from Simon & Schuster/Paula Wiseman Books , Escape from Aleppo. About the book (From IndieBound):

Silver and gold balloons. A birthday cake covered in pink roses. A new dress. Nadia stands at the center of attention in her parents’ elegant dining room. This is the best day of my life, she thinks. Everyone is about to sing “Happy Birthday,” when her uncle calls from the living room, “Baba, brothers, you need to see this.” Reluctantly, she follows her family into the other room. On TV, a reporter stands near an overturned vegetable cart on a dusty street. Beside it is a mound of smoldering ashes. The reporter explains that a vegetable vendor in the city of Tunis burned himself alive, protesting corrupt government officials who have been harassing his business. Nadia frowns.It is December 17, 2010: Nadia’s twelfth birthday and the beginning of the Arab Spring. Soon anti-government protests erupt across the Middle East and, one by one, countries are thrown into turmoil. As civil war flares in Syria and bombs fall across Nadia’s home city of Aleppo, her family decides to flee to safety. Inspired by current events, this novel sheds light on the complicated situation in Syria that has led to an international refugee crisis, and tells the story of one girl’s journey to safety.

A common theme in your books is the experience of refugees, what they leave behind, and how they struggle to adapt to a new way of life. What drives you to write about such a difficult subject?

As Americans, whether we consciously realize it or not, we have a particular connection with refugees; at one point of time, most of our families sought refuge in this country. They arrived from all around the world, fleeing war, persecution, famine or just hoping to find a better life for themselves and their children. Most of my books deal with such families, and in Escape from Aleppo, my hope is that Nadia’s story allows readers to walk in the shoes of a child whose life has been turned upside down by the trauma of war and the loss of everything they know and love. If we pause to reflect on that connection, that at one point we were all refugees, we can share in a common humanity.

How did you decide to depict the uglier, more violent aspects of Nadia’s journey and still make the book appropriate for middle-grade readers?

I believe that you do a disservice to your reader, especially middle graders, by not to telling them the truth, no matter how ugly. This is especially the case when discussing war, atrocities and the complexities of politics and history. We shouldn’t be afraid of shocking them about how terrible humans can be to one another, whether around the globe, or in own back yards. Without sharing the harsh realities, in a way digestible format for that age group, you cannot hope to dissuade a future generation from committing the same crimes over and over again.

You use flashback both to provide information about how Aleppo became such a dangerous place and to show what Nadia’s life was like before she had to flee. Why was it important for you to show that?

When people see scenes of war and images of refugees fleeing death and destruction, that becomes the viewer’s only frame of reference for that country and its people. When writing Escape from Aleppo, I wanted to show that Nadia had a normal life before the war, like that of any teen around the world. Aleppo was an advanced, cultured city where she had a loving family, friends, supportive teachers, a sweet tooth, a passion for music and a dislike of Algebra! In showing the two sides of the coin, peace and conflict, I wanted to show how anyone’s normal, everyday life can be turn upside down in a matter of moments.

The book depicts a place and a culture that is very different from the experience of most Americans. What kind of research did you do to get the details right?

This, as with most of my books, was very research intensive, and I spend months absorbing and cataloging information! I’m lucky that I’ve lived and travelled in the Middle East for fifteen years, and have many friends in the region. It also helps that my husband teaches Middle East politics at Santa Clara University and he helped in putting the history and politics of the region in perspective. I spoke to many journalists and Syrians who shared first-hand accounts of the terrible conflict.

If there was one single thing that you wanted readers to get from Escape from Aleppo, what would it be?

Kids may have heard about the war in Aleppo or seen images of the conflict on the news or in social media. While reading Escape from Aleppo, I hope that can further delve into the rich history of Syria, the root causes of the war, the culture and people of this amazing country. I’d like to illustrate that Nadia and her family are like families anywhere around the world. Like parents living in San Francisco, Beijing, Sydney or New Delhi, Nadia’s mother and father want to give their children a safe and secure place to grow up, pursue their dreams, get an education and have a family of their own. At the end of the day, all families, no matter their origin, want the same things – peace, security and chance at a hopeful future.

What other books do you recommend to readers who enjoyed Escape from Aleppo?

What’s your favorite thing about middle-grade fiction (as a reader or a writer)?

I love writing for middle graders because at this age they can still suspend belief and journey with you through a story – but they can smell a skunk a mile away. They are sophisticated readers that can handle “heavy” topics via believable plots, authentic characters, dialogue that rings true and reality based facts. At this age, if we present complex material in the right context, we can open their hearts and minds to the world around them so that they build bridges of understanding with others, rather than walls.

What advice do you have for someone who wants to write middle-grade fiction?

I know this is advice often given, but it is at the core of writing middle grade fiction; READ. And not just middle grade novels. The best books are those that bring in unique, interesting, sometimes esoteric knowledge – that knowledge comes from reading about space travel, obscure poisons, baking techniques, Russian history, chemistry, flora and fauna of Madagascar… you get my drift. Read about things that interest you – it will make it into your books which will also be interesting!

Back to Top