Posts Tagged interview

STEM Tuesday — Let’s Explore Botany!– Interview with Author Sally Walker

By on October 23, 2018   /   Botany, Common Core & NGSS, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Sally Walker, author of this month’s featured botany book, CHAMPION: The Comeback Tale of the American Chestnut Tree. Among its favorable reviews is one from Kirkus, calling it, “A compelling, inspiring true story of a species rescued from extinction through decades of determined innovation.” 

 

 

Mary Kay Carson: Why did you write Champion?

Sally Walker: I’ve known part of the American Chestnut tree’s story since I was in high school. My biology teacher assigned a leaf collection project. We could only include trees native to New Jersey, where I lived. Any tree was okay, with the exception of the American Chestnut tree, because, he said, it was extinct. My father, however, knew that wasn’t true. It turned out that American Chestnut tree was my dad’s favorite type of tree.  And he knew they were not extinct: Their roots still survived in New Jersey forests (and in other states) and gave rise to new sprouts. These saplings grew for 10 or so years, and then succumbed to the chestnut blight. Even so, the roots continued to send up more sprouts. My dad and I visited a forest not too far from our home. A half-hour trek into the woods, and we found a chestnut sapling. I was thrilled to be able to add one of its leaves to my leaf collection project.

There’s nothing I enjoy more than a good mystery, and the story of the American Chestnut tree is like a Russian Matryoshka doll: mystery within mystery within mystery. I channeled my inner Nancy Drew and hoped readers would join me as I hunted for clues. Clues that would explain why American Chestnut trees died, and clues that would lead to a solution that would restore the trees to health.  I wrote the story for people, young and old, who, like me, enjoy spending time outdoors. Who like wondering about the natural world. And who listen to the songs that trees sing.

Sally M. Walker has brought science to life in more than 20 books for young readers, including Secrets of a Civil War Submarine and Blizzard of Glass. Her research has seen her corresponding with experts in archaeology, geology, forensic anthropology, and genealogy, interviewing scientists, and touring the Warren Lasch Conservation Center in North Charleston, South Carolina, where she saw the H.L. Hunley and her artifacts. Walker lives in DeKalb, Illinois. sallymwalker.com

MKC: Could you share a memorable moment—or two—from your research for Champion?

Sally: My most thrilling chestnut experience occurred while I was visiting England. Castanea sativa, the European Chestnut, thrives there. The massive trunks of several-hundred-year-old chestnut trees are unbelievable. Seeing them—and hugging one—let me imagine how very majestic the American Chestnut trees growing in our forests had been before the blight killed them.

When I first walked into the American Chestnut Foundation’s orchards, in Virginia, I was astounded to see many hundreds of young chestnut trees. Healthy, lush with leaves. A flash of blue caught my eye—an indigo bunting landed in one of the larger trees.  I felt as though I’d entered a magic kingdom.  AND THEN I LEARNED HORRIBLE NEWS!  The team I was working with would be inoculating the young trees with the fungus that gives American Chestnut trees the blight. Some of the trees we inoculated would have some resistance to the blight, but most of them would die. But I did my job, knowing that the young trees that lived would become parent trees for new blight-resistant generations.

MKC: Did you set out to write a STEM book? 

Sally: I don’t choose to write STEM books. I write about what interests me. Finding fossils and cool rocks. Watching insects, animals, and fish. Understanding how a submarine rises and sinks. When I am gardening, using a stick and a small rock to help me shift a larger rock to a new place. I guess most people would say this is science—the “S” in STEM. But for me it’s simply the way I was raised. My parents encouraged me to ask question, exploring the world to find answers, and experiment. To use my mind and imagination.

I have a college degree in geology and archaeology, but that was from before the term STEM was invented.  I studied those areas because they are incredibly fascinating and fun, full of puzzles and mysteries. What I love about STEM is that it shows kids that science, technology, engineering, and math are interrelated. As they learn, students can draw connections among the fields and see how each part affects the other, often in a way that relates directly to some aspect of her or his life. STEM creates a network.

MKC:  Any recommendations for readers who enjoyed Champion? 

Sally: Deep Roots: How Trees Sustain Our Planet by Nikki Tate and Treecology: 30 Activities and Observations for Exploring the World of Trees and Forests by Monica Russo are nonfiction, while End of the Wild by Nicole Helget and Wishtree by Katherine Applegate are fiction.

Win a FREE copy of CHAMPION: The Comeback Tale of the American Chestnut Tree!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is fellow tree freak Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids. @marykaycarson

 

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Building Community for Children’s WOC/Indigenous Writers

By on October 22, 2018   /   Articles, Diversity, For Writers  

Art installation at the Loft Literary Center in 2017

Children’s writers of color and Indigenous writers have voices that need to be heard and stories that need to be told. In Minneapolis, Minnesota, the Loft Literary Center is helping that happen with a series of drop-in classes for Writers of Color and Indigenous Writers. This writing center is truly a special place for writers in the Twin Cities. For me, it’s where my writers’ group meets and also where I’ve had the opportunity to learn from experienced writers through classes and lectures. It’s a place of community where writers of all kinds can learn, grow, and connect.

For the Writers of Color and Indigenous Writers series of classes, each one focuses on a different writing topic and is taught “from the perspective of writers of color and Indigenous writers, meaning that the unique experiences of these writers are accounted for in the materials provided to the class discussions,” says Marion Gómez, Program Associate for these classes at the Loft.

I asked Marion (MG) a few questions about the series of classes (now in its third year), and also talked with Sarah Warren (SW), an instructor of the children’s writers class in the series. Here are their thoughts on finding community and support for children’s writers of color and Indigenous writers.

Marion, how did this series of classes start and how has it changed over the years?

MG: The class came out of a collaboration between David Mura and the Loft. David Mura approached the Loft with the idea of him teaching a class intended for writers or color and Indigenous writers that would address some of the barriers these communities often face—such as cost and participants having unpredictable schedules. The Loft received a Minnesota State Arts Board Arts Learning grant in 2015 to fund a free, multi-genre class with drop-in attendance taught by David Mura. The class began in February of 2016, meeting the first and second Wednesdays of each month until August, 2016.

David Mura taught the first and second years exclusively, but this last year Diego Vázquez Jr., Vanessa Ramos, Michael Kleber-Diggs, Heid E. Erdrich, Kao Kalia Yang, Sarah Park Dahlen, Erin Sharkey, and Sarah Warren joined David in teaching the class, each teaching one session with David teaching the first and last classes. This last August, Sarah Park Dahlen taught a class that examined insider and outsider authorship in children’s books and in October, Sarah Warren taught an introductory class on writing children’s picture book biographies.

Sarah, how did you become involved with teaching for this series of classes?

SW: I started attending classes at the Loft over 17 years ago. I love to write and I’m grateful for opportunities to develop. The Loft is special. We get to learn from other authors. Instructors have a working knowledge of the field. I also appreciate the network of support I’ve cultivated from classes and conferences. I never would have found my footing in this profession without help from several mentors. Community is priceless. I’m proud that I get to contribute what I know as a teaching artist.

What do you think is most valuable about this series of classes at the Loft?

MG: Bringing more writers of color and Indigenous writers into the world is so important in combating racism and oppression. The more writers of color and Indigenous writers we have the more their truths will be heard, the less alone these writers and their communities will feel, and the more galvanized they’ll be to demand justice. I love the sense of community that has formed among the students. Some have even formed outside writing groups after meeting in the class.

SW: For most of us, sharing our stories with children means negotiating the publishing industry. That was a huge learning curve for me. I had worked so hard to build up my ego… to believe my art was something worth investing in. Once I started getting critiqued and rejected, my ego started to get beat down by outside perspectives. Sometimes, that was good! I needed to grow and learn and become a better writer. Sometimes, that was bad. The industry and the outside voices weren’t open to my cultural point-of-view. The problem was, I didn’t know the difference. I didn’t know when I needed to change, and when I needed to push back. Now, I have people I can go to when I need perspective. It took me way too long to find those people. I think classes like these can build a powerful network for POC/Indigenous writers.

I am all for building a space where artists of color and indigenous artists can get feedback, offer support, and share wisdom without feeling exoticized, humiliated, tokenized, abnormal, or lonely. I’ve felt all of those things (usually not at the same time) in class. It’s stressful.

Marion, what kinds of students attend, what do they say about the classes, and how does the Loft get students involved?

MG: The students vary in age, race, experience level, and type of writing they do. Some of the students have also taught a session of the class and/or are published authors while others are very new it writing. What I hear repeatedly from them is that they love being around other writers of color and Indigenous writers. That this intentional space allows them to feel less isolated and free to express themselves more fully. After we received the grant in 2015, we held three preview classes at various locations in Minneapolis and Saint Paul to reach out to perspective students as well as promoted the class at Loft events and on social media. The classes are listed in our quarterlies, which are distributed throughout the Twin Cities. I also have a listserv of past and present participants I send a monthly email to, letting them know about upcoming classes and other opportunities, and I’m always inviting new writers of color and indigenous writers to the class I meet. I’m so grateful to you, Karen, for helping spread the word through the Mixed-Up Files blog!

Sarah, how do you think children’s publishing will benefit from having more writers of color and Indigenous writers? 

SW: I heard Daniel José Older say in an interview, “To me, it’s a huge human rights violation, to deny an entire generation of young people of color…generation after generation of young people of color the right to see ourselves as protagonists in stories. How else are we to conceptualize ourselves as protagonists in our lives if not through the stories we are told?” That’s me he’s talking about. I never saw myself in stories unless I suspended my own personhood and slipped fully into someone else’s skin. We need the chance to grow up seeing many possible versions of ourselves. The community of writers serving kids should be just as diverse as its audience.

What do you suggest for other writing centers hoping to start similar programs?

MG: I recommend they start by listening to the communities they want to serve so that they can design a program that really addresses the needs and desires of these communities.

SW: Not all writers are comfortable calling themselves experts or teachers. Some of us don’t even feel comfortable calling ourselves writers! Find a way to mentor potential teaching artists. Be open to unconventional teaching styles. Accommodate students who aren’t comfortable in formalized educational settings by seeking out safe community spaces. Make sure to pay your artists!

What do you suggest for children’s writers of color and Indigenous writers wanting support and instruction in writing?

MG: Come to the class! We will have at least two classes focused on writing for children/young adults in the next round starting this spring. The Loft also has a new mentorship program for writers of color and Indigenous writers called Mirrors and Windows. Applications for this year have already closed but will be accepted again next summer (2019). The most important thing they can do is find a community that supports them.

SW: If you read things that resonate with you, contact the authors. Let them know their work struck a chord. Ask questions. Attend conferences and readings and classes. Ask questions. Read your work out loud. If you connect with other writers, form a group! Go to my website: sarahwbooks.com. Do you have questions? Email me! I’m happy to share resources. Keep writing. We need your voice!

 

Thanks so much for sharing your experiences with the Writers of Color and Indigenous Writers series of classes at the Loft, Marion and Sarah! To learn more about the Loft, visit https://www.loft.org. Are there any classes like these in your city? Tell us about them in the comments!

Marion Gómez is a poet and teaching artist based in Minneapolis. She has received grants from the Minnesota State Arts Board and the Jerome Foundation. Her poems have appeared in La Bloga, Mizna, and elsewhere. Her poem “Father Bought Mangos” was selected for the Saint Paul Almanac’s Impressions Project. She is a member of the Latinx spoken word collective Palabristas and works at the Loft.

 

 

 

 

Sarah is an early childhood educator who graduated from the Loft’s Master Track writing apprenticeship program in 2006. Her debut picture book, Dolores Huerta: A Hero to Migrant Workers was picked for the Amelia Bloomer Top Ten Book List and awarded a Jane Addams Peace Association Children’s Book Award honor. Her picture book about the singer Beyoncé is forthcoming from Houghton Mifflin. Sarah’s family lives in Minneapolis with their dog, Bruce Valentine. Visit sarahwbooks.com.

 

 

 

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Blast Off with Author Suzanne Slade and her new Space Book

By on October 3, 2018   /   Articles, Author Interviews, STEM  
I am so excited to be interviewing author Suzanne Slade about her new book

 

Countdown: 2979 Days to the Moon (Peachtree Publishers)

 

           Powerful free verse and stunning illustrations tell the true story of the American effort to land the first man on the Moon. In 1961, President John F. Kennedy announced that the United States would try to land a man on the Moon by the end of the decade. During the two thousand nine hundred and seventy-nine days following his speech, eighteen astronauts climbed into spaceships; three of them died before even leaving the ground. Eight rockets soared into space. And four hundred thousand people―engineers, technicians, scientists, mathematicians, and machinists―joined Project Apollo in hopes of making the dream a reality.
Award-winning author and mechanical engineer Suzanne Slade joins up with New York Times best-selling illustrator Thomas Gonzalez to tell the powerful story of the successes, failures, triumphs, tragedies, and lessons from Apollos 1 through 10 that led to the first Moon landing.

 

Junior Library Guild Selection
Starred Review Booklist, Publisher’s Weekly, and School Library Journal

 

Thanks so much for joining us, Suzanne.

 

  What first drew you to this story? Why did you feel it needed to be told? 

 

The Apollo moon missions are of great personal interest to me — probably because I have a mechanical engineering degree and worked on rockets in an earlier career.
I decided to write COUNTDOWN: 2979 DAYS TO THE MOON because I wanted to convey the struggles, successes, and surprises of the early Apollo missions that led to the first moon landing. The book covers the details of 2979 incredible days: from President Kennedy’s announcement that America should land on the moon (May 25, 1961), to Neil Armstrong’s first step on the moon (July 20, 1969.) 

 

COUNTDOWN shares notable events including Apollo 1’s deadly fire and Apollo 8’s first glimpse of the far side of the moon, as well as lesser-known details such as why Apollo 7 staged a mutiny and refused to wear helmets, and how Jim Lovell made chocolate pudding in space.  

 

Is there a reason why you think this story is so pertinent now?

 

The 50th anniversary of the first moon landing is approaching soon — July 2019. I hope this true story of courage, ingenuity, and perseverance inspires readers as they join in the celebration.
Although the Apollo missions were decades ago, their discoveries are still relevant today and important for our future.
These missions helped us to learn about the moon (it’s history, geography, how it was formed, etc.), and they continue to help scientists today learn about space, space travel, Earth, other planets, and much more. 
(Fyi – Check out the Air and Space Museum’s   “Top Ten” Apollo discoveries  list. #2 is my favorite.)

 

 I understand that it took you 8 years to complete all of the research for this book. Can you speak to how you felt during that time?

 

With any nonfiction project, I expect the research to be comprehensive and time-consuming. Since COUNTDOWN is a middle grade (I usually write picture books) about a technical topic, the research was particularly tedious and intense.
My engineering degree, and experiences at McDonnell Douglas Space Systems working on rockets for NASA, provided a technical background which helped me understand the basics of the Apollo spacecraft (Saturn V rocket, command module, service module, lunar module), but I still had a  lot  to learn. 

 

To your question, during my research for the book I felt inspired, discouraged, curious, frustrated, overwhelmed, exhilarated, and many other things. But the overriding emotion was excitement. It was thrilling to delve into the details of this amazing time and discover fascinating facts about the missions and astronauts that I’d never heard before. It was especially rewarding to write this amazing story for curious readers. I think they’ll be blown away by the astounding Apollo missions.

 

Can you give a few insights into how you found your sources?  

 

 
Of course, I focused on primary sources — NASA transcripts*,  Apollo photo archives, NASA websites, and astronaut biographies. 
Email inquiries to astronauts resulted in interviews with Alan Bean (4th man on the moon) and correspondence with astronaut Walt Cunningham.  I was unable to find contact info. for some astronauts, and  a few didn’t reply to my emails . But I was very grateful for the many reliable sources I found, and to the experts who enthusiastically helped with the accuracy of the project.
[*NASA Transcripts are public domain. Discussions between astronauts in flight and mission control are found in the   Apollo Flight Journal.  Dialogue after landing on the moon is in the  Apollo Lunar Surface Journal .]
 
I also visited museums where I studied Apollo spacecraft and space suits first-hand.  After the manuscript was complete, I asked several experts to vet the story. Thankfully, Dr. Dave Williams (PhD from NASA), and three others lent their expertise to the project.  My “Sources Doc,” which contains all the sources for the facts in the story, ended up 51 pages long.
 

 

This book is in verse. Do you write all of your books in verse? And if not, why did you choose to do that for this one?

 

Only a few of my books are in verse.  Actually, I didn’t choose this format for COUNTDOWN, the story did. 
Here’s how it happened. After years of research it was finally time to start writing, so I sat down to pen Chapter 1. To my surprise, the words came out in short, energetic lines. The text felt powerful, tense, and urgent, just like the events they described. So I kept writing in free verse. With some books, it seems the story knows how it wants to be told and the author has to go with it.

 

 Do you have a particular passion for writing STEAM/STEM books? 

 

 
Science and math were my favorite subjects all through school. In my free time now, I find myself reading about new science discoveries, watching science documentaries, or asking my son about his latest research projects, so science seems to be one of my favorite topics to write about.
 

 

Why do you think young readers would find this book interesting? Important?

 

It’s been nearly 50 years since the first moon landing. This incredible event is often summarized in history books  with a few lines or paragraphs   that discuss the Apollo 11 landing and Neil Armstrong’s first step on the moon. 

I think readers will be fascinated to discover more about the details and determination it took to get to the moon. The accomplishment of the  Apollo team, who made countless sacrifices to put the first human on the moon,  is nothing short of a miracle!

I hope COUNTDOWN allows readers to gain a deeper understanding of the the inspiring 2979 days that led to the moon landing. Also, Thomas Gonzales’ illustrations are simply stunning!  His glorious art is detailed, powerful, and emotional — just like the missions.

 

 COUNTDOWN recently released on Sept. 1. How has the book been received?

 

 
COUNTDOWN is a 2018 Junior Library Guild Selection, and has received Starred reviews from Booklist and Publishers Weekly. I was invited to present the book at the National Book Festival in Washington, DC (which happened to be the day it released,) so that was exciting. 
​
 

 

 Any new works on the horizon that you can discuss? 

 

I have two more “space” picture books releasing March 2019, just in time for the 50th anniversary of the first moon landing:   A Computer Called Katherine: How Katherine Johnson Helped Put America on the Moon  (Little, Brown) and  Daring Dozen: The Twelve Who Walked on the Moon (Charlesbridge).

 

Those books sound fabulous, too. Congratulations on all your successes!
Suzanne is generously offering to giveaway a  COUNTDOWN book mark which contains an authentic moon rock!! To take advantage of this amazing opportunity, please leave a comment below.
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