Posts Tagged immigrants

THE YEAR I FLEW AWAY~An Interview With Author Marie Arnold + #Giveaway

Welcome to my interview with author Marie Arnold and THE YEAR I FLEW AWAY – a brightly imaginative middle grade novel that will leave you in wonder and awe of a brave girl named Gabrielle.

THE BOOK

THE YEAR IF FLEW AWAY by Marie Arnold
Ages: 9 – 12
Released: February 2021
 

In this magical middle-grade novel, ten-year-old Gabrielle finds out that America isn’t the perfect place she imagined when she moves from Haiti to Brooklyn. With the help of a clever witch, Gabrielle becomes the perfect American — but will she lose herself in the process? Perfect for fans of HURRICANE CHILD and FRONT DESK.

It’s 1985 and ten-year-old Gabrielle is excited to be moving from Haiti to America. Unfortunately, her parents won’t be able to join her yet and she’ll be living in a place called Brooklyn, New York, with relatives she has never met. She promises her parents that she will behave, but life proves to be difficult in the United States, from learning the language to always feeling like she doesn’t fit in to being bullied. So when a witch offers her a chance to speak English perfectly and be “American,” she makes the deal. But soon she realizes how much she has given up by trying to fit in and, along with her two new friends (one of them a talking rat), takes on the witch in an epic battle to try to reverse the spell.

Gabrielle is a funny and engaging heroine you won’t soon forget in this sweet and lyrical novel that’s perfect for fans of Hurricane Child and Front Desk.

THE INTERVIEW

It’s wonderful to have you here with us, Marie! So excited to share Gabrielle’s story with our readers. In five words, give us an inside view into The Year I Flew Away.
Magic. Wonder. Friendship. Home. Family.

These give me the feeling of warmth and safety, but I also something very beautiful.

Gabrielle is a brave girl, immigrating to America and knowing her parents won’t be able to join her for a while. Explain how this must have felt to her and give us an example of how she handled such a challenge.
Coming to America Gabby, was both excited and scared. It was hard to leave the only home she had ever known. One of the ways she handled this new challenge was by seeking out amazing adventures. She decided to make the best of it and try to find her place in this unfamiliar land.

Brave, brave girl.💗💗💗

STORY CHARM

If Gabrielle had a life quote, what would it be?
We are stronger, together!

Such an important message!

What was the hardest part of writing this book?
Not letting Rocky (her bff and sidekick) take over was the hardest!

Haha! 😄 Now that’s funny. Can’t wait for readers to meet Rocky, too. 

You’ve utilized the character of a magical witch in Gabrielle’s story, which I love! What other sort of magic can readers expect to find within the pages?
Thank you! There are all sorts of wonders inside this book: a talking Rat, enchanted snails, and magical water rescue!

I must read this now! So many fun magical things. I highly suspects middle grade readers will love the world you’ve created.

AUTHOR INSIGHTS

How do you hope Gabrielle’s experience in the book can help educate non-immigrant American middle grade readers about the challenges immigrant students face?
I am hoping that non-immigrant readers will start to see that not being from the same place doesn’t mean not having things in common: we all want and deserve kindness and friendship. Also, our differences shouldn’t be made fun of, but something to celebrate.

Do you see yourself in Gabrielle?
Yes! I was always curious how everyone else lived and what made them American.

What makes Gabrielle different?
She’s more courageous than I am. I am more pragmatic, most times.

Share one thing about the story that you’d like readers to know.
I think every reader has what it takes to be the hero of his or her own story, just like Gabby!

Right?!! This is super wise insight.

WRITER’S CORNER

What do you feel is the biggest challenge for writers today? Any advice on how to handle this?
I think the hardest thing is to find a way to drown out all the noise and just focus. There’s always something that needs doing and writing can fall to the bottom of the list. I say make time for it, no matter what. You don’t have to sit for hours, first try writing for just twenty minutes and then add to it every day.

ABOUT THE AUTHOR

Marie Arnold was born in Port-Au-Prince, Haiti and came to America at the age of seven. She grew up in Brooklyn, New York alongside her extended family. Marie enjoys creating stories full of adventure, and wonder, which center on girls of color. When she’s not writing, she’s adding to her insanely long Netflix queue and trying not to order pizza. THE YEAR I FLEW AWAY is her debut middle grade novel. She lives in Los Angeles, CA. Stay in touch with Marie on INSTAGRAM | TWITTER | FACEBOOK

Thank you for sharing your latest release with us, Marie. Middle grade readers are in for a treat once the meet Gabrielle!

THE GIVEAWAY

a Rafflecopter giveaway

This giveaway begins today and ends on June 3rd. Winners announced via Twitter! Good luck!

South Asian Storytelling: Author Interview with Rajani Narasimhan LaRocca, and Giveaway

              

Today, I am delighted to welcome Rajani Narasimhan LaRocca to Mixed-Up Files to talk about her experience writing RED, WHITE, AND WHOLE ( Harper Collins, 2021).

  1. Tell us about your latest book, “Red, White, and Whole”. What inspired you to write this book?

Red, White, and Whole is set in 1983 and is about 13-year-old Reha, the child of Indian immigrants, who is torn between the worlds of her parents and immigrant community and her friends at school and 80s pop culture. But then her mother becomes seriously ill, and Reha is torn in a different way. The book involves the interplay between heritage and fitting in, science and poetry, 80s pop music and Hindu mythology. It’s about being caught between here and there, before and after, and finding a way to be whole.

The idea for Red, White, and Whole came to me as a metaphor: blood, and all that it means in terms of biology, heredity, and community bonds. I wanted to explore the immigrant experience from the inside—especially the personally resonant feeling of wondering whether you truly belong anywhere. The title refers to red and white blood cells and whole blood; the connotations of the colors red and white in Indian and American culture; and the colors of the American flag.

  

  1. How does your professional experience as a doctor inform you in your own writing?

Because of my background in science, I love incorporating STEM topics into my writing. My debut picture book, Seven Golden Rings (Lee & Low, 2020), features a math puzzle and an explanation of binary numbers. My second picture book, Bracelets for Bina’s Brothers (Charlesbridge, April 2021), involves very early math—pattern making. Another forthcoming picture book, The Secret Code Inside You (Little Bee Books, September 2021), explains the basics of DNA. And my third middle grade novel, Much Ado About Baseball (Yellow Jacket/Little Bee Books, June 2021), features kids who must solve math puzzles that may or may not be magical.

As I’ve already mentioned, the concept of blood is a major element in Red, White, and Whole. In the story, Reha’s mother is diagnosed with a blood cancer—acute myeloid leukemia, or AML. I did a lot of research into the disease and the treatments available in 1983, and I worked hard to make sure the medical aspects of the book were understandable to non-medical people. But the story doesn’t only explore illness. It also considers the normal functions of blood—to nourish, to heal, to protect—as a metaphor for Reha’s relationship with her mother.

  1. What was your writing process like for this story?

The writing process for this book was different from any of my other novels. I knew the general outline early on. I wanted to write this story in verse because that format, with its layers of imagery, sparse language, and use of metaphor, would allow me to tackle emotional topics without being too heavy-handed. I hoped that leaving more white space on the page would allow more room for readers to process what happens.

I had never written a novel in verse, so I read every verse novel for young readers that I could get my hands on. And in February 2019, I was lucky enough to attend a novel in verse workshop taught by Elizabeth Acevedo at the NY SCBWI conference. She gave the attendees some great tips, and we spent time analyzing excerpts from verse novels and doing a writing exercise. And a line from that exercise made it into the final version of my book!

Red, White, and Whole spent a long time in my head before I really got down to writing it. It became my “Friday night date” when I allowed myself to think about it while I worked on finishing another other novel.

Once I started writing Red, White, and Whole in December 2019, the story poured out of me in about six weeks. I was obsessed: I woke up thinking about it, and got flashes of inspiration in the middle of the night or when I was driving and had to dictate into my phone before the ideas disappeared. I had some topics that I knew would be poems from the beginning, and then I thought of other images and ideas that I wanted to explore, so I made a big list and wrote the poems as inspiration took me. Over time, I went back and put them in an order that made sense and filled in spots as needed. I asked a few trusted readers give me feedback. And then in mid-February 2020, I felt the novel was done and sent it to my agent.

  1. You have written for many different age levels from picture books to middle grade. Is there any age group you have most enjoyed working on the most? If so, why?

I’ve always been an omnivorous reader—even as a kid, I loved novels, nonfiction, comic books, comic strips . . . nearly everything. So it’s no surprise that now I’m an omnivorous writer, writing fiction and nonfiction, novels and picture books, poetry and prose.

I particularly love middle grade because the books I read from those years are the ones that have stayed in my heart. Middle grade readers are at such an important point in their lives: they seek connection with family and friends, strive to make a difference in the world, and care deeply about fairness and justice.

But I also love writing picture books—which are for children, of course, but also for the adults who read to them. And the final product, when a gifted artist illustrates your words, is nothing short of magical.

  1. What has writing this story taught you about yourself?

I knew Red, White and Whole was an ambitious project, and there were times when I was full of doubts. Did I know how to write a story in verse? Was it okay to set the novel in the 1980s? I’d put my heart and soul into this book, but would anyone else be interested in reading it?

But I couldn’t help myself—I had to write this story. And so I persevered through my doubts and allowed myself to be more vulnerable than ever before in my writing. Reha’s story is fictional, but some of the situations and many of the emotions in this book came straight from my own life.

And when I sent this book to my agent and we then sent it to editors, it became clear that this story did resonate with others—even those who don’t share my background or experiences. At its heart, this story is about love and family, friendship and belonging, and feeling pulled in different directions—and these are universal feelings, especially during adolescence.

So what did writing this book teach me? That it’s okay to be ambitious about a project. That I have the right to tell stories that are deeply meaningful to me. That baring my heart on the page can translate so that others feel it, too.

  1. What would you like to say to writers who are reading this interview and wondering if they’re good enough, or if their voices and stories matter?

There are stories that only you—you, with your own experiences, perspective, and skills—can write. So write them. Write them first for yourself, and don’t be afraid to be vulnerable. Because the more specific and emotionally true a story is, the more universal it can become. And there are people who need your stories, even if they don’t know it yet.

 

Enter the giveaway for a copy of RED, WHITE, AND WHOLE by leaving a comment below.  You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be determined on Monday, February 8th, 2021, and will be contacted via email and asked to provide a mailing address (US/Canada only) to receive the book.

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning novels and picture books. She’s always been an omnivorous reader, and now she is an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. To connect with Rajani and learn more about her and her books visit her at https://www.rajanilarocca.com/ or TwitterFacebookInstagram or Linkedin

 

A PLACE AT THE TABLE: FOOD AND FRIENDSHIP

A PLACE AT THE TABLE

I am so excited to talk about A PLACE AT THE TABLE (Clarion Books) today! I mean, who am I kidding, I always love to talk books … however, A PLACE AT THE TABLE is close to my heart. I’ve been friends with and admired authors Laura Shovan and Saadia Faruqi for years now, and Saadia is actually a former contributing author here at Mixed-Up Files, so getting to be a small part of their celebration for this work is exciting to me.

A PLACE AT THE TABLE

This collaboration between Saadia and Laura is simply lovely. A PLACE AT THE TABLE is a story of friendship, food, and fitting in, of family, connections, and trust. 6th graders Sara and Elizabeth are struggling to fit in at their middle school. Sara just transferred from the Islamic school she’d always gone to, and Elizabeth is facing a changing landscape of friends she’s always known. They wind up in the same cooking class together, one taught by Sara’s mother, and after a shaky start, wind up as cooking partners. The story of their growing friendship, the things they have in common and the things they learn about each other,  is peppered with recipes from Sara’s Pakistani culture and Elizabeth’s Jewish culture.

And guess what? Saadia and Laura shared one of those recipes with us! Woohoo! You’ll get a chance to make your own Sufganiyot as well as appreciate the lovely artwork by Anoosha Syed on the recipe card.

And now that you’re salivating, let’s meet Saadia Faruqi (L) and Laura Shovan (R):

Saadia Faruqi and Laura Shovan

Interview: A Place at the Table

Origin Story and Writing Process

Laura: I had a loose idea for a novel based on my own childhood: a girl helps her immigrant mother through the citizenship process. But when my agent suggested working on a co-authored middle-grade story, something clicked. If this mother/daughter story were told by two girls from two culturally different families, the book could give a broader picture of what it means to be first-generation American. I admired Saadia’s writing and she’d shared with me that she’d recently gotten her U.S. citizenship. It was so exciting when she said yes to this project.

Saadia: It really was this moment of serendipity! Laura and I knew each other through the kidlit world, and she’d kindly helped me with a previous novel critique, but that was the extent of our relationship. Then she had the idea of a novel about immigration, and I jumped at the chance to discuss my very strong feelings on the subject in book form!

HMC: What was your writing process?

Laura: We are very grateful for Google Docs! Since this is a collaborative novel, we had to create an outline first. We planned which scenes and chapters would be told in Sara’s point of view, and which ones belonged to Elizabeth. From there, Saadia and I alternated writing the chapters. We always read each other’s work and shared comments and questions before moving on to the next chapter.

Saadia: It was very interesting to write a book with someone else, that’s for sure! For myself, I can tell you it was a struggle initially to be patient and learn, rather than lead all the time, which are two of my biggest faults. Once I understood that this experience was not only going to be different but also wholly worthwhile to me as a writer, I relaxed a little bit. The process has been great thanks to the internet, and conference calls and so much brainstorming. I remember sometimes even writing together while on the phone with Laura, one person dictating and the other typing. It really made for a wonderful experience!

Friendship and Food

HMC: Cooking is what brings your main characters, Sara and Elizabeth, together—it’s also how they bond. Since the two of you don’t live near each other, did you do any virtual cooking together?

Saadia: We didn’t do any cooking together, only because I’m never a willing cook for anybody! While food is definitely a major part of this story, it’s not a major part of my life. But since we’d chosen Pakistani food as the backdrop of this book, it fell on my shoulders to at least participate in the cooking aspects as much as I could. So I’d find YouTube videos of each dish we wanted Sara and Elizabeth to prepare, and then Laura would cook it on her own to test it out. Often she’d share pictures on social media, and I’d wonder – like Sara – how anyone outside my community could enjoy the dishes of my ancestors. It’s been an eye-opening experience for sure, and I know Laura’s family has enjoyed being introduced to Pakistani food!

Fitting In

 HMC: Mrs. Hameed’s cooking class centered on South Asian food is also a part of how you explored some of your themes of bias and racism. Food is such an important part of culture and religion—and sometimes people can be mean about food unfamiliar to them. What do you hope your readers will think about as they read the cooking scenes?  

Laura: My hope is that readers will become more adventurous eaters after spending time with our book. I loved learning from South Asian YouTube chefs and trying out their recipes while researching A Place at the Table. As our editor said, food is often our first experience when we learn about a new culture.

Saadia: Which first-generation kid hasn’t been laughed at for bringing their stinky or weird lunch to school? It’s a heartbreaking part of immigrant life, and really the first step into disassociating with your culture in a new environment, especially for kids who just want to fit in. My hope with this book is that readers will learn to appreciate the food of other cultures, and understand that it’s something that can bring people together rather than make them stand out. 

HMC: NOTE TO OUR READERS  … don’t forget … at the end of this post, we’ve got a treat for you … Elizabeth’s Bubbe’s Sufganiyot recipe. It’s a jelly-filled donut. YUM.  

What Sara and Elizabeth Express

HMC: What was the most important thing for your character to express?

Laura: The most important thing Elizabeth expresses in A Place at the Table is speaking up when you know someone is hurting. She learns this from Sara, who makes it clear that being a friend means standing up for each other. Elizabeth is able to take that lesson and apply it to her home life, by advocating for her mother.

Saadia: I wrote this book to showcase my own children’s struggles with being first-generation kids, especially my son’s, who was in middle school when we started writing. So I wanted to express all the hurt and confusion that comes from that, but also give readers some insight into how to move past these challenges and have a positive middle school experience. 

HMC: What is the most personally meaningful part of each character’s journey?

Laura: Elizabeth’s story overlaps with my own childhood experience in many ways. Unfortunately, my mother didn’t have a close female friend to share the joys and challenges of being an immigrant with. It was especially meaningful to me to give Elizabeth’s mom a special friend in Mrs. Hameed.

Saadia: Personally, Sara’s journey towards more kindness and understanding of her own culture, and of her parents, is the most meaningful. We see her start out as a person who emotionally shuts herself away so she doesn’t have to deal with the drama at school, but she’s also hurting because there’s such a huge gap between herself and her parents culturally. It’s a common thing for first-generation kids to go through. To have Sara work through these conflicts was very important to me, because I hope my own children can do the same as they grow older. 

Coping with Stress

HMC: Elizabeth and Sara are coping with some pretty scary issues for children, including depression and financial worries, not to mention whether their mothers will pass the citizenship test. What do you hope readers will take from the way the girls coped with these stresses?

Laura: Saadia and I were part of a panel at NCTE 2019 focused on first-generation stories. One of the resources we shared was an education article that outlined several specific stressors that children in immigrant families cope with. These included mental health, finances, and loss of culture. Though A Place at the Table is a work of fiction, our aim was to accurately portray the challenges that first-generation kids experience. My hope is that readers, whether they are adults or children, will have a deeper understanding of those challenges and how they affect their students and peers.

Personal Connections

HMC: Laura, what about Elizabeth is most like you? And least like you?

I was tall and awkward (and into Doctor Who) as a sixth grader, but Elizabeth is much more brash and outgoing than I am.

((Like reading this interview with Laura Shovan? Click HERE to read another interview — from the Mixed-up Files archives.))

HMC: Saadia, what about Sara is most like you? And least like you?

I was very grumpy and prickly in middle school, just like Sara! But her artistic talents are something I could never emulate. 

((Like reading this interview with Saadia Faruqi? Click HERE to read another interview — from the Mixed-Up Files archives.))

HMC: Maddy is a challenging character. Was it difficult/painful to write her voice?

Laura: It was easy to tap into the shifting friendship story, because it’s one I experienced in middle school. The hardest part was showing why Elizabeth remained so attached to Maddy. Her view of Maddy had to change gradually through the book as Elizabeth developed a more mature view of what friendship means. 

Saadia: Maddy is, on the surface, every POC child’s nightmare! Someone who is popular and outgoing, but has loud, negative opinions about people who are different. However, we never wanted any of our characters to be cookie cutter ones, so it was important for us to explore Maddy’s motivations and give her some redemption. 

Open Mic

HMC: Open Mic Question – what else would you like us to know about Sara and Elizabeth or about A Place at the Table?

Laura: I would like you to know that I actually own Elizabeth’s TARDIS (from Doctor Who) high tops.

Saadia: I’d like you to know that Mrs. Hameed is a lot like me, except the cooking thing!

HMC: I absolutely love that you have those high tops, Laura. Coolest thing ever! And Saadia, I loved Mrs. Hameed’s calm, loving energy so much. Thank you both so much for doing this interview with me, and best of luck to you!

Laura Shovan

Author Laura Shovan

Laura Shovan – Author

 Laura Shovan’s debut middle grade novel, The Last Fifth Grade of Emerson Elementary, won several awards, including NCTE 2017 Notable Verse. Her novel Takedown was selected by Junior Library Guild and PJ Our Way, and was on the ALA’s Amelia Bloomer list of feminist books. A Place at the Table, co-written with author/activist Saadia Faruqi, publishes on August 11 (Clarion/HMH). Laura is a longtime poet-in-the-schools in Maryland. She likes to knit, bake bread, and doodle robots. 

Saadia Faruqi

Author Saadia Faruqi

Saadia Faruqi is a Pakistani American author, essayist and interfaith activist. She writes the children’s early reader series “Yasmin” published by Capstone and other books for children, including middle grade novels “A Place At The Table” (HMH/Clarion 2020) co-written with Laura Shovan, and “A Thousand Questions” (Harper Collins 2020). Saadia is editor-in-chief of Blue Minaret, a magazine for Muslim art, poetry and prose, and was featured in Oprah Magazine in 2017 as a woman making a difference in her community. She resides in Houston, TX with her husband and children. 

Launch Events and Finding A PLACE AT THE TABLE

A PLACE AT THE TABLE is available here:

  1. Bookshop.org
  2. Amazon

You can also attend these virtual launch events:

  1. Houston: Brazos Books, 8/8 at 3 pm Central Time
  2. Baltimore: The Ivy Bookshop, 8/11 at 6:30 pm Eastern Time

Anyone doing curbside pickup at the Ivy will receive some book swag.

Bubbe’s Sufganiyot Recipe

And now … at long last … the piece de resistance … the recipe for Elizabeth’s Bubbe’s Sufganiyot, featuring the artwork of Anoosha Syed.

Bubbe's Sufganiyot Anoosha Sayed