Posts Tagged Historical Nonfiction

The “Magical” Life of Author Anna Hays

Author Anna Hays
Are you a fan of magic tricks? If so, you’ll love Vanished: Seven Women Magicians Who Simply Disappeared, written by Anna Hays and illustrated by Mary Kate McDevitt. We’re excited to take a peek behind the curtain and interview the author and learn more about how she became drawn to magic.

Hi, Anna, it’s so good to have you here with us. I know our readers will be fascinated by the many experiences you’ve had with magic in your life. I’d love it if you could tell us a bit about your childhood first.

Did you have any childhood dreams for when you became an adult? If so, did they come true?

I always dreamed of righting the wrongs I saw around me. I stood up for people whenever I could. I thought about becoming a lawyer for a while, but never dreamed I would be writing books!

Did you love to read as a child? If so, can you tell us some favorite books?

I loved reading, cozying up with a book and immersing myself in another world. My childhood favorites were: The Lion, The Witch and The Wardrobe, Diary of Anne Frank, and Harriet The Spy.

 Did you do magic tricks as a child? Can you tell us your favorites?

I was fascinated by those plastic tricks you would order from the back of a comic book. I would also buy small magic sets at party supply stores. My favorites were the disappearing coin trick, cups and balls, and the all-time best one ever was writing secret messages with “invisible” ink!” That trick was very mysterious to me. I was fascinated by it.

What was an early experience where you learned that written language had power?

I think I connected with written language through lyrics in music first. Childhood songs really stuck with me and impacted me emotionally. And, of course Dr. Suess, the OG! His words, rhymes, and characters made a big impression on me, and still do!

What was your biggest fear when you were young? Did you get over it?

Hard to pinpoint just one!

What advice would you give to your younger self?

Trust myself.

When did you know you wanted to be a writer?

I always enjoyed stories as a child, but never thought I’d become a writer. I studied film, and then worked for directors in both film and theater. Those experiences introduced me to different types of storytelling – narrative, documentary and experimental. After watching and learning from those mentors, I started to discover my own voice in the process.

What is your favorite or most challenging part of being a writer?

My favorite part of being a writer is when an idea just clicks and flows. I love when I’m surprised by a sentence, insight, or an idea that comes to me when I’m in the zone and totally immersed. The most challenging part is not getting distracted by life around me and trying to stay focused and engaged with whatever story or project I’m working on at the moment.

Have you had any careers besides writing?

I’ve been a film producer for low-budget films, and I’ve worked in experience design and concept development for theme parks, animation, toys, and retail destinations.

What drew you to writing nonfiction?Book cover of Vanished

When my children were in elementary school, they were required to read a certain amount of nonfiction. I looked around and didn’t see many options for that age group. That’s changed now, but at the time, I saw an opportunity to try to cross over and write a narrative non-fiction story and see where that would lead me. That’s how Vanished came to be.

Please tell us how you became interested in magic.

I’ve always been interested in magic and so has my family. There’s an iconic private magic  club in Los Angeles called The Magic Castle where many greats have started. It’s still very much a big part of the magic community. When I first met my husband, Buzz, I  discovered he did magic and was a member of The Magic Castle, I knew it was destiny from the start! Now I get to see magic whenever I want to, and the best part is having my friends dress up (there’s a dress code) and hosting them there! It’s always a great experience.

What inspired you to write about women magicians?

When I first met Buzz, he was working on a documentary film called Conjuring Women about women magicians. Since I came from a film background, I jumped in and helped him film women magicians whenever they would come to town. Soon, I became friends with a few of them. I ended up writing a cover story on one woman magician for a popular magic magazine called Genii. I began to realize how little is known about women magicians, and certainly women magicians from the past. I began to research and uncover the most remarkable women who were headliners and played to sold-out, enthusiastic crowds, who led incredible lives, and yet who had essentially been forgotten from history. I felt inspired to bring them back into the spotlight.

Can you tell us a little about the women in Vanished?

Each of the women lived such different lives and yet they each started as young girls who dreamed of a life of magic and adventure.

Anna Eva Fay came from a poor farm family in rural Ohio and emerged as one of the most famous mediums of her day. Adelaide  Herrmann was born to wealth but ran away to join the circus to become a dancer, a trick rider, and eventually a headlining illusionist. Annie Abbott came of age after the Civil War to become a strong woman, an “electric girl,” who claimed to possess electrical powers that could overtake any man who challenged her onstage, including the strongest men in the world. Talma, a delicate and rare beauty, would become known as the “Queen of Coins” for her palm artistry and extraordinary coin manipulation. Bess Houdini, the talented wife of famed magician, Harry Houdini, began her career as a singer and dancer, performed magic alongside Harry, and after his untimely death, carried on his legacy and became his gatekeeper. Minerva, was an escape artist who broke through chains and shackles while submerged in icy rivers in front crowds of thousands. And, Ellen Armstrong, the first African American woman headliner whose artistry, charm, wit, and storytelling set her apart as a true original and groundbreaker.

Do you have a favorite of the magicians?

I wouldn’t dare name one! I don’t want to stir up any spirits.

Can you tell us about connecting with the famous magician David Copperfield?

My husband met David Copperfield at a convention in Las Vegas. After they met, David invited our family to his show and then for a visit to his private museum, which was in a secret location in an unmarked building. During the visit, he introduced me to his archivist and gave me free reign to explore his amazing world-renowned magic collection. I spent the next few days there immersed, surrounded by posters, faded scrapbooks, costumes, props, articles, books, and photos. David has been a big supporter of the book and allowed me to use images in Vanished from his collection!

What was one of the most interesting facts you learned while researching?

It was hard to imagine how difficult it was to travel as a performer during the Age of Magic. Each of the women magicians relied on live performances to survive, so needed to tour for most of the year. They took steamships, trains, sometimes even traveling by horse and buggy and donkeys too! It took perseverance and grit to accomplish what they did and to forge successful careers when there was no precedent.

Did you have to leave anything out of this book that you wished you could include? If so, what?

I stumbled upon other fascinating characters during my research who mixed with the leading ladies in the book. I would have liked to have explored some of the more incidental characters like the skeptics, journalists, and other competitive acts.

What do you hope readers will take away from your book?

I hope readers will be inspired by the women magicians in Vanished who took chances, followed their dreams and ambitions, developed their passions and talents, and went for it, despite the obstacles and odds against them. They believed in themselves and I hope the readers get that message – to value themselves, nurture their talents, and take chances, even if it feels scary.

Can you tell us about some of your other books?

My first two books, Portia’s Ultra Mysterious Double Life and Portia’s Exclusive and Confidential Rules on True Friendship, features girl detective, Portia Avatar. Portia is a 12-year-old girl who goes on a search for her father, and during her journey uncovers hidden truths about her mother, close friends, and other characters in her small town of Palmville.

I also created an original series, Spark Squad, for Scholastic Book Clubs Originals that follows a group of high school girls who form an after-school tech club that helps fellow classmates fight bullies and solve other pressing teenage issues.

And, for Disney Press, I wrote Stealing Starlight as part of a fantasy series called Star Darlings created by Shana and Ahmet Zappa.

What are you working on now?

I’m working on a new book that also features women from the past. It’s under wraps for now. I’ll share more about it soon!

Is there anything else you’d like us to know?

Can’t think of anything at the moment… Thanks for including me in your very cool website and blog!

Thank you for being here! We’ve loved learning more about your “magic” life and book. I’m sure readers will be eager to read your fascinating book.

ABOUT THE AUTHOR

Anna Hays is a writer and producer. She is the author of Vanisheda nonfiction portrait of the forgotten lives of famed women magicians who disappeared from history. She is also the author of Stealing Starlight for Disney Press’s Star Darlings fantasy series; Spark Squad, an original series developed for Scholastic Book Clubs; and Portia’s Ultra Mysterious Double Life and Portia’s Exclusive and Confidential Rules on True Friendship, a middle grade series for Simon and Schuster. Anna lives with her family in the woodlands near Los Angeles.

ABOUT THE BOOK

Vanished: Seven Women Magicians Who Simply Disappeared

By Anna Hays

Illustrated by Mary Kate McDevitt

Discover the amazing illustrated stories of seven women magicians who pulled off spectacular and death-defying illusions and acts, achieved global fame, and then simply…disappeared.

During the Golden Age of Magic from 1860 to 1930, seven women magicians in America defied Victorian conventions and created a unique place in history for themselves and future performers to come. There was Anna, the mindreader; Adelaide, who could float in midair; Talma, who could magically shower the stage with gold coins…and many more!

During a time when women were typically confined to the home, these trailblazers crossed oceans on steamships and traveled the globe bringing their imaginative brand of magic to audiences around the world. They followed their hearts and pursued their dreams of performing magic in the spotlight when women had neither a vote nor a voice in America.

They made history. Yet once their career ended, so did their legacy.

For decades their stories were hidden, or overshadowed by male counterparts, but now they’ve come to life in this vibrant and captivating book.

Diversity in MG Lit #17 July 2020 Historical Fiction and Non-fiction

Historical fiction was one of my favorite genres as a MG reader and it’s one of my favorite to write now. Here is a collection of new and recent historical books. In these turbulent times I’m finding comfort in seeing the many difficult things humanity has overcome in the past.
What the Eagle Sees: Indigenous Stories of Rebellion & Renewal by Eldon Yellowhorn & Kathy Lowinger, Annik Press, 2019 This is non-fiction at its finest. Each chapter could be extended into an entire book but the authors have kept it concise and vivid with clear explanations, photographs of artifacts, frequent sidebars and maps. The collected stories of indigenous resistance to colonization and oppression is clearly and fairly portrayed. Their past and ongoing efforts at renewal and repair are inspiring. This should be required reading for every history teacher and will find a welcome place in the hearts of many history-loving students. Science teachers will also appreciate the care taken in describing how archeologist work to give evidence of historic events. This is the best non-fiction book I’ve read in a very long time!
Superman Smashes the Klan by Gene Luen Yang art by Gurihiru Here’s a rarity, a graphic novel within the realm of historical fiction. Based on a radio show from 1946, it portrays Superman standing up for a Chinese American family who has moved out of Chinatown and into a Metropolis neighborhood. It has all the action and derring do you’d expect from a comic book but it also shows Superman coming to terms with his own status as an alien. Extensive back matter chronicles the history of the KKK, the role of comics in American culture and the treatment of Asian Americans during and after WWII. The Klan is often portrayed as operating only in the south and fueled solely by racial hatred. I appreciated the setting on the west coast where white supremecist organizations have a long history. I also appreciated it when the leader of the racist organization in the story is revealed to be more interested in milking his gullible membership for money than anything—an aspect of white supremicist’s groups that is often overlooked.
Never Caught, the story of Ona Judge, George & Martha Washington’s courageous slave who dared to run away by Erica Armstrong Dunbar & Kathleen Van Cleve, Aladdin, 2019.
This is the young readers edition of the story of a slave in the George & Martha Washington household who escaped successfully and lived out her days in freedom. This is a balanced story that deals with the Washingtons as slave owners clearly without dwelling over much on violence or degradation. For example, for part of her life Ona was Martha Washington’s favorite slave and so had a room adjoining the Washington’s bedroom. The text says only that it was common for female slaves to be assaulted by their owners, without elaborating. This careful approach gives the reader the option to stop reading and ask for more context or move past the information that might be too overwhelming. There are primary source documents, a timeline, and extensive source notes.
Tooting my own horn here, like the above Never Caught, my title Last of the Name, is a finalist for the 2020 New York Historical Society History Book Prize. If you are a fan of historical fiction set in the US, this is a great place to look for solid titles year after year.
Last of the Name is about Danny and Kathleen, young orphaned Irish immigrants during the American Civil War. It encompasses the events of the Civil War Draft Riots, the most violent race riots in US history and a topic seldom addressed in either fiction or non-fiction. It also touches on the beginnings of vaudeville and the power of traditional ethnic music and dance to give an immigrant community strength and help them find each other in new surroundings.
I confess that I never wanted to be a writer when I was growing up but a career as a circus flyer held great appeal. Orphan Eleven by Jennifer Choldenko is the book my 11 year old self would have loved. It follows the adventures of four orphans who escape the worryingly named Home for Friendless Children to find work and community in a traveling tent circus. It features a character who is an elective mute and takes place in 1939.
Saving Savanah by Tanya Bolden takes a look at the turbulent year immediately after the First World War through the eyes of a young woman from the African American upper class.The story touches on class conflict within the African American community, womens’ suffrage, and the ravages of Jim Crow laws and the influenza epidemic. Eye-opening reading for older MG readers.
Prairie Lotus by Linda Sue Park travels the same time and territory as the well-known Little House on the Prairie series by Laura Ingalls Wilder. This story follows Hanna Edmonds a Chinese American 15 year old who moves east from California with her widowed father to a small town in South Dakota. There she strives against prejudice to complete her schooling and open a dressmaking shop with her father. Period detail and a middle grade sensibility make this a perfect choice for 9-14 year old readers.

Historical Hysteria

What is it about history that makes it so intriguing? Our innate desire to understand where we came from? The challenge of figuring out how we came to be where we are today? The drama of past events and the personality of the characters involved? A drive to dig deeper into the facts of history to pull out a somewhat complete story?

All the above?

Whatever the reason, the power of history draws us in like no other area of human study. History seeps into the cracks of everything because everything has a history. The middle-grade years are not immune to the magnetic draw of history. In fact, it is probably at this age where history is most appealing.

History is more than facts and dates. It lived and breathed. Each historical event documented in a single paragraph of a textbook has been distilled, sifted, cleaned up, manipulated, and finally written from a library-sized store of viewpoints, documents, accounts, and physical artifacts. That is the beauty of history. It is alive. It is vibrant. It shifts and changes with discovery and time.

As a reader and a writer, I am crazy over history. Researching history is a rabbit hole for me. I often get lost in the deep forest of the topic and have to force myself back on the intended path, while jotting notes of interesting things found in the deep forest, of course. I do have a special place for history. Maybe it’s because I’m creatively still stuck in a middle-grade mindset. Maybe it’s because history is a nice balance to my professional life in science.

Whatever the reason, I am drawn to history, especially the American Civil War. Growing up in Kansas City, I have a particular interest in the Border War between pro-slavery Missouri and Free State Kansas. This conflict was the lit match that ignited the powder keg of the Civil War. So many little stories surround American Civil War and the wealth of information in diaries, personal accounts, newspapers, magazines, photographs, and books, provides resources. A writer’s dream.

One of the beautiful things about history in literature, besides there being a nearly infinite source of subject matter for the writer or reader, is its seamless integration into both fiction and nonfiction. A piece of history works in historical fiction as a dramatic foundation on which to build the fiction upon. The piece of history performs just as well as the central component in nonfiction, where the actual facts and occurrences are under the spotlight. Narrative nonfiction appeals to me, in particular, because it artfully weaves the facts to present them as an engaging story.

As we stand at the edge of the winter/holiday season and contemplate a “historical” reading list for those long, cold, windy nights (at least like we have here in Kansas), I’ve assembled two TBR suggested titles list of historical middle grade books. The first is a historical fiction list of middle grade books with a heavy influence of time, place, and event. The second list is historical nonfiction, many of the narrative variety. (I feel I should probably apologize for the large percentage of the nonfiction list being from Steve Sheinkin, but HIS BOOKS ARE AWESOME. It is no small wonder middle grade readers flock to his books where history not only comes alive, but jumps off the page.)

Each list consists of ten books. Each list could have easily have been 50 books. There is so much great middle grade historical fiction and nonfiction out in the world it was hard to leave fabulous books off my lists. Since there exists a finite amount of bandwidth, though, the self-imposed limit was set at ten. If you have favorite historical middle grade books to add or comments on my humble list, please leave a comment. I am always looking for more historical reads.

Ten TBR Historical Fiction Titles

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1. OKAY FOR NOW by Gary D. Schmidt
Troubled family life in 1968 New York.
2. IN THE FOOTSTEPS OF CRAZY HORSE by James M. Marshall III
A modern retracing of Crazy Horse’s life in the 1870’s by a grandfather to his grandson.
3. JASPER AND THE RIDDLE OF RILEY’S MINE by Caroline Starr Rose
The Klondike Gold Rush, 1896
4. HOW I BECAME A GHOST by Tim Tingle
Choctaw Trail of Tears, 1831
5. ONE CRAZY SUMMER by Rita Williams-Garcia
Civil Rights in Oakland, CA, 1968

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6. MOON OVER MANIFEST by Clare Vanderpool
1918 WWI & 1936 Depression in Southeast Kansas
7. HIDDEN ROOTS by Joseph Bruchac
Native identity in upstate NY in 1950 and the Vermont Eugenics Survey ~1930’s
8. BOXERS AND SAINTS by Gene Luen Yang
China’s Boxer Rebellion in 1900
9. WEDNESDAY WARS by Gary D. Schmidt
Long Island, 1967-68. Vietnam, religious identity
10. THE BIRCHBARK HOUSE by Louise Erdrich
1847 Ojibwa community in Lake Superior region

Ten TBR Historical Nonfiction Titles

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1. MARCH Graphic Novel Trilogy by John Lewis and Andrew Aydin, illustrated by Nate Powell
2. THE NOTORIOUS BENEDICT ARNOLD: A TRUE STORY OF ADVENTURE, HEROISM & TREACHERY by Steve Sheinkin
3. LINCOLN’S GRAVE ROBBERS by Steve Sheinkin
4. BOMB: THE RACE TO BUILD—AND STEAL—THE WORLD’S MOST DANGEROUS WEAPON by Steve Sheinkin
5. BROWN GIRL DREAMING by Jacqueline Woodson

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6. PARROTS OVER PUERTO RICO by Susan L. Roth and Cindy Trumbore
7. UNDER SIEGE! THREE CHILDREN AT THE CIVIL WAR BATTLE FOR VICKSBURG by Andrea Warren
8. PHINEAS CAGE: A GRUESOME BUT TRUE STORY OF BRAIN SCIENCE by John Fleischman
9. TILLIE PIERCE: TEEN EYEWITNESS TO THE BATTLE OF GETTYSBURG by Tanya Anderson
10. UNDEFEATED: JIM THORPE AND THE CARLISLE INDIAN SCHOOL FOOTBALL TEAM by Steve Sheinkin