Posts Tagged Diverse

WNDMG Wednesday: Author Interview with Aida Salazar

Ultraviolet cover with a young Latina boy in technicolor

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WNDMG Wednesday: Author Interview with Aida Salazar

Welcome to WNDGM Wednesday. I’m so excited to be able to introduce you and interview accomplished award-winning author Aida Salazar today. Aida’s newest book is Ultraviolet (Scholastic) and it launches on April 2, 2024.

I absolutely love anything Aida writes. I am specifically a huge fan of her verse novels- A SEED IN THE SUN and LAND OF THE CRANES made me feel so much emotion while reading, and I hung onto every word of gorgeous poetry.

I cannot wait to dive into this new book!

I encourage everyone to buy a copy for themselves and their classrooms and libraries.

ultraviolet cover with a young Latina boy

About ULTRAVIOLET

Description taken from online:

Sometimes life explodes in technicolor.

In the spirit of Judy Blume, award-winning author Aida Salazar tells it like it is about puberty, hormones, and first love in this hilarious, heartwarming, and highly relatable coming-of-age story. Perfect for fans of Jason Reynolds, Kwame Alexander, and Adib Khorram.

* “Stunning…A story that sings to the soul.” ―Kirkus Reviews, starred review

* “A compassionate verse novel about first love, heartbreak, and vulnerability. ” ―Publishers Weekly, starred review

“This important and intensely relatable tale perfectly captures the angst of growing up. A true gift to maturing tweens everywhere.” ―Ernesto Cisneros, Pura Belpré award-winning author of Efrén Divided

For Elio Solis, eighth grade fizzes with change―His body teeming with hormones. His feelings that flow like lava. His relationship with Pops, who’s always telling him to man up, the Solis way. And especially Camelia, his first girlfriend.

But then, betrayal and heartbreak send Elio spiraling toward revenge, a fight to prove his manhood, and defend Camelia’s honor. He doesn’t anticipate the dire consequences―or that Camelia’s not looking for a savior.

Hilarious, heartwarming, and highly relatable, Ultraviolet digs deep into themes of consent, puberty, masculinity, and the emotional lives of boys, as it challenges stereotypes and offers another way to be in the world.

Interview with Aida:

I loved getting to talk to Aida about her new book and I think you will enjoy meeting her and Elio as well.

SSS: What a heartfelt description! I was intrigued right away- and I cannot wait to see how Elio’s story unfolds.

 What is the inspiration behind ULTRAVIOLET?

 

AS: The initial idea for the book came from my son, João, and his friend, Mario, who after I’d written about a Latina girl’s coming of age in The Moon Within, insisted that I write one from a boy’s perspective. Mario said, “Ms. Aida, you have to write The Sun Within.” “Yeah, mom, when are you going to write a book for me?” my son added. They wanted to see a book that showed their inner lives and brought up conversations about puberty, first crushes, gender, and rites of passages—conversations that echoed who they were as cis Latino boys.

SSS: As a mom of an almost-teenage boy, I am so protective over him. He is such a sweet emotional boy, and I love that the description honors the emotions of young boys. What emotions do you think young men feel as they grow into maturity?

AS: Our patriarchal societies have made boys victims as much as girls and women and gender expansive people. We don’t allow boys space to explore the tender parts of themselves – love, anger, rejection, grief, and hormonal confusion. They are raised to bury feelings—to be “macho” and “man up.” We rarely provide safe spaces and ways for them to move through tough feelings or offer guidance on how to rise above them. It is a huge tragedy, really. When boys deny this very human part of themselves, it deeply impacts their relationships as they grow into men. And in that loss, in that wound, they sometimes treat others with the same hurt they feel or worse. Girls and women often bear the brunt of that wound, as we have seen by the violence and wars in our society today. Through Ultraviolet, I want to offer boys examples of undoing toxic masculinity and how they can find strength through nurturing their sensitivity and vulnerability.

 

SSS: I love your answer! As a mom of a young tween who is Syrian American, I worry about how the world will view my little boy, especially with stereotypes about Muslims and Arabs. As a Latine author, does your role as a mother play a part in the stories you write? How does Elio’s book play out differently than it would for someone who was not Latine?

AS: Absolutely. I have a teen son and daughter and their lives as bi-cultural, multi-racial youth inspire me. What they have to deal with as young people is unprecedented in the history of humanity because of technology and as our racism and intolerance grows. Brown and Black children and other kids of color in particular are ever more vulnerable. But I do believe in the power of education, collective organizing, and efforts to make the world a better place. Young people have a strong moral compass and I only hope that is going to be the guide that will help them not only navigate but rise above and help solve some of the most troubling issues in the world. And some things, like love, heartbreak, and puberty are evergreen. I am hopeful that the universal experiences like those found in Ultraviolet will help boys (no matter the background) understand their hearts and where they might contribute to their own and others healing through justice.

SSS: The subject of puberty is such an important topic! I am excited to see more books centering these important coming of age stories for our young ones who may feel confused as their body’s changes.

AS: Indeed! There are only a handful of books like Ultraviolet. I had a conversation with Varian Johnson and John Schu at a conference about the need for a book like this. There was so much to explore in middle grade fiction and so much of it was hilarious! I challenged them to write one because I felt like it needed to come from a boy/man’s perspective. I think John might have a memoir coming which sounds beautiful. But when my son and his friend specifically asked me for it, I knew I couldn’t say no. This one, is my interpretation of a boy’s life as a mother and feminist.

 

SSS: Will there be more Elio (or other middle grade verse novels) in the future?

AS: Yes! I have a secret project that might involve Elio and might involve another character from another of my books. Writing these characters are pure joy. I know them so well and can’t wait to write them a new narrative with new adventures in growing up. Of course, in verse!

 

SSS: Ahhh! Amazing- I cannot wait!!

 

Link to preorder here.

Writing Process

 

SSS: When did you start writing Ultraviolet and was the process a long one?

AS: Ultraviolet was actually a graphic novel before it was a verse novel. I made the move on the suggestion of my editor at Scholastic, Tracy Mack. I struggled to transition from one to the other but then I gave it a shot. Once I wrote the opening poem, I was hooked on Elio’s voice and couldn’t stop. I wrote the first draft in about three months but the editing process took another six months. We worked hard to get the story as clear, as fun, as poetic as can be.

 

SSS: Wow so interesting!

As a fellow middle grade verse novelist, I LOVE reading verse. How do you write your verse books- do they start out as verse in your mind while you write, or do they end up that way along the revision process (as happened with me!)

AS: Yes, the characters come in verse and stay that way. I am a student of Linda Sue Park’s philosophy of writing voice in fiction. She says that “voice is word choice, rhythm, and punctuation.” I explore this wisdom from a poet’s perspective. Writing poetry gives us all the tools we need to articulate these elements of voice with an extra layer of artfulness and intention. For instance, rhythm or the song or musicality of a line is crucial to poetry. Many fiction writers don’t think about this as deeply as poets. Also, poetry needs for us to use precise and economic language. To make a line artful. How you do that is what will set the voice apart. I try to make it so that each character can be their own person, with their own artful word choice, with their own song, certainly not mine or an adult’s, so they emerge as their own poet.

SSS: One hundred percent- poetry is so special and the voice in your books always stands out beautifully!

Any advice for fellow middle-grade authors? For Debuts?

 

AS: Lean on community, be tenacious, be okay to fail or be rejected, and give yourself grace. These things have made me continue in this business when times have been tough. Onward!

For more verse novels- check out this previous Mixed-Up-Files Post!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

AS: Ultraviolet though it might seem a light-hearted and somewhat superficial experience, really is about undoing so many hurtful practices. It takes a look at the reasons why we hurt others. There is a line in the book by Fernando, one of the leaders of the sons and fathers’ group that urges Elio to reflect when he wants to lash out against his ex-girlfriend, “Just because someone hurts you doesn’t mean you have to hurt them back.” I think about the relevance of this line and the current genocide of Palestinian people by Zionists. It is my hope that young people will understand that our wounds, as deep as they are, will never be resolved with violence. My intention was to write a feminist book for boys, to dismantle and free ourselves from these oppressive patriarchal ideas.

Thank you so much Aida for answering my questions and with such thoughtfulness and honesty! I hope everyone picks up a copy of your beautiful book.

picture of author Aida Salazar

About Aida Salazar:

Aida Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. She is the author of the middle-grade verse novels The Moon Within (International Latino Book Award Winner), Land of the Cranes (Américas Award Winner), A Seed in the Sun (Tomás Rivera Book Award), the picture book anthology, In the Spirit of a Dream, and the picture book biography Jovita Wore Pants: The Story of a Mexican Freedom Fighter (Caldecott Honor). She lives with her family of artists in Oakland, California.

Website: www.AidaSalazar.com    

Twitter: @aida_writes

Instagram: @aida_writes

TikTok: @aida_writes

 

Diversity in MG Lit #43 March & April 2023

cover art Indigo and Ida

Diversity in MG Lit

It’s the beginning of May, but March and April were big months for diversity in MG Lit book releases, so I’m going to recap and highlight a few standouts and ask you to mention those I’ve missed in the comments. As usual I’m going to focus on debut authors and diverse representations that most need amplification.
book cover The StorytellerHappy to see a debut MG book from acclaimed Cherokee author Brandon Hobson, The Storyteller. Ziggy is already dealing with anxiety and the disappearance of his mother only makes things worse. In a search for answers about where his mother (and so many other Native women) have gone Ziggy is drawn to a nearby cave and the story tradition of the Cherokee for answers. (Scholastic Press, 4/18/23)
book cover Good DifferentBooks about neurodivergent girls are few and far between. I was thrilled to find Good Different by Meg Eden Kuyatt. Selah is an autistic seventh grader learning to embrace her inner dragon while still taking responsibility for her actions. The novel in verse format gives Selah’s story an engaging pace and emotional power. (Scholastic Press, 3/7/23)
book cover Parchute KidsTwo graphic novels caught my eye this month, both with Asian-American protagonists. Squished by Megan Wagner Lloyd and Michelle Mee Nutter is about the second oldest daughter finding some autonomy and space to make her art in a family of seven siblings. A large family is its own culture beyond race and ethnicity. I belong to a big family and found lots of scenes here that resonated. (Graphix 3/7/23) Parachute Kids by Betty C Tang is about being left in America with siblings or relatives while parents remain behind in an Asian country. (Graphix 4/4/23)
book cover BoundlessTwo stories about African-American athletes will appeal to sports fans. Colin Kaepernick Change the Game by Eve L Ewing and Orlando Caicedo is a graphic novel (Graphix 3/7/23). Track and field fans will devour the story of national champion, world champion, and four time Olympian, Chanunté Lowe in her debut MG biography Boundless. (Scholastic focus 3/7/23)
book cover Once There Wasbook cover The Scroll of ChaosAnd finally there are four notable additions to the genre of MG protagonist meets magical creatures and discovers hidden powers. They are Once There Was by Kiyash Monsef (S&S 4/423), Momo Arashima Steals the Sword of the Wind (Labyrinth Road RH 4/4/23), Hamara and the Jungle of Memories by Hanna Alkaf (HC 3/28/23), and The Scroll of Chaos by Elie Chapman (Scholastic Press 3/7/23)
As always this is only a small sample of the diverse books published in March and April. If I’ve missed something, do mention it in the comments.

WNDMG WEDNESDAY – HAPPY BIRTHDAY TO IDA B. WELLS

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

 

Happy Birthday Ida B. Wells

This month on We Need Diverse MG (WNDMG), we celebrate the July 16 birthday of Ida B. Wells. The 19th -century journalist, author, and activist would be 160 years old this year.

Sepia toned photo of Ida B Wells - she wears a high-necked gown and her hair is up in a bun with curls framing her face. Her gaze is off to the side and wears a serious look.

Test Your Ida Facts

To honor her birthday, I’ve put together a little booklist and a quiz … see if you can guess True or False for each of these statements about Ida B. Wells (answers below):

  1. She was born into slavery.
  2. She was an elementary school teacher.
  3. She started her journalism career by writing for a white newspaper.
  4. She marched at the back of the procession in the 1913 Woman Suffrage Procession.
  5. She campaigned for anti-lynching laws.
  6. She married young.
  7. She visited the White House.
  8. While riding on a train to work one morning, she was asked to move from the White car to the Black (Jim Crow) car. She did so quietly, vowing to dedicate her news career to fighting Jim Crow laws.

Profile shot in sepia tones of Ida B Wells, a Black woman with her curly dark hair in a bun wearing a lace ruffle shirt

 

Answer Key:

  1. T: She was born in 1862, before the end of the Civil War emancipated enslaved people.
  2. T: Her parents died of Yellow Fever when she was only 16. To keep her brothers and sisters from being separated and farmed out to various relatives, she pretended she was an adult and got a job as a teacher.
  3. F: She started her journalism career writing for a Black newspaper that was part of a social group she participated in, where they wrote and performed speeches.
  4.  F: March organizer Alice Paul asked to her to march in the back, to accommodate the wishes of the Southern women, but she refused. She marched in the middle of the parade along with the white women who had come with her from her home state of Illinois.
  5. T: She wrote tirelessly about the crisis of lynching, and she used data-driven investigations to bolster her call for anti-lynching laws. Her data clearly supported what the Black community already knew: that the number of lynchings skyrocketed after Reconstruction and that they targeted mostly Black men, but also Black women. She also gave speeches all over the country and in the UK to drum up support for anti-lynching laws, but they were never passed during her lifetime.
  6. F: She didn’t marry Ferdinand Lee Barnett until she was 33, which was considered old in her time.
  7. T: She visited President William McKinley at the White House in 1898 to lobby for her anti-lynching law.
  8. F: She did not quietly leave the white car for the Black car… she protested and refused. Ultimately, the train conductors threw her off the train!Black and white photo of Ida B Wells with her hair in signature bun and wearing a high-necked gown with a pin at the neck

Learn More About Ida B. Wells

  1. Ida B. Wells, Voice of Truth: Educator, Feminist, and Anti-Lynching Civil Rights Leader, by Michelle Duster (Henry Holt and Co.) January 2022 *NOTE: Michelle Duster is Ida B. Wells’s great-granddaughter.

  2. Discovering History’s HEROES: Ida B. Wells, Fighter for Justice, by Diane Bailey (Aladdin) August 2019Amazon.com: Ida B. Wells: Discovering History's Heroes (Jeter Publishing): 9781534424852: Bailey, Diane: Books
  3. Who was Ida B. Wells? By Sarah Fabiny (Penguin Workshop) June 2020Who Was Ida B. Wells?: Fabiny, Sarah, Who HQ, Hammond, Ted: 9780593093351: Amazon.com: Books
  4. It’s Her Story, Ida B. Wells (Graphic Novel), by Anastasia Magloire Williams (Sunbird Books) November 2021

5) Indigo and Ida, by Heather Murphy Capps (Carolrhoda Books/Lerner) Launching April 2023

((COVER NOT YET RELEASED))

((Like booklists featuring activists and journalists? Check out this and this post from MUF))

Ida Fought Today’s Battles

Yes, you read that right — the last book on the list is actually my debut! I’m so excited to join the collection of books about this amazing woman.

My book, INDIGO AND IDA, illustrates many of the pivotal moments in Wells’s life you just read about in the above T/F activity. That exploration happens as my main character, Indigo, reads (historical fiction) letters from Ida. Indigo is a 21st-century middle-school journalist, but what she realizes is that many of the battles Ida fought during her lifetime are the same or similar to the ones Indigo herself faces.

Ida knew she would not be able to finish the social justice work she so tirelessly pursued her whole life, but with her body of work, she left a powerful legacy of activism for future generations to pick up and carry to the finish line.

Happy Birthday, Ida, and thank you.