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Breaking the News Blog Tour Activity and Giveaway

 

Welcome to the Breaking the News Blog Tour!

To celebrate the release of Breaking the News by Robin Terry Brown on October 13th, blogs across the web are featuring original content from Breaking the News, plus 5 chances to win a hardcover copy!

Learn to Detect Phony Photos

by Robin Terry Brown

Technology has made it so easy to alter photos that it can be hard even for professionals to tell if a photo is real or fake. Some experts specialize in “photo forensics,” using special software to detect false photos. But you can use these simple tricks to tell if a photo D might be a fake: 1 Look at the shadows. The light should be on one side and the shadows should be on the other. And all of the shadows should be at the same angle. If the shadows look off, that’s a sign that something may have been altered. 2 Does someone’s head look too big, or is a person’s body positioned at a strange angle? That could be a sign that two images have been combined into one. 3 Does it look like anything in the photo has been duplicated, with the same image appearing more than once? 4 If a photo looks suspicious, try doing a reverse image search. The search will show you where else the image has appeared online. If it shows up with details that are different from the ones you are seeing, that’s a sign that the photo is doctored.
Click to enlarge
Click to enlarge
Answers (highlight to reveal): [A. The same flower is repeated multiple times, and did you notice the duplicated clouds? 
B. This shot is missing shadows, and the people are too big in relation to the mountain. C. The fireworks are drawn in and seem to come out of the ground. Look closely, you’ll see mountains in the background. But this is Brandenburg Gate, located in Berlin, Germany—a big city that’s not near a mountain range.
D. These grizzly bears look “pasted” into the scene. They don’t look natural. 
E. This cuddly panda mother and cub sure are sweet, but they appear cut out and placed in this bamboo setting. 
F. Several duplicate groups of people are sitting on the grass.]

*****

Blog Tour Schedule:

November 2nd – Bookhounds

November 3rd – Word Spelunking

November 4th – Always in the Middle

November 5th – From the Mixed-Up Files

November 6th Feed Your Fiction Addiction

 

“Robin Terry Brown’s ‘Breaking the News,’ written in consultation with several journalism luminaries, is laid out the way magazines used to be, with captivating images, bite-size fact-filled blurbs and intuitive design. “Breaking the News” urges young people to leave their social media feeds and “read reliable news and information from many different sources.”
The New York Times
“[Breaking the News] provides a sharp-looking survey that examines the history of news-how it began, how it evolved, and what consumers of all ages must consider before accepting a truth as the truth. Cool bits of history, funny hoaxes, and the scary reality of propaganda are packed in simple bites easy to absorb. Excellent design and a clear narrative help readers navigate the vast and fast-changing concept of news.”
―Kirkus STARRED REVIEW
 

 

Visit the WebsiteRead an Excerpt

Educator Guide

Follow National Geographic Kids: Website | Twitter | Books Twitter | Facebook | Youtube
Headlines leap out at us from mobile phones, TV screens, computers, newspapers, and everywhere we turn. Technology has opened up exciting new ways to tell interesting stories, but how much of it is news … and how much is just noise? This refreshing and up-to-date media literacy book gives kids the tools they need to distinguish what is fact from what is fiction so that they can make smart choices about what to believe.
Topics cover a broad range, from defining freedom of speech, the journalists’ code of ethics, the dangers of propaganda, and the future of news.
Packed with profiles of influential journalists, fun facts, and iconic photographs, this ultimate guide to the information age will get kids thinking about their relationship and responsibility to media.

 

About the Author: ROBIN TERRY BROWN graduated from the master’s program at Northwestern University’s Medill School of Journalism with a passion for writing, editing, and getting the facts straight. She carried this passion throughout her 17-year career as a senior editor with National Geographic. Brown currently lives with her husband in northern Virginia, where she works as a writer, editor, and truth-seeker.
SUSAN GOLDBERG, contributor, is an award-winning journalist, editorial director of National Geographic Partners, and editor in chief of National Geographic magazine. Prior to National Geographic, Goldberg was an executive editor at Bloomberg News in Washington, D.C. She has also held posts at several news organizations, including The Plain Dealer, San Jose Mercury News, USA Today, the Detroit Free Press, and Seattle Post-Intelligencer. In 2017, Washingtonian magazine named Goldberg one of Washington, D.C.’s most powerful women.
Follow Susan: Instagram | Twitter
GIVEAWAY
  • One (1) winner will receive a hardcover copy of Breaking the News
  • Check out the other four stops for more chances to win
  • US/Can only
  • Ends 11/15 at 11:59pm ET

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Exploring THE PLACES WE SLEEP with Author Caroline DuBois

I have a new guest for you, today! She’s written a tender, moving tale in verse that journeys a young girl through everyday details while living during a time of national crisis. The first words of this story made me pause and take notice. And the rest, poked me right in the heart to the end. The writing is beautiful and real, the story is important, and the growth of the main character is hopeful. I’m very excited to share The Places We Sleep with you and welcome Author Caroline DuBois to share her thoughts about the book.

Hi Caroline! It’s wonderful to have you visit our Mixed-Up Files family. Let’s share your beautiful cover and story with readers first.

THE PLACES WE SLEEP

by Caroline DuBois

A family divided, a country going to war, and a girl desperate to feel at home converge in this stunning novel in verse.

It’s early September 2001, and twelve-year-old Abbey is the new kid at school. Again.

I worry about people speaking to me / and worry just the same / when they don’t.

Tennessee is her family’s latest stop in a series of moves due to her dad’s work in the Army, but this one might be different. Her school is far from Base, and for the first time, Abbey has found a real friend: loyal, courageous, athletic Camille.

And then it’s September 11. The country is under attack, and Abbey’s “home” looks like it might fall apart. America has changed overnight.

How are we supposed / to keep this up / with the world / crumbling / around us?

Abbey’s body changes, too, while her classmates argue and her family falters. Like everyone around her, she tries to make sense of her own experience as a part of the country’s collective pain. With her mother grieving and her father prepping for active duty, Abbey must learn to cope on her own.

Written in gorgeous narrative verse, Abbey’s coming-of-age story accessibly portrays the military family experience during a tumultuous period in our history. At once personal and universal, it’s a perfect read for fans of sensitive, tender-hearted books like The Thing About Jellyfish.

If you would, share with our readers one book from your childhood that has stayed with you, and how can children’s authors in today’s unsettled world achieve this same unforgettable feel?

Mary Norton’s The Borrowers sparked my imagination as a child. My librarian mom introduced it to me. Norton’s world-building of tiny people living in the walls and borrowing from the people with whom they lived was pure escape for me from the big complicated world.

Children’s authors in today’s uncertain world can achieve this same unforgettable feel by either delivering children to a rich land of imagination, or by providing children a story in which they can see themselves. Then they can envision and dream of ways they can be and all the things they can achieve.

What made you decide to write “The Places We Sleep” in verse?

Abbey’s story came to me naturally in poetry, perhaps as a lyrical way to process 9/11 and my brothers’ deployment, but also likely because I’d recently completed my MFA in poetry. It began as more of a character sketch through poems and eventually turned into a story. I wanted to write about how world events have rippling effects on individuals and familial relationships in unexpected ways. The snapshots or scenes that poems allow you to write provided me with the perfect medium.

Your description of poems being scenes is fascinating and also beautiful. It definitely worked. How much of the novel is inspired by your own experience growing up in the South in a military family?

Although I did not grow up in a military family, both of my grandfathers served in the military, as well as both of my brothers, my brother-in-law, and my sister-in-law. Abbey’s story is about being a military child, but it’s also about many other things—identity, loss and grief, creating art in the face of tragedy, tolerance and acceptance, and friendship. It’s about how world events can touch individuals in large and small ways.

That they do. ♥ This couldn’t have been an easy story to write. What was the most difficult part?

I faced two specific challenges in writing this story. One was creating full, round characters through poems. And the other was making decisions about how to approach a national tragedy age-appropriately and sensitively. Having a great editor at Holiday House and a sensitivity reader helped with both.

Why do you think this story is important for the middle-grade audience?

Middle grade students I’ve taught often have had only a fuzzy understanding of the events of 9/11, and the nonfiction texts they’ve typically enjoyed the most in my classroom were almost always couched in a narrative story. I hope Abbey’s story will spark curiosity in young readers about 9/11 and the monumental lessons we learned and are still learning from that tragedy. I hope the book will leave readers with a memorable story about a girl who may not be all that different from themselves. Furthermore, I hope student readers are gently nudged to learn the names of others with whom they share classes and hallways and to act with kindness and dignity to those they may not know or understand. Maybe it will even inspire some young reader to choose to deal with life’s challenges through art or poetry or other forms of creativity.

Inspiring young readers to engage in conversation about the events of 9/11 is a wonderful.

How much research did you do for the story?

I lived through 9/11 and began writing and reading about it immediately thereafter. Additionally, I’ve had various family members in the military as well as taught students who experienced and still experience islamophobia. I conducted research as I was writing the story, as well as mined the living resources around me to create as authentic a portrayal of the historical backdrop to the story as I could.

What can young readers expect from your main character Abbey?

I hope that young readers can see themselves in Abbey as she navigates challenging world events along with the struggles of middle school and adolescence. Currently, teens and children are facing their own difficult world events. I hope readers see how Abbey perseveres and strives to be a good friend, to be kind, and to express empathy and tolerance to others.

All extremely important traits, especially in today’s world. Do you have any advice for librarians and teachers on how to encourage middle schoolers to give in verse books a try?

Books in verse make great shared read-aloud opportunities. You’re never too old to be read to or to enjoy reading aloud to someone else. Another way to inspire and hook a child on the joy of reading is by giving a book talk. Where an educator may not have time to read an entire chapter, there’s always time for a poem or two. And once one student starts reading it, the likelihood is that his or her friends will pick it up too. Books in verse create more white space between scenes as well as playful or dramatic visual messages with syntax, punctuation, and form, which can motivate adolescent readers.

Circling back to my first question, what do you hope stays with your readers after they read this story?

Perhaps The Places We Sleep will spark curiosity in young readers about 9/11 and the monumental lessons we learned and are still learning from that tragedy. I hope student readers are gently nudged to learn the names of others with whom they share classes and hallways and to act with kindness and dignity to those they may not know or understand. Maybe it will inspire some young reader to choose to deal with life’s challenges through art or poetry or other forms of creativity.

Here’s a little bit more about Caroline:

Caroline Brooks DuBois found her poetic voice in the halls of the English Department at Converse College and the University of Bucknell’s Seminar for Young Poets. She received a Master of Fine Arts degree in poetry at the University of Massachusetts, Amherst, under the scholarship of Pulitzer Prize winning poet James Tate, among other greats in the poetry world.
DuBois’s writing infuses poetry and prose and has been published by outlets as varied as Highlights High Five, Southern Poetry Review, and The Journal of the American Medical Association and has been twice honored by the Society of Children’s Book Writers and Illustrators. Her debut middle-grade novel-in-verse, The Places We Sleep, is published by Holiday House and to be released August 2020.
DuBois has taught poetry workshops, writing classes, and English at the middle school, high school, and college levels. In May 2016, she was recognized as a Nashville Blue Ribbon Teacher for her dedication to her students and excellence in teaching adolescents.
DuBois currently lives in Nashville, Tennessee, where she works as an English instructional coach and sometimes co-writes songs for fun with her singer-songwriter husband. She has two teenage children and a dog, Lilli, and she enjoys coaching soccer and generally being outside.
WEBSITE | TWITTER | INSTAGRAM

Thank you for sharing some of your writing journey with us, Caroline! All the best with The Places We Sleep.

Meet the Creators of DC’s Newest MG Duo: An Interview and Giveaway

AntiHero CoverWelcome back, Mixed-Up Filers.

Today, we’re chatting with the creators of the newly released Anti-Hero from DC Comics, authors Kate Karyus Quinn and Demitria Lunetta and illustrator, Maca Gil. Thank you all for joining us today!

My first question is for all of you. Can you tell us a little bit about Anti-Hero?

Kate and Demitria: Anti/Hero is the story two 13-year-old girls. Sloane thinks she’s a villain and Piper very badly wants to be a superhero. The girls end up battling over the same stolen object, an experimental scientific device. When the device accidentally powers on, the girls switch bodies. Now Sloane and Piper must learn to work together – or risk destroying each other.

Maca: It’s also super sweet but packed with fun and crazy action involving chases, drones and giant mutant creatures. It’s pretty cool.

Another question for the group. Hummingbird and Gray are completely new characters in the DC Universe? What was the process of creating them like?

Kate and Demitria: It was amazing! To add new characters to the DC Universe is a “when lightning strikes” sort of opportunity. How often does it happen? And to be able to add two new amazing female characters is even better!

When creating them, though, we weren’t really thinking about them as DC characters. Instead, we wanted two create two multifaceted girls whose problems our readers could relate to and understand.

 

 

Maca: I think if I ever see anyone cosplaying Piper or Sloane my heart is going to melt off of my chest. This has been an amazing opportunity and I’m so happy I got to do it with this team.

Kate and Demitria, what was the process of co-writing like? Did you each choose a character’s point-of-view to write from?

Kate lives in Western New York and Demitria is in Wisconsin, so we wrote long distance, communicating via text, email, and the occasional phone call. In between all

that back and forth we wrote the script by constantly passing it back and forth. Kate would write a bit then send it to Demitria. Demitria would tweak what Kate wrote and add a bit more. Then back to Kate, to okay or change again what Demitria changed on her stuff, read what Demitria added, and then add a bit more. In the end, both are our fingerprints are on every single sentence.

Also for Kate and Demitria, there’s a lot of emphasis on family throughout the story. Was that something that you wanted to focus on early on? Or did it develop out of the body switching plotline?

We definitely wanted to focus on family, because it shaped so much of who the girls are and how they experience the world around them. Piper, despite her parents being absent, has a really strong and supportive family unit. Sloane, on the other hand, has a loving Mom, but because of work she isn’t around much. And Sloane’s grandfather…well, he’s definitely not the type of role-model you’d want a kid to have.

Maca, how did you come up with the costumes for each girl’s alter-ego?

Piper loves fashion and wearing crazy colors, she is strong and full of energy. The visual cues that represent her have to be dynamic and striking. Sloane, on the other hand, is a lot calmer and hates to stand out. Visually she has long vertical lines (her hair and her height help with this!) and she loves black. When I came into the project Kate and Demitria had written such rich and alive characters that designing them was a treat. They also get even cooler costume design as the story progresses; I can’t wait for you all to see.

Also for Maca, I saw (and loved) your Batgirl illustration on Burnside. Have you always been a DC comics fan? Are there any easter eggs that readers should keep an eye out for?

Thank you! Admittedly, I only started once I was out of college and a bit older, but so many women characters in the DC universe grew on me so much and so fast. Harley Quinn, Poison Ivy, Batgirl! There are so many amazing ones, and their designs and stories are so iconic. I would completely die for Piper and Sloane to have a crossover with some of them someday.

For Demitria and Kate, this is your first MG novel. How does writing for MG differ for writing for YA and adult audiences? Also, it’s your first graphic novel. So, how did that process differ?

Writing MG was so fun because we were allowed to really let our silly and playful sides let loose. Both of us tend to write YA with darker themes, so it was really fun to play in this world where even at their worst—things were a little lighter.

Is there anything else about the story that any of you would like to share?

Kate and Demitria: We had to come up with an MG safe expletive for Sloane to use and decided on Zooterkins. We would love to see it catch on!

Maca: So many pancakes get eaten throughout this story. I had to stand up and make some for myself a couple of times due to having to think about them so much.

(Honestly, same. I definitely made some pancakes after reading this.) What’s the best piece of creative advice that you’ve received that you’d like to pass on to other writers and artists?

Kate: Even when you want to quit—don’t. Just keep writing. Or creating whatever you create.

Demitria: Writers need to read! Anything you can get your grabby little hands on.

Maca: Copy and study your favorite artists, but do it properly! As long as you keep your inspiration sources diverse, your product will end up being uniquely yours because of your own sensibilities, strengths and limitations.

What is something that people would be surprised to learn about you?

Kate: I hate horror movies. They literally terrify me.

Demitria: I make no secret of my dorkiness, but sometimes it still surprises people.

 Maca: I have played over 400 hours of Animal Crossing: New Leaf

Who is your favorite DC character (apart from the ones you’ve created)?

Kate: Wonder Woman!

Demitria: Batman!

MeetMaca: Batgirl of Burnside <3

What are you working on next?

Kate and Demitria: Hopefully more MG graphic novels!

Maca: I’m currently storyboarding for a feature film, but I can’t wait to do more comic books.

How can people follow you on social media?

Kate: I’m @KateKaryusQuinn on both Instagram and Twitter or you can visit my website www.KateKaryusQuinn.com

Demitria: I’m @DemitriaLunetta and my site is www.demitrialunetta.com

Maca: I’m @macagil on Instagram!

Thank you so much for the interview!

 

AntiHero is out now! Get your copy here or try your luck in our give-away!

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