Posts Tagged #authorinterview

WNDMG Wednesday – Introducing Isi Hendrix

By Heather Murphy Capps on October 11, 2023 / Articles, WNDMG

Illustration by: Aixa Perez-Prado

Introducing Isi Hendrix

Hello, WNDMG Wednesday readers … I am so excited for this month’s post. I get to introduce you to the amazing Isi Hendrix, author of the Afrofantasy MG Adia Kelbara and the Circle of Shamans. (HarperCollins – USA and Usborne – UK, September 2023) It’s such a high-profile debut novel, it got TWO debut days: one here in the USA and one in the UK!

About Adia Kelbara

United States Cover

United Kingdom Cover

Life is tough for twelve-year-old orphan Adia. Her aunt and uncle believe she’s an ogbanje, a demon-possessed child that brings misfortune wherever they go, and Adia can’t disagree—especially when she suddenly manifests mysterious powers that she can’t control, causing an earthquake in her village.

So when Adia is offered a kitchen apprenticeship at the faraway Academy of Shamans, she flees with nothing but a pouch of change, her cat Bubbles, and the hope that someone there can figure out what’s wrong with her—and fix it. But just as she’s settling in, Adia stumbles upon a shocking secret: Unlike her, the kingdom’s emperor really is possessed—by a demon more wicked than any other. And he’s on his way to the Academy for a visit.

Joining forces with a snarky goddess, a 500-year-old warrior girl, and an annoying soldier-in-training, Adia must travel through hidden realms to exorcise the emperor and save her kingdom. But to succeed, she first must come to understand the powers inside her….

The fate of the world hangs in the balance.

Interview with Isi Hendrix

WNDMG: Welcome to the We Need Diverse MG (WNDMG) series. We’re honored to have you here!

First off, I have to say, I absolutely loved Adia Kelbara and the Circle of Shamans. Your debut novel is the definition of propulsive reading. Adia is so easy to root for and connect with—plus, she’s wry and funny. This is a really hard mix of character traits to pull off, and I’m so impressed!

Developing Adia

WNDMG: What influences helped you develop Adia Kelbara herself?

Monique Cooper Photography

IH: Adia is a twelve-year-old orphan living with her aunt and uncle. She doesn’t fit in with her family or anyone in her village of the Swamplands, which is currently overrun by missionaries. The missionaries showed up years ago and told Adia’s people that everything they believed in was wrong, and that to be good, they had to follow the beliefs of the people behind the Sunless Mountains. But Adia questions what she’s told.

I’m borrowing from real life with that aspect of Adia’s personality. My family’s conservative religion (introduced to my tribe by Western missionaries) absolutely did not feel right to me and I was her age when I began to question things and where this religion had even come from because it certainly wasn’t anything that was native to the Igbo people. So, for me, Adia represents the strength of indigenous wisdom and the ancestral knowledge that’s woven into our DNA that no invader or colonizing force can ever erase.

The Guardian Deity

WNDMG: What was the inspiration for Ginikanwa?

IH: Ah, Gini. My snarky Goddess. I’ve always loved the older, powerful mentor in fantasy novels, like Gandalf. Thankfully times are changing, but for far too long that role was almost always exclusively delegated to a grey bearded white man. So, I knew that I wanted Adia’s teacher and mentor in these books to be a woman, specifically an African goddess or an Alusi—a guardian deity of the Igbo people.

Book Banning and World Building

WNDMG: Your themes are so current and relevant, this book is almost contemporary. You tackle topics like religion, colonialism and mental and emotional health with grace and passion. Was this always going to be a book about colonialism or did that piece reveal itself to you as you wrote?

IH: It revealed itself to me as I was writing it. I wrote my first draft before this book banning atrocity America is currently dealing with was in full swing, and even then I assumed I was writing something that would be banned. But once I saw what was coming out in this story, especially the commentary about religious colonization which is very personal to me, there was no turning back.

Let the Story be Born

WNDMG: As a writer, I am always curious about how authors choose genre. What was your process for deciding the best way to tell Adia’s story?

IH: I read widely, but (so far) every time I try to write a story it comes out as a fantasy story. So, I don’t fight it. I let the story that wants to be born be born. And I’m so glad it came out this way. Using a fantasy setting lets me explore these heavy themes in a way that—I hope—is accessible to children and also just a fun adventure story. I re-read books now that were my favorite as a child like A Wrinkle in Time, and I’m in awe at how L’Engle and authors like her wrote these profound books that you could write a whole doctorate thesis about, but it’s also a book I probably read fifty times before I was ten years old. So, I think speculative fiction is a great way to explore big ideas and themes with young readers. Madeline L’Engle said one of my favorite quotes on writing. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.”

((If you’re enjoying this interview with MG fantasy author Isi Hendrix, you might also like this archived WNDMG Wednesday interview with fantasy author Kaela Rivera))

Changes, Challenges, and Easter Eggs

WNDMG: From the time you drafted Adia to the time you got your publishing deal, what has been the biggest change in your manuscript?

IH: Ah, that’s hard to say without giving a huge spoiler! I’ll just say that a character I’d originally given an almost forgettable role to, ended up playing a major part of the story.

WNDMG: What was the hardest part of the book to write?

IH: Character-wise, I always struggled when my mentor or agent or editors wanted me to dive deeper into a character I don’t particularly like. The way I can’t stand this character you’d never think I was the one who created him. So, in my early drafts I tended to just blow him off as an irredeemable jerk. But everyone asked for the motivation behind why he behaves the way he does so I had to tap into that, and the story is all the better for it. Yes, I would have had an easier time writing a full-on villain, verses someone who’s morally gray. But the morally grey ones make for complex characters in the end.

WNDMG: Do you have any Easter Eggs in there?

Adia’s name is Swahili for gift and very fitting. But it’s also from one of my favorite song, “Adia” by Sarah McLachlan, and the song’s chorus is also extremely fitting for this character. It keeps repeating that “We are born innocent. Believe me, Adia, we are still innocent.” So I love that her name has a lot of layers in there. Naming every other character in this book took me a minute, but I knew Adia’s name right away.

(There also may or may not be a Mean Girl’s reference somewhere in the book, because this book definitely has a mean girl in it.)

The Final Battle

WNDMG: Is there one scene you can point to that is the most important scene to you?

IH: The final battle scene. I’m not a visual writer. I don’t see everything in my head like a movie (and I wish I did). But that was the one scene that I watched play out from beginning to end. I was walking one evening and this download came out of nowhere. I froze on the sidewalk and was almost in tears. Then I ran home to write it all out. I even had to go back and rewrite a lot of the book because I understood that was how it had to end. So that final battle scene where Adia goes up against the antagonist will always be what I consider the most important.

What’s Next

WNDMG: This is the first book in a planned trilogy. Can you tell us anything at all about what we can expect from Adia in Book Two? (Yes, this is definitely the sign of an impatient reader asking!)

IH: You’re going to find Adia back at the Academy of Shamans, this time as a student! But as always, everything goes sideways whenever Adia is at that school. So you’re going to see her dealing with a mysterious illness that’s plaguing the students and the kingdom.

WNDMG: Is there anything I haven’t asked that you would like to share with our readers?

IH: Read widely and read banned books!

WNDMG: So many congratulations to you from all of us at WNDMG and From the Mixed-Up Files … of Middle-Grade Authors!

About Isi Hendrix:

Isi Hendrix is a Nigerian American children’s book author who has been lucky enough to live and work all over the world, from the Himalayas to the Amazon rainforest, during her past life as an anthropologist. Now she’s based in her hometown of Brooklyn, NY, where she lives with a rotating roster of foster kittens and a stubborn refusal to accept that she is highly allergic to cats.

Isi’s debut middle grade novel, Adia Kelbara and the Circle of Shamans, released in September, 2023.

To Buy Adia Kelbara and the Circle of Shamans:

Bookshop.org

Amazon

Barnes and Noble

Stay in touch with Isi via her website!

WNDMG Wednesday — Interview with Debut Author Jude Atwood + a List of Great Spooky Fantasies

By K.D. Garcia on June 21, 2023 / Articles, WNDMG

Illustration by: Aixa Perez-Prado

“When Clara woke up Saturday morning, the dolls were staring at her with their cold, lifeless eyes.” —First line Maybe There are Witches.

I’m a sucker for a great opening line. When I read this one, I knew I had to read Maybe There are Witches. The imagery has prepared me to read a great spooky fantasy. Getting to know this debut author was even more of a treat.

MAYBE THERE ARE WITCHES

First, a little about the book:

A middle school girl moves to a small town and discovers that her great-great-great grandmother was executed there for witchcraft in the 1800s. After she finds a message addressed to her in a century-old book, she realizes that she and her two new friends must stop a deadly catastrophe predicted by a 19th-century witch. But as their adventure takes them through historic cemeteries, rural libraries, and high-octane academic bowl tournaments, something sinister is lurking, watching, and waiting…

Influences

This is your first book and you’ve created a fast-paced, high stakes story, with witches. That’s amazing. What books influenced you as an author?

I’ve always liked middle-grade books that have a bit of a puzzle to them, where the story unfurls a little at a time.

One of my favorites growing up was Ellen Raskin’s The Westing Game, about a diverse group of characters in an apartment building who work in teams to win a rich man’s fortune.

I also loved the spooky Gothic mysteries that John Bellairs wrote, like The House with a Clock in Its Walls.

The House With a Clock In Its Walls (Lewis Barnavelt Book 1) by [John Bellairs, Edward Gorey]

My mom was an English teacher, and one year for Christmas she gave me a copy of Louis Sachar’s Holes. I was a grown-up—I had just finished grad school, in fact—but she thought I’d like it. She was right; I loved it!

Like those authors–and many more–I try to write books that have a whimsical sense of narrative complexity, with pieces that you can uncover and wrap your head around little by little.

Lessons Learned as an Author

That helps me understand what brought you to write this particular book. Can you tell me what you learned in the process?

I’d like to say that I learned how to write a book quickly and easily, but I am working on my second novel now, and I regret to inform you that it’s like a whole new process. Figuring out who the characters are and what their journey will be is a lot like meeting new people and exploring a new place, all from scratch.

However, I did learn that a huge, huge task—like writing a novel—is achievable if you just keep at it. There was a time when I was about 1/3 finished with Maybe There Are Witches and it felt like I might never finish. I’d write when I found the time, for a few hours a day, but what I’d finished seemed so small compared to what I had left to do. And then I’d put in another day of writing, and another, and eventually, I had a book. (And then of course I had to rework it into a second draft, and then a third—but you get the picture!)

Clara’s Journey

In your story, Clara is thirteen years old, and she’s moved more than once in the past few years. At the beginning of the book, she and her mother move from California to a very small village in Illinois, into a house they inherited from her grandmother. What was important about having Clara go to places she’d never been and work with people she didn’t know?

I think that as soon as we’re aware of other human beings, when we’re very, very young, we begin this journey of figuring out how to get to know other people. In some ways, this is how we get to know ourselves.

In my own life, I know that sometimes people I found off-putting or rude at first became some of my best friends, and I also have some very close friends now who have told me their first impression of me was that I was cold or detached. I wanted Clara to be going through this process, learning to understand some new people, while she’s also uncovering her own family history.

Puzzles

You’ve told us you like books with puzzles. The kids in your book go on a quest that involves some puzzling and deciphering. I bet you really like puzzles.

I do! I like all sorts of puzzles, especially word games. And I think a lot of reading and writing involves the elements of puzzles—of figuring out what something means, or figuring out which word fits in a particular place. Rhymes, puns, jokes, even telling someone about your day and trying to get the right tone—it all involves figuring out the right words that fit in the right place.

The past is a puzzle, too. Any time you want to understand something you weren’t present for, you’ve got to, basically, look for clues and evaluate the evidence. You can talk to people who were there, or read about history, or visit places where something happened. It’s all about finding the pieces to understand a mystery, when you think about it.

Dogs or Cats?

Finally, one question for fun—dogs or cats?

I should preface this by saying that I respect all animals. When I was growing up on the farm in Illinois, we had lots of pets. We had cats and dogs, tropical fish, a parakeet, a turtle, a lizard, and even a pet cow named Taffy.

That said, today my heart belongs to my dog Koko, a mixed-breed black-and-white rescue dog who weighs about twenty pounds. She is very smart, and very sleepy.

Learn more about Jude and his projects at:

Website: https://judeatwood.tv/
Twitter: @JudeAtwood
Instagram: @JudeAtwoodSketches
Facebook: facebook.com/JudeAtwoodSketches

Interested in reading more Spooky Fantasies, check out:

Greenglass House by Kate Milford

“An abundantly diverting mystery seasoned with mild fantasy and just a little steampunk.” – Kirkus

Thomas Creeper & the Gloomsbury Secret by J.R. Potter

“A delightfully dark story, hilariously and matter-of-factly morbid, that evokes a modern setting with a decidedly old-fashioned feel.” -Booklist

Freddie vs. the Family Curse by Tracy Badua

“A spirited fantasy enriched with Filipino culture and history.” – Kirkus

The Girl and the Ghost by Hanna Alkaf

“A Malaysian folk tale comes to life in this emotionally layered, chilling middle grade debut.” – HarperCollins

Coraline by Neil Gaiman

oraline by Neil Gaiman“A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.” – Kirkus

If you’d like to learn more about writing spooky middle grade stories, check out this post.

Welcome to Monsterville – Lauran Shovan Interview

By Heather Murphy Capps on April 26, 2023 / Articles, Author Interviews

Welcome to Monsterville

I’m so excited that we at MUF got an early peek at Laura Shovan’s new poetry collection called Welcome to Monsterville. And we got to talk to her about it – even better!

About Welcome to Monsterville

Where the residents are anything but ordinary. The monsters here are “friendly! Thoughtful! Shy and scary,” much like their human neighbors. Readers will meet a monster house who plays hopscotch and makes the sidewalks quake, laugh at a bubblegum-headed monster’s epic tantrum, and cry with a monster called Sadness.

Interview with Laura Shovan

MUF: Hi Laura! Welcome back to From the Mixed-Up Files … we’re so glad you’re here and excited to talk about your newest book, a collection of poems called Welcome to Monsterville. What a great title and a wonderful book! I’m still smiling as I think about lines like “Bubblegum head fell out of bed…” What prompted this collection and your partnership with illustrator Michael Rothenberg?

LS: This collection began with a simple gift between friends. I went to visit Michael and his wife Terri in January of 2020. Michael, a poet, was still reeling from the death of his son the year before. Unable to write through his grief, he turned to art therapy. He showed me some of those illustrations, which tended to be abstract.

When I got home, there was a surprise waiting for me. Michael had painted a blue creature with red fish lips, a crown, and six pink feet. I knew my friend was feeling low, so I wrote a poem that began, “A monster bought the house next door.” I recorded the poem and sent it to Michael, hoping it would cheer him up. I should have known the exchange would be the start of something. Michael was a force. He loved collaborating with musicians, artists, and poets on creative projects but also on social justice work.

Introversion

MUF: Another line that really resonates with me is the opening to the poem “Costavablink,” where you say

High on a mountain

called Costavablink

there lives a shy monster

who knows how to shrink

What are you hoping readers will take from this poem in particular?

LS: I hope this poem honors introversion. Susan Cain’s book Quiet: The Power of Introverts in a World that Can’t Stop Talking opened my eyes to how much I – an introvert! – had absorbed American culture’s preference for extroversion. When I was growing up, my father was an extreme extrovert. I remember that feeling of wanting to shrink and get away from all of the talking and activity. I view the Monster of Costavablink is a poet. She uses quiet as an opportunity to think and appreciate the natural world.

MUF: (I love Susan Cain’s book — it has taught me so much about the introverts in my life. Invaluable!) Each poem has a child interacting with different monsters. Why use monsters as the common thread?

Monsters Represent Big Emotions

LS: There would be no book without the monsters. Our process was that Michael would create a sketch first. He said, “I found that drawing gave me oxygen, breath, allowed me out of myself to express emotions without narrative, without direction. It was colors and shapes, emotions. I didn’t have to interpret what I was saying … As we proceeded Laura saw something in them, and wrote poetry that motivated me to do more. I remember telling her that I was stunned by her imagination as she gave the creatures a voice and her reply that it was my imagination that was inspiring.”

We were both coping with a great deal of loss and anxiety while working on this collaboration. The Covid-19 lockdown happened about five weeks into the project. Eventually, we recognized a theme, that the monsters represent big emotions and what it’s like to welcome them.

MUF: Is there a poem in particular you wrote for yourself?

LS: That poem is “Green Cave.” I can’t tell you why Michael’s colorful bird monster reminded me of the forsythia bush in my parents’ back yard, but that’s the magic of the monsters. The forsythia bush is where I used to hide as a kid when I was overwhelmed by emotions. I love the idea that a magical bird might come along and show an upset child how to self-soothe.

Collaborative Creations

MUF: Your imagery is just lovely … purple-blue moons and tears that crawl on fuzzy legs … when you’re crafting a poem, what is your creative process? Any craft tips for those of us aspiring to such stunning imagery?

LS: Those details are both Michael’s inventions, my poems simply pick up on his images and build little stories and characters around them. I love ekphrastic poems, which are responses to specific works of art. Because Michael’s monsters are so unexpected and rich with detail, my process for this book was to trust whatever strange idea popped into my mind and see where it led me. For example, Bubblegum Head’s toothy expression inspired me to write about his major tantrum. When the invented words in that poem came, I invited them in without judging them or saying, “That’s too silly.”

There were times when it was challenging to bring all of the elements in one of Michael’s illustrations together. The carrot-like monster in “Underground,” who is holding up flowers underneath a purple moon, took many drafts to get right. It was the emotion of the picture that eventually unlocked the poem for me. I began to ask myself how it would feel to be a Root Monster who “lives without sunshine or air.” On one level, it’s a silly story, but on another, this is a poem about coping with depression.

MUF: Can you talk a little bit about art therapy?

LS: I only know what little Michael shared with me, but I hope readers will check out the introduction to Welcome to Monsterville. It was written by Dr. Mercedes Ballbé ter Maat, who is a past president of the American Art Therapy Association.

MUF: Is there anything else you’d like to share with our readers?

LS: I’d love to see the monsters that your readers come up with. Here is my suggestion: Doodle, draw, or paint a monster first. Next, ask yourself, “How is Monster feeling?” Once you’ve identified the emotion, give a poem a try!

MUF: Thanks so much for giving me a chance to read your book and chat with you, Laura. It’s been a pleasure!

LS: Thank you, Heather. It means so much to me that you enjoyed the book!

About Author Laura Shovan

Laura Shovan is a novelist, educator, and Pushcart Prize-nominated poet. Her work appears in journals and anthologies for children and adults. Laura’s award-winning middle grade novels include The Last Fifth Grade of Emerson Elementary, Takedown, and the Sydney Taylor Notable A Place at the Table, written with Saadia Faruqi. Laura is a longtime poet-in-the-schools for the Maryland State Arts Council’s Artist-in-Education program. She teaches for Vermont College of Fine Arts’ MFA program in writing for children and young adults. Her latest book is Welcome to Monsterville

Stay in touch with Laura via her website and Instagram

About Illustrator Michael Rothenberg

Michael Rothenberg was a poet, editor, artist, and publisher of the online literary magazine BigBridge.org, co-founder of 100 Thousand Poets for Change (www.100tpc.org), The “Read A Poem To A Child” Initiative, and co-founder of Poets In Need, a non-profit 501(c), assisting poets in crisis. Before his death in 2022, he published over 20 books of poetry, most recently The Pillars (Quaranzine Press) and Drawing the Shade (Dos Madres Press). His editorial work included several volumes in the Penguin Poets series: Overtime by Philip Whalen, As Ever by Joanne Kyger, David’s Copy by David Meltzer, and Way More West by Ed Dorn. He was also editor of The Collected Poems of Philip Whalen published by Wesleyan University Press. He served as Florida State University Library’s Poet in Residence. His book of poetry, In Memory of A Banyan Tree, Poems of the Outside World, 1985-2020, (Lost Horse Press) was published in 2022. Welcome to Monsterville is his first book for children.

Posts Tagged #authorinterview

WNDMG Wednesday – Introducing Isi Hendrix