Posts Tagged #amwriting

How do you manage the muse?

How do you manage the muse? That is a question that comes up a lot, and I admit I haven’t entirely figured it out. But I’ve muddled my way into strategies that work for me as a writer. And yes, there have been wrong turns, as well as bumps and moments when my motor wouldn’t turn on at all. But those dormant days aren’t so bad. Perennial plants during the winter focus on nourishing their roots. It’s a period of necessary restoration on a cellular level, so they can burst into spring. There is a big difference between productivity and creativity. And sometimes, in order to have a burst of creativity, we do need to winter our muse.

Still, there are ways, even during the dark and cold days of winter, you can coax the muse. The b.i.c. (butt in chair) method is certainly important. And yet that alone doesn’t always suffice. For me, it’s helpful to have an inspiring writing space. Above my desk, for example, is a lithograph of an eden of animals along a stream.  And sound is important. For the most part, I require soothing repetitive sounds that become white noise, where I stop paying attention to what I’m listening to and focus on my writing task at hand. This is because I’m easily distracted. In film, there’s diegetic and non-diabetic sound. Diegetic music, for example, means music that the characters in the film can hear. Where non-diegetic music would be the soundtrack that the viewer can hear but the characters can’t. I guess, in a sense, I’m character surrounded by non-diegetic music. If you stroll past my my office, you will hear the gush of a waterfall on Spotify, but I will be essentially unaware as I lean into a trance-like state. The sounds of waterfalls or rainwater soothe me as I can get very anxious while writing.

Being busy can help with anxiety. When I have a tight publishing deadline, I don’t have time to be self-critical. During those periods, I don’t even notice the clock. Yet sometimes the idea of too much b.i.c. is daunting, especially when I strive for balance. Time for friends, family, cooking, exercising, nature time. It can be easy to look at those with alleged free time with envy. But when I have too much unstructured time, I find that I read way too many newspapers, or scroll through Instagram Reels that just pop up about lots of random celebrities and animals. In other words, having “free” time doesn’t necessarily always give you an edge as a writer.

Some writers have busy work lives and find that they work a bit at a time. While others like to write for hours and hours and then recover for days and days. It just goes to show that there is no one way. For example, some writers love to write in cafes. Others can only do it at their desk. I have to confess that while I can write almost anywhere, I am easily distracted so if I write in a cafe, I absolutely need noise cancelling headphones.

This is all to say that there is no one writer’s bible for managing the muse. But you can create your own and see what works. But remember your life will change. Circumstances will change and your writing routine may change with it. And that’s okay.

Hillary Homzie is the author of the Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She’s also a contributor to the Kate the Chemist middle grade series (Philomel Books/Penguin Random House). And her nonfiction picture book, If You Were a Princess: True Stories of Brave Leaders From Around the World is a look at historical and current princesses from many diverse lands who have made their mark (Simon & Schuster, August 2022). During the year, Hillary teaches at Sonoma State University. In the summer, she teaches in the graduate program in children’s literature, writing and illustration at Hollins University. 

She can be found at hillaryhomzie.com and on Instagram, her Facebook page as well as on Twitter

 

Meet Literary Agent Dani Segelbaum

Dani Segelbaum agent headshot

Dani Segelbaum was born and raised in Minneapolis and grew up as a voracious reader. She’s a graduate of Boston University’s College of Communication, where she studied journalism and political science. 

Early in her career, she worked with established and debut authors as a literary assistant at New Leaf Literary and Media. Her career in publishing began when she became an editorial assistant at HarperCollins Publishers, where she focused primarily on highly designed non-fiction titles. 

Now, Dani is Vice President, Literary Agent, and Subsidiary Rights Director at the Carol Mann Agency. And she’s stopping by the Mixed-Up Files to tell us a little bit about her journey, the work she currently represents, and the kind of manuscripts she wants to find in her inbox.

 

Hi Dani. Welcome to the Mixed Up Files! 

Hi, Susan! It’s great to join you today.

 

Can you tell us a little about your path to becoming an agent?

I started my career as an editorial assistant at HarperCollins. After a few years, I realized I wanted to be an agent instead of an editor. From there, I went on to work at New Leaf Literary as an agent’s assistant and slowly started to build my list. I then joined Carol Mann in 2021 and am now Vice President, Subsidiary Rights Director, and Literary Agent for the agency.

 

Please give us a little background on the Carol Mann Agency.

The Carol Mann Agency was established in 1977 and has long been home to highly-regarded writers of fiction and non-fiction. We are a boutique agency that prides itself on giving individual attention to all our clients and regularly placing projects with leading publishers both in the United States and overseas. Our broad range of tastes, our experience guiding authors and their manuscripts through the publication process, and our industry relationships make us on of New York’s top literary agencies. We are privileged to work with a number of bestselling and award-winning authors.

 

It sounds like you’ve found your niche in the publishing world. Tell us what you find to be the best and worst parts about being an agent.

Best: I’m always learning something new from my authors! Each book teaches me something exciting and different.

Worst: Rejections! Although, it is a regular part of the publishing process.

 

Can you describe what you look for in a query?

I want to see that the author has done some initial research on what I’m looking for and that they followed my submission guidelines.

 

What are the top reasons you pass on a submission?

The number one reason is that the query is not in the genre I work on.

 

Here at MUF, we’re all about middle grade. Can you tell us what you love most about middle grade literature?

Stephen Colbert said, “As far as I can tell, a young adult novel is a regular novel that people actually read.” I feel the same applies for middle-grade novels. They take real-life issues and make them understandable for all ages!

 

What kind of middle grade books do you enjoy?

The middle-grade landscape has changed drastically since I was a kid. Now, there are all types of middle-grade books available that weren’t around when I was young. It’s really incredible to see.

Matt Sprouts and The Curse of the Ten Broken Toes cover

My author Matt Eicheldinger’s book MATT SPROUTS AND THE CURSE OF THE TEN BROKEN TOES is such a delight. It’s funny, relatable, and entertaining. He’s fantastic to work with and has such a creative mind. Kids will absolutely love this book. I promise!

 

What types of queries would you like most to see in your inbox right now?

I’m interested in seeing both fiction and non-fiction. In fiction, I’d really like to see literary and upmarket adult fiction including debut, historical, rom-coms, and women’s fiction. In non-fiction, I’m looking for proposals with an emphasis on politics, women’s issues, popular culture, and current events. Oh, and I love memoir, narrative non-fiction, lifestyle, and cookbooks, too!

In both fiction and non-fiction, I hope to work with authors from diverse backgrounds to tell the stories that are important to them. Overall, I’m really drawn to compelling narrators and writing that is voice-driven, highly transporting, and features unique perspectives and marginalized voices.

 

Where can authors learn more about you? 

You can follow me on Twitter (X) and Instagram at @danisegelbaum and check out my MSWL.

 

Now that we know all about Dani the agent, tell us what you like to do when you’re not at work.

When I’m not working, you’ll most likely find me baking, making homemade ice cream, or walking my dog!

 

Thanks again for joining us, Dani.

Thanks for having me!

Writing Bingeable Books

What makes a TV show “bingeable”? What makes you click ‘next episode’ on your streaming service or faithfully plop on the couch when your favorite shSecrets of Sulphur Springs Splash Pageow comes? It’s something that I think about when I watch TV, and I watch a lot of TV. One show that I recently binged was The Secrets of Sulphur Springs on Disney+. In it, a 12 year old boy and his family move into a run-down and supposedly haunted hotel. As strange events occur, they boy and his best friend try to solve the mystery behind the disappearance of the young girl who they believe is haunting them. It’s the kind of spooky, mysterious, and slightly science-fiction story that is guaranteed to pique my interest.

But after binging all 11 episodes of the first season, I started to realize what kept pulling me in hour after hour. Each episode is a puzzle onto itself, and its resolution would provide small clues to the overarching mystery of the series. These clues were tiny, just enough to get me to continue watching until the next episode.

It made me start looking at my own stories, and how I plot them. How can we, as writers, create bingeable books? I think that it’s by giving our characters a goal and making sure that the resolution of that goal contributes to the larger story just enough to make the reader want to turn the page and see what happens next.

Our namesake, From the Mixed-Up Files of Mrs. Basil E. Frankweiler is a great example of this, and more mysteries can be found on the following booklists:

From the Mixed Up Files Cover

Mysteries in Bookstores and Libraries, at Book Fairs and Festivals, in Literary Landmarks, and Other Literary Places

Middle-Grade Mysteries, Spy, & Sci-fi stories featuring South Asian Characters: Interview and Giveaway with Sheela Chari

Diversity in MG lit #19 August 2020 Mysteries

But a book doesn’t need to be a mystery to be “bingeable”. What are some MG books that you couldn’t put down?