Posts Tagged 2023 middle-grade books

New Middle-Grade Releases for November!

By  on November 1, 2023

Autumn is upon us. Leaves are colorful. Temperatures are dropping. Daylight is shorter. Turkeys are hiding. And exciting new books are waiting to be read. Grab a cup of warm cider and curl up with a November release.

Champions of the Fox (Thieves of Shadow) by Kevin Sands. November 7, 464 pp.

Champions of the FOx - Thieves of SHadowCommanded by the magical artifact known as the Dragon’s Eye, junior con artist Callan and his friends eagerly reach the end of the epic quest that will free him from the Eye’s sinister hold. But their final task is the most challenging: sneaking into the emperor’s private island prison to rescue a man from a jail cell that has been locked tight for a hundred years. This near-impossible task strains the gang’s unique abilities to deceive everyone including the guards, the city elite, the warden, and even the evil crime boss who warns them to stay away.

As the friends plan out their last, most difficult con job, Callan questions what they’re helping the Eye to achieve. Aided by magical hints and dreams, Callan uncovers the Eye’s true desires and to his horror realizes he may be the one being conned . . . and his mistake could cost the world’s entire existence.

Duel by Jessixa Bagley. November 7, 320 pp.

duelSixth-grader Lucy is brand new to middle school. GiGi is the undisputed queen bee of eighth grade. They’ve only got one thing in common: fencing. Oh, and they’re sisters. They’ve never gotten along super well, but ever since their dad died, it seems like they’re always at each other’s throats.

When GiGi humiliates Lucy in the cafeteria on the first day of school, Lucy snaps and challenges GiGi to a duel with high stakes. If GiGi wins, Lucy promises to stay out of GiGi’s way; if Lucy wins, GiGi will stop teasing Lucy for good. But after their scene in the cafeteria, both girls are on thin ice with the principal and their mom. Lucy stopped practicing fencing after their fencer dad died and will have to get back to fighting form. And GiGi must behave perfectly or risk getting kicked off the fencing team. As the clock ticks down to the girls’ fencing bout, the anticipation grows. But will winning the duel mean fracturing their family even further?

Forsooth by Jimmy Matejek Morris. November 7, 360 pp.

Forsooth

Thirteen-year-old Calvin knows he’s destined to be a star. . . if he can just stop making embarrassing mistakes onstage like getting stuck on a single line―”Forsooth!”―during the school play. The summer after seventh grade, he’s hoping for a fresh start. All he has to do is prove himself as an actor and fix the awkwardness with his friends that started after the play.

But nothing’s going according to plan. His parents don’t understand his love of performing. His best friend is moving on without him. And he might have a crush that could change everything. Surrounded by drama on all sides, Calvin will have to go off script if he’s going to be a real friend and be true to himself.

Futureland: The Nightmare Hour by H.D. Hunter. November 7, 384 pp.

Futureland - the nightmare hourThe most spectacular theme park in the world is headed to the Big Apple. After Atlanta, Cam Walker and his family are ready to turn over a new leaf with Futureland. This is where dreams literally come true, and the Walkers are going to show the people of New York City that their park is back and better than ever.

But trouble isn’t done with the Walkers. Glitches keep happening with the park attractions. There’s a creepy carnival in town that gives Cam goosebumps. Plus, he just can’t shake the feeling that his family is being watched. And it may be his imagination, but are the people around him acting . . . stranger than usual? Can Cam get to the bottom of what’s going on before Futureland becomes a playground of terrors?

Sail Me Away Home (Show Me a Sign Trilogy, Book 3) by Ann Clare LeZotte. November 7, 304 pp.

Sail Me Away Home

As a young teacher on Martha’s Vineyard, Mary Lambert—a deaf teenager—feels restless and adrift. So when a league of missionaries invites her to travel abroad, she knows it’s a once-in-a-lifetime opportunity. Paris is home to a pioneering deaf school where she can meet its visionary instructors Jean Massieu and Laurent Clerc―and bring their methods back to America! But the endeavor comes at a cost: The missionaries’ plan to “save” deaf children is questionable. What’s more, the missionaries’ work threatens the Wampanoag and other Native peoples’ freedom and safety. Mary struggles with pursuing her own goals at the price of betraying her friends and her own values.

So begins a feverish and fraught adventure that will enrich your understanding of the deaf experience as it celebrates Deaf history, culture, and community.

Read an interview with the author, Ann Clare LeZotte, here.

Morning Sun In Wuhan by Ying Compestine. November 8, 208 pp.

Morning Sun In Wuhan

Weaving in the tastes and sounds of Wuhan, the comforting and distinctive cuisine of the historic city comes to life as the reader follows 13-year-old Mei who—through her love of cooking—makes a difference in her community.

Grieving the death of her mother and being an outcast at school, thirteen-year-old Mei finds solace in cooking and computer games. When her friend’s grandmother falls ill, Mei seeks out her father—a doctor—for help and discovers an overcrowded hospital. As the virus spreads, Mei finds herself alone in a locked-down city trying to find a way to help.

Readers can follow Mei’s tantalizing recipes and cook them at home. For more cooking fun, check here.

Billy and the Giant Adventure by Jamie Oliver. November 14, 352 pp.

Billy and the Giant Adventure

Billy and his friends know that Waterfall Woods is out of bounds. Rumors say strange things happen there and no one in their village has ventured past its walls for decades. But when they discover a secret way in, Billy and his best friends, Anna, Jimmy, and Andy, can’t resist the temptation to explore. They quickly discover that the woods are brimming with magic and inhabited by all sorts of unusual creatures, including a whole community of sprites who need the children’s help! With magical battles, a long-lost mythical city, fantastical flying machines, epic feasts, and one GIANT rescue—not to mention some mouth-watering recipes at the back—get ready for an adventure you’ll never forget!

The Cool Code 2.0: The Switch Glitch by Deidre Langeland. November 14, 224 pp.

The Cool Code

When the coding club finds that their app has a malicious user, Morgan, Zoey, and Daniel code an update to deal with a mischievous AI llama that’s guiding a not-so-popular kid named Marcus to cause chaos in the school.

Annoying little siblings, chaotic pranks, and more problems abound as they race to repair the glitchy app—and their own friendships—before the damage is irreversible.

Interested in learning more about coding? Look here and here and here.

 

The Dubious Pranks of Shaindy Goodman by Mari Lowe. November 14, 172 pp.

The Dubious Pranks of Shaindy Goodman

In their Orthodox Jewish girls’ school, Gayil is the cool kid while twelve-year-old Shaindy feels shy and awkward. When Gayil suddenly befriends Shaindy and encourages her to join in on some increasingly serious pranks, the mischief becomes malice. Shaindy sees that the pranks are only targeting certain girls. But what could they have in common? With the fear of Gayil’s anger and her own reluctance growing, Shaindy comes to the terrifying conclusion that if she can’t figure out how to stop the pranks, she could be the next target. Shaindy must discover why Gayilis is behaving badly before someone really gets hurt.

Ruptured by Joanne Rossmassler Fritz. November 14, 272 pp.

rupturedClaire’s mom and dad don’t talk to each other much anymore. And they definitely don’t laugh or dance the way they used to. Their tense stand-offs leave thirteen-year-old Claire, an only child, caught in the middle. So when the family takes their annual summer vacation, Claire sticks her nose in a book and hopes for the best. Maybe the sunshine and ocean breeze will fix what’s wrong.

But while the family is away, Claire’s mother has a ruptured brain aneurysm right after she reveals a huge secret to Claire. Though she survives the aneurysm, she seems an entirely different person. Claire has no idea if her mom meant what she said, or if she even remembers saying it. With the weight of her mom’s confession on her shoulders, Claire must navigate fear, grief, and prospects for recovery. Will her mom ever be the same? Will her parents stay together? And if the answer to either question is yes, how will Claire learn to live with what she knows?

Too Many Interesting Things Are Happening to Ethan Fairmont by Nick Brooks. November 14, 224 pp.

Ethan Fairmont

Ethan’s beloved neighborhood is full of new faces. Lifelong residents lost their homes, and new businesses replaced old favorites. At school, Ethan finds a rival in new kid Fatima, an inventor who is just as science savvy as he is. Then there’s the mysterious real estate agent with way too many questions. Not to mention extraterrestrial-obsessed Jodie and his “Aliens Are Here” club.

It’s all too much for Ethan and he begins to miss Cheese, his adorable six-eyed alien pal. Fortunately for Ethan and his friends Kareem and Juan Carlos, distraction comes in the form of a top-secret project. Cheese left a communication device under Ethan’s bed before exiting the planet. There’s just one problem: they can’t figure out how it works! As Ferrous City continues to change and eyes are everywhere, will the trio be able to keep their secret and reach Cheese, or is something evil brewing right next door?

Ink Girls by Marieke Nijcamp. November 21,  288 pp.

ink girlsEleven-year-old Cinzia is a printer’s apprentice. She adores her mentor, Mestra Aronne, for taking her in and she loves life in the raggedy workshop that smells of paper and printing, where secrets and stories are always circulating. So when Mestra Aronne is sent to prison for publishing accusations against the ruling family, Cinzia will do anything to prove that Mestra Aronne told the truth.

Elena, also eleven, is forced to stay in her rooms and garden. Her mother says it’s for her own protection but her uncle claims it’s to protect the city because Elena is not the charming, powerful noble her family wants her to be. She’s far too gullible and struggles to understand people.

When the two girls meet face-to-face, they follow a trail of clues through their golden city, learning more about their home and each other than they ever could have imagined. If one person can change the course of history, just imagine what a whole flock of them could do.

Cat Kid Comic Club: Influencers: A Graphic Novel by Dav Pilkey. November 28, 224 pp.

cat kid comicThe Cat Kid Comic Club is in crisis! After learning that one of their comics will be published, the baby frogs are filled with anxiety and doubt. How will they get their creative groove back? Will Naomi or Melvin emerge as a leader? Will Flippy convince them to finally straighten up and fly right?

For more hilarity and heart, dive into the newest graphic novel in the Cat Kid Comic Club series.

 

Six of the above selections are part of a series. Here are some prequel titles in those series that may interest you so grab another cup of cider, an apple muffin, and enjoy!

nov new releases

Monsters, Marvels, and Middle Grade with Alysa Wishingrad

graphic showing The Verdigris Pawn and Between Monsters and Marvels book covers

 

 

 

 

 

 

 

 

I first met Alysa Wishingrad on Clubhouse. If you’re not familiar with the app, just know at one point it had become a haven for writers seeking community with like-minded scribes—however short-lived. Alysa and I would meet up with a few others and have writing sprints and I recall being so excited to one day read Between Monsters and Marvels. This middle-grade fantasy comes out on September 12, but dear friends, NetGalley has finally started to show me some love, and amongst the ARCs (advanced readers copies) that I basked in this summer, was Alysa’s lovely, second middle-grade novel. Between Monsters and Marvels blew me away.

I had the true pleasure of interviewing Alysa about this treasure of a story, her writing process, and all things Dare—the gritty main character that readers will fall in love with. Read on below.

Let’s start with some questions for the writers out there researching MG books!

Ines:

“The coarseness of our weave scratches their more refined sensibilities, but our thicker fibers make us more durable.”  When you write delicious lines like these, are they the result of revisions or do they pour out of your head during your drafting process? So much of the writing in Between Monsters and Marvels is lyrical and visual. I guess what I’m really asking is, how do you do it? What does your writing process look like?

Alysa:

Ines, thank you so much for having me, I’m so happy to be chatting with you!

I tend to say that my process is kind of sloppy because I’m not a traditional outliner, I don’t use notecards or have a big whiteboard. But there is a logic and system at work, it’s just very slow. I have to let ideas stew in the back of my head for a good long time until I can begin to see the world in my mind’s eye — I need to be able to see it like a movie. I am an acolyte of paper and pencil so as soon as I begin to get the first whiffs of an idea I start a notebook and get to jotting down ideas and questions. Lots of questions. Who are they? What do they want? Why do they want it? Why are they where they are, and what forces had to coalesce to get them there? I push myself to try to look around corners and really search for the hidden truths hiding out of sight so I can learn as much about my characters, their world, and the problems they’re facing as I can.

Then eventually the writing begins, and I start playing around to try and find the voice. That’s the key for me- once I find the voice then I can begin in earnest. On those days when I’m in the voice, words flow. But by flow, I do not mean they rush out of me. I am a pretty slow, line-level drafter, and will work out a moment until it’s just the right set piece. BUT, and this is the important part, just because a line or beat sets me up to find the rest of the scene or chapter, that doesn’t mean it ultimately stays in. I used to think being able to string together a pretty line was the key to good writing. Silly me, pretty lines are all fine and well, but they have to hit at the heart of the tale you’re weaving.

Finally, my process on both THE VERDIGRIS PAWN and BETWEEN MONSTERS AND MARVELS involved chucking either a completed (and sold) draft, or large swaths and beginning again from the blank page. I’ve done all the hard work at this point, I know the arc, the world, and my MC, so now I have the knowledge and the freedom to roll the story out the right way.

Ines:

It’s so easy to lose oneself in Between Monsters and Marvels and feel like you’re running right alongside Dare in the Must or on the shores of Barrow’s Bay. What is your favorite piece of advice for middle-grade fans who want to write stories like yours, with such deep world-building and character development?

Alysa:

That’s very nice of you, Ines! I’d say take your time! Ask lots of questions. Interrogate your choices, ask yourself why you’ve made the choices you’ve made. Don’t settle for, “that works.” Push yourself beyond your first, second, or even your third idea.

Just as it takes time to get to know a new person in your life, getting to know a character or your world, is about seeing through all the layers. I try to look at my characters from many different angles and put them through a kind of stress test. How would they respond in any given set of circumstances? And is how they respond how they’d want to? Do they understand how others perceive them? Do they like it? Do they even care? How do they want to be seen, and why is that so important to them?

It’s one thing for me to understand a character by their outward persona— how they present themselves to the world. But they truly begin to come to life when I dig to find out what lies behind the mask. What stories are they telling themselves about themselves?

As far as world-building, I say consider everything – how does the society function, what’s its history, how did it come to look the way it does now. While so much of this work might never wind up on the page, having a full and complete understanding of your world’s geography, history, belief system, etc., helps bring a place to life. And do your research, but unless you’re writing straight historical, I’d say don’t do too much so that you feel hemmed in by it.

Ines:

For the writers wishing to write in the third person, how did you manage to make us feel so very much in the head of Dare? The narrator’s voice, though third, allows us to feel Dare’s humor, her curious mind, and her perspective.

Alysa:

Third is tricky, but it’s my favorite POV to both write and read. John Gardner’s writings on psychic distance were incredibly helpful to me. The way he talks about the lens zooming in and out just made it click— there’s that visual, movie brain again.

But it was mentor texts— reading and studying how other authors have drawn us in through close third— that were my best teachers. My copies of Laurie Halse Anderson’s middle grades are marked up in a sea of yellow highlighters! The power of her observations just always makes me feel like I am living in the skin of her characters.

Fundamentally though, I think the key goes back to truly understanding your character, knowing not only what they like or don’t like, what they want or don’t want, but how they see the world. It’s really like positioning yourself behind their eyes and experiencing life as they do. I often think of that alien that controls Vince D’Onofrio’s character in the first Men In Black!

On making connections with young MG readers.

Ines:

Dare is described as wild, tough, and gritty. But she’s also very sweet and thoughtful, and I get the impression that as much as she seems to not want to belong in Barrow’s Bay, deep down she yearns for that belonging or acceptance. For example, when she vows to be more like her father, invisible, rather than be herself.

How were you hoping children would connect with Dare, how she sees herself, and her place in her world?

Alysa:

We all feel like outsiders at some point, whether we admit it or not, and we all have different coping mechanisms. Some of us do everything we can to try to fit in, squeeze ourselves into a mold that winds up stifling us. Others rebel and dare people to try and get close. But deep inside we all just want to be seen for who we are.

Dare refers to all her points and angles (her opinions, intelligence, and her innate ability to see past the illusions people weave) as her awful. And when we meet her, she fairly revels in getting a rise out of people. Then, as she begins to worry about her father, she tries to make a deal with the stars at night to save him –she promises to try to fit in, to hide her awful. But through the course of her story, she begins to understand it’s those very points and angles that made her stick out like a rose among the lilies that are her greatest strengths.

That’s what I hope readers of all ages take away from my Dare— those things we think of as our faults and foibles are our superpowers, it’s up to us to learn how to use them.

Book reccos à la Alysa!

Ines:

Can you give us a list of your favorite middle-grade books? From when you were in middle school and from today, what books have inspired you?

Alysa:

Oh yes, this is my favorite part!

Growing up some of my most favorites were: Charlotte’s Web [still can’t think of that story without wanting to cry], A Wrinkle in Time, The Phantom Tollbooth, The Borrowers, so many of the Roald Dahl stories, and The Chronicles of Prydain. But I also read a whole lot of books that I’d pull off my parent’s shelves. I’m sure 97% that what I read at the time went right over my head, but they pushed me to consider views of the world I would not otherwise have. John Updike’s Rabbit series was a favorite when I was 12. It makes little sense. What does a 12 year-old girl have in common with a man having a midlife crisis? Well, a lot it turns out. We all face a kind of existential angst at different ages.

Some of my recent faves include:

  • The Troubled Girls of Dragomire Academy by Anne Ursu
  • Freewater by Amina Luqman-Dawson
  • Hana Hsu and the Ghost Crab Nation by Sylvia Liu
  • The Skull by Jon Klassen
  • The Plentiful Darkness by Heather Kassner
  • Adia Kelbara and The Circle of Shamans by Isi Hendrix, coming out Sept 19th!

Speaking of Inspiration…

Ines:

The setting is so clearly detailed that it’s easy for any reader to dive into the pages and travel through them to get to Dare’s world. Is there a real place that inspired the fictional island of Barrow’s Bay or the mainland (The Must/City on the Pike)?

Alysa:

Barrow’s Bay was directly inspired by Jekyll and Cumberland Islands— both off the coast of Georgia. At the turn of the 20th century, they were exclusively inhabited by the very wealthiest industrialists in the country. Mackinac Island in Michigan, was also a playground for the very wealthy. But the sense of isolation and mystery was inspired by Put-in-Bay in Ohio. I have a friend who grew up there, and her stories of being iced in over the winter and that sense of wilderness absolutely fed my imagination.

City on the Pike was inspired by the countless cities in both the US and the UK that were absolutely overrun and transformed by the rapid growth of factories during the Industrial Revolution. Sadly, the Must is any one of all too many neighborhoods in the cities that were once thriving communities that were ruined by pollution and the nearly inescapable poverty borne of the inequity of the system.

 

Thank you so much for having me, Ines, it’s been such a pleasure to chat with you!

You can pre-order BETWEEN MONSTERS AND MARVELS from your favorite indie, or from mine, Oblong Books, for signed copies and some MARVELous swag  (https://www.oblongbooks.com/between-monsters-and-marvels-hardcover-signed-alysa-wishingrad)

 

About Alysa Wishingrad

Author Alysa Wishingrad

‌‌Alysa Wishingrad writes fantastical stories for young readers, tales that ask; is the truth really true? Her favorite stories are those that meld the historical with the fantastic, and that find ways to shine a light on both the things that divide and unite us all.

She is the author of Between Monsters and Marvels and The Verdigris Pawn, which was a Junior Library Guild Gold Standard Selection.

Alysa lives in the Hudson Valley with her family, two demanding rescue dogs, and a cat-shaped dog, who is either a monster or a marvel, depending on the day.

You can find her at: www.AlysaWishingrad.com

Instagram & Threads @alysawishingradwrites

BlueSky @alysawishingrad.bsky.social

Twitter @agwishingrad

((If you enjoyed this post, check out this one.))

Cover Reveal and Interview! The First Magnificent Summer

One of my most anticipated middle-grade books of 2023 is THE FIRST MAGNIFICENT SUMMER by R.L. Toalson, so I was thrilled when she agreed to an interview to celebrate the wonderful cover her book has received.

Here’s the description from Simon & Schuster:

Judy Blume meets Barbara Dee in this tender and empowering middle grade novel told in journal entries and poetry about a young writer on the verge of becoming a woman whose summer with her estranged father doesn’t turn out the way she’d hoped.

Twelve-year-old Victoria Reeves is all set for her “First Magnificent Summer with Dad,” even though it’s been more than two years since she last saw him. She’s ready to impress him with her wit, her maturity, and her smarts—at least until he shows up for the long road trip to Ohio with his new family, The Replacements, in tow.

But that’s not the only unpleasant surprise in store for Victoria. There are some smaller disappointments, like being forced to eat bologna even though it’s her least favorite food in the world. And then there’s having to sleep outside in a tent while The Replacements rest comfortably inside the family RV. But the worst thing Victoria grapples with is when she begins to suspect that part of the reason Dad always treats her as “less than” is for one simple reason: she’s female.

As Victoria captures every moment of her less than magnificent summer in her journal, she discovers that the odds are stacked against her in the contest-no-one-knows-is-a-contest: Not only does her wit begin to crumble around Dad’s multiple shaming jabs, but she gets her first period. And when Dad does the worst thing yet, she realizes she has a decision to make: will she let a man define her?

R.L. Toalson is the author of two other middle-grade novels: THE COLORS OF THE RAIN and THE WOODS, both published by the Yellow Jacket imprint of Little Bee Books. THE FIRST MAGNIFICENT SUMMER will be out from Simon & Schuster on May 30.

Samantha: Welcome to From the Mixed Up Files, R.L.! What inspired this book?

The First Magnificent Summer written by R.L. ToalsonR.L. Toalson: There is no simple answer to this question; it has several parts!

A story like this one has been sitting in the back of my mind for several years, but I was always afraid to pursue it. I had a similar experience to the one Victoria (the main character) has in the book—and it is not an easy story to tell. So I didn’t. For such a long time.

And then some questions started building in my head. Why is this the way things are? Why did I feel, as a young girl, like a man had the authority to define who I was and who I would one day be? Who else needs to hear this story?

That last question–who else needs to hear this story?–made me brave enough to pick up my pen (and it was a literal pen–I write all my stories longhand in a Yoobi composition book).

There’s a lot of me in this book. There’s a lot of what I wish I would have done and learned long before I actually did. There’s a lot of hope. And I guess that was the last step of the inspiration process: I wrote hope and love and healing into my own 12-year-old story, and out came Victoria and her journey to define herself.

Samantha: What was the most challenging part of writing it?

R.L. Toalson: Every story an author writes is different; I often feel, when I open my notebook to write, that I’m completely out of my depth for what this story requires. That was especially true for THE FIRST MAGNIFICENT SUMMER, proven by the many drafts that changed the structure of the story entirely. It started as a prose story. Then I wrote it as a novel in verse. Then I changed it back to prose. And then I experimented with journal entries. That structure stuck, because it felt right for the story. There’s still poetry and some humorous mini-essays that Victoria includes, but the main narrative is told through her own journal entries. Sometimes she breaks the fourth wall, which is fun.

It was also challenging to write in a consistently humorous way. I have experience writing humor, but mostly in essay form. Humor is really difficult to get right. You don’t want to rely on cliches and easy laughs; you want to mine for the unexpected, which takes quite a lot of work and energy. And the daily writing of humor gets a little tedious on the days you don’t feel much like laughing.

And it must be said that writing such a difficult-to-tell story, one that delved some of the depths of my own childhood story, took its toll on me emotionally. I have an amazing therapist who helped me through the tricky bits.

Lastly, I spent a lot of time and care writing the author’s note, so…even if you’re not the type who reads author’s note, read this one.

Samantha: I always read author’s notes, but will definitely be reading this one. What was the most fun part writing this story?

R.L. Toalson: I know I said the humor was one of the most challenging parts, but it was also one of the most fun parts about writing THE FIRST MAGNIFICENT SUMMER. As I’ve mentioned several times already, this is not an easy story. I felt like it needed humor to lighten places that felt heavy and that give readers important things to think about and consider. And those were some of my favorite places to write.

I also really, really love all the asides Victoria has throughout the narrative. She uses her humor and her melancholy and her personality to process through things that are happening in the narrative, and it was delightful to craft those asides. She has one called “Things I Like About Camping,” a poem comprised of multiple choice answers where she invites the reader to figure out whether (a), (b), (c) or (d) is what she likes about camping–and all of the choices are so sarcastic and grumpy, and then she has the last choice: (d) absolutely nothing. And you know that’s the right answer from all the other answers. It was so much fun to write. I hate camping, too. I empathize with Victoria. 🙂

Full jacket image for The First Magnificent Summer book written by R.L. Toalson

Samantha: Ahh, camping. And that brings us to the wonderful cover. Tell us about it.

R.L. Toalson: This cover was designed by Svetla Radioeva and is absolutely perfect and gorgeous and perfect (it deserves a repeat). Victoria is front-and-center, hiding away in a tent, with a notebook open on her lap. In the background’s tent opening, you can see her father with a little girl next to a grill and a camper, and from the two juxtaposed images you get the sense of her isolation. There are all sorts of little lovely details you’ll only notice if you look closely–like a package of Womanhood Supplies (Victoria’s name for period products) by her left foot. It’s delightful. I spent several long minutes noticing all the little details that make this cover so remarkable, and I really cannot have asked for a better representation of Victoria and her first magnificent summer.

Samantha: Yes, the details are fantastic. And I love that they included them on the whole jacket, not just the front. (Readers, check out the pic.) What else should we know about this book and you?

R.L. Toalson: As the mom of several boys, I have to mention that I don’t believe in books for girls and books for boys. Yes, this book has a female protagonist, and yes she starts her first period in the book, and it’s a big part of her story. But that doesn’t mean it’s not a book for boys, too (and don’t get me started on how if we just talked about periods more it wouldn’t be so taboo in the first place). Girls AND boys watch their parents divorce. Girls AND boys sometimes have a parent who leaves. Girls AND boys feel the hurt and confusion and instability that comes from that, and girls AND boys wonder if their parent left because of them. Girls AND boys need to know that they are magnificent just the way they are. And that’s what this book tries to communicate to its readers: Be your magnificent self.

So I hope boys won’t be afraid to read Victoria’s story, too. We all need to be reminded that we’re magnificent.

Samantha: I love that! And I can’t wait to read this MAGNIFICENT book.

Readers, check out R.L. Toalson’s other books on her website and pre-order THE FIRST MAGNIFICENT SUMMER.