Giveaways

Interview with author Kayla Miller and a giveaway of Kayla’s latest, CAMP!

Today we welcome Kayla Miller to the Mixed-Up Files of Middle-Grade Authors blog. Kayla is the author/illustrator of the graphic novels CLICK and CAMP, and here Kayla talks about their process for creating their novels; what it is about sleepaway camp that makes it a perfect setting for a middle-grade book; and their short-lived career as high school talent show host. Read on, and then enter to win a copy of CAMP below.


Mixed-Up Files: We see from your bio that you did not always want to be a cartoonist, and that wanted to be a paranormal investigator with a specialty in ghosts and aliens. That is hilarious! Why do you think you came up with that career path?
Kayla: I loved anything spooky or weird as a kid. My middle school library had this series of books about paranormal phenomenon and cryptozoological creatures that explained the history of each topic and had examples of people’s experiences. I was obsessed. When I was younger than that, I had wanted to be a private eye and had a bunch of toy evidence collecting kits and “spy tool” kits. Becoming a paranormal investigator seemed like a natural combination of those two interests.

Mixed-Up Files: So when did you decide you wanted to draw and write for a living?
Kayla: High school. My favorite subjects were always Art and English. When I was looking at colleges I was torn between doing something art related or something writing related. In the end art won and I went to school for illustration, but I kept writing while I was in art school and would complicate my illustration assignments by making them into comics. When I graduated, I thought my career would be as an illustrator/cartoonist putting pictures to other people’s stories and writing would be a hobby. I honestly didn’t know I’d be lucky enough to write as part of my job until an editor approached me and asked if I wanted to illustrate and write a comic.
Click by Kayla Miller
Mixed-Up Files: Your first graphic novel was CLICK. Can you talk about where the inspiration for that came from?
Kayla: The idea for setting a book at a school variety show came from my agent (then editor) Elizabeth, whose daughter had just participated in one. It’s partially inspired by her experience of how being asked to break into groups for a project can strain friendships, something I can definitely remember being an issue when I was a kid, and partially inspired by my own experience hosting my high school talent show. My co-host and I had come up with a series of skits and gags to do between the other students’ acts that we considered to be Vaudevillian or like the banter from the Sonny & Cher Comedy Hour… but were mainly just very silly.

Mixed-Up Files: Re: CAMP — we’re assuming you went to sleepaway camp. Is that right? What did you want to capture when writing about this rite of passage for so many kids?
Kayla: I went to Girl Scout camp as a kid and I worked at an Arts & Sports summer camp as a counselor when I was in college. Camp is many kids’ first time being away from their family and I think that’s a big step. Camp gives kids a place where they can assert themselves and make their own decisions in a way they might not be able to at school or home. I wanted to capture how that freedom is both exciting and stressful at times.
Camp by Kayla Miller
Mixed-Up Files: For people who don’t really know much about making a graphic novel, can you explain the process to us a little bit? Do you write the story first with little sketches? Draw each panel as you write?
Kayla: I always write the whole story first. I start with an outline and then move on to writing a script with dialog, a breakdown of how many panels will be on the page, and descriptions of the images. After that I make “thumbnails” which are very tiny sketches that help me figure out how the panels will be laid out on the page and a rough idea of where the characters and objects will be in the panel. Then I move on to sketching, inking, lettering, and coloring.

Mixed-Up Files: Was the process different with your second book? What did you learn from your first one?
Kayla: I think I was more organized with the second book. CLICK was the longer than all the pages of every other comic I’d ever made combined, so it was really a big undertaking and I don’t think I realized how much harder it was to keep track of things on that scale. I tried to be more orderly with CAMP. CLICK was also the first time I worked with a designer or a colorist on comics, so I had to get used to passing files between multiple people and communicating about changes. It’s been a big adjustment from working on webcomics alone, but I think I’ve finally got it down.

Mixed-Up Files: Can you suggest a few of your favorite graphic novels that our middle-grade readers might want to check out?
Kayla: If you like CAMP, I’d check out Vera Brosgol’s BE PREPARED. It’s also about a summer camp, but a very different kind of camp than the one Olive and Willow go to– it’s actually kind of like the camps I went to as a kid. I also love Kristen Gudsnuk’s MAKING FRIENDS and Brenna Thummler’s SHEETS!

Enter here to win an autographed copy of CAMP!

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Sherri Winston’s JADA SLY, ARTIST & SPY + Giveaway

Today, I’m thrilled to introduce you all to Sherri Winston and her newest middle-grade novel Jada Sly, Artist & Spy, which hit shelves this week. While Sherri has published several middle-grade novels, this is the first she illustrated as well. Read all about Sherri and Jada Sly, and then leave a comment for a chance to win an autographed copy of the book!

 

Sherri Winston is a lover of cakes, sarcasm, and wish fulfillment. She grew up in Michigan before spending several years as an award-winning newspaper columnist and journalist in sunny South Florida.

Sherri is the author of President of the Whole Fifth Grade (a Sunshine State Young Readers Award selection), President of the Whole Sixth Grade (a Kids’ Indie Next pick), President of the Whole Sixth Grade: Girl Code, The Sweetest Sound, (a Sunshine State Young Readers Award Selection) and The Kayla Chronicles. She lives with her family in Florida. Connect with her on Twitter: @sherriwinston and Instagram: @jada_sly_may14

 

Jada Sly, a hilarious and spunky artist and spy, is on a mission to find her mom in this illustrated novel from acclaimed author Sherri Winston.

Ten-year-old Jada Sly is an artist and a spy-in-training. When she isn’t studying the art from her idols like Jackie Ormes, the first-known African American cartoonist, she’s chronicling her spy training and other observations in her art journal.

Back home in New York City, after living in France for five years, Jada is ready to embark on her first and greatest spy adventure yet. She plans to scour New York City in search of her missing mother, even though everyone thinks her mom died in a plane crash. Except Jada, who is certain her mom was a spy too.

With the stakes high and danger lurking around every corner, Jada will use one spy technique after another to unlock the mystery of her mother’s disappearance–some with hilarious results. After all, she’s still learning.

 

What was the inspiration behind Jada Sly?

I love museums. When I worked for the Sun-Sentinel I spent a lot of time visiting the Flagler. They had a section with antique dollhouses and toys. I used to think how wonderful and mysterious it would be to be a kid whose family owned the museum. It was years later before the idea came back and I developed the character. I love this book.
 
This is your first illustrated novel. Did you have an art background and how difficult was it to adapt to this format?
 
I minored in art in college but hadn’t drawn in 20 years. When the concept came to me I spent eight years re-learning teaching myself how to draw and use digital technology. Jada was drawn entirely in an iPad Pro.
 
What kind of research did you do for all the spy details in the novel?
 
Honey, a lifetime of James Bond, Nancy Drew and Harriet The Spy.

I see that Jada Sly is going to be a series. Can you give us a hint as to what she’ll be up to in the next book.
 
Well, if there are future books, the next one will focus more on the art world. I have a sinister plot involving a menacing 10-year-old art collector.
 
Can you give our readers some tips on how to write a mystery for middle grade readers?
 
Girrrrrrrl, I’m looking for someone to help me with the same. My best advice is to organize the steps of the mystery but start at the end. You have to work out where you’re going in a good mystery.
 
 
 
Thanks, Sherri! For a chance to win an autographed copy of Jada Sly: Artist & Spy, leave a comment below. I’ll pick a winner at random on Saturday night, May 18 at 11:59 PM, and announce it on Sunday, May 19. (U.S. Residents Only, please.)

Hurricane Season with Author Nicole Melleby & a Giveaway!

It’s always exciting to share upcoming releases and hear directly from their authors. Today, we’re visited by middle grade author Nicole Melleby and her debut novel HURRICANE SEASON. “This debut novel—about taking risks and facing danger, about love and art, and about growing up and coming out—will make its way straight into your heart.”

Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.

Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.

Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.

Hi Nicole! We’re thrilled you’ve stopped by. Tell me,  how did you begin writing?

When I was eight, I saw the Nickelodeon movie Harriet the Spy. I was obsessed, I loved everything about it, but I especially loved the main character, Harriet, and the way she always carried around a notebook to write things in. I used to beg my parents to buy me marble composition notebooks just like the one Harriet had every time they went to a store that carried them, and I would fill those notebooks up with everything. I started off by taking notes about the people around me much like Harriet did while spying, and from there I started writing stories instead. I’ve been writing stories ever since.

The movie also gave me this quote, which I’ve kept in mind ever since, and speaks to why I keep writing: “You know what? You’re an individual, and that makes people nervous. And it’s going to keep making people nervous for the rest of your life.”

Interesting quote, and an important one for kids to remember. Thanks for sharing it here!

Your main character Fig’s growth is pivotal as readers venture toward the climax of her story. How did you decide to show this internal growth and understanding of her father and their relationship?

I knew from the start I wanted to do two things with Fig and her father’s relationship: I wanted to show that, regardless of his mental illness and limitations because of it, Fig’s dad is a loving, wonderful father. They love each other; the mental illness doesn’t get in the way of that. And I wanted to have a scene where a young daughter comes out to her father and it’s a non-issue. Fig’s dad doesn’t make a big deal about Fig’s sexuality. He accepts it, full stop.

With those things in mind, I knew that Fig’s growth had to center more around her understanding of her father’s mental illness more than their actual relationship, along with the avenues of help available to them, and how to accept the help provided to her. Throughout the novel, Fig finds comfort in learning about Vincent van Gogh, whose story is all too relatable in how it reminds her of her father. While Van Gogh helps Fig understand how serious mental illness is and how important it is to seek help, she also has to learn that her dad is not Van Gogh—mental illness isn’t one size fits all, and Fig and her dad have to learn together how to deal with their own circumstances.

What was the hardest part about writing Finola (Fig)?

For me, getting inside Fig’s head wasn’t hard—I don’t know what it says about me that my natural voice is that of an eleven-year-old. What was hard was making sure I took the time and did the research to do Fig justice. What would school look like for Fig, how ostracized would she feel because of her lack of cellphone and her dad’s limitations? It’s been many many (many) years since I was in sixth grade. What’s different now that I needed to be cognizant of while developing Fig? What would social service visits be like for her and her dad? What responsibilities would the adults around her have in reporting the strange behavior her dad exhibited? What parts of Vincent van Gogh’s life would really resonate with her (and what parts were maybe too mature for the story I’m trying to tell)? How would an eleven-year-old in 2019 react to the flutters in her stomach from a first crush on another girl?

Much differently than I would have in the year 2000, I’m guessing, and it was important to remember that while I was writing. I’m not writing about my childhood—I’m writing about today’s middle grade readers’ experiences.

This is a very good point to keep in mind for any writer reading this.

As the rawness of mental illness is strongly threaded throughout Hurricane Season, what suggestions can you give to educators on how to breach this subject using Fig’s journey?

My first suggestion is always that educators don’t shy away from discussing mental illness. It exists in so many people and families, and it’s nothing to be ashamed of or to hide away and whisper quietly about. Books like HURRICANE SEASON and Tae Keller’s THE SCIENCE OF UNBREAKABLE THINGS and Cindy Baldwin’s WHERE THE WATERMELONS GROW that show kids dealing with mental illness in their lives in a raw and real way I think is a good way to open up conversations with kids.

I also tried to show that both medications and therapy are useful and sometimes necessary, and I think being able to read about a young character experiencing both helps to put both of those into a context that becomes less scary and unknown.

What do you hope readers gain from reading this book?

I think a lot about the books I read when I was younger, and what characters meant the most to me. Who were the characters that were around when I needed them? Which characters gave me comfort, and why? What do I wish I had been able to read about but didn’t get the chance to growing up that could have been life changing?

With HURRICANE SEASON, I wanted to write a story for readers who needed a character like Fig: someone who is carrying the weight of the world on her shoulders and who is struggling with her love for her father and what his mental illness means for both of them, but is also going through the all too real pains of growing up. I hope that readers find a companion in Fig. I hope they see someone they can relate to, who maybe can be there for them in ways that characters were there for me when I was younger—whether it be a reader struggling with mental illness, or sexuality, or just the beginnings of a first crush or the struggles of sixth grade.

I also hope they gain a love and understanding for Vincent van Gogh!

Can I just say how much I love that you included work from Vincent van Gogh. #love

What do you see as the biggest challenge facing new writers in the constantly evolving publishing world?

With social media right at our fingertips, it’s ridiculously easy to see who sold what book how quickly, who is getting starred review after starred review, who gets to go to the big conferences, who gets to be on the most lists, and so on and so forth. Between that and having Goodreads reviews and Amazon stats a click away, it’s easy to get caught up in your own head about what defines success and whether or not your rejections or disappointments equal failure. Jealousy is human nature, and we’re all going to compare ourselves to others from time to time. The challenge is keeping your head up and focusing on your own path. I think it’s important to just try and remember (which I’ll admit is sometimes easier said than done!) that there are a million different paths in publishing, and most of it is subjective. Give it your all, be resilient, but keep your eyes on your own paper.

Also, protip: When I get a rejection, I sing a silly little children’s song that makes myself feel better. Mostly because by the time I’m done singing it, I’m not taking myself so seriously anymore, and I usually end up giggling.

Nobody loves me, everybody hates me, I should just go eat worms. Worms, worms, worms!

Haha! I’m definitely going to try that!

Care to share what readers can expect from you next?

Yes! You can expect another Algonquin Young Readers middle grade book from me out in 2020—a story about a soap opera loving Catholic school girl with a complicated relationship with her mother and her first crush on a girl.

Fantastic! We’ll be looking for it. Thank you for sharing yourself with our family of readers. All the best to you always, and stop by anytime.

Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea. Find Nicole on Twitter and Hurricane Season here.

 

 

Enter to WIN your very own copy of HURRICANE SEASON!

Giveaway winner will be announced via Twitter on May 14th.

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