For Writers

The Sister Solution Blog Tour Author Interview: Trudi Trueit

By on October 6, 2015   /   Author Interviews, Book Lists, Fiction, For Librarians, For Teachers, For Writers, Writing  

Thanks so much to Trudi Trueit for joining us on The Mixed Up Files today!

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We’re thrilled about Trudi’s new release, The Sister Solution.

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Just so our readers are aware, Trudi and I have known each other for awhile now. I’m so honored to be the one to conduct this interview as part of The Sister Solution Blog Tour!

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Let’s get right to the interview, shall we?

MUF: Trudi, we met when you did a book fair event for our school. It was obvious to me from the start that you love to work with kids. Can you please share with us what you most enjoy about connecting with your readers?

TT: From a young age, I found comfort and power in books and, in particular, writing. I was a shy girl, but through my stories I could be all of the things I thought I wasn’t in real life. I could be brave. I could be strong. I could even be magical! And the more I wrote, the more I started to realize that maybe I wasn’t just those things on the page. Maybe I had little tiny bit of them within me. Writing gave me the confidence to come out of my shell and try new things. It became my passion to write stories, both fiction and nonfiction (I was a journalist before I wrote books for children). So when I get to connect with young readers and writers, the thing that thrills me most is seeing that same light turn on in them. When they have read something that makes them see the world from a different point of view or when they have written something they didn’t even know they had in them, it’s pure joy. I know that, like me, they are forever changed. They are finding all of that potential within themselves. They are brave. They are strong. They are magical.

MUF: Wow, thanks for that answer! As a kid who grew up feeling much the same as you, I deeply appreciate the way you’ve been able to tap into that magic and share it with kids. I’ve seen the lights turn on with kids and your books, and it’s pure joy.

As a school librarian, I know your books well. You write your nonfiction in particular for many ages, but I’d say that your fiction is all for middle grade readers (though Scab appeals to younger kids, too, he is very much loved by 3rd and even 4th graders!). What led to your focus on books for this age group?

TT: Fourth grade was when I found my own voice through writing, so I think that’s why this age group appeals to me. There is something inherently special about being nine or ten years old. You are just beginning to discover who you truly are, what your values are, what you want out of life, and where you want to go. All of these possibilities intrigue me and I find it to be rich with material. To me, it’s the ‘golden age.’

MUF: What a great answer. I find that the Middle Grade age range challenges and feeds me at the same time, as a writer and as a librarian, too. Of course, I’m not sure I’ve ever grown beyond 10 years old myself!

The Sister Solution, like Stealing Popular, is about facing the pressures of school and relationships head on. Where did the idea for this book get its start? Was it an “aha!” moment, or a slow development of an idea?

TT: I do love writing about relationships! I find it fascinating to deconstruct them. It is the journey we all take together. We are all trying to figure out what makes the people around us tick. I’ve known for quite a while I wanted to write about two sisters, who were polar opposites, that had to figure out how to navigate their differences to save their relationship. I started writing the book from the elder sister’s point of view but I wasn’t more than a few chapters in when I knew something was wrong. It was one-sided. I realized that if I truly wanted to explore what each sister was thinking and feeling I had to do it in her words. I switched to alternating points of view and that seemed to do the trick!

MUF: I love this, thanks for sharing your journey to find the right voice for this book. Can you please tell us a little more about your writing process? I happen to know that cats are involved, but beyond that, what does a typical workday look like for you?

TT: As I type this my cat, Pippin, is demanding I play with him so I’ll make it quick, because I am, after all, his servant. My routine is not too exciting. I am usually at my desk by 7:30 a.m. to answer emails and do a few promotional tasks (PR is an essential part of a writer’s job). I will write from 8:30 to about 4:00 p.m., with a few breaks to play with Pippin, check emails, and return phone calls. I might also have a Skype visit with a class. When I have a new book coming out – like now – I will go ride my bike or do a work-out, have dinner and then return to my desk for a few hours to handle some of the tasks that go along with marketing, like updating my website, blog tour interviews, promotional mailings, etc.

MUF: I wonder if we should tell our readers that Pippin has his own Facebook page…

Before you go, the librarian in me always has to ask:

Is there a favorite book you’d like to share from your own middle grade years? We’d love to hear about a book that stuck with you from your childhood.

TT: My favorite book, the one I read again and again, was Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth, by E.L. Konigsburg (also, of course, the author of From the Mixed Up Files – another one of my favorites). Elizabeth, the main character, was the first character from a book that I could completely relate to. She got me. And I got her. I wanted to have more friends, and so did she. I wanted to be extraordinary, and so did she. This book is why I love writing realistic fiction so much, because while I could always find pieces of myself in a fantasy realm, I could find ALL of myself in a real one.

MUF: You’ve expressed so well how a book can reach a reader, and why the books you chose reached you – thank you! I want to remember these words when I share my favorites with young readers. It’s so helpful for kids if we don’t assume that favorites are the same for everyone.

Thanks again for visiting with us today, Trudi. We’re very excited for Sister Solution, and we hope you have all kinds of success with it!

We’re so grateful that Trudi could stop by today. You can visit her webpage to find information about the rest of the blog tour and her other books, author visits and more.

You can also download the reader’s guide for The Sister Solution.

Follow Trudi on Twitter, and  keep up with the latest with the hashtag #SisterSolutionBlogTour.

Trudi’s Facebook page .

Thanks to

 

 

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Writing (& Teaching) Setting-specific Story Details

By on September 23, 2015   /   For Teachers, For Writers, Writing  

If you’re a writer and/or teacher, you may be feeling the MUF-love emanating from your screen right now. That’s because today’s post about writing using setting-specific details is in your honor. Yep, it’s all for you. And for your readers. And for your students. And maybe even for your labradoodle named Cocoa who was briefly abducted by aliens and now spends his days pawing at a MacBook, composing original similes.

As a writer and a teacher, I love to explore and teach about the gloriously complex world of writing. I’m always learning something new and trying to improve my own writing craft. That’s what made me decide it was time to revisit my teaching roots and share something I’ve been working on in my own writing. And I brought J. K. Rowling along to help!

(Well, okay, that J. K. Rowling thing may almost, maybe, kind of be a lie. But I use a brief excerpt from Harry Potter and the Prisoner of Azkaban. And I allow my voice to climb toward falsetto as I do a very poor imitation of Professor McGonagall. So it’s pretty much like J. K. Rowling personally created this MUF post. Except she really didn’t. But I still couldn’t have done it without her.)

Anyway, enough parenthetical rambling! For today’s post you don’t need to do much reading. Instead, you can kick back with your Starbucks Pumpkin Spice Latte (or other favorite beverage), click the video below, and spend 3 minutes learning how setting-specific details strengthen a story and make it more believable.

If you’re a writer, I hope the video will give you something to think about in your own writing. If you’re a teacher, maybe you can use the video as a springboard to a writing lesson with your students. And if you’re neither a writer nor a teacher? . . . Well, maybe Cocoa the labradoodle will enjoy the brief respite from composing all of those similes.

Writing & Creating Story Setting with Specific Details

Have any favorite books or series where the author brings the setting alive? Any great examples of rich, setting-specific details from a book you’ve read? Feel free to post in the comments below.

T. P. Jagger The 3-Minute Writing TeacherAlong with his MUF posts, T. P. Jagger can be found at www.tpjagger.com, where he provides brief how-to writing-tip videos as The 3-Minute Writing Teacher plus original readers’ theatre scripts for middle-grade teachers. He also has a 10-lesson, video-based creative writing course available at Curious.com.

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Digging Into Revisions

By on September 18, 2015   /   For Teachers, For Writers, Writing  

When I was younger, school taught me to brainstorm an idea for a story, write it, then turn it in. I’d get feedback and a grade, but that was the end of it. I’m so grateful when I see my daughters not only write in school, but also practice revising. Very few things come out amazing in the first draft (and often the second, third, and fourth drafts, too). Every time you put writing away for a bit then look at it with fresh eyes, or receive feedback from trusted critique buddies or publishing professionals, there’s a chance to take your work up at least a level or two. But sometimes, it’s hard to know where to start.

Once yocongratulations_sm_nwmaau finish your first draft of a book, assignment, etc. I think the most important thing to do is CELEBRATE! So many people want to be writers and have all kinds of ideas swimming around their heads, but don’t find the time to actually sit and get them down on paper or into a computer. Congrats for finishing your draft!

Years ago, I used to leap into revisions in a very unproductive way—by trying to make the prose sing. That’s very important, but if the bones of your story aren’t strong enough, you can spend tons of time polishing up areas that will have to be cut. Concentrate on the big picture items first. Once you get them as strong as possible, that’s the perfect time to tweak your prose to perfection.

I’ve learned that I’m much stronger at voice and writing dialogue than plotting, so that’s where I usually start with a revision. I use Joyce Sweeney’s Plot Clock as much as possible while planning a new novel or picture book. Sometimes surprises pop up that take my plot in an unexpected direction. I love when my characters take over and start to lead the story! Sometimes, I’ll go back and rework the Plot Clock soon after I finish a draft, other times I jot notes on it and don’t completely redo it until I finish several rounds of revisions.

If you’d like, you can take a peek at some notes I shared a few years ago after taking Joyce’s Plot Clock Workshop, or you can sign up for Joyce’s newsletter then log in to her site to watch her free hour and a half Plot Clock webinar.

            Here are some other revision tips:

*Look at your characters and see if they’re all necessary and unique enough. Get to know them better through interviews. I love keeping a list of the traits, sayings, etc. of each character (and it tends to grow throughout the first draft and continues to expand and morph through rounds of revisions).

*Is every scene needed?

*Did you take the most obvious route? Play around with all the possibilities you can think of. What can really make your story and characters unique? What can surprise your readers (but looking back, they’ll hopefully have enough clues to realize how everything led up to that moment)?

*If you hit a section that you know needs to be stronger, but aren’t sure how to fix it, you can try setting a timer for ten minutes and brainstorming all the possibilities. You can also play with the time of day that you write. My inner critic gets tired late at night, and I’ve found that I take more chances with my writing then. It’s a great way to attack a scene I know I need to change, but am not exactly sure how.

*Now is a fantastic time to get feedback from trusted critique buddies. If possible, see if you can work on another project or character sketches, so you can view your story with fresh eyes when you receive their comments.

At the end, you can fine-tune your story. Make sure every word is needed and the strongest possible choice. Look for often repeated words. Read your story out loud and see where you stumble. Or have someone else read it out loud—it’s amazing how much clearer you can see your work when read by another person. If others hear it too, do they laugh at the right time or lose attention during scenes that can be streamlined?

Here are a couple of older Mixed-Up Files posts about revision that you might want to read:

Revision–the BIG picture

Revision: Churning Spilled Milk into Ice Cream

            I’d love to know what revision strategies work best for you!

Mindy Alyse Weiss writes humorous middle grade novels with heart and quirky picture books. She’s constantly inspired by her two daughters, an adventurous Bullmasador adopted from The Humane Society, and an adorable Beagle/Pointer mix who was rescued from the Everglades. Visit Mindy’s Twitter, Facebook, or blog to read more about her writing life, conference experiences, and writing tips.

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