For Writers

Are You a Plotter or a Pantser?

When I first started writing middle grade novels, I was a total pantser. I’d get an idea, mull it around for a bit, jot down some notes, then plunge in without really having an idea where my story would go. It was a fun ride full of surprises, and I enjoyed every minute of it. I loved how my characters took over the story once I got to know them better, and couldn’t wait to see how they’d get out of all the situations they stumbled into. I was amazed at the gems that popped up! But then I realized how much muck I had to dig through. I didn’t have a full story arc. It was more like the fast ups, downs, twists, turns, and upside-down loops of a roller coaster. I’ve lost count of how many major rounds of revisions it took to turn my roller coaster rides into fully fleshed out story arcs.

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I thought about outlining. For a minute. It felt too restricting. I didn’t want to know all the major details about my stories in advance. But I also wanted to have stronger structures to my novels. So now, I’m somewhere between a plotter and a pantser.

Before leaping into a new novel, I still do my typical brainstorming (which can last for a brief period of time to several months or even longer if I’m working on another project but can’t get ideas for a new one out of my head). I jot down any possibilities that hit and cross out ones that don’t look like they’ll work. But now I’ve added or enhanced a lot of other techniques, too.

  • My character sketches are much more in depth. I used to jot down a few ideas, then change a lot of it as I wrote and got to know my characters better. It feels strange trying to know so much about my characters before diving into their stories (especially after finishing a novel where I know my characters inside and out), but the more I brainstorm the story and work on the overall plot ahead of time, the more my initial character sketches work throughout the book (although it’s rare that I don’t make at least a few tweaks along the way). It’s way more than just a brief physical description and a few facts and traits now. I fill out character questionnaires, interview them, etc. One of my favorite questions is: what’s your biggest secret or fear? It’s great knowing what my character’s flaws are, and how they’ll be tested throughout their journey. Newest Plot Clock 2016
  • I love using Joyce Sweeney’s Plot Clock before writing a novel. It’s such a fantastic tool! It helps me get the bones down without feeling shackled to an outline. If you’d like, you can take a peek at some notes I shared a few years ago after taking Joyce’s Plot Clock Workshop, or you can sign up for Joyce’s newsletter then log in to her site to watch her free hour and a half Plot Clock webinar.
  • I saw agent Jill Corcoran state on social media that it’s helpful to have a pitch ready before you start writing a new book. What a brilliant idea! Not only does it help focus you, but you can also check to see if the concept seems strong enough for the market, and alter it if you need to before writing a single word of your manuscript.
  • During an SCBWI workshop, Lorin Oberweger said something that will always stick with me—know what your character wants before the story begins. I’ve looked back at past novels with this in mind, and figure this out before starting any new projects now.

Are you a plotter, a pantser, or somewhere in between, like me? What tools work best for the structure of your novels—and where do you struggle the most? In case you can’t tell, plotting is something I’ve had to study a lot, because it was one of my weaknesses. Joyce Sweeney once told me that plotting was one of her weaknesses, too—but she studied it so much that she was able to develop the Plot Clock and turn plotting into one of her biggest strengths. That’s so encouraging! I’m always looking for new tools to help me, and love seeing how much stronger my plotting is thanks to them.

Mindy Alyse Weiss writes humorous middle grade novels with heart and quirky picture books. She’s constantly inspired by her two daughters, an adventurous Bullmasador adopted from The Humane Society, and an adorable Beagle/Pointer mix who was rescued from the Everglades. Visit Mindy’s TwitterFacebook, or blog to read more about her writing life, conference experiences, and writing tips.

Feeding the (Young) Artist Within: Books to Help Us Free Ourselves for the Journey

I’m very excited to teach another summer camp this year at the school where I retired two years ago. Last year, we took the students on a science and poetry journey, using the observational tools we honed in the school’s forest to inspire a variety of poems. That was a blast!

This year, I wanted to tailor campers’ experiences to the wider age range – because to be honest, though we had a great time, poetry was a tough thing to focus on for 5 days straight for the youngest kiddos, who really wanted to play all day in the gorgeous weather.

It’s nature art camp this year, and I’m pumped. My campers range from 1st to 5th grade, so I want to challenge those kids the best way possible, and there’s lots of opportunity for fun, sharing and exploration.

But here’s what I’ve learned about art and personal expression. What I’m about to share is true for writing, too, but there is an in-your-face thing that happens with visual arts in particular, and it’s called being afraid to fail. With writing, I can produce a cruddy draft and craft the heck out of it before I show it to anyone.

Visual art is really fun, and it’s messy, and sometimes, we really do have to accept that it’s more about the process than the product. That’s fine when you’re in your own studio, but in a group setting, a visual product is out there for everyone to see from the moment creation begins, and sometimes it’s hard to own the uncertainty of the process.

This means I have to be prepared for disappointment, and I have to help kids of all levels be prepared for mistakes and to help them figure out how to be okay with that.

My goal in our five days together is to expose the campers to several art experiences, and to give them a safe space to explore personal expression. We’ll play with watercolors and go to the splash park. We’ll do some rubbings and sun prints from pieces of nature we find in the woods. We’ll read  SWATCH: The Girl Who Loved Color (Julia Denos), about a girl who loves all the colors and wants to collect them, then play with colors and maybe adopt some for ourselves. We’ll make hand-felted flowers inspired by the school gardens, while we explore textures of natural fibers in the natural world with our eyes and hands.

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On the last day, we’ll work together to create a piece of Andy Goldsworthy -inspired art as a gift to those who come to the next week’s camp. Here is a link to a kid-friendly Andy Goldsworthy-type project, and here is one from the Eric Carle Musem, with a great lesson plan and information about the artist.

Every day of camp we’ll start with a read aloud – because where else can we spark imagination better than between the pages of a book? Here are some titles I’ve found that seem to launch a feeling of safety and support in personal exploration for kids (or adults!) of any age. I enjoy re-visiting these myself when I begin to worry too much about the product and forget about the process.

Beautiful Oops!, by Barney Saltzberg

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This is a board book even the grownups want to play with: torn pages, folded corners, crumpled bits of paper – what if we made even more art from our mistakes?

The Dot and Ish, both by Peter H. Reynolds

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I once read The Dot to my art and design classmates when we were deep in the very stressful process of preparing for an important exhibition – there was a ton of self-doubt making its way around the room, and we were all exhausted. Then we were all freed by my reading of this book, with its advice to “make a mark.”. Ish is another simple picture book created by Peter H. Reynolds, and I have helped students work through difficult feelings of perfectionism by sharing this one as well.

The Most Magnificent Thing, by Ashley Spires

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This book is all about trying, and failing, to make the thing that is in your mind, but embracing the importance of walking away so that you can return to try again with a new perspective.

For all my campers, a feeling of purpose can spark inspiration, as well. I’ll also be sharing Maybe Something Beautiful: How Art Transformed a Neighborhood, by F. Isabel Campoy, Theresa Howell, and Rafael Lopez as we begin creating our community piece at the end of our week together.

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Have you ever thought of reading picture books to give your imagination some spark, or some creative support? I highly recommend it for any age!

 

 

In fourth grade, Valerie Stein touched an ancient artifact from an archaeological dig. Though she never got to travel the world in search of buried treasure, she ended up journeying to new and exciting places between the pages of books. Now she spends her time researching history, in museums and libraries, which is like archaeology but without the dirt. Valerie’s book, The Best of It: A Journal of Life, Love and Dying, was published in 2009.  Both her current work and an upcoming middle grade series are historical fiction set in Washington State. Valerie is Publisher at Homeostasis Press  http://www.homeostasispress.com/index.php, and blogs at Gatherings, the blog of Gather Here: History for Young People https://gather-here-history.squarespace.com/

Books of Ore Giveaway

Books of Ore, by Cam Baity and Benny Zelcowicz, is  a new trilogy bound to interest  lovers of fantasy and adventure.

books of ore 1Book  One introduces Phoebe Plumm, whose life revolves around trading pranks with irksome Micah Tanner and waiting for her renowned father, Dr. Jules Plumm, to return home. Chief surveyor for the Foundry, a global corporation with control of metal production and technology, Phoebe’s father is in the field for months at a time. But when a sudden and unexpected reunion leads to father and daughter’s being abducted, Phoebe and would-be hero Micah find themselves stranded in a stunning and volatile alien world—one that has been ruthlessly plundered by the Foundry for centuries and is the secret source of every comfort and innovation the two refugees have ever known.

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Book Two,  out in early April, finds Phoebe and Micah a long way from home and engaged in a struggle with no end in sight. Phoebe’s father is gone, Micah struggles to keep a vow he swore he’d never break, and their enemies are closing in fast.

Book 3 publishes next year! Meanwhile, to celebrate Book 2, the authors are giving away Book 1 and Book 2 to two different winners. To enter, please leave a comment below. Only U.S. residents are eligible for this contest–thanks!