For Writers

A look back, a thank you & a goodbye (for now!)…

Mixed-Up Files friends!

Hard to believe, but I’ve been here blogging with the wonderful folks at the MUFs as one of the original members for more than six years now. Yes, six years! A lot has happened during that time — I moved overseas and back (yay military life!), watched my kids go from little to not-so-little (*sniff!*), and went from being an unpublished, aspiring author to someone with almost a dozen books out in the world. It’s been quite a ride so far!

But, as I’ve learned in the last year with the publication of my debut YA novel, there’s an awful lot of work that happens after your book hits the shelves. (You know, once you’ve collected yourself from the floor after spotting that thing you wrote in the Barnes & Noble… ). I’ve been busy doing book signings, conferences, school visits, festivals… (No complaints, though! I absolutely love getting out and meeting readers!)

Of course, I still need to write… :). So, for that reason, I’ll be taking a break from blogging here. But before I go, I’d like to share my journey to becoming a published author. It’s a question I get a lot when I speak to groups. It’s a bit personal and a bit long — but I hope you’ll stick with me until the end.

I guess you could say, like most authors, I’d always dreamed of being a writer… someday. I wrote a lot as a kid, studied literature in college, went on to be a journalist, etc. And there was always that little voice in my head creating stories, nudging me to write. But the truth of the matter is, the thought of actually sitting down and writing a book, of putting myself out there open to criticism — well, it terrified me.

(Besides, life has a funny habit of getting in the way. New jobs, marriage, first kids… I’d always quiet that little voice by telling myself I could write that book later — when I was older/wiser/less busy/not afraid. I’d get to it someday.)

Then, my dad unexpectedly got sick.

It was ten years ago. I was a new mom with a young son when out of nowhere my dad fell ill. One day, he was vibrant, healthy, active; the next, he was struggling to breath, suffering from something called “idiopathic constrictive bronchiolitis.” Which, was basically a fancy medical way of saying the small airways in his lungs had become irreversibly inflamed, making it impossible to exhale — and nobody knew why.

It was progressive. It was debilitating. And there was no cure.

With my brother and my dad, my hero.

With my brother and my dad, my hero.

At the time, I lived outside DC, my dad lived in Vermont. I traveled to see him as much as possible, taking him to consult with doctors and specialists — always hopeful they’d find some way to help. Various experimental medications were tried, some with side effects that seemed worse than the disease. Swelling. Fatigue. Brittle bones. Physical therapy didn’t help. The only hope was a lung transplant, but he was ultimately deemed to sick to survive the surgery.

In the meantime, my brother was in the middle of his own someday — visiting our dad as much as possible while finishing his medical fellowship in upstate New York, and getting ready to come home to Vermont and get married.

We all kept hoping for a miracle. That Dad would get better. But as his health grew progressively worse, Dad became focused on just one goal: to get to his son’s wedding.

June came, my brother’s wedding weekend rolled around. It was a semi-destination type event at a resort on Lake Champlain in Vermont — the quaint sort of place with paddle boats, no televisions, no cell phone signal. My dad arrived, confined to a wheelchair, tethered to an oxygen tank. There were hairline fractures in his back, side effects of the heavy steroids that kept him breathing. But he was still optimistic, still smiling, still fixed on his goal. He bowed out of the rehearsal dinner that night — the one he’d paid for and helped plan — to save his energy for the big day.

He was going to make it to that wedding.

The morning of the ceremony, a huge storm blew across the lake — the type that topples trees and downs power lines. It would later seem incredibly symbolic that the oldest tree at the resort was uprooted that day. But at the time, we were all busy getting ready, hurrying to the church, having our pictures taken. A groomsman was charged with making sure my dad and stepmother got there safely.

But as the final guests arrived, my dad wasn’t among them. Time slowed to a crawl as we began to panic. There were several frantic calls to the resort, and to cell phones that went straight into voicemail because there was no service.

We all feared the worst.

Finally, we saw my dad’s car pull into the parking lot. I can’t even explain the relief that washed over me as the groomsmen rushed outside and wheeled him through the blustering wind and rain to the front door.

My dad had done it. He made it to the wedding.

And as he crossed the threshold, rolling safely inside, out of the storm — his head gently dropped to his chest.

And he took his last breath.

It was probably the most profound, sad, and life-changing moment I’ve ever experienced. In one instant, the lens through which I viewed the world shifted. It was the day I truly realized that time is finite, and I had to stop waiting for “someday.” It was the moment I realized I could be afraid, but I couldn’t let fear keep me from moving forward.

If my dad could make it to that church — if broken bones and oxygen tanks and wheelchairs couldn’t stop him — I could write a book.

So, I did. I wrote a book. And then I wrote another one. And then I wrote three more before finally landing an agent. That was eight years ago. And it took almost three years from then to land a deal with book packager Working Partners and see my first book published, and three more before my debut with Disney sold. It wasn’t easy.

But, if my dad could make it to that church — I could handle the rejection, the tough reviews, the waiting to hear on a submission.

I could make it to my own personal church.

And so can you. As I tell people during my speaking engagements — whatever your goal, wherever your church, whatever your destination, you can cross that threshold. You can make it.

Just don’t be afraid to take that first step.

So as I sign off here, I’d like to thank you for being part of my journey the last six years! It’s been a wonderful, inspiring ride so far. And, of course, I wish you all nothing but the best on your own travels through life!

(p.s. For those who are wondering, my brother did get married later that day, on the dance floor at what would have been the reception hall, circled by the guests holding hands, with my cousin singing Ave Maria a cappella. It was the most beautiful wedding I’ve ever attended, without a dry eye in the house, and I know Dad would be proud.)

Jan Gangsei won’t be blogging on the Mixed-Up Files anymore, but she’ll be hanging out in the comments every now and then, and you can find her at www.jangangsei.com, and on Facebook and Twitter. Someday, she might even post something on Instagram.

Hook your Reader with a TERRIFIC First Line

“It was a dark and stormy night.”

(A Wrinkle in Time by Madeleine L’Engle)

 

“Where’s Papa going with that ax?”

(Charlotte’s Web by E. B. White)

Some people call them “hooks”—that all important first line of a book. Imagine a fishing hook with a fat juicy wriggling worm on the end. That worm is much more appetizing to a fish swimming by than the metal hook will ever be dangling all by itself–and so will a juicy first line of a book to potential readers cruising the shelves in a bookstore or library.

A fishing rod and worms is how I describe the creation of story hooks when I do my Creative Diary writing workshop with kids. You want to throw that great, delicious hook out there, capture your reader, and then reel them in and not let them go until they reach THE END. As a writer or a librarian or a teacher trying to grab a child with a book, we want our potential reader to get intrigued, to *Get Hooked* and KEEP READING.

So just how important IS that opening first line or first page for Readers and how important are first lines for Writers?

Let’s go to our panel of experts:

Readers First!

Aubri, 15-years-old: “The cover of a book definitely draws me in first, but the first line makes or breaks it. I have to be intrigued, but I also like funny stories like the Junie B. Jones books that start out really funny and scary books where a character might be in prison and something is going to happen to them.”

Shelby, 12-years-old: “A first line makes me want to keep reading. If it’s boring, I’ll stop. I will probably read the whole first page, but unless I like it, I’ll stop reading the book. When I’m browsing the bookshelves, I read the synopsis on the jacket, too. And the Author stuff on the back.”

Milyssa, 16-years-old: “I like good first lines, but it’s more than that. The whole first paragraph has to be great.”

Writers Next! (Clicking on the author’s name will direct you to their website)

KIMBERLEY GRIFFITHS LITTLE (moi):

“I’m a sucker for great first lines. I also spend a lot of time thinking about my own first lines when I begin a book. Sometimes it takes until the end of drafting before I know what works best. Here’s the first line from my novel, When the Butterflies Came: ‘The first butterfly comes the day after the funeral.’ I hope it raises questions like “the first butterfly?” or “who just died and why are butterflies showing up?

Keep reading for more thoughts about First Lines and great books from some wonderful MG authors!

VIVIAN VANDE VELDE

“The first line needs to set the stage, giving us a glimpse into when and where the story takes place so we can immediately begin to picture things. Optimally, it should give us a meaningful glimpse at the main character–saying, thinking, doing something relevant to the story. (That is, I don’t think highly of stories that try to grab you with a cheap falsehood, as in: Terrified, Melanie screamed, convinced she was going to die. Of course, no one had ever died from seeing a mouse, but it COULD happen…) It should set the tone, giving us the voice of the character if it’s in 1st person.

And, if possible, hint at the conflict which will be at the heart of the story.

The story where I think I accomplished this most successfully is GHOST OF A HANGED MAN, which starts: “Pa said we were too young to go to the hanging.”

 

 

GREG LEITICH SMITH

“The voice has to grab you and make you want to continue and there should be some follow-through in the rest of the novel about the thing(s) that arose in the first line.

In NINJAS, I used, “I knew I was in trouble when I heard the cello,” which lets us know the protag is (a) in trouble and (b) is in some strange situation wherein that trouble is announced via a cello. And the “trouble” itself forms the basis for the main conflict.”

 

BARBARA O’CONNOR

“First lines set the tone for the story (funny, dramatic, etc). First lines are the front door of the story and should say “come on in”.

My new favorite first line is from The Fantastic Secret of Owen Jester coming out the end of August: “Owen Jester tiptoed across the gleaming linoleum floor and slipped the frog into the soup.”

 

HEATHER VOGEL FREDERICK

“The former journalist in me always thinks of first lines as the “lead” to a story. When I was writing for newspapers and magazines, I always found that once I got the lead right, the rest of the article flowed from there. It’s like building a house on a solid foundation.

My goal for the first line is to reach out and grab the reader by the lapels and pull them into the story.”

Favorite first line? Still my first-born, from The Voyage of Patience Goodspeed:

“‘Absolutely, positively not!’ roared my father in a voice meant to be heard through the teeth of a Cape Horn gale.”

 

 

BARBARA BROOKS WALLACE

“Tell him, Muddle! Tell him we’re not mice!”

The first sentence of The Barrel in the Basement is a first sentence that HAS to be followed by the second – which is even better!

“Pudding gazed with horror at the huge yellow cat who lay on his side daintily probing the mouth of the jar with his paw.”

LAURIE CALKHOVEN

“I often go back and change my opening after I’ve written the end. In Daniel at the Siege of Boston, 1776, my main character thinks in the end that the siege was like one long staring match between the British and the Patriots. I wasn’t happy with my opening, so I went back and decided to open with a staring match:

“I stared into Josiah Henshaw’s red brown eyes and vowed not to blink.”

“I wanted to open with action, and this sets the tone for the rest of the book.”

M. J. AUCH

“Here’s my favorite from a short story called “Witch’s Son”.”

“When Abigail Brewster brought her son, Hugh, back from the dead the first time, he looked all fragile and wispy, like morning mist on the village commons.”

SUE COWING:

“When the flying boat/returns to earth at last, /I open my eyes/ /and gaze out the round window./What is all the white? I whisper. /Where is all the world? ”

“This is from Katherine Applegate’s masterful novel-in-verse, HOME OF THE BRAVE. Civil war tears young Kek from his family and his cattle-herding village in the Sudan, and he is relocated in Minnesota in the middle of winter. He has never felt such cold, never seen or imagined snow or such a place as America. I love the way Applegate has this character express in such powerfully simple language experiences that he can barely comprehend, making the reader instantly curious and sympathetic.”

MICHAEL HAYS:

“He was the best of toms. He was the worst of toms.” – from THE CHESHIRE CHEESE CAT: A Dickens of a Tale by Carmen Agra Deedy & Ramdall Wright.

“This is a feline twist on A Tale of Two Cities in this great MG animal story told within the world of the inn where Charles Dickens spent quite a bit of time. Need I say more?”

T.P. JAGGER:

I’ve always liked the opening lines of SCHOOLED by Gordon Korman because it effectively introduces the 1st-person narrator’s voice while hinting at the plot enough to raise some questions that compel the reader (at least me!) to keep reading:

“I was thirteen the first time I saw a police officer up close. He was arresting me for driving without a license. At the time, I didn’t even know what a license was. I wasn’t too clear on what being arrested meant either.”

HILLARY HOMZIE, author of Queen of Likes:

“I love this first line because I just love Deborah Wiles writing: “I come from a family with a lot of dead people.”

It’s the first line of Each Little Bird That Sings by Deborah Wiles (MG Harcourt, 2005).

The next lines after that: “Great-uncle Edisto keeled over with a stroke on a Saturday morning after breakfast last March. Six months later, Great-great-aunt Florentine died–just like that–in the vegetable garden. And of course there are all the dead people who rest temporarily downstairs, until they go off to the Snapfinger Cemetery.”

And on that funny “morbid” note, I want to give a huge thanks to all of our reader and writer experts on the subject of First Lines and Hooks! Now Go forth! Find a Great Hook Today or Write a Great Hook  – and Fall In Love at First Line!

Since I adore first lines, please share your favorite First Lines below in the comments!

Kimberley Griffiths Little has been juggling book launch parties for her FORBIDDEN trilogy (Harpercollins) with her right hand, twirling a handful of new characters with her left while drafting new book proposals with her toes. Throw in too many cookies, a household that never sleeps . . .and you have a typical day in the life of a writer on deadline. See Kimberley’s beautiful new website here: www.KimberleyGriffithsLittle.com. Friend her on Facebook: https://www.facebook.com/kimberleygriffithslittle

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The end of August (sigh)

And here it is. The last, sweet day of August. In many places, kids have been back in school for a couple of weeks, but there’s something about this day that signifies the definite end of summer. Labor Day approaches, and soon after that, the first hint of coolness in the air. The first leaf to tumble from a tree, the getting dark earlier. The sigh of another season going by.

Back in June, my hopes were high and my bucket list was long. Things to do, places to go, foods to eat, house repairs to tackle, and of course, my plan to write under a shady tree, or at the beach, or any number of places I can’t write during a cold Midwest winter when I’m stuck inside.

I started out well enough, fleshing out an idea for a new story that had been simmering in my head for a while. Even though I have two middle grade novels coming in 2017 and 2018, there’s always the nagging tap on the shoulder for a writer: you must start something new. Get to it! Time’s a wastin’!

But I should know by now that summer’s not my best time to write. Summer, with her long lazy hours of daylight, is just too beguiling. trees & clouds

The very breath of the fleeting season grabs my senses and takes over. Shouts of kids jumping on a backyard trampoline, the trickle of watermelon juice down my chin, the sun on my face, the glorious smell of flowers mixed with burgers sizzling on the grill. My concentration fades like a pink sunset. My focus flits about like a dancing butterfly. I’ve forgotten how to put together a sentence that makes sense or let alone, is creative. The heat has undoubtedly melted my brain. Somewhere around the end of July, I give in, pushing my story notes to the corner of my desk. I’ll get back to it later, I think. But there’s an art fair to browse, or an outdoor concert in the park, and I don’t.

Weirdly though, with the turn of the calendar tomorrow to September 1, something happens. The change to the new month that’s so identified with fall, and suddenly, my brain seems to wake up from its summer snooze. And as the leaves on the tree outside my writing space begin to turn, my half-formed ideas usually start to come together too. Maybe this is a habit from all those years of going back to school? Who knows. Even though summer and all its sweetness is over, there’s nothing like the feeling of getting my butt back in the chair and doing what I love. Creating a world that didn’t exist before I wrote it.

writingHappy end of August and beginning of September. Apples. Football. Flannels. Time for a new bucket list.

 

 

 

Michele Weber Hurwitz is the author of The Summer I Saved the World in 65 Days and Calli Be Gold (both Wendy Lamb Books) and the upcoming Makers Vs. Fakers (fall 2017, Aladdin Books). Find her at micheleweberhurwitz.com.