For Teachers

Torpedoed! A Giveaway

Torpedoed: A World War II Story of a Sinking Passenger Ship and Two Children’s Survival at Sea, by Cheryl Mullenbach, published earlier this month with Chicago Review Press.  The exciting story:

On September 3rd, 1939—the same day Britain officially declared war on Germany—the passenger liner SS Athenia was torpedoed by a German U-boat, making it the first UK ship to be attacked by Germany in what was now officially World War II…

In Torpedoed! the true disaster story of the Athenia is told through the lives of 11-year old Russell Park and 14-year-old Florence Kelly, two American children who were returning from vacations abroad with their families. Their adventurous and carefree summers abruptly came to an end as the liner began to sink. The children joined other survivors in lifeboats and rowed towards approaching ships, praying they were allies and not enemies.

Booklist’s review said, “Titanic may be the most famous shipwreck in history, but this account of the Athenia’s last voyage makes its story as memorable.”

To be eligible to win a copy, please leave a comment below!

 

Kersten Hamilton and the Book of Half a Lifetime

I’m very pleased today to feature a long time friend of mine.

Kersten and I have critiqued each other’s work, we’ve gone on writing retreats together, attended conferences, and enjoyed group meet-ups with other local authors over the years. Kersten Hamilton is an incredibly talented writer, deep thinker, and a selfless, giving person.

Here at From the Mixed up Files, we’re excited to show off the gorgeous cover for her middle-grade novel, DAYS OF THE DEAD, which will launch into the world this coming summer.

Enjoy a little bit about Kersten’s inspiration and an excerpt from the novel.

~Kimberley Griffiths Little, one of your MUF’s authors and bloggers~

From Kersten Hamilton:

“When I first saw the art created by Merce Lopez  for the cover of Days of the Dead I wanted to shout, “LOOK AT THIS! IT IS THE BEST COVER EVER!!!” because Merce had captured the magic and mystery at the heart of my story. Having a cover means the book is real! It is almost here!

Some books take half a lifetime to write. Days of the Dead is one of those books. I can’t remember when the story started to grow in me. When I was six, and my mother left? When I was a teen sitting in a chill of a lava tube, breathing in darkness so deep it was almost alive?  The day my heart broke so badly I thought I would die. I know the roots of this story reach back through that day. But the story took years of drafts and re-writes to form.

Slowly, it settled into a time: the Days of the Dead, when the border separating the living from the dead grows thin.  And a place, Puerta de la Luna, where strange things happen. Things that science isn’t big enough to explain. And a girl, Glorieta Magdalena Davis y Espinosa, whose choices would destroy her family – and whose courage would make it whole again.

Days of the Dead will be coming from Sky Pony Press this August of 2018, but I can’t wait one minute longer to introduce Glorieta. I hope she will find a lot of friends and help them pick themselves back up when they have made a terrible mistake.”

LOOK AT THIS STUNNING COVER!

And here’s Glorieta in her own words:

“Every bowl of Alpha-Bits starts out with hundreds of words. But the power is in the last spoonful.

“Dios mio, Magdalena!” Mamá’d said as she’d pointed to my spoon, “Your spoon says ‘libros’. Books!’ Now, you choose. If you swallow it down, then you will learn about books!” I swallowed it, and that year I’d been the first kid in class who learned to read. I learned about big books, thick books, their smell, their feel, the letters gathering into words and the words into stories. Mamá and I read together every night, in English and in español, Spanish.

In third grade I’d had to find the word in my Alpha-Bits myself. I used an extra big spoon, one that could fit all of the letters of mother, if Mamá wasn’t enough. Or even Mamá, come home.

The word had been hoggs. I’d known that was too many ‘gees’ for a real word. I’d swallowed it anyway, and cried because I thought my Mamá’s magic had gone away with her.

Then, one month into the school year, a new editor for the Epoch Rattler came to my school to interview me about a poem I’d written for the paper. His name was Hogg. That hadn’t made me feel any better. You can’t knock off one letter and say it’s close enough. That’s not magic. It’s cheating.

But just after Christmas my teacher Miss Dotson, who’d met Mr. Herbert Hogg the day he interviewed me, married him and became Mrs. Hogg. Two Hoggs. Pieces fitting together. The magic worked.

I shook the box, and something rattled inside.

I got a bowl, and turned the box upside down. Letter pieces and cereal powder rained out. I poured in some milk, and three perfect letters bobbed to the surface.

“Are you looking for a word in your Alpha-Bits? Seriously?” Lilith was leaning over my shoulder.

“Go away.”

Lilith laughed. As she walked across the room and picked up the phone again, one more letter struggled to the surface of the sludge. I stared at the bowl. It couldn’t be right.

I’d wanted the magic to help me keep my promise to Mamá. I hadn’t wanted this.

Now you choose, Glorieta…

“We’re on hold, B,” Lilith said into the phone. “I’ve got to work out something with my stupid step-tard first. See you at school.”

Lilith saw me still staring at the bowl and leaned over to see what I was looking at.

“O.D.I.O.?” She laughed. “That isn’t even a word, loser.”

It was a word. Lilith just didn’t know it because she couldn’t speak español.

You choose, Glorieta.

If it had been about anyone else, it would have been wrong. But I knew it wasn’t about anyone else. It was about Lilith. Somehow she had gotten in where she didn’t belong and messed everything up. Even the magic.

I could feel her breathing on the back of my neck as I scooped the word onto my spoon and lifted it to my mouth. I would learn it like I’d learned to read, learn the pieces and the parts and how they fit together and it would keep Lilith away from me.

Lilith took a step back, and I couldn’t feel her breath anymore. It was working already.

Shivers raced up my spine as I chewed.

Odio. Hate.

My magic word for the sixth grade.”

Thank you for letting me share, Mixed-Up Files!

Kersten Hamilton

Website: www.kerstenhamilton.com

Pre-order DAYS OF THE DEAD

Email: Kersten@kerstenhamilton.com

A Peek Into the Creator of Rise of the Jumbies

Hi Mixed-Up Files Readers,

I’m thrilled to introduce our next author guest and share her brand new book with you! Some of you will remember her from The Jumbies, the first book in her creepy middle grade series.  Let’s hear a warm welcome for Tracey Baptiste!

Hi Sheri! Thanks so much for doing a feature on the series.

It’s my pleasure. So excited to chat! Let me ground the readers by starting with an element of the first book – without giving anything away. In the first book of A photo of Tracey Baptiste's book, The Jumbiesthis series, The Jumbies, your main character Corinne is a confident girl for the most part; she’s afraid of nothing. But then she must learn how to call upon that confidence in the form of courage to save her island home. You’ve continued Corinne’s story in Rise of the Jumbies with her discovering she’s suspect to the story’s main plot line. That had to be hard for her, especially after she’d found and used her courage in book I.

Did she go through self-doubt and questioning? How else did she react to this? What will young readers gain by exploring this with Corinne?

There are always going to be moments when a person does all the right things, and people still aren’t on their side. This is Corinne’s experience at the beginning of the book, and it hurts her. It also propels her to go to extraordinary lengths to save the children of the island. I’m not sure she would have risked herself in this way otherwise since she had already done so much.

Such an important lesson for kids to learn alongside Corinne.

I absolutely love the culture and diversity of this book! The story world is rich and intriguing. I’m always intrigued when authors talk about stories they recall from childhood. How closely did you follow those stories you were told as a child and how did you weave in your imagination to create such a unique tale?

At their core, the jumbies have the same traits as the ones in stories I listened to as a child, but I did let my imagination run wild. For one thing, the jumbies are all somewhat unified, and in the stories I heard, it was always one jumbie on the prowl, or maybe a few douens together, but they never worked together the way I have them in this series. And Severine was entirely my invention—a jumbie who unified those on land. I needed her to focus Corinne’s anger/sadness/loss, but also to make it a bigger story because all the jumbies under Severine make for a more dire situation for the island.

What’s the most important message or lesson readers will find in this book?

That individual groups have more in common than they realize. That squeezing any group to the fringe is cruel, and a recipe for disaster.

How would you describe Rise of the Jumbies in either five descriptive words or 140 characters?

Exciting, magical, gorgeous, brutal, frightening.

These really are perfect.

A fun question: if Corinne could be any character from any fairytale, who would it be and why?

Corinne falls firmly in the Cinderella trope. The dead mother, the evil stepmother (in this case wannabe stepmother), the magical trees (one of which is near the mother’s grave), the need to overcome the stepmother in order to get to a “happy” ending. This was all deliberate. I love Cinderella stories, so when I read the Haitian folktale “The Magic Orange Tree,” I recognized the same story bones as Cinderella, and that was the inspiration for the first Jumbies book.

How did you find writing a sequel different from writing the first book and what advice could you share with our writer friends about how to approach writing a ‘book 2’?

I had ideas for a book 2 when we sold the first Jumbies, but it wasn’t bought as a multi-book deal, so I dropped those ideas in favor of making book 1 stand alone. Then book 2 became a possibility so keeping the consistency was very difficult. I struggled a lot. I knew I needed to up the ante on the danger Corinne and her friends were in, but that I also needed to deepen the emotional story. The mermaids were always in my thoughts for a book 2, so I was thrilled to bring them in, and I had a very specific agenda for them—they would tell the most harrowing emotional story in the book, that of the Trans-Atlantic slave trade. Their story was the most crucial and difficult for me, and moving some of the focus away from Corinne helped to drive the second book. This was a deliberate strategy to keep things fresh and unexpected in the sequel.

Oh wow, this is such a powerful part of the story. So glad you were able to bring it to readers in book II.

What do you see as the most challenging aspect of growing up ‘middle grade’ in today’s world of books? How can authors make a difference in these middle schoolers lives?

Middle grade readers are watching a world where hate is once again bubbling to the surface, and that’s all in the spotlight because of social media, which they all have access to. Books that accurately represent different cultures and different stories are crucial now so that there isn’t an ingrained sense of “otherness” about people who don’t look the same, or who live differently. I am a strong advocate for Own Voices stories because who better to tell stories than the people who live them? Unfortunately, there are still more books published about [insert non-white culture/ethnicity here] than written by people within those groups.

Care to share what your readers can expect from you next? We’d love to hear!

I’m working on two books of historical nonfiction. One is about the civil rights movement, and the other I’m still researching, so I can’t say much about it yet.

Ooh, secretive … we like that! Best of luck with both projects. We’ll anxiously await their releases. And thank you for sharing yourself and your work with the Mixed-Up Files.

Tracey Baptiste is a YA and MG author, former elementary school teacher, and freelance editor. For more on The Jumbies series and the author herself visit her website.