For Teachers

How to Conquer a Blank Page

October is almost over, but even with the scariest ghosts and goblins getting ready to beg for candy in the US, a blank page is way more terrifying. The possibilities are exciting.

But…

*What if the words turn out wrong?

*What if this awesome new idea is a flop?

*What if the murky middle sucks the plot in like a pile of quicksand?

Take a deep breath. You can do it!

Here are some helpful hints.

Challenges

Challenges can be extremely motivating, and you’re in luck—because NaNoWriMo starts on November 1st. The goal is to write 50,000 words of a novel by the end of November. They have motivating posts, a supportive community, and a fun way to track your daily and overall progress.

If your novel ends up being less than 50,000 words, you can still win. Start a second novel! Or see what’s missing from your first draft and add those scenes in.

*Teachers—there’s a fantastic program to use with young writers!

 

Word Wars

You can have word wars with others or challenge yourself. Put aside an hour (or half hour) and do your best to have uninterrupted time. It helps to jot down what you hope to cover in the next few chapters ahead of time, then write, write, write! No editing allowed—there’s plenty of time for that later. This helps word counts soar. Plus, it’s amazing how many gems pop up that might not have been discovered if an internal editor butted into the draft.

Think about what’s often missing from your first drafts. For me, it’s usually sensory details. So during word wars, I concentrate on adding in as many as I can. A bunch get streamlined or deleted…but I also find amazing details that I love. Ones that might not exist without this fun challenge.

 

More tips and tricks:

*If you get stuck, think about the worst thing that could happen to your character. I learned this from author Bruce Coville at a conference years ago, and it’s always been a huge help.

*Brainstorm! Set a timer for 10 minutes and type or write all the possible things that can happen non-stop. Don’t edit yourself, no matter how silly something might seem.

*Have your main character write a journal entry and see if it gives you more insight into wants/needs/conflict. It also works great with secondary characters.

*Let your internal editor know they aren’t allowed in your first draft! They can be stubborn, but there are ways to trick them.

-Write when your internal editor is too tired to butt in (it might be late at night or early in the morning).

-Signal your brain that it’s time for creativity—not your internal editor. Some people do this with one scented candle for writing and another for revising. Authors like Bruce Hale have a writing hat and an editing hat. Play around to figure out what works best for you!

 

Blank pages are scary—but take a deep breath and remember the fun and excitement of writing as you plunge into your novel. Your page won’t be blank for long!

Happy writing. 😊

I’d love to hear your tips for tackling a blank page and shushing your internal editor.

How Middle Grade Fiction Can Fuel Young Writers’ Search for Truth

In one of my Lit classes recently, students read I, Juan de Pareja, a Newbery Medal-winning novel by Elizabeth Borton de Treviño. This fictionalized account of the life of Juan de Pareja follows his childhood in 17th Century Spain to his role as servant-turned-apprentice to master painter Diego Velázquez. It’s a great middle grade book for studying voice, historical setting, and imagery. Though only a few factual consistencies are known about the life of Juan de Pareja, the author built this novel based upon those few facts, or what she called a “kernel of truth” (The Glencoe Literature Library).

This idea brought up a connected discussion regarding how events in real life inspire realistic fiction… and conversely, how fictitious characters and plotlines remind us of the real happenings in our lives. We began talking about our own “kernels of truth”—stand-out memories, transitions and moves, objects and possessions that hold special meaning, gifts given or received… so many authentic experiences that contribute to the construction of one’s identity! We then complemented the novel study with a writing project that became known as the “Kernel of Truth” creative non-fiction assignment. Each student wrote about an authentic experience that in some way contributed to or connected with his or her identity. With some established parameters and brainstorming sessions, they were well on their way to authoring excellent pieces.

Creative nonfiction is a great genre for middle graders to explore as writers. They get to jump directly into the writing process without time-consuming research or structured main points; instead, they can write what they know. It’s a way to express true narratives, nostalgic anecdotes, tales of travel or adventure, and stories of personal interest while employing storytelling techniques like dialogue, setting, plotting, and figurative language.

Best of all, creative nonfiction writing can work with any novel, and it can support another level of connection between the reader and the text. In other words, just as I, Juan de Pareja inspired my students’ ability to seek individual kernels of truth, most other novels have at least one feature (setting, history, conflict, etc.) that will inspire your students’ true stories, and their own creative nonfiction.

For example, here are a few recent realistic fiction titles along with some potential leads towards CNF writing projects that might accompany them.

Another Kind of Hurricane by Tamara Ellis Smith – What experiences have you had witnessing the power of nature? What’s the most curious coincidence in your life you can remember? Have you ever discovered a connection between you and someone with whom you originally thought you had nothing in common?

Hunger by Donna Jo Napoli – Home can be a complicated word. What joy do you find in your home (town, city, residence, or whatever home means to you)? What, if any, frustration? What situations have you encountered or witnessed in which a choice that went against the rules seemed justified (for the good of others)?

The Parker Inheritance by Varian Johnson – Any real-life mysteries in your experiences? What books have you read that have stayed with you long after you finished reading, and what does that book mean to you now?

The Orphan Band of Springdale by Anne Nesbet – What unexpected turn of events has contributed to your own “plot twist”? What curiosities have lately caught your attention, like pigeon photography caught the attention of protagonist Gusta?

Middle grade students may wonder initially how a historical or fantasy could inspire them to write about something from their own lives in a CNF piece. Take the time to brainstorm as a class, and soon they’ll see how many elements and factors about the character’s life and story are possible points of connection with their own lives.  Depending on the readers in your class or library, you may decide to give the group a lot of freedom of topic, style, and length… or that it might be better to put some guidelines down on paper. Guiding questions like the ones above or general topics and suggestions can be especially comforting to the hesitant writer. Sometimes it takes prompting and parameters for imaginations to lose their inhibitions.

Hope these ideas are useful ones for your bag of tricks! Good luck and thanks for encouraging reading and writing in middle graders.

Naked Mole Rat Saves the World by Karen Rivers

Ever read the title of a book and know instantly that you must find out more about the story?

When I first saw the title of our next spotlight, I couldn’t help being filled with all sorts of questions. What’s up with this mole rat? Why did the day have to be saved? And how does he do it?

And wait! A mole rat?

Haha! I know. I’m being a little overly dramatic, but this goes to show how much value a title can hold. Let’s meet this mole rat.

Can Kit’s super-weird superpower save her world?

Kit-with-a-small-k is navigating middle school with a really big, really strange secret: When she’s stressed, she turns into a naked mole rat.

It first happened after kit watched her best friend, Clem, fall and get hurt during an acrobatic performance on TV. Since then, the transformations keep happening—whether kit wants them to or not. Kit can’t tell Clem about it, because after the fall, Clem just hasn’t been herself. She’s sad and mad and gloomy, and keeping a secret of her own: the real reason she fell.

A year after the accident, kit and Clem still haven’t figured out how to deal with all the ways they have transformed—both inside and out. When their secrets come between them, the best friends get into a big fight. Somehow, kit has to save the day, but she doesn’t believe she can be that kind of hero. Turning into a naked mole rat isn’t really a superpower. Or is it?

“A warm coming-of-age story populated with a cast of memorable characters.”
—Kirkus Reviews

The book releases on October 15, 2019 by Algonquin.

 

It’s wonderful to have you visit us here again, Karen. Welcome!

Kit is such an intriguing and endearing character. What characteristics did you know you had to include within her?

Kit, like most of my characters, came to me fully formed as herself, right from the beginning. I knew she had to be stronger than she knew, but I also knew that she was going to have occasionally overwhelming anxiety herself, that would be secondary (in her mind) to her mum’s more paralyzing version. I also wanted her to be brave, in particular brave to be herself, even when others might think it’s “weird” (to rollerskate, to believe in magic, to tie ribbons to trees in the park, to blow bubbles). And I knew she would be funny, of course.

Just hearing you describe her in your own words makes me like her even more.

We all know how important it is for young readers to relate to the characters they read. How will young readers relate to Kit?

I think a lot of kids around the age that kit is in the book are on the cusp of young adulthood, while also still wanting to stay kids. Kit very much wants to hold on to her kid-like qualities. I know some kids like this, who feel like they are being left behind because their friends are more like teenagers already, even when they aren’t quite ready.

That’s a very important reality during the transformation between tween and teen, and it’s not talked about enough. Glad you’ve mentioned it here. What is your favorite part of the world you’ve created for Kit and why?

I love the magic more than anything — all of it, from the literal to the metaphorical. I also love the way both kit and Clem find their power in surprising ways. Both of them are exploring the scarier, darker sides of their realities in these brave and surprising ways.

Was there anything about Kit that surprised you?

When I started writing, I didn’t realize that sometimes she was going to be angry or that she was going to show her anger on the page, that she could be unforgiving. I happen to have a twelve year old of my own now (although she was younger when I was writing this story) and this ability to flip back and forth between joy and fury turns out to be very real. It felt true on the page, too, but I hadn’t necessarily anticipated it.

Would you have been friends with Kit as a middle schooler?

Oh, definitely. She’s kind and fierce and funny and loyal AND she roller skates!

She definitely sounds like fun! What’s the most important element from this story you hope readers take with them once they’ve finished the book?

That everyone has something going on beyond the version of themselves that they present and that you see at school. You don’t have to scratch the surface very deeply to realize that we all have many, many layers. You never know what someone else is going through, and you definitely can easily underestimate what they are capable of if you forget to look beyond their outward appearance. And of course it’s also a book about forgiveness, about acknowledging that not everyone always does the right thing.

Another hidden truth during those middle grade years. Thank you for sharing your thoughts about Kit and Clem’s story and for helping young readers explore who they are through them. All the best from your Mixed-Up Files family . . .

Karen Rivers’s books have been nominated for a wide range of literary awards and have been published in multiple languages. When she’s not writing, reading, or visiting schools, she can usu­ally be found hiking in the forest that flourishes behind her tiny old house in Victoria, British Columbia, where she lives with her two kids, two dogs, and two birds.

Find her online at karenrivers.com and on Twitter: @karenrivers.