For Teachers

MG Novel and Nonfiction Study: Visual, Auditory, and Kinesthetic Strategies

Writing JournalDo you enjoy maps and diagrams more than directions told to you aloud? Do you love listening to an audiobook while driving, cooking, or gardening? Do your hobbies include crafting, sculpting, building models, woodworking, or jigsaw puzzles?

It’s been theorized that our interests, preferences, and hobbies may point to a “type” or “style” of learning we enjoy. Different theories about learning styles exist; for example, multiple intelligence theory discusses our different “intelligences” (pathways that help us learn) such as logical-mathematical, visual-spatial, and inter- and intrapersonal. And researchers continue to study the possible ways that areas of the brain might be responsible for different styles of learning.  

Another much-discussed learning styles theory is the VAK typology: visual, auditory, kinesthetic. While evidence has not proven that overall learning is greatly impacted by one particular style of gaining knowledge, offering a variety of learning strategies with visual, auditory, and kinesthetic components may promote interest in lessons and activities, including novel and nonfiction study.

The study of charts, graphs, and tables, for example, is generally considered a visual learning technique; taking notes, typing, and flipping flashcards can be ways to get “in touch” with tactile learning options. And individuals who prefer read-aloud time or a lecture may gravitate toward auditory learning techniques.

Teachers, parents, librarians, and homeschoolers of middle graders as well as writers looking for new ways to promote their MG works might consider kicking off the new school year with some reflection on the VAK model and how it relates to a middle grader’s experience with the text in their hands. Since some readers may enjoy different “types” of learning, a varied approach with options for strategies and assessment may be most helpful in promoting interest and engagement.

As with all classroom suggestions, be sure to account for sensitivity considerations for those with individualized learning needs.

Strategies and Activities for Kinesthetic Skills Practice:

  • Use sticky notes to handwrite annotations and reader reactions; peel and stick in place in a class copy of a novel. Trade copies with a partner to flip through their thoughts.
  • Build a model of a setting. What tactile materials might be used, for example, to represent the rocky desert conditions near Alamo Lake in Dusti Bowling’s Across the Desert? What objects could be used to show main character Jolene’s path to rescue Addie and escape from the desert?
  • Copy physical descriptions from the text onto paper, then cut and paste individual descriptive phrases onto a drawn or 3-D model of a key figure, an object, or a setting. Three-dimensional models work well to show different sides of a character and the ways they change throughout the story.
  • Construct prototypes or to-scale models for nonfiction units on inventions, planets, technology, and many other subjects.

Strategies and Activities for Visual Skills Practice:

  • Find, create, study, or model artwork associated with a text, such as select Vermeer works for those reading Blue Balliett’s Chasing Vermeer.
  • Study and compare the cover art for a novel with different editions.
  • Offer texts with some illustrations at the MG level, as well as texts with a typeface that offers a change of pace – think David Walliams’s Demon Dentist with its whole-page boldfaced character reactions, its use of page layout for onomatopoetic effects, and its use of bulleted lists.
  • Read, write, and share graphic novels. Kelly Yang’s Finally Seen may lead to exploration of several published graphic novels as main character Lina becomes a fan.
  • Chart or graph the visual context clues in illustrations from a graphic novel that are not included in the text.

Strategies and Activities for Auditory Skills Practice:

  • Turn dialogue into a script for dramatized oral readings.
  • Incorporate discussions and Socratic seminars for small and large classroom groups.
  • Record an exciting passage of a novel read aloud, using vocal tone, pace, and pauses to represent suspense.
  • Perform a radio show-style scene from the MG work, complete with sound effects and music cues. A spooky tale might work nicely here, or a paranormal adventure like Joe McGee’s The Haunted Mustache.

 

Thanks for reading, and a great school year to all MG readers, writers, teachers, and parents!

Revitalizing the Culture of Reading

Picture a 12-year-old. It’s 8 p.m. on a school night. Homework is finished, responsibilities have been fulfilled, and it’s wind-down time. What will they choose to do with this time? According to current surveys and sales records, it’s unlikely that this young person will be picking up a book to read.

Boy reading a book

“Is There a Reading Recession?”  This is the title of a recent article shared on the Scholastic Blog. It echoes the concerns expressed in a previous Mixed-Up Files post about “The Middle Grade Slump.” A documented decrease in middle grade book sales is a symptom. The real issue is the sharp decline in the amount of reading that kids up to the age of 18 engage in for pleasure.

 

Maybe reading for pleasure is a thing of the past. It’s a hobby. There are other hobbies. Reading is just a skill-set learned in school, right? Wrong. The benefits of reading for pleasure are broad and well-documented. Reading for pleasure builds empathy, social adjustment, and self-esteem. Research has shown that reading for pleasure boosts academic achievement and is associated with overall success in life.

 

However, according to a National Literacy Trust survey, children’s engagement and enjoyment in reading are the lowest they’ve been in two decades. What can be done to reverse this trend? We need to revitalize the culture of reading, and it’s up to adults to lead the way. 

 

Parents

Parent reading to baby

Parents are the most important stakeholders in creating a culture of reading. From the earliest ages, before children have even developed language, books should be shared. Sharing a book between parent and child enriches children in multiple ways. It builds vocabulary, introduces children to concepts of print, and creates a positive emotional climate around reading. As children age, even if they can’t remember these shared experiences, they are stronger readers who maintain the positive feelings developed in that early emotional context. 

 

Even when children begin to read independently, it’s important to continue to read TO the big kids. When adults read aloud, they model prosody, which is the rhythm and intonation we use to be expressive with language. They model respect for the act of reading and appreciation for books. Children’s vocabulary and comprehension skills are built through listening, and the positive emotional climate around the act of reading is nurtured and sustained.

 

Visiting libraries and bookstores sends an unspoken message that books have value and that reading is part of your family culture. Parents are the most crucial influences in creating a culture of reading, and by reading to, reading with, and reading alongside children, parents demonstrate a dedication to and appreciation for reading.

 

Teachers and Schools

Teacher reading to class

As a veteran teacher, I can personally attest to the importance of classroom libraries, shared read-alouds, and a dedicated time for daily individual reading. However, increased demands on instructional time creates overburdened schedules, and current concerns over book challenges have created a culture of fear in many schools.

 

Most educators understand that teaching reading skills must go hand-in-hand with fostering reading engagement. Literacy-rich environments are necessary in order for students to develop as readers. But teachers can’t do this alone. Parents and administrators must support immersive literary atmospheres in classrooms. 

 

Classroom libraries should be well-stocked with a diverse selection of genres and reading levels so that students can identify their own preferences as readers. Virtual and in-person author visits generate great hype around books and should be scheduled throughout the year. Grants, partnerships with independent bookstores, and relationships with businesses and community organizations can help fund author events. 

 

Finally, teachers who develop a positive climate around books are those who model a love of reading. They read aloud to students daily and build connection and community through literature. They talk about reading, discuss books they love, and provide recommendations based on students’ individual interests and preferences.

 

Librarians and Booksellers

shelves with books, red seats, people reading

Let’s create some hype around books! The July 8, 2024 issue of Publisher’s Weekly showcased the activities of some forward-thinking booksellers who have been successful at revitalizing reading among young patrons. Subscription boxes, themed dinners, and author visits have all proven effective in engaging young readers in the pleasure of reading.

 

Big box stores are now selling kids’ books, and the accessibility of literature at the same place where families might be shopping for clothing, school supplies, hardware, or groceries deserves attention. These stores should be encouraged to provide a wide variety of books for every age and type of reader. 

 

Libraries can (and usually do) engage in programming designed to inspire a love of reading. Book clubs, community reads, and thematic events can draw young readers in and help them connect with literature. Reading aloud to the youngest readers while also providing a safe space for teen readers is a true balancing act. As showcased at the recent ALA conference, librarians are heroes, whether or not they wear capes.

 

It’s Time for Action

Let’s return to that 12-year-old. Maybe it’s laughable to assume that there’s any downtime. Between extracurricular activities, often-excessive amounts of homework, and the lure of ever-present electronics, even if there is downtime, why would a kid choose to read? Our culture has changed…but it’s not the kids who changed it.

 

The benefits of reading for pleasure are well-documented, and the trend away from reading for pleasure is not shifting toward the positive. It’s time to reverse the trend. A cultural revitalization that includes an appreciation for books and a habit of reading for pleasure is needed, and it’s up to the adults to make it happen. 

Digital Media Ideas– I Was a Kid with Author Karen Romano Young

Big News, STEAM fans!

First of all, welcome to the every-once-in-a-while regular I Was A Kid posting from me, Karen Romano Young.  You may know me from novels like The Beetle and Me: A Love Story, graphic novels like Doodlebug: A Novel in Doodles, and science books like the Try This! Series, Antarctica: The Melting Continent, and Whale Quest.   I Was A Kid is a new multimedia project dedicated to sharing the stories of STEAM students and professionals, such as…

Second piece of news: The National Science Teaching Association’s new president, Dr. Alicia S. Conerly, took office June 1.  Right on time is I Was A Kid with a STEAM profile of her.

Dr. Conerly grew up in rural Mississippi, and after a twisty path through potential science and medical careers and studies, became a science teacher dedicated to improving opportunities for kids like herself.  At a conference, a fire alarm placed her in the way of a woman who would become her mentor, helping her to find her way into the NSTA and the teacher-support grants that came with it… and onward to the presidency!

Visit Dr. Conerly’s profile on the I Was A Kid website at iwasakid.com/aliciaconerly. You’ll learn all about her, while getting a taste of what’s available through my project:  going on 50 profiles of folks from previously marginalized communities, including race, religion, socioeconomic background, gender, sexuality, physical and mental ability.

My project developed at an intersection of concern by the STEAM world about the need for new and diverse perspectives in their fields; from my wish to show today’s kids that they too can have exciting research and creative lives and adventures;  and from a long standing philosophy of representation in media for young people.

Here’s a third and key piece of news: all the materials at IWasAKid.com are available free, including downloads of comics and trading cards.  To stay up to date, follow @IwasakidSTEAM on Instagram — and watch for another I Was A Kid post in September.

Finally, how about some free I Was A Kid posters — all printed out and beautiful? Subscribe at iwasakid.com and you’ll be entered EACH MONTH to win a set of 12 posters.