For Librarians

Freedom Summer 1964: Looking back with a new generation


Ain’t gonna let nobody turn me around
traditional song that became an anthem of the Civil Rights Movement in the 1960’s

Fifty years ago this month, the arduous efforts of civil rights advocates through the 50’s and 60’s coalesced in Mississippi as thousands organized to push for voting rights long-denied to African Americans.  Our nation’s work for equity and social justice goes on today, and the examples set by those who would not give up are treasured by ongoing generations of readers.  In their remarkable book, Oh, Freedom! Kids Talk about the Civil Rights Movement with the People Who Made it Happen,  Casey King and Linda Barrett Osborne share interviews that fourth graders conducted with family members and others who worked for justice during this time.

Starting with Oh, Freedom!, Seattle teacher Kay Yano built a unit on Freedom Summer and the Civil Rights Movement so that her fifth-graders could also learn from — and be inspired by — this important time in our history.  Kay’s goal was “to draw students into the lives of some of the leading voices of the Civil Rights movement in the 60s and to see that they were all ordinary people who saw injustice and felt moved to action from it.  I want students to understand that people just like us can rise up and do extraordinary things, and that when we work together, we are able to be change agents.  My hope is that students can find that place in themselves that resonates with these leaders and find the ability to be change agents too.”

A Sampling of Books about the Civil Rights Movement and Freedom Summer

Freedom Summer by Deborah Wiles; ill. by Jerome Lagarrigue.  Friendship defies racism for two boys in this stirring story of the “Freedom Summer” that followed the passage of the Civil Rights Act of 1964. Now in a 50th Anniversary Edition with a refreshed cover and a new introduction. (Indiebound description)

Through My Eyes by Ruby Bridges.  This is a book written by Ruby Bridges herself!  She writes in her memoir about her experience, accompanied by Federal Marshals, of being a 6-year-old who became the first black student to attend her elementary school.  This book has articles that appeared in newspapers at the time and helps to create a context for her remarkable story of courage (Kay Yano description).

When Marian Sang: The True Recital of Marian Anderson by Pam Muñoz Ryan; ill. by Brian Selznick.  This beautifully illustrated book tells the story of Marian Anderson, who was a gifted singer who was prevented from performing at the Metropolitan Opera and Constitution Hall because of discriminatory policies.  However, she was invited by President Roosevelt to sing on the steps of the Lincoln Memorial, where she performed in front of an appreciative crowd of 75,000 people.  This performance opened doors for her and for others that had previously been closed. (Kay Yano description)

Rosa by Nikki Giovanni; ill. by Bryan Collier.  Rosa Parks’s story is told here, both her life leading up to the moment where she “sat down to stand up” for the African American community in Montgomery, Alabama.  The story then moves into the resulting bus boycott and some of concrete results of her actions of civil disobedience. (Kay Yano description)

As Good as Anybody: Martin Luther King, Jr. and Abraham Joshua Heschel’s Amazing Walk toward Freedom by Richard Michelson; ill. by Raul Colon Tells the parallel stories of Martin Luther King, Jr. and Abraham Joshua Heschel (a Polish-born rabbi who fled Nazi Germany) and how they came together in the March To Montgomery.  It talks about the many influences and common experiences of oppression that both men faced and how they found commonality that helped to cement their alliance. (Kay Yano description)

Revolution by Deborah Wiles.  It’s 1964, and Sunny’s town is being invaded. Or at least that’s what the adults of Greenwood, Mississippi are saying. All Sunny knows is that people from up north are coming to help people register to vote. They’re calling it Freedom Summer.  As she did in her groundbreaking documentary novel COUNTDOWN award-winning author Deborah Wiles uses stories and images to tell the riveting story of a certain time and place — and of kids who, in a world where everyone is choosing sides, must figure out how to stand up for themselves and fight for what’s right. (Indiebound description)

Learn more about Deborah Wiles’ “60’s Trilogy” in MUF team member Laurie Beth Schneider’s interview with Deborah Wiles and her editor, David Levithan

Thank you to Kay Yano for sharing her unit ideas!

Katherine Schlick Noe teaches beginning and experienced teachers at Seattle University. Her debut novel, Something to Hold (Clarion, 2011) won the 2012 Washington State Scandiuzzi Children’s Book Award for middle grade/young adult and was named a 2012 Notable Social Studies Trade Book for Young People.  Visit her at http://katherineschlicknoe.com.

Book Expo America – Photo Essay & Musings

I just got home from my first ever BEA (Book Expo America) bookseller convention held at the Javits Center in New York City. It’s been nearly 10 years since I visited New York and, though I came very close to canceling the whole thing 3 weeks before, the experience ended up very much worth all the flights from my tiny corner of the world in the Southwest, the Dramamine (ha!) and the angst/worry/nerves/chewed fingernails.

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Javits Center, New York City

Highlights of my experience:

1. This summer my 4th novel will publish with Scholastic (THE TIME OF THE FIREFLIES) and I finally got to meet my talented and terrific editor for the first time. Scholastic also set me up with an ARC signing – we estimated at least 100 copies in 45 minutes. Whew! So much fun.

2. I was also able to meet my Harpercollins editor for the first time (FORBIDDEN, Nov ’14) and discuss edits for Book 2 in the trilogy as well as their forthcoming marketing/publicity plans. My editor called it a “robust” marketing plan – whoo hoo!!

I’ve been to ALA and IRA Conventions before, which are geared toward librarians and teachers, while BEA is put on by booksellers (although teachers, librarians, publishers, authors, and READERS, are there in wild abundance.)

I discovered that agents, foreign agents from around the world, movie people, as well as folks from outside publicity firms are also at BEA in strong numbers. I was able to meet and chat with Scholastic and Harpercollins sales and marketing folks manning their respective booths eager to talk about upcoming Fall titles.

BEA Diversity Panel

The WeNeedDiverseBooks Panel Members. I missed it but I heard it was FANTASTIC!!! Raves from everyone who attended.

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As you can see from the standing room only crowd waiting for the Diversity Panel to begin.

My two days was so wild and crazy with appts, panels, classes (yes there are many of these, much more than I expected), lunches, and autographing sessions, I neglected to take a picture of the Autographing Area. Believe me, there were THOUSANDS of people there to snag ARCs and meet their favorite authors. I did notice that Adult and Young Adult authors were in higher abundance than Middle-Grade Authors. I had one of the few MG ARC signings and the line was crazy huge. I signed like a mad woman, (while trying to simultaneously chat with the terrific readers and booksellers and librarians – my publicist and editor unpacking and opening the books as fast as they could next to me) that I have NO pictures. Truly, I was there! Really! 🙂

BEA Children’s Book Breakfast: Carl Hiaasen, Mem Fox, Jason Segal , and Jeff Kinney (l to r)

Your Average Book-Lover Citizen was able to attend on the final day of Saturday since the BEA convention organizers added a Book Con day (also called Power Reader Day) to the schedule. The public was able to purchase tickets, grab ARCs as well as enjoy demonstrations, games, and panel events with their favorite authors.

Read a great recap of panels and events here: BEA Round-Up by Publisher’s Weekly

Pics From the Floor!

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I *am* partial to the purple flooring . . .

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Middle-Grade Books!

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More Books!

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Scholastic titles that have sold internationally.

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A Lego Bounty Hunter: couldn’t help myself.

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The aisles go as far as you can see in both directions.

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Audio Books!

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Publisher’s Weekly as well as Booklist, School Library Journal, Kirkus, and other reviewers were represented.

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I tried to snap displays of MG books for y’all.

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Barefoot Books

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Self-Explanatory. 🙂

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Ditto!

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Gorgeous weather enjoyed by all – except when it suddenly poured rain trying to get a taxi to the airport Saturday late afternoon. Some of my ARCs got wet in my bag. 🙁

 

Was anybody at BEA that I missed? Please share your experiences and thoughts in the comments.

June 27-28 I’m headed to the American Library Association Summer Conference – raise your hand if you’re going! Would love to meet more readers and writers.

Kimberley Griffiths Little’s newest MG novel will release July 29. THE TIME OF THE FIREFLIES has already received terrific reviews from Kirkus, PW, and School Library Journal said, “A perfect choice for lovers of ghost stories, historical fiction, or just a good yarn.” Stay tuned for her launch with giveaways right here on MUF. Find Kimberley on Facebook. and Twitter:@KimberleyGLittl

Teacher’s Guides, Mother/Daughter Book Club Guides, and book trailers “filmed on location” at her website.

The Nonfiction Family Tree

A few weeks ago, I attended the New England SCBWI conference in beautiful Springfield, MA. I had the pleasure of sitting in on a workshop given by  Melissa Stewart and Sarah Albee on Nonfiction. It was fascinating!  There was so much GREAT information that I felt it would be good for others to learn about it. I contacted Melissa and she graciously agreed to be interviewed.   For those of you that haven’t heard of  or been lucky enough to meet Melissa, here’s a little about her:

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Melissa Stewart is the award-winning author of more than 150 science books for children. She has always been fascinated by the natural world and is passionate about sharing its beauty and wonder with readers of all ages.

After earning a bachelor’s degree in biology from Union College in Schenectady, NY, and a master’s degree in science journalism from New York University, Melissa worked as a children’s book editor for nine years before becoming a fulltime writer in 2000. She has written everything from board books for preschoolers to magazine articles for adults.

Melissa believes that nothing brings nonfiction writing to life like firsthand research. While gathering information for her books, she has explored tropical rain forests in Costa Rica, gone on safari in East Africa, and swum with sea lions in the Galapagos Islands.

When Melissa isn’t writing or exploring the natural world, she spends time speaking at schools, libraries, nature centers, and educator conferences. She serves on the Board of the Society of Children’s Book Writers and Illustrators and the Keene State College Children’s Literature Festival.

With the advent of Common Core, nonfiction seems to be taking off. Can you give us a little background of how nonfiction has changed over the years? Wow, it’s changed A LOT. Fifteen years ago, most nonfiction text was rather dry. If an author wrote a manuscript with a strong voice, it was edited out. Today editors want, no demand, a strong voice. In the past, authors were supposed to be unbiased, but today it’s perfectly okay for writers to express a point of view.  Art and design has also changed. Ever since desktop publishing software was invented, illustrators and designers have been experimenting. The result is dynamic designs that kids can’t resist. The upshot is that today’s nonfiction has a dual purpose. It delights as well as informs.  

 

In your talk, you broke nonfiction up into seven categories. Can you explain these categories? Sure. In my talk with uber-talented author Sarah Albee [link: http://www.sarahalbeebooks.com/], we drew upon the work of a group of highly-respected academics who call themselves the Uncommon Corp [link: http://nonfictionandthecommoncore.blogspot.com/]. They classify nonfiction books into seven broad categories. Data: In more friendly terms, you might call this category Fasts Facts. It includes Eyewitness Books, The Guinness Book of World Records, and my own book Animal Grossapedia. These are the concise, fact-filled books that groups of boys love to read together and discuss.

Expository: You might call this category Facts Plus because the facts are interwoven into a content-area explanation. This is could be considered “traditional” nonfiction in some ways, but there’s nothing old-fashioned about today’s expository titles. Their engaging text and rich, dynamic art and design are sure to delight as well as inform young readers.

Narrative: This is a category we’ve heard a lot (I mean A LOT) about in the last few years. It’s the current darling of awards committees. Narrative titles present facts in the form of a true story with a narrative arc.   As you learn about the next few categories, I think you’ll see that some of the books that have been lumped into the narrative category should really be thought about on their own terms, based on the author’s approach to the information.

Disciplinary Thinking: These books reveal how scientists and historians go about their work, how they evaluate evidence and form theories. The structure could be narrative, but it usually isn’t. This category might also be called something like Experts at Work. Scientists in the Field books are the perfect example, but there are plenty of other examples. Skull by Mark Aronson is one that immediately comes to mind.

Inquiry: This category could also be called Ask and Answer. In these books, the author raises a question or a group of related questions and then seeks the answer. Sally Walker’s Written in Bone and What Bluebirds Do by Pamela F. Kirby are great examples.

Interpretation: For these books, authors research a topic widely, find their own meaning in the information, and present the content from that point of view. Charles and Emma by Deborah Heiligman is the first title that leaps to mind, but I’d also put books like Those Rebels, Tom and John by Barbara Kerley in this category. I think we’ll see more of these books in the future because this type of presentation directly supports Common Core.

Action: This is category offers a separate spot for titles that invite young readers to take action. The most obvious examples include Citizen Scientists by Loree Griffin Burns and the Science Play series by Vicki Cobb. I’m not sure this system is the be all and end all, but it’s a very interesting way for writers, teachers, librarians, and other book lovers to think about nonfiction. It stretches the way we think about current books and future possibilities, and I think that’s extremely valuable.

 

Do you think certain topics lend themselves to certain categories? Yes. I think narrative nonfiction works very well for biographies and books about historical events. These topics naturally have a beginning, a middle, and an end. With enough research, an author can craft the alternating scenes and summary architecture that characterizes narrative nonfiction. When writing about science, math, or the Arts, narrative nonfiction may not be an option. Even if it is, it may not be the best choice. For a broad overview of any topic, expository usually works best.   Two great examples are Bugged: How Insects Changes History by Sarah Albee and 9780802734228_p0_v4_s260x420 A Black Hole Is Not a Hole by Carolyn Cinami Decristofano.     If writers think about these categories at the beginning of a project, I think they may have an easier time coming up with a great way to approach a topic and a solid structure for their book. It provides some options, so we aren’t just shooting in the dark.  

 

Which one do you think is most popular with kids? Why? Data books are clearly the most popular with kids. Most school librarians will tell you that titles like The Guinness Book of World Records is almost constantly checked out. Elementary-aged readers love fascinating facts, so Data books can be good for hooking beginning readers. But many educators worry that these books don’t do much to help kids build their reading skills. Right now, thought leaders like Jonathan Hunt and Marc Aronson feel that we need a new breed of book that forms a bridge between Data books and long-form nonfiction that students are expected to read in middle school and high school.

 

Which categories do teachers tend use in their classrooms? In recent years, teachers didn’t use much high-quality trade nonfiction in the classroom at all. But the hope is that Common Core is changing that. Right now, teachers are struggling to learn about nonfiction, and they are building their classroom libraries. Luckily, most school librarians have been singing the praises of the new nonfiction for several years now, so they are becoming trusted advisors in schools where they exist. We need more school librarians!

 

Any tips for readers about how to find fun, engaging nonfiction books? Here are some lists to keep an eye on. They include great nonfiction titles from all seven categories:

  • AAAS/Subaru Prizes for Excellence in Science Books
  • ALA Robert F. Sibert Informational Book Award
  • CRA Eureka! Nonfiction Children’s Book Award
  • Cook Prize for STEM Picture Book
  • Cooperative Children’s Book Center Choices List
  • Cybils Nonfiction for Middle Grade & Young Adult
  • Cybils Nonfiction Picture Books
  • NCTE Orbis Pictus Award for Outstanding Nonfiction for Children
  • NSTA-CBC Outstanding Science Trade Books for Students K-12
  • YALSA Award for Excellence in Nonfiction for Young Adults

 

How do you see the world of nonfiction changing for the future? That’s a great question, and I’m not sure I really know the answer. My hope is that we’ll see more nonfiction being published for children. Although I think many editors are now more open to reviewing nonfiction submission than they were in the past, what I hear is that they aren’t yet acquiring significantly more nonfiction manuscripts. This may be because many editors are still trying to get up to speed on the market. They need to familiarize themselves with what’s out there and gain an understanding of the characteristics of best-selling and award-winning nonfiction. Some editors may also be in a wait-and-see mode, wondering how long Common Core will stick around. There is a lot of controversy regarding the testing associated with CCSS, but the standards themselves are sound. Still, educators are famous for a throw-the-baby-out-with-the-bathwater mentality. They tend to move in completely new directions every decade or so, abandoning previous ideas rather than revising them.

 

Of all the books you have written, do any stand out as having been really fun to write? Perhaps they were about a topic that you loved or in a format that you enjoyed.  I guess I’m still an elementary-aged fact-lover at heart. One of my favorite books to research and write was Animal Grossapedia because it’s so chock full of amazing examples of how animals use pee, poop, vomit, slime (mucus), and spit to catch food and stay safe. But what I also really like about this book is that as kids read example after example, they gradually come to the book’s central idea—that animals have an amazing array of adaptations and behaviors that make it possible for them to survive in the world. So I’m sharing an idea that’s a central tenet of biology, but in a package that they find irresistible. To me, that’s a successful book.

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Thanks so much for helping us to understand the wild and wonderful world of nonfiction, Melissa!!

To learn more about Melissa see her website at www.melissa-stewart.com.  Melissa also has a great blog called “Celebrate Science” where she focuses on cool nonfiction books, how she writes them, and talks more about the classification and structure of nonfiction books. Check it out here:  www.celebratescience.blogspot.com

 

**** Jennifer Swanson is the author over 20 fiction and nonfiction books. She is a science nerd at heart and loves to learn new and fun science facts which is why her shelves are filled with books!!