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Hurricane Season with Author Nicole Melleby & a Giveaway!

By on May 8, 2019   /   Articles, Author Interviews, For Kids, For Librarians, For Parents, For Teachers, Giveaways  

It’s always exciting to share upcoming releases and hear directly from their authors. Today, we’re visited by middle grade author Nicole Melleby and her debut novel HURRICANE SEASON. “This debut novel—about taking risks and facing danger, about love and art, and about growing up and coming out—will make its way straight into your heart.”

Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.

Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.

Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.

Hi Nicole! We’re thrilled you’ve stopped by. Tell me,  how did you begin writing?

When I was eight, I saw the Nickelodeon movie Harriet the Spy. I was obsessed, I loved everything about it, but I especially loved the main character, Harriet, and the way she always carried around a notebook to write things in. I used to beg my parents to buy me marble composition notebooks just like the one Harriet had every time they went to a store that carried them, and I would fill those notebooks up with everything. I started off by taking notes about the people around me much like Harriet did while spying, and from there I started writing stories instead. I’ve been writing stories ever since.

The movie also gave me this quote, which I’ve kept in mind ever since, and speaks to why I keep writing: “You know what? You’re an individual, and that makes people nervous. And it’s going to keep making people nervous for the rest of your life.”

Interesting quote, and an important one for kids to remember. Thanks for sharing it here!

Your main character Fig’s growth is pivotal as readers venture toward the climax of her story. How did you decide to show this internal growth and understanding of her father and their relationship?

I knew from the start I wanted to do two things with Fig and her father’s relationship: I wanted to show that, regardless of his mental illness and limitations because of it, Fig’s dad is a loving, wonderful father. They love each other; the mental illness doesn’t get in the way of that. And I wanted to have a scene where a young daughter comes out to her father and it’s a non-issue. Fig’s dad doesn’t make a big deal about Fig’s sexuality. He accepts it, full stop.

With those things in mind, I knew that Fig’s growth had to center more around her understanding of her father’s mental illness more than their actual relationship, along with the avenues of help available to them, and how to accept the help provided to her. Throughout the novel, Fig finds comfort in learning about Vincent van Gogh, whose story is all too relatable in how it reminds her of her father. While Van Gogh helps Fig understand how serious mental illness is and how important it is to seek help, she also has to learn that her dad is not Van Gogh—mental illness isn’t one size fits all, and Fig and her dad have to learn together how to deal with their own circumstances.

What was the hardest part about writing Finola (Fig)?

For me, getting inside Fig’s head wasn’t hard—I don’t know what it says about me that my natural voice is that of an eleven-year-old. What was hard was making sure I took the time and did the research to do Fig justice. What would school look like for Fig, how ostracized would she feel because of her lack of cellphone and her dad’s limitations? It’s been many many (many) years since I was in sixth grade. What’s different now that I needed to be cognizant of while developing Fig? What would social service visits be like for her and her dad? What responsibilities would the adults around her have in reporting the strange behavior her dad exhibited? What parts of Vincent van Gogh’s life would really resonate with her (and what parts were maybe too mature for the story I’m trying to tell)? How would an eleven-year-old in 2019 react to the flutters in her stomach from a first crush on another girl?

Much differently than I would have in the year 2000, I’m guessing, and it was important to remember that while I was writing. I’m not writing about my childhood—I’m writing about today’s middle grade readers’ experiences.

This is a very good point to keep in mind for any writer reading this.

As the rawness of mental illness is strongly threaded throughout Hurricane Season, what suggestions can you give to educators on how to breach this subject using Fig’s journey?

My first suggestion is always that educators don’t shy away from discussing mental illness. It exists in so many people and families, and it’s nothing to be ashamed of or to hide away and whisper quietly about. Books like HURRICANE SEASON and Tae Keller’s THE SCIENCE OF UNBREAKABLE THINGS and Cindy Baldwin’s WHERE THE WATERMELONS GROW that show kids dealing with mental illness in their lives in a raw and real way I think is a good way to open up conversations with kids.

I also tried to show that both medications and therapy are useful and sometimes necessary, and I think being able to read about a young character experiencing both helps to put both of those into a context that becomes less scary and unknown.

What do you hope readers gain from reading this book?

I think a lot about the books I read when I was younger, and what characters meant the most to me. Who were the characters that were around when I needed them? Which characters gave me comfort, and why? What do I wish I had been able to read about but didn’t get the chance to growing up that could have been life changing?

With HURRICANE SEASON, I wanted to write a story for readers who needed a character like Fig: someone who is carrying the weight of the world on her shoulders and who is struggling with her love for her father and what his mental illness means for both of them, but is also going through the all too real pains of growing up. I hope that readers find a companion in Fig. I hope they see someone they can relate to, who maybe can be there for them in ways that characters were there for me when I was younger—whether it be a reader struggling with mental illness, or sexuality, or just the beginnings of a first crush or the struggles of sixth grade.

I also hope they gain a love and understanding for Vincent van Gogh!

Can I just say how much I love that you included work from Vincent van Gogh. #love

What do you see as the biggest challenge facing new writers in the constantly evolving publishing world?

With social media right at our fingertips, it’s ridiculously easy to see who sold what book how quickly, who is getting starred review after starred review, who gets to go to the big conferences, who gets to be on the most lists, and so on and so forth. Between that and having Goodreads reviews and Amazon stats a click away, it’s easy to get caught up in your own head about what defines success and whether or not your rejections or disappointments equal failure. Jealousy is human nature, and we’re all going to compare ourselves to others from time to time. The challenge is keeping your head up and focusing on your own path. I think it’s important to just try and remember (which I’ll admit is sometimes easier said than done!) that there are a million different paths in publishing, and most of it is subjective. Give it your all, be resilient, but keep your eyes on your own paper.

Also, protip: When I get a rejection, I sing a silly little children’s song that makes myself feel better. Mostly because by the time I’m done singing it, I’m not taking myself so seriously anymore, and I usually end up giggling.

Nobody loves me, everybody hates me, I should just go eat worms. Worms, worms, worms!

Haha! I’m definitely going to try that!

Care to share what readers can expect from you next?

Yes! You can expect another Algonquin Young Readers middle grade book from me out in 2020—a story about a soap opera loving Catholic school girl with a complicated relationship with her mother and her first crush on a girl.

Fantastic! We’ll be looking for it. Thank you for sharing yourself with our family of readers. All the best to you always, and stop by anytime.

Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea. Find Nicole on Twitter and Hurricane Season here.

 

 

Enter to WIN your very own copy of HURRICANE SEASON!

Giveaway winner will be announced via Twitter on May 14th.

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Recapping the TENT Program for Jewish Children’s Literature.

By on May 6, 2019   /   Articles  

Hello Mixed-Up Filers!

How are you all doing? It’s been a little over a month since we were last together, and we have soooo much to catch up on! So, instead of continuing with the pleasantries, how about we get right to it?

Anyway, this past week, I was fortunate enough to have been one of the invited authors to the TENT program for Jewish Children’s Literature. The retreat is sponsored by PJ Library and takes place in the Yiddish Book Center in Amherst, Massachusetts.

Other authors and illustrators included in this program were: Sarah Aronson, Nancy Churnin, Paula Cohen-Martin, Nancy Cote, Meira Drazin, Donna Gephart, Ari Goelman, Alison Goldberg, Megan Hoyt, Sarah Klinger, Elisabeth Kushner, Yael Levy, Varda Livney, Sherri Mandell, Tamar Meir, Susan Meyer, Suri Rosen, Vesper Stamper, and Elaine Vickers.

Besides us, there were also some returning alumni from last year’s trip: Evelyn Krieger, Joanne Levy, Erica Perl, and Alan Silberberg.

Honestly, it was humbling to be surrounded by that much talent. And like any program with writers, discussions led to our chosen field, and that may have been one of the best experiences. First off, to get to meet in person, others who you have respected or admired from afar, and also just to get to hear their experiences. You get to see that you aren’t alone. We celebrated successes and also got to understand that the things you’re going through aren’t isolated cases. It helps having a support system of your peers, and I’ll say that this group was incredibly supportive.

Still, the main focus of the program is to get artists to create Jewish stories. Now, as anyone who knows me can tell you, I’ve been a huge advocate for the need for Jewish books for kids. With antisemitism seemingly escalating daily, it’s important for Jews to be represented in kidlit. First, it’s important for Jewish kids to see themselves, but it’s also important for non-Jews to see them as well. This weeklong retreat was all about that.

The first day we arrived, we hit the ground running with a tour of the Yiddish Book Center, and getting to hear Aaron Lansky, the founder of the center, talk about the history of the center and how he’s rescued over a million Yiddish books from around the world. There were so many fascinating and historical items, you really didn’t know where to look first. We also heard from Sue Macy and Stacy Innerst, the author and illustrator of the upcoming book about Lansky, The Book Rescuer: How a Mensch from Massachusetts Saved Yiddish Literature for Generations to Come. The book comes out in October, and I can’t wait for all of you to read it.

We spent a couple of sessions with Miriam Udel to discuss the history of Yiddish literature, which was fascinating. And also, three days were spent on workshops with people from within the industry. I was in the middle grade workshop, so I was lucky enough to be part of a group of seven authors led by Kendra Levin, an Editorial Director from Viking Children’s Books. It was a supportive environment, and the feedback in these workshops was in-depth and extremely helpful.

Tuesday night, we were all taken to the home of Harold Grinspoon and Diane Troderman, who graciously hosted us for dinner and to discuss Jewish books. It was a great discussion, and by the way, the food was delicious!

 

One of the main highlights was getting to go to the Eric Carle Museum and getting a peek behind-the-scenes at artwork which isn’t always on display to the public. Such incredible pieces that can only be shown every so often. And I must say, that caterpillar car was incredibly cool.

The last couple of days, we had discussions with author Marjorie Ingall, from Tablet Magazine, about the importance of diversity and Jewish books. She was amazing and so well-versed on the issue.

The last full night, we had a cocktail event at the Rich Michelson Gallery. Each piece of art was more incredible than the last. I kind of loved the Dr. Seuss display. There were also surprise appearances by Jane Yolen and Barbara McClintock.

 

As always, with these types of things, it’s sad when it’s over. You’ve made so many new friends, that you hate to say goodbye. But the good thing is, you’re definitely inspired. At least, I know I am. This was a great group and I’m sure we’ll all keep in touch and push each other. Hopefully, the end result of all of this will be a contribution of plenty of Jewish stories for many future generations of kids to enjoy.

If you have the opportunity, I’d definitely recommend applying for this retreat next year. It was well worth it in both a creative atmosphere and for a worthwhile mission. And who knows, maybe you’ll get to see me there as well, as part of returning alumni! (Hint, hint!)

So, thanks to the Yiddish Book Center. Thanks to PJ Library. And thanks to all the authors and illustrators who participated in this, to make it a fulfilling and inspirational week!

Well, that’s it for now my Mixed-Up friends! According to the hundreds of texts I’ve received, Dorian Cirrone wants coffee, and it’s my turn to bring it to her.

So, until next time . . .

 

Jonathan

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World Press Freedom Day

By on May 3, 2019   /   Articles, Book Lists, Curriculum Tie-in, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, Nonfiction  

May 3 is World Press Freedom Day, which celebrates the importance of a free press in a functional society. First organized by the United Nations General Assembly in 1993, it’s a day to commemorate journalists around the world who have fought with integrity for a free press.

Here at The Mixed-Up Files, we’d like to celebrate by shining a light on middle-grade books about real and fictional investigative journalists. If you have your own favorite middle-grade book about a star reporter, tell us about it in the comment section!

 

The News Crew, (Book 1: Originally The Cruisers) by Walter Dean Myers
The is the first in a series, which included: Checkmate, A Star is Born, and Oh, Snap! Zander and his crew are underdogs at DaVinci Academy, one of the best Gifted and Talented schools in Harlem. But even these kids who are known as losers can win by speaking up. When they start their own school newspaper, stuff happens. Big stuff. Loud stuff. Stuff nobody expects. Mr. Culpepper, the Assistant Principal and Chief Executioner, is ready to be rid of Zander, Kambui, LaShonda, and Bobbi – until they prove that their writing packs enough power to keep the peace and show what it means to stand up for a cause.

 

 

Isabel Feeney, Star Reporter by Beth Fantaskey

It’s 1920s Chicago—the guns-and-gangster era of Al Capone—and it’s unusual for a girl to be selling the Tribune on the street corner. But ten-year-old Isabel Feeney is unusual . . . unusually obsessed with being a news reporter. She can’t believe her luck when she stumbles into a real-life murder scene and her hero, the famous journalist Maude Collier. The story of how Isabel fights to defend the honor of her accused friend and latches on to the murder case makes for a winning middle grade mystery.

 

 

 

The Tragically True Adventures of Kit Donovan by Patricia Bailey

Life in a Nevada mining town in 1905 is not easy for 13-year-old Kit Donovan, who is trying to do right by her deceased mother and become a proper lady. When Kit discovers Papa’s boss at the gold mine is profiting from unsafe working conditions, she realizes being a lady is tougher than it looks. With a man’s hat and a printing press, Kit puts her big mouth and all the life skills she’s learned from reading The Adventures of Huckleberry Finn to work, defying threats of violence and finding that justice doesn’t always look like she imagined it would.

 

 

 

Adam Canfield of the Slash by Michael Winerip

Adam Canfield has to be the most overprogrammed middle-school student in America. So when super-organized Jennifer coaxes him to be coeditor of their school newspaper, THE SLASH, he wonders if he’s made a big mistake. But when a third-grader’s article leads to a big scoop, Adam and his fellow junior journalists rise to the challenge of receiving their principal’s wrath to uncover some scandalous secrets. From a Pulitzer Prize-winning author and NEW YORK TIMES columnist comes a funny, inspiring debut that sneaks in some lessons on personal integrity — and captures the rush that’s connected to the breaking of a really great story.

 

 

 

The Truth About the Truman School by Dori Hillestad Butler

When Zebby and Amr create the website thetruthabouttruman.com, they want it to be honest. They want it to be about the real Truman Middle School, to say things that the school newspaper would never say, and to give everyone a chance to say what they want to say, too. But given the chance, some people will say anything—anything to hurt someone else. And when rumors about one popular student escalate to cruel new levels, it’s clear the truth about Truman School is more harrowing than anyone ever imagined.

 

 

 

Clara Voyant by Rachelle Delaney

Clara can’t believe her no-nonsense grandmother has just up and moved to Florida, leaving Clara and her mother on their own for the first time. This means her mother can finally “follow her bliss,” which involves moving to a tiny apartment in Kensington Market, working at an herbal remedy shop and trying to develop her so-called mystical powers. Clara tries to make the best of a bad situation by joining the newspaper staff at her new middle school, where she can sharpen her investigative journalistic skills and tell the kind of hard-news stories her grandmother appreciated. But the editor relegates her to boring news stories and worse . . . the horoscopes.

Worse yet, her horoscopes come true, and soon everyone at school is talking about Clara Voyant, the talented fortune-teller. Clara is horrified — horoscopes and clairvoyance aren’t real, she insists, just like her grandmother always told her. But when a mystery unfolds at school, she finds herself in a strange situation: having an opportunity to prove herself as an investigative journalist . . . with the help of her own mystical powers.

 

 

Ida B. Wells: Let the Truth Be Told by Walter Dean Myers, illus. Bonnie Christensen

This picture book biography introduces the extraordinary Ida B. Wells. Long before boycotts, sit-ins, and freedom rides, Ida B. Wells was hard at work to better the lives of African Americans.

An activist, educator, writer, journalist, suffragette, and pioneering voice against the horror of lynching, she used fierce determination and the power of the pen to educate the world about the unequal treatment of blacks in the United States.

In this picture book biography, award-winning, New York Times bestselling author Walter Dean Myers tells the story of this legendary figure, which blends harmoniously with the historically detailed watercolor paintings of illustrator Bonnie Christensen.

 

 

 

Nellie Bly and Investigative Journalism for Kids by Ellen Mahoney

In the late 1800s, the daring young reporter Elizabeth Cochrane—known by the pen name Nellie Bly—faked insanity so she could be committed to a mental institution and secretly report on the awful conditions there. This and other highly publicized investigative “stunts” laid the groundwork for a new kind of journalism in the early 1900s, called “muckraking,” dedicated to exposing social, political, and economic ills in the United States. In Nellie Bly and Investigative Journalism for Kids budding reporters learn about the major figures of the muckraking era: the bold and audacious Bly, one of the most famous women in the world in her day; social reformer and photojournalist Jacob Riis; monopoly buster Ida Tarbell; antilynching crusader Ida B. Wells; and Upton Sinclair, whose classic book The Jungle created a public outcry over the dangerous and unsanitary conditions of the early meatpacking industry. Young readers will also learn about more contemporary reporters, from Bob Woodward and Carl Bernstein to Amy Goodman, who have carried on the muckraking tradition, and will get excited about the ever-changing world of journalism and the power of purposeful writing. Twenty-one creative activities encourage and engage a future generation of muckrakers. Kids can make and keep a reporter’s notebook; write a letter to the editor; craft a “great ideas” box; create a Jacob Riis–style photo essay; and much more.
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