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Make This Book Series into a TV Series, PLEASE!

Stay-At-Home orders, pandemic response, hand-washing, and social distancing. These are interesting times. Life has changed. It has been interesting but challenging. The science life will soon call me back full time, so I’m trying to make the most out of this period of my life and simplify my world moving forward.

With so much sudden creative free time for a creator who normally struggles to find creative free time, I must admit I’ve struggled. Not quite a Jack Torrance-level struggle, although I did catch myself writing, “All work and no play makes Jack a dull boy.” twenty or so times in my journal the other morning.

The Shining (1980) - All Work and No Play Scene (3/7) | Movieclips ...

Here has been my main writing problem. With so many new and old writing ideas streaming through my head, I have often felt like Lucy and Ethel on the chocolate candy wrapping line. 

That’s no joke. A lot of me wanting to write but with a healthy helping of spinning the wheels.

On a positive note, I started drawing again last year and this work-from-home period has given me time to take some online art instruction. I’m enjoying the process and have combined the writing life with art into attempting a couple of graphic storytelling projects (one is a STEM informative fiction!).

It’s all going to work out in the end. I’m 100% sure of that.

Another thing I thought I’d do was stream a bunch of TV shows and movies. You know, catch up on all these shows people are talking about. I haven’t. Maybe it’s not a bad thing. I can still nod my head and act like I know what the person raving about a Netflix series is talking about, right?

That said, I’ve put a considerable amount of thought the past few weeks into a question that was posted a few months ago during a Twitter chat. 

If you had complete control over the production aspects, what MG/YA book or book series would you sign to be made into a movie or streaming series?

A couple of book series I’d make into TV series or movies are technically considered YA but I’ve always believed they have great appeal to upper middle grade readers as well.

First, Terry Pratchett’s Tiffany Aching series. I’m currently almost through rereading the entire series again

The Wee Free Men (Tiffany Aching #1) Cover

A Hat Full of Sky (Tiffany Aching #2) Cover

Wintersmith (Tiffany Aching #3) Cover

I Shall Wear Midnight (Tiffany Aching #4) Cover

The Shepherd's Crown (Tiffany Aching #5) Cover

 

 

 

 

Second, Johnathan Stroud’s Lockwood & Co. series. I might reread this series next!

The Hollow Boy (Lockwood & Co. #3) Cover

The Creeping Shadow (Lockwood & Co. #4) Cover

The Empty Grave (Lockwood & Co. #5) Cover

 

 

 

 

In my humble opinion, these are two great books series that both pop visually in the reader’s mind and would translate well to the big or small screen. I invite and implore you, dear readers, to share your dream book-to-movie projects in the comments below or link to this post on social media with your suggestions. 

Who knows? Maybe a producer will see your ideas and put the wheels in motion.

Take care, MUF friends!

Be safe.

Be kind.

Learn something new.

 

BONUS: Here’s a couple of MG books to movie pieces by Mindy Alyse Weiss and Andrea Pyros post on the MUF blog:

Movies Inspired by Middle Grade Novels by Mindy Alyse Weiss from 4/17/2015

10 middle grade books made into movies by Andrea Pyros 12/14/2016

 

Re-Read-19: A Short Meditation on Re-Reading in the time of Coronavirus

Bookhoarding: Early and Often

Growing up, a favorite Sunday afternoon outing was to the famed Children’s Bookstore in downtown Toronto. It was the 1980s, the heyday of the bookshop and of me and my siblings piling into the wood-panelled station wagon for squabbling as well as other more-intentional family activities.

A 1980 ad for The Children’s Bookstore in Toronto. Can you believe the talent it attracted!?

When it was time to leave the store my parents would first have to locate me hidden in one of the aisles, deep inside the pages of a book I hadn’t bought yet. I remember the pile of my selections and then their hefty weight in the bags as we walked back to the car. Being obliviously squished in the station wagon (for once unconcerned by who got to sit in the “backy-back”) while reading on the way home. Repeat this experience, perhaps on a different Sunday afternoon, at the Judaica store where I would stock up on Holocaust literature (which as the granddaughter of survivors I was obsessed with and is probably another blog post.) And the thrill of receiving the Scholastic mail order to my classroom. And every once in awhile my mother would bring home used books for me.

I am hard pressed to find any material objects from my childhood—my family moved many times and my mother is a ruthless de-clutterer. But I hereby publicly thank my mom for somehow holding on to my copy of Noel Streatfield’s Ballet Shoes—which she bought for me used and which I then made much use of myself, reading it over and over again; and which now exists in my own home library; and which I have now read twice out loud to various children; and which my eldest has read to herself countless times.

Edition of Ballet Shoes by Noel Streatfeild (published in 1937, this edition in 1979) in our home library, except our cover has disintegrated.

Reading is… Re-reading?

What I loved most about reading was the chance to re-read the books I most loved. It was rare that I would read something only once. The fiendish gobbling down of a new book was also in preparation for the judgment of “is this worthy of re-reading?”

There are many pleasures of re-reading. Because the first read is to find out WHAT HAPPENS. And WHAT HAPPENS NEXT. And HOW DOES IT END. But when you read it again you aren’t flipping the pages compulsively to know all that: you already know it. So in the next reading and any subsequent ones, you are reading to enjoy in a different way—to meander on the path a little more, to take pleasure in the characters and language, to understand better what happens, to laugh at the funny parts like one does at a cult movie—the hilarity often being in knowing exactly what’s going to happen and what will be said, the pleasure in the anticipation and then in getting to experience it all over again. Or the heartbreak. Or the unfairness. The antagonist getting their just desserts. Indeed, the satisfaction of a satisfying ending.

Middle Grade and Re-reading

I now see this with my own children. Most young kids delight in making their parents and caregivers (and any other unsuspecting victims) read their favorite picture books over and over (and over) again. But once children learn to read they often delight in reading their favorite books to themselves over and over again. Usually the middle grade book I am reading out loud to my 9 and 11 year old sons, they will then read to themselves—sometimes reading ahead of where we are together, sometimes taking it to re-read afterward, sometimes both. They will read anything in graphic format, and our collection of Big Nates, Dogmans, Captain Underpants, Hazardous Tales, along with Raina Telgemeirs (both the memoirs and the Babysitter’s Clubs) and other coming-of-age graphic novels such as New Kid, Awkward, Roller-Girl or the beautiful Holocaust-introduction White Bird are thickened and dog-eared.

Agents and editors often say that they will only represent and acquire a manuscript they love enough to see themselves re-reading and re-reading and re-reading. One which will stand up to that amount of scrutiny. In which they love the characters enough to see them through their plot again and again and again. Fair enough!

But middle grade books seem particularly designed to be read over and over again. They are filled with emotion, empathy and adventure. They are where kids can learn about the world, themselves, and each other. And middle grade readers seem uniquely designed to be re-readers. They have the time, the curiosity, the intelligence and the emotional ability to connect deeply and expansively with books and stories that move them, engage them or even just make them giggle.

Bookshelf in my sons’ bedroom, examples of what gets lots of re-reading love.

I’ve written before about the unique pleasure of reading a childhood favorite again as an adult, and the relief of it standing the test of time. Like meeting up with an old friend and immediately connecting once again, the kinship felt both the same and different, and maybe even deeper. But as an adult, I find that it is rare for me to re-read something. I am inundated by what’s new and what’s next—it always feels like there’s something else I should be reading, I should have read already, that I need to consume. Or the book I bought as part of a haul from a bookstore visit suddenly doesn’t seem compelling at the exact moment I’m ready to start something new, but I hear of something else—on Twitter, a book review in the paper, something jogs my memory, a friend’s recommendation—that does and order it immediately.

Panic-buying books

When my kids’ schools announced they were closing six weeks ago, and threats of a lockdown were looming, I found myself not only stocking up on toilet paper and canned food, but on books. Bookstores would close, libraries too, and what if Amazon stopped delivering? It was (AND IS) so scary to think about getting sick, people dying, the uncertainty of anything beyond each day. And so—as a further manifestation of stockpiling mentality or as way of sidestepping the things too scary to contemplate— I panicked about how we would manage without something new to read. How would I nourish my soul in a lockdown? How would I nourish my children’s? It felt like it might be the difference between keeping sane and coping with whatever came our way, and not.

Small graces in a difficult time

Over these lockdown weeks, however, I have watched my older daughter, 14, work her way through the new books I bought her that had been piling up, unread for lack of time due to being a teenager (read: school, friends, Snapchat, Instagram, TikTok, Netflix.) Now there is suddenly LOTS of time. And when she finished the new ones she started reaching in her bookshelf for all the old ones. The ones she loved when she was 7, 8, 9, 10 and 11. (12 being the beginning of her literary teenage wasteland.) In one of the many surprising twists of lockdown and life in the time of the new Coronavirus, this is one of the positive ones for me, and her.

My new TBRR (To Be Re-Read) pile. I’ve started with Possession by AS Byatt.

So I have taken the lead from my children and have started re-reading again as a general practice.

For now my pantry is (thank goodness) well-stocked – and I’ve realized that I have an even better-stocked home library. I have almost every book I’ve bought or been given since college. (Unless I’ve loaned it to you and you haven’t returned it. It’s ok, I don’t mind.)  From picture book to middle grade to adult fiction, non-fiction and plays, all genres are gamely and lovingly represented (Lonely Planet Ireland circa late 1990s anyone?) Not only is self-isolation and lockdown a chance to work my way through my TBR stack, but it is also a wonderful chance to re-read the books that pleased me as an adult. Or on the cusp of adulthood. Great works that deserve more careful reading. Or which I don’t think I understood as fully in my twenties as I might now.

Indeed, with each re-reading we understand something different. The words remain the same, but we—whether it is our age or our stage or our mental place—are different each time. What new knowledge, understanding, satisfaction and joy will each reading bring?

Meet the Creators of DC’s Newest MG Duo: An Interview and Giveaway

AntiHero CoverWelcome back, Mixed-Up Filers.

Today, we’re chatting with the creators of the newly released Anti-Hero from DC Comics, authors Kate Karyus Quinn and Demitria Lunetta and illustrator, Maca Gil. Thank you all for joining us today!

My first question is for all of you. Can you tell us a little bit about Anti-Hero?

Kate and Demitria: Anti/Hero is the story two 13-year-old girls. Sloane thinks she’s a villain and Piper very badly wants to be a superhero. The girls end up battling over the same stolen object, an experimental scientific device. When the device accidentally powers on, the girls switch bodies. Now Sloane and Piper must learn to work together – or risk destroying each other.

Maca: It’s also super sweet but packed with fun and crazy action involving chases, drones and giant mutant creatures. It’s pretty cool.

Another question for the group. Hummingbird and Gray are completely new characters in the DC Universe? What was the process of creating them like?

Kate and Demitria: It was amazing! To add new characters to the DC Universe is a “when lightning strikes” sort of opportunity. How often does it happen? And to be able to add two new amazing female characters is even better!

When creating them, though, we weren’t really thinking about them as DC characters. Instead, we wanted two create two multifaceted girls whose problems our readers could relate to and understand.

 

 

Maca: I think if I ever see anyone cosplaying Piper or Sloane my heart is going to melt off of my chest. This has been an amazing opportunity and I’m so happy I got to do it with this team.

Kate and Demitria, what was the process of co-writing like? Did you each choose a character’s point-of-view to write from?

Kate lives in Western New York and Demitria is in Wisconsin, so we wrote long distance, communicating via text, email, and the occasional phone call. In between all

that back and forth we wrote the script by constantly passing it back and forth. Kate would write a bit then send it to Demitria. Demitria would tweak what Kate wrote and add a bit more. Then back to Kate, to okay or change again what Demitria changed on her stuff, read what Demitria added, and then add a bit more. In the end, both are our fingerprints are on every single sentence.

Also for Kate and Demitria, there’s a lot of emphasis on family throughout the story. Was that something that you wanted to focus on early on? Or did it develop out of the body switching plotline?

We definitely wanted to focus on family, because it shaped so much of who the girls are and how they experience the world around them. Piper, despite her parents being absent, has a really strong and supportive family unit. Sloane, on the other hand, has a loving Mom, but because of work she isn’t around much. And Sloane’s grandfather…well, he’s definitely not the type of role-model you’d want a kid to have.

Maca, how did you come up with the costumes for each girl’s alter-ego?

Piper loves fashion and wearing crazy colors, she is strong and full of energy. The visual cues that represent her have to be dynamic and striking. Sloane, on the other hand, is a lot calmer and hates to stand out. Visually she has long vertical lines (her hair and her height help with this!) and she loves black. When I came into the project Kate and Demitria had written such rich and alive characters that designing them was a treat. They also get even cooler costume design as the story progresses; I can’t wait for you all to see.

Also for Maca, I saw (and loved) your Batgirl illustration on Burnside. Have you always been a DC comics fan? Are there any easter eggs that readers should keep an eye out for?

Thank you! Admittedly, I only started once I was out of college and a bit older, but so many women characters in the DC universe grew on me so much and so fast. Harley Quinn, Poison Ivy, Batgirl! There are so many amazing ones, and their designs and stories are so iconic. I would completely die for Piper and Sloane to have a crossover with some of them someday.

For Demitria and Kate, this is your first MG novel. How does writing for MG differ for writing for YA and adult audiences? Also, it’s your first graphic novel. So, how did that process differ?

Writing MG was so fun because we were allowed to really let our silly and playful sides let loose. Both of us tend to write YA with darker themes, so it was really fun to play in this world where even at their worst—things were a little lighter.

Is there anything else about the story that any of you would like to share?

Kate and Demitria: We had to come up with an MG safe expletive for Sloane to use and decided on Zooterkins. We would love to see it catch on!

Maca: So many pancakes get eaten throughout this story. I had to stand up and make some for myself a couple of times due to having to think about them so much.

(Honestly, same. I definitely made some pancakes after reading this.) What’s the best piece of creative advice that you’ve received that you’d like to pass on to other writers and artists?

Kate: Even when you want to quit—don’t. Just keep writing. Or creating whatever you create.

Demitria: Writers need to read! Anything you can get your grabby little hands on.

Maca: Copy and study your favorite artists, but do it properly! As long as you keep your inspiration sources diverse, your product will end up being uniquely yours because of your own sensibilities, strengths and limitations.

What is something that people would be surprised to learn about you?

Kate: I hate horror movies. They literally terrify me.

Demitria: I make no secret of my dorkiness, but sometimes it still surprises people.

 Maca: I have played over 400 hours of Animal Crossing: New Leaf

Who is your favorite DC character (apart from the ones you’ve created)?

Kate: Wonder Woman!

Demitria: Batman!

MeetMaca: Batgirl of Burnside <3

What are you working on next?

Kate and Demitria: Hopefully more MG graphic novels!

Maca: I’m currently storyboarding for a feature film, but I can’t wait to do more comic books.

How can people follow you on social media?

Kate: I’m @KateKaryusQuinn on both Instagram and Twitter or you can visit my website www.KateKaryusQuinn.com

Demitria: I’m @DemitriaLunetta and my site is www.demitrialunetta.com

Maca: I’m @macagil on Instagram!

Thank you so much for the interview!

 

AntiHero is out now! Get your copy here or try your luck in our give-away!

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