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The World Book

What’s your favorite book?

That’s one question that often gets asked to authors during author visits or events.

That is a tough question for me.

To some, though, it’s an easy question, and many of the authors list their favorite book titles without hesitation. I’ve always been envious of the people who express such resolution and love for a book or books, especially when it comes to naming the books from one’s childhood.

I had a tough time learning to read. It was a struggle. I’d look at the page of text and see an overwhelming mishmash of words and letters. I’m sure that now I would have been diagnosed early and prescribed a program for my reading disorder, but those things were rare in early 1970s education. Especially in a lower-middle-class Catholic school, and even more so for an early elementary school kid who seemed to keep his head above water in class.

I was lucky, though. I had parents and a few teachers who noticed my problem and put me on the road to reading. My most vivid, non-recess, non-field trip, non-playday memories of first and second grade are when my teacher or a volunteer aide would pull me aside to another room and work with me on the Controlled Reader projector.

 

In a dark, quiet, and empty classroom, I learned to focus on the left word of a sentence and move slowly to the right. I practiced and practiced from one filmstrip to the next on moving my eyes from left to right. I worked on image strips to practice moving my eyes right to left. I practiced all this without moving my head. And guess what?

Things got better!

Reading was possible.

(There’s a really cool 2018 Wired story by writer Lisa Wood Shapiro on how she works to overcome her dyslexia and how technology is helping people become readers.) 

We didn’t have a boatload of books around the house when I was growing up. I learned to be a better reader through the assistance of my teachers and parents, but still struggled through the middle grades to be a bonafide reader. I loved The Jungle Book. The Disney movie captivated me from a very early age. We had a series of illustrated classics with about twenty pages of text per illustration. Twenty Thousand Leagues Under the Seas, Treasure Island, a few other titles I can’t remember, and The Jungle Book.

I loved that book.

But I never read that book.

I picked the book off the shelf a thousand times. I looked at the pictures a thousand times. Each time I tried to read that book but I reverted to seeing each page as an intimidating blob of letters and words. Frustration would set in, and I’d snap the book shut and return it to the shelf.

I know I should have said something to my parents or teachers. I should have sought help. But I was a big, shy kid and didn’t want to trouble anyone with this embarrassing problem.

Then something wonderful happened. A salesman came around the house and convinced my parents to buy a set of the World Book encyclopedia. My parents made a difficult decision to spend money we didn’t have on this set of books. They even splurged on the annual yearbook!

I found my reading life in those encyclopedias. Schoolwork forced me to open them, but the magic of information given in short bursts of text and pictures contained within was pure magic. Something clicked in my reader-brain. I figured it out.

I slowly became a better reader and a smarter kid. The set of World Book encyclopedias led to the Guinness Book of World Records, which led to comics, which led to the Hardy Boys, which led to eventually reading The Jungle Book. And you know what? It was as fantastic as the story I held in my head all those years.  

So next time I’m asked at an author event what my favorite book was, I have an answer.

The World Book.

Hands down.

After my Dad died and my Mom was preparing to move out of their house, she called and asked me what I wanted of their stuff. I know her idea of “stuff” meant furniture, dishes, etc., but without hesitation, I said I would like to have the World Book encyclopedias and yearbooks they’d used for the previous twenty years as a decoration on top of their kitchen cabinets.

My Mom laughed and thought I was joking, and she thought that until her eventual death. She’ll never know how important those books were to me and how huge a role they played in making me who I am today. I probably never really knew how much of a sacrifice it was for my parents to invest in buying this set of encyclopedias and the annual yearbook every year. These books are history. Part of our history.

I’m a firm believer in letting kids read what works for them. I’ve cut my reading teeth on baseball box scores, cereal boxes, baseball cards, etc. 

Reading is reading is reading is reading.

Reading is indeed a superpower.

 

Debut author Jack Mackay creates hauntings to help characters grow

Good ghost stories usually include a spooky haunted house, spirits, and the menacing symbols and events. A great ghost story contains all of these elements plus primary characters whose needs are woven into the fabric of their fears. Author Jack Mackay does this in his debut novel Gloam.

                Photo credit Ayesha Brown

 This talented United Kingdom writer creates a novel of depth as he traces the story of Gwen and her three siblings whose stepdad moves them to the siblings’ grandmother’s abandoned house on the island of Gloam based on the real island of Lindisfarne “which most people just call Holy Island,” where the primary causeways are only accessible during low tide. As Mackay describes it, “It’s much more vibrant than Gloam, and much less bleak than Gloam. It’s actually quite a nice place, but it does have this really long, muddy causeway leading right up to it.”

 

Stuck on the island while stepdad Henry works on the mainland, Gwen finds herself and siblings watched under the “hungry eyes and too sharp teeth” of babysitter Esme. Gwen, who helped to nurse her mother as she died of cancer while also helping with her brother Roger and the twins and doesn’t feel the need of a sitter, recognizes this sitter is a threatening presence even as Roger and the twins warm up to her. It’s up to Gwen to divide and conquer as she helps her siblings see the way Esme feeds on the children’s fears. After all, she promised her dying mom she’d take care of everyone, including Henry, her stepdad. With this vow, Gwen is determined to save her stepdad and siblings from the monsters of their nightmares and to banish Esme so that this abandoned house can once again become a home.

 

Esme feeds on the children’s fears and, as rot soon takes over the walls of the house, Gwen must protect her siblings and help them to recognize that Esme is as monstrous as their worst nightmares.

 

In doing so, readers are captured by the story of a family who has experienced the death of their mother and who must now rely on Henry, a stepdad who was an only child and never had children until he married their mother. While his intentions are loving and noble, he’s overwhelmed with his efforts to take care of the kids.

Mackay says the true joy of writing in the horror genre is that writers can take on some of the most difficult topics kids face in life and guide them through the dark side of life. He says, “[T]here are things happening in life, and that children are aware of, but they sort of lack the language to maybe understand articulately. And I think that horror fiction is a great way for kids to explore some things that they might not otherwise get to explore.”

Mackay explains, “I was a big, scaredy cat when I was a kid, so if you’d have asked me then what appeals to you about horror, I’d have said nothing.

But I think, as I got older, I started to become quite fascinated by what I was scared by, and it sort of developed into this morbid fixation of ‘this thing’s really frightening, and I can’t stop reading it, or I can’t stop like, you know, looking it up on Wikipedia and reading about it.’ And I think that children are very much drawn to things that they feel are maybe transgressive or thrilling, or, you know, is opening a door that they might not otherwise see into in other aspects of their life. And I think as a writer, now that I’m older and adult now…I love the horror genre because of what you can get away with, and…the kind of stories you can tell, and the kind of themes you can write about in horror are just so there’s basically no holds barred.”

 

Mackay studied English at The University of York and was heavily involved in theatre productions there. Today he’s a founding member of Griffonage Theatre, a York-based company “with a taste for the madcap and macabre.” The combination of literature and  theatre informed much of the action readers will find in Gloam. As Mackay says of his theatrical influences, he describes director Guillermo del Toro, writer of Pan’s Labrynth as someone who had a lifelong affinity for monsters. “He said, that he’s going to sort of have a lifelong affinity for monsters, and…he described them as living symbols, and I thought that that was just such a lovely way to think about them.” For Mackay, this translated to each of the kids inner needs. “[T]hese monsters that represent something about the interiority of these kids, and it was this sort of inner turmoil, sort of expressed physically in a monstrous form.”

 

There’s a scene in Gloam when Gwen recalls something her grandmother said, “Fear is a good thing. You can only be brave if you’re afraid. Children should be frightened of monsters. How else will you know when to fight them?”

 

For Mackay, the joy of writing this novel for middle graders is “the fear in that insurmountable challenge. And then the joy of the story is, as with so much of children’s horror—it was always the stuff that drew me to things like Goosebumps and things like that—is the fact that kids band together and they have to do it themselves. They have to rely on their own agency and their own powers to sort of make a difference and sort of take that power back.”

 

Cool new releases for this hot summer!

Check out these awesome reads to get middle-grade readers through these last hot days of summer!
The Library of Unruly Treasures, by Jeanne Birdsall, Knopf Books for Young Readers, 352 pp. Release Date: August 5

Gwen MacKinnon’s parents are dreadful. Truly, deeply, almost impressively dreadful. So Gwen’s not upset at all when she’s foisted onto her never-before-seen Uncle Matthew for two weeks. Especially when it turns out he has a very opinionated dog named Pumpkin.

Things take a turn for the weird when Gwen makes a discovery in the local library. A discovery that involves tiny creatures with wings. And no, they’re not birds. They’re called Lahdukan. But why can only Gwen and the youngest children, gathered for storytime, see them?

The Lahdukan insist that Gwen is destined to help them find a new home. But how can a girl as unwanted, uncourageous, and generally unheroic as Gwen possibly come to the rescue? Pumpkin has a few ideas…

The Memory Spinner by C.M. Cornell, Delacorte Press, 288 pp. Release Date: August 12

Since her mama died, thirteen-year-old Lavender has a disastrous memory problem. She forgets her lessons with her papa, an apothecary. She develops elaborate evasions to hide her lack of memory of the herbs and remedies she must learn to attain her dream of being an apothecary apprentice. Worst of all, she forgets memories of her mama.

Despite her papa’s disdain for magic, Lavender seeks a memory remedy from a clothing enchantress named Frey. As the two develop a friendship, Frey uses her spinning magic to help Lavender re-experience past moments with her mama. Lavender hears her mama’s laughter again, her singing voice, and how it felt to be wrapped in her hugs.

But when Lavender discovers the truth about Frey’s magic and its vengeful purpose she must decide whether to stay immersed in beloved memories with her mama or save the people she loves most in the present.

The Space Catby Nnedi Okorafor and Tana Ford, First Second, 176 pp. Release date: August 12

Ah, yes, the luxurious life of a well-loved cat. It’s the best. And Periwinkle has it the cushiest. But there’s more to this pampered pet than meets the eye. He’s not just a house cat. He’s a space cat. By day, he’s showered with scritches, cuddles, and delicious chicken fillets. By night, he races through the cosmos in his custom-built spaceship.

Between epic battles with squeaky toys and working on ways to improve his ship, Periwinkle is never bored. And when his humans decide to leave the United States and move to the small but bustling town of Kaleria, Nigeria, he’s excited to explore his new home—even after he learns that many Nigerians hate cats. After all, a born adventurer like Periwinkle doesn’t shy away from new experiences. But not everything in Kaleria is as it seems. Soon enough, Periwinkle finds himself on his most out-of-this-world adventure yet, right here on Earth.

Dive by John David Anderson, Walden Pond Press, 336 pp. Release date: August 19

From the moment Kassandra Conner leaps from the diving board to the moment she hits the water, everything feels in control.

The rest of her life does not.

St. Lawrence Academy is supposed to have everything Kass’s old school didn’t: safe hallways, small classes, and, most important, a chance to dive. But since transferring, all Kass can think about is what’s missing. Like her best friend, Aleah, who’s starting to pull away. Or the comfortable life so many of her classmates enjoy while Kass’s family’s restaurant struggles to stay afloat. Even the excitement she always felt in the pool, now that she’s on the same team as Amber Moore—the best diver in the state, who’s barely said two words to her all year.

Kass feels like she’s drowning, until she meets a boy named Miles. He’s a diver, too—someone who searches through dumpsters in the posh side of town for things he can salvage or sell. Miles knows what it’s like to be boxed in by things you can’t control, and as Kass spends more and more time with him, she starts to wonder what would happen if she tried to break out of her own box—and what she might lose by doing so.

space case The Graphic Novel by Stuart Gibbs, Simon & Schuster Books for Young Readers, 360 pp. Release Date: August 19

For twelve-year-old Dashiell Gibson, living on the moon is a dream come true. Except for the low-gravity lunar toilets. And the food. And the part where his best friend lives about 250,000 miles away. And how there are almost no other kids up here, except for his kid sister and a couple of billionaire bullies. Oh, right, and the fact that a fellow lunarnaut just died—and only Dashiell knows that his death wasn’t an accident.

Plenty of people on the moon base are hiding something, but which of them are capable of murder? It’s up to Dashiell to figure it out—before the killer strikes again.

An out-of-this-world full-color graphic novel!

 

 

 

 

 

Dream On by Shannon Hale and Marcela Cespedes, Roaring Brook Press, 240 pp. Release Date: August 26

Something is missing from Cassie’s life.

Her parents don’t have much money, she has to share her bedroom (and bed!) with her sisters, and her family never seem to have time for her. To make matters worse, her best friend Vali is always busy with a new friend.

When Cassie gets a letter from a magazine sweepstakes with the words “YOU’RE THE WINNER” stamped on the front, she thinks it’s the answer to all her problems.

She could buy new furniture to replace their shabby old sofa. Or maybe a car so her family doesn’t have to take two trips to go places. Or maybe she can make Vali her best friend forever by taking her on a fabulous vacation. The possibilities are endless, like an all-you-can-eat buffet!

But will prizes really solve Cassie’s problems?

And what will she lose if she doesn’t win anything at all?

With bright and charming illustrations by Marcela Cespedes and Lark Pien, Dream On is a joyful story filled with imagination, big dreams, and wonder. This book is perfect for readers who want to enjoy a gentle and accessible friendship story, as well as anyone looking for SEL themes about empathy, kindness, compassion, and forgiveness.

This story also features children experiencing high sensitivity, big emotions, and feelings of sadness, making it a helpful tool to spark conversations and connections with young readers.

The Forest of a Thousand Eyes by Frances Hardinge and Emily Gravett, Amulet Books, 128 pp. Release Date: August 26

One thing Feather knows to be true is that given the chance, the Forest will devour her home just like it’s devoured everything else in her world. Her small community lives in a section of the crumbling Wall that runs through and above the trees, doing everything they can to keep the Forest out.

When a stranger tricks Feather and makes off with her people’s precious spyglass, she has no choice but to go after him, coming face-to-face with the Forest’s dangers–and to revelations beyond her wildest imagination.

In the same stunning format as Island of Whispers, this story about perseverance and community from Costa Book Award winner Frances Hardinge and acclaimed illustrator Emily Gravett is sure to become a new classic.

Schooledby Jamie Sumner, Atheneum Books for Young Readers, 224 pp. Release Date: August 26

Eleven-year-old Lenny Syms is about to start college—sort of. As part of a brand-new experimental school, Lenny and four other students are starting sixth grade on a university campus, where they’ll be taught by the most brilliant professors and given every resource imaginable. This new school is pretty weird, though. Instead of hunkering down behind a desk to study math, science, and history, Lenny finds himself meditating, participating in discussions where you don’t even have to raise your hand, and spying on the campus population in the name of anthropology.

But Lenny just lost his mom, and his Latin professor dad is better with dead languages than actual human beings. Lenny doesn’t want to be part of some learning experiment. He just wants to be left alone. Yet if Lenny is going to make it as a middle schooler on a college campus, he’s going to need help. Is a group of misfit sixth graders and one particularly quirky professor enough to pull him out of his sadness and back into the world?