Posts Tagged writing

Dreams and Rejection in the Writerly Life

Last night, I dreamed I was at a resort. There was some sort of reception on a beach, and people from my high school were there. Everyone spoke to me, even the ones I had perceived as more popular, more attractive, more intelligent, more likeable than me in high school.

Someone called for the group to move toward the restaurant, and we did. Once inside, the tables filled quickly with groups of friends, chatting, taking seats, and saving chairs for others.

I couldn’t find a seat.

I asked at one table, and the friendly chatter ceased. A woman shook her head “No” and placed an arm over an empty chair, guarding it. Not quite sure how to deal with this shifted level of acceptance, I went to the buffet, where instead of a plate, I was handed a brown paper bag.  I filled the bag with fruit, cheese, and bread, and then took it outside to sit alone on the grass. I fed the bread to the birds nearby.

Now, I know where this dream originated.  It came from two fresh sources.

First, I had a book launch this past week. A high school classmate, who was and still is a dear friend, came the book signing, which happened to be in her town, two hours from where we both grew up. We posted pictures of us together on social media, and as a result, high school friends commented. Even ones I had perceived as so much more popular, attractive, likeable … you get it.

Second, a writer friend this week posted a research question on a writer’s group page. She asked, “At what age do you think children start being exclusionary when it comes to allowing others to sit at their lunch table?”

So, the dream – with its themes of acceptance and rejection – had solid origins. Still, when I awoke, I was amazed by how very real, raw, and current old feelings (and I mean old; high school was a long time ago) could be. As a writer of books for young readers, I feel fortunate that I can recall what it felt like to be thirteen, fourteen, even ten.

And then it occurred to me that maybe it’s because I am writer that I’m still able to connect in such a visceral way with feelings of rejection. Rejection, after all, is a large part of every writer’s life. If it’s not, you’re not putting your writing out into the world.

Early on, writers face lots of rejection. Nearly every book published was once (or twice or twenty times) rejected. We’ve all heard (various versions of) how many times J.K. Rowling was told “No, thanks” before the Harry Potter series was published.  We’re rejected by editors, by agents, we don’t win contests, we send our work out into the world and … crickets.

But even amid success, published authors continue to hear that their work, or sometimes worse yet, they are not wanted or needed. We create brilliant proposals for workshops, we apply for faculty positions at conferences, we hope to be invited, included, asked, or needed. And sometimes, we get what we hoped for. And often, we don’t.

The inimitable Jane Yolen – you might know that she’s now published more than 365 books in her career, hence #Yolen365 – frequently posts her rejections on Facebook. Yes, publishers reject Jane Yolen. Even today. She reminds us that you’re never too successful to cease the hard work that made you successful in the first place. You must put yourself and your work out there. Often. Even if it means you’re rejected more often.

So, in Jane’s spirit, I’ll give you a glimpse into my year so far: I’ve had 5 manuscript rejections and 2 offers. I joined a stellar cast of authors to create a well-thought-out STEM-related panel proposal at a major national education conference – and we were rejected. I’ve applied for faculty positions at four writing conferences – and I’m happy to say that I’ll be on the SCBWI Regional Fall Conference faculties in Ohio and Wisconsin, but not in two other states. I applied for a prestigious children’s book festival and was rejected. I admit, it was a little difficult seeing fellow authors post their pictures from that festival, but I am invited to four other book festivals in 2018. I applied for and was accepted into a select program for published picture book authors. I’ve stretched my wings with a submission in a brand new genre (for me), and I’m patiently, but realistically, waiting to hear about that.

If I could go back to sleep and reenter that dream, I’d confidently approach another table. I’d find someone else who looked alone, I’d smile and introduce myself to someone. In other words, I’d try again.

We can’t let rejection isolate us. We can’t let self-doubt creep in. Writers must persevere even when it feels easier to give up. Otherwise, we find ourselves alone, feeding our dinner to the birds.

 

 

 

Dogs, Skunks & Writing

My wife takes our two dogs running almost every morning. I stay in bed because her version of running is the “all pain, no gain” variety—it involves neither a court nor a basketball. This routine didn’t affect my life until The-Morning-Which-Will-Not-Be-Named.

Skunk: 1. Dogs: 0.

Skunked dog

Fortunately, there are writing-based insights to be gained from a pair of odoriferous mutts. Here are three lessons I’ve learned about dogs, skunks, and writing:

1)      Finding writing time is like bathing a skunked dog. You can always come up with something to do that seems more pressing. There are bills to pay, emails to answer, papers to grade. You can dart and dodge and distract. But the dog still stinks. And the story still needs written. Eventually, you have to push aside your excuses and just write. You also have to bathe the stinking dog.

2)      A single approach is rarely enough to solve the problem. Tomato juice. Dish soap. Baking soda. There are multiple methods for cutting the odor of a skunk-sprayed pooch. But to really deal with the problem, you’ll probably have to put more than just one of those methods to use. Similarly, when you run into a problem with your writing—a scene that drags, a middle that droops—don’t lock onto a single solution. Read your work aloud. Take a walk. Seek a critique. Step away from your computer and put pencil to paper. Take as many different approaches as needed to get your writing humming again. And maybe give the dog one more scrubbing, too.

3)      Rainy days bring reminders. The odor fades. You find yourself forgetting your dog ever had a run-in with a skunk’s backside. Then it rains. Wet dog fur releases latent skunk scent in an exceptionally memorable way. And just like the rainy setting affects the potency of skunky dog fur, a story’s setting should affect the plot. The Harry Potter series wouldn’t be the same without the quirks of Hogwarts. The Hunger Games wouldn’t be the same without the districts. Setting should be more than a simple, silent backdrop. Make it matter.

And there you have it—the three writing lessons I learned from two dogs and one skunk. If you have another insight or writing tip to share, feel free to post it in the comments below. And even if you didn’t learn anything new about writing from today’s post . . . well . . . I hope you at least learned to stay away from skunks.

Children’s Book Festivals!

Little Annie looked at me across the table, her big brown eyes dancing. With a flick of my Sharpie, I finished signing a copy of Virginia Hamilton: America’s Storyteller for Annie. She took the book, her eyes even wider, thanked me, and then held it close to her, cradling it in her arms. A cherished gift for her.

And for me.

Book festivals allow these kinds of connections between reader and book creators. They provide the opportunity for attendees to meet their favorite authors and illustrators, and to purchase books and have them personally signed. These events also offer writers and artists to meet their fans and to talk about their work.

There are hundreds of literary festivals occurring in the United States annually. But did you know that there are many that cater to children and families?

As the founder of Claire’s Day, I thought I’d share other festivals (for the remainder of this year) that focus on children’s book authors and illustrators.

This partial listing serves as a resource for educators, media specialists and parents, as well as authors and illustrators!

The 17th annual Claire’s Day has three event dates this year, the first three Saturdays in May. A highlight of each event is the C.A.R.E. Awards, given to children nominated as being the most improved readers in their schools. Event includes school visits and fun Claire’s Night! www.clairesday.org

May 9: The Hudson Children’s Book Festival was established in 2009, and this year the featured author is none other than Kwame Alexander. https://hudsonchildrensbookfestival.com/

May 19: Children’s Festival of Reading in Knoxville, Tennessee offers storytelling, cuddly characters, science fun, and of course, authors and illustrators. This year Linda Sue Park and Eric Litwin are the featured authors. http://www.knoxlib.org/calendar-programs/childrens-festival-reading-2018

September 29: Chappaqua Children’s Book Festival features 90, count them, 90 children’s book authors and illustrators! To learn more, visit http://www.ccbfestival.org/

October 12-14 Sheboygan Children’s Book Festival’s theme this year is Here’s an Idea! The 9th annual event includes school visits and a two-day festival. http://www.sheboyganchildrensbookfestival.org/

November 3: Rochester Children’s Book Festival is still working on their invitation-only author list, but they’ve had incredible lineups in the past. To get updates, visit https://www.rcbfestival.com/

For a complete listing, I’d like to credit Laurie Renaud, a member of KidLit 411. Check it out: https://www.facebook.com/groups/KIDLIT411/permalink/2162580407290904/