Posts Tagged #WNDMG

WNDMG — Interview and Giveaway with Karla Arenas Valenti

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG

Artwork by Aixa Perez-Prado

 

Loteria

Cover art by Dana Sunmar

I recently had the pleasure of interviewing Karla Arenas Valenti, author of the extraordinary new MG novel, LOTERIA. This story blends the magic with the real in the spirit of much Latin American literature, and takes places in Mexico. As a writer who strives to celebrate diversity in language and culture in my writing, I found this book especially inspiring and had lots of questions for Karla.

Diversity as a Transformative Experience

APP: Karla, I very much enjoyed reading LOTERIA! Thank you for taking the time to answer some questions.

I love it when authors mix languages and incorporate diverse cultural perspectives in literature. Is that something that you feel was important to this story, and to your other writing.

KAV: Absolutely! In fact, this was one of my objectives in writing “diverse” literature. I see diversity in storytelling as having two prongs: (a) writing or illustrating stories in which all readers can see themselves (diversity serves to ground the reader in the familiar) and (b) writing or illustrating stories that diversify the reader’s experience (diversity serves to transform the reader).Of course, I hope that readers will see themselves in LOTERIA (as I do), but I also wrote this book with the intent of diversifying the personal experience of non-Mexican readers. My goal was to plunge readers into life in a Mexican city: experiencing sounds and sights that are familiar to children in Mexico; exploring culture themes and ideas that are common and beloved in Mexico. By immersing readers in this “diverse” world, I hope they will be transformed, incorporating aspects of this new world into their existing one.

Exploring Big Questions

Illustration by Dana Sunmar

APP: I love that idea, literature as a transformative experience.This book is about one girl but it is also about a philosophical question – whether or not there is free will. How did you come to write about that and why?

KAV: I am a philosopher at heart and am always exploring big questions. As a writer for children, I always try to pose some of these big questions in my stories. This one (the one about free will vs fate) was one I had been trying to write about for many years.

I wanted to find a way to pose the question and present both sides of the argument in a thought-provoking and engaging manner for children. It occurred to me that a game of chance would provide a perfect setting. The question was, which game?

As it turned out, my father provided the answer when he came to visit us and brought a reminder of home: a LOTERIA game set. As we laid out the boards and shuffled the cards, the story began to take shape in my mind and before I knew it, Life and Death had made their grand appearance.

APP: As a  critical and creative thinking teacher, I love the idea of introducing big questions through stories. When you are writing, how important is it to you that your stories make your readers think?

KAV:All of my stories explore some “big” question, whether in a picture book format or a novel. In fact, my biggest challenge as an author is not straying too far in the weds with the big ideas. But making sure there’s enough of a plot to keep my readers engaged.

Extraordinarily Ordinary

LD

Illustration by Dana Sunmar

APP: There certainly is plenty of plot to keep readers very much engaged in Loteria! I enjoyed the relationship between Life and Death, both of whom are characters in the book. Did you base these characters’ personalities purely on your imagination or are they grounded in Mexican folklore and/or belief systems?

KAV: Catrina is a beloved Mexican figure that I cannot take credit for. And in a way, she created Life, for he needed to be her equal – as riveting and wise as Death – in order for the story to work.

APP: I found their relationship very interesting. Yet, they are not the main characters in the story. The main character is an eleven year old girl named Clara. Was it important for you that Clara not be particularly good at anything or have any special talents or abilities?

KAV: Thank you for pointing this out. Yes! This was a deliberate choice. I wanted Clara to be “extraordinarily ordinary” precisely to show that her transformation from ordinary to heroic was not the result of a special trait but rather the ordinary magic that lived within her.

Twists and Turns

APP: I love the idea of being ‘extraordinarily ordinarily’ and still being the main character in a book. As it turns out, her experience is anything but ordinary. Clara is the focus of an extraordinary game played by Life and Death. Did you invent the game of Loteria as it is played in this book, or is this based on an actual game that is played by people?

KAV: It is an actual and very popular game in Mexico. The game is a bit like Bingo with a board that has a grid of sixteen boxes on it. Each board has different images printed on each of the boxes (instead of numbers as is traditional in Bingo).

The game master (cantor) will flip a card from a deck of 54 cards and call out a riddle that relates to that image. Once the players figure out the riddle, they must find it on their board. If they have that image, they place a token on that square. The first person to get four squares in a row wins the game.

APP: Well, now I really want to play the game myself! Solving the riddles sounds like fun. On another note, I was quite surprised at how the story ended. Without giving away any spoilers, can you tell us if you changed your mind about how the story would end while writing it? Or did you know the end from the beginning?

KAV: I knew pretty early on how I wanted the story to end. However, I needed the philosophical justification to make sense. So, I was very deliberate in how I built up the arguments for free will vs fate along the way, such that by the time the reader got to the end, it would all make sense. Unfortunately, that was not at all how things panned out in my first draft.

Ironically, the fate I had planned for Clara did not unfold as I intended. And I had also argued Life and Death into a philosophical conundrum that I could not resolve. What did I do?

You’ll laugh, but I had to give Clara free will to tell the story as she wanted it told. To my great surprise (and relief!) she came up with an answer to the question of free will that I had not anticipated. And it also led to the surprise ending!

Challenge by Design

APP: Wow, that is amazing and it really works for the story. Congratulations on a masterful plot! Ia m wondering about the challenges you faced as you wrote this story.

KAV: The biggest challenge I had was making sure the philosophical debate lined up with the plot, and that every argument (for or against free will) unfolded seamlessly in Clara’s life. My second challenge was making sure I didn’t get too lost in the philosophical aspects of it all. Fortunately, my brilliant editor (Katharine Harrison), was able to give the right amount of guidance to make this work!

APP: Yay for brilliant editors, and editors who are willing to take on books that explore stories from diverse perspectives that may not quite fit mainstream narratives. I find that much Latin American children’s literature is a bit edgier than what is often published in the United States. Did you feel that your book was pushing the limits a little bit or were you confident that it would appeal to a US audience?

KAV: Yes, and that was by design (part of my attempt to diversify the experience of non-Mexican readers).

What’s Next?

APP: I think you definitely accomplished your goal! What’s next for you as a storyteller?

KAV: I am currently working on a second book for Knopf. This is not in the LOTERIA world but will have similar elements: a big philosophical question, magical realism, set in beautiful Mexico. I also have a number of picture books coming out in the next two years with Knopf and Chronicle. As well as a number of story drafts in the pipeline.

And here are some upcoming events:

APP: That is wonderful! I look forward to all of them!

And now for the giveaway! Karla and her publisher have generously agreed to give away a copy of LOTERIA, with beautiful illustrations by Dana Sunmar, to one lucky winner – U.S. entries only please.

a Rafflecopter giveaway

 

 

 

WNDMG Wednesday – Guest Post – Gail Villanueva: The Pitch Wars Culture of Giving Back

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo

Illustration by: Aixa Perez-Prado

The Pitch Wars Culture of Giving Back

by Gail D. Villanueva

I never thought I’d be a published author. I’ve always wanted to be one, but I never thought I’d actually be one.

You see, I live in a country where access to books is a privilege, not a right. In the Philippines, poverty, crime, and natural disasters are greater concerns over libraries. That’s not to say we don’t have books. We do. But the local publishing industry here is so not the same as it is in the US. There are few publishers and even fewer writing organizations. Mentorship is limited to a chosen few.

So, you can understand why being a published author was a seemingly unattainable dream for me. I just didn’t have access to resources to become one. Still, I wrote a book—a book that featured a main character who looked like me.

I have a technical background, so the Web was my go-to place for resources. Somehow, my aimless browsing landed me on the Twitter account of a sweet, kind soul named Brenda Drake. Reading through her tweets, I learned about this project she founded—Pitch Wars.

Pitch Wars Logo

 

Pitch Wars

As a newbie writer, Pitch Wars was everything I needed. It was (and still is) a mentoring program that would help me elevate my writing and had (and still has) an online showcase at the end where agents get to look at my entry. But as a Filipino author living in the Philippines, I didn’t think I was good enough. I didn’t think Americans would care about my story. After all, there were hardly any Filipinos featured in the books US publishers published.

My husband convinced me I didn’t have anything to lose if I tried. It wasn’t like I was expecting to be accepted anyway. The main Pitch Wars program was closed to submissions at that time. But as soon as a side event opened for subs, I applied.

To my surprise, I was selected for Pitch Madness. I had some agent interest, but none of them panned out. Still, it was the first time I felt that maybe, I wasn’t so bad a writer, that my story might be worth telling. Best of all, I became part of an amazing community. It made joining a Pitch Wars event super worth it.

I ended up shelving that book and wrote a new one. I found more people online who became my friends and mentors. I eventually signed with a rockstar agent who helped me further elevate my writing. She found my middle-grade debut a home with Scholastic, where I learned more from the team.

My Fate According to the Butterfly Cover

My writing career was, and continues to be, built on a foundation of mentoring and learning. I don’t think I’d be able to get where I am now without these generous people who helped me along the way. Giving back to the community that made me was the only way to go. So, I mentored in various programs, but Pitch Wars was my fave. Before long, I got to level up my giving-back and showcased my 20+ web design and development experience by becoming the Technology Director of Pitch Wars when the committee was formed.

Pitch Wars is a diverse group of wonderful individuals coming from wide-ranging backgrounds, cultures, and marginalization. Every one of us is shaped by our experiences as different human beings. Every mentor, every committee volunteer, every mentee.

((Like reading about Pitch Wars authors? Read this interview with Adrianna Cuevas!)) 

I think it goes without saying why such diversity is important. For starters, it addresses the need for voices traditionally not heard to be heard, and for the traditionally invisible to be seen. Varying backgrounds bring about perspectives that a lone one cannot. These multiple perspectives help in making sound decisions, may it be in writing books, mentoring authors, or running Pitch Wars.

Not gonna lie, making choices as a committee for such a visible organization isn’t easy. Our volunteers are constantly faced with the reality that we can’t please everybody. But every effort we put into them is so worth it. Because that means we get to create a safe space for mentors and mentees. We get to help mentors help writers, who may one day publish a book that will make a reader who’s like them feel seen. A book that will become a lifeline to a reader who needs one. A book that will remind a reader that they matter.

Pitch Wars is just one path—it’s not the only path—to publication. I’m totally biased when I say this, but Pitch Wars is an awesome path. It’s a path where you can have fun while learning from a great community driven to continue the cycle of giving back. And I’m truly grateful to be a part of it.

 

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Want to Know More About Pitch Wars?

The 2021 Pitch Wars Wish List blog hop launches Saturday, September 11, 2021. The blog hop highlights the Pitch Wars mentors and what they’re looking for. Learn more at www.pitchwars.org, and stay up to date by following @PitchWars on Twitter.

 

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Gail Villanueva Author Photo

Gail D. Villanueva is the Pitch Wars Technology Director and the author of Sugar And Spite (Scholastic, 2021). Her debut novel, My Fate According to the Butterfly (Scholastic, 2019), was named a Best Book of the Year by Kirkus Reviews, an Amazon Best Book of the Month Editor’s Pick, and a NCSS-CBC Notable Social Studies Trade Book for Young People. Born and based in the Philippines, Gail’s daily routine includes running a web design company with her husband while trying to keep up with the shenanigans of their many pets—dogs, ducks, turtles, cats, and random birds they befriend in the backyard. Learn more at www.gaildvillanueva.com.

Sugar and Spite Cover

 

Find Gail Online

Website: https://www.gaildvillanueva.com

Goodreads: https://www.goodreads.com/gaildvillanueva

Twitter: https://twitter.com/gaildvillanueva

Instagram: https://www.instagram.com/gaildvillanueva/

Pinterest: https://www.pinterest.com/gaildvillanueva/

Facebook: https://www.facebook.com/gaildvillanueva/

Remembering 9-11 – Twenty Years Later

9-11 Book List and Yusuf Azeem is not a Hero book cover

Remembering 9-11 — 20 Years Later

It’s hard to grasp the fact that it’s been 20 years–and a whole generation of readers has been born since the horrific events of September 11, 2001 unfolded in New York City, Washington, D.C, and Shanksville, Pennsylvania. It can be challenging for those of us who lived through this to teach it as history–the pain can still seem so present, especially given the current context of our exit from Afghanistan.

For teachers, librarians, and homeschooling parents looking for books to help illustrate 9-11 lessons, here are some ideas for middle-grade books:

9-11 Booklist

Saadia Faruqi, YUSUF AZEEM IS NOT A HERO (Quill Tree, 2021)

9-11 Book List

Yusuf Azeem has spent all his life in the small town of Frey, Texas—and nearly that long waiting for the chance to participate in the regional robotics competition, which he just knows he can win.

Only, this year is going to be more difficult than he thought. Because this year is the twentieth anniversary of the 9/11 terrorist attacks, an anniversary that has everyone in his Muslim community on edge.

With “Never Forget” banners everywhere and a hostile group of townspeople protesting the new mosque, Yusuf realizes that the country’s anger from two decades ago hasn’t gone away. Can he hold onto his joy—and his friendships—in the face of heartache and prejudice?

((Read Saadia Faruqi’s guest post on Mixed-up Files series We Need Diverse MG))

Alan Gratz, GROUND ZERO (Scholastic, 2021)

Booklist for teaching 9-11

When 9-year-old Brandon Cruz goes to work with his father the morning of September 11, 2001, he has no idea they’ll be at GROUND ZERO for a terrorist attack. Brandon’s not in school because he’s been suspended for punching a kid who stole a pair of Wolverine gloves from one of his friends. Leaving his father at work on the 107th floor of the North Tower, Brandon heads down to the Tower’s underground mall to buy a replacement pair. He’s in an elevator when the first plane hits and becomes a hero when he helps save the other passengers. Desperate to find his father, Brandon tries to make his way up back up to the 107th floor. On the way, he finds himself in need of rescue. He’s saved by a man named Richard, who becomes his friend and guardian as they try to escape a building collapsing around them. Eighteen years later, 11-year-old Reshmina and her family are dealing with the aftermath of that attack — constant battles between the Taliban and American soldiers who have been in Afghanistan since December 2001. Her twin brother, Pasoon, is determined to join the Taliban, and Reshmina seems powerless to stop him. After a firefight between the Taliban and American soldiers, Reshima finds the only American survivor, a young soldier named Taz. Risking everything, her family offers him shelter — a decision they may regret as a fierce battle begins between the Americans and the Taliban. (From Common Sense Media)

Jewell Parker Rhodes, TOWERS FALLING (Little Brown, 2016)

9-11 Anniversary Book List

When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Dèja can’t help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers?

 

Nora Raleigh Baskin, NINE, TEN (Atheneum Books 2016)

9-11 Anniversary Book List

Ask anyone: September 11, 2001, was serene and lovely, a perfect day—until a plane struck the World Trade Center.

But right now it is a few days earlier, and four kids in different parts of the country are going about their lives. Sergio, who lives in Brooklyn, is struggling to come to terms with the absentee father he hates and the grandmother he loves. Will’s father is gone, too, killed in a car accident that has left the family reeling. Naheed has never before felt uncomfortable about being Muslim, but at her new school she’s getting funny looks because of the head scarf she wears. Aimee is starting a new school in a new city and missing her mom, who has to fly to New York on business.

These four don’t know one another, but their lives are about to intersect in ways they never could have imagined. Award-winning author Nora Raleigh Baskin weaves together their stories into an unforgettable novel about that seemingly perfect September day—the day our world changed forever.

((Here’s an interview Dorian Cirrone did with author Nora Raleigh Baskin back in 2016))

 

Lauren Tarshis with illustrator Corey Egbert, I SURVIVED THE ATTACKS OF SEPTEMBER 11, 2011  (Graphic Novel #4) (Graphix, 2021)

9-11 Anniversary Book List

The only thing Lucas loves more than football is his Uncle Benny, his dad’s best friend at the firehouse where they both work. Benny taught Lucas everything about football. So when Lucas’s parents decide the sport is too dangerous and he needs to quit, Lucas has to talk to his biggest fan.

The next morning, Lucas takes the train to the city instead of the bus to school. It’s a bright, beautiful day in New York as he heads to the firehouse. But just as he arrives, everything changes — and nothing will ever be the same again.