Posts Tagged We Need Diverse MG

WNDMG Wednesday – Banning Books Creates Selective History

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo

Illustration by: Aixa Perez-Prado

 

Thinking about Banned Books

I want to think out loud about a subject close to the hearts of most readers and writers: the recent uptick in banned books. and how banning books creates a selective history of our world. Those of you who read our blog often know that just a few months ago, contributor Patricia Bailey collected a wonderful list of  Mixed-Up Files contributors’ favorite banned books.  This post is also an excellent resource for websites to plug into when you want to take action–so you should go check it out!

I wanted to revisit the subject here on the We Need Diverse MG series because of the unfortunate truth that the majority of the books being challenged or banned in recent years are by and about underrepresented communities. It’s a clear attempt to remove diversity from our children’s bookshelves.

a stack of books chained together banning books creates selective history

Gatekeeping Diversity

The reason I hear most often in my own community from parents who want to remove books is variations of this reasoning: “My child isn’t ready for that kind of story.” Or, “This is inappropriate or traumatizing, and I don’t want to scare my child.”

As a mother, I do understand the gatekeeping instinct that leads us to stand between our children and content that could frighten or traumatize them. Learning can’t happen when children feel threatened.

But children can’t learn empathy or understanding if they never have to be challenged to see beyond their own lives. Why shouldn’t a child who is raised in a safe white space be exposed to a book detailing the risks–and the joys–faced by BIPOC, AAPI,  Native, Latinx, and LGBTQ+ communities? Why shouldn’t a Christian child learn what it’s like to be a Jew or a Muslim in America?

Banning Books Creates Selective History

Equally as important, and we all know this, children from underrepresented communities need to see themselves and their experience validated and normalized in books. When we scrub the shelves of diversity, we devalue the experience of a majority of the world’s population, and this is a tragedy for all. Moreover, banning books creates a selective history of who we are, and no one is served by an incomplete narrative.

Yes, adults do sometimes need to help children process what they read. But is that so bad? Don’t we want to support a more inclusive generation of children who are supposed to be the stewards of a smarter tomorrow?

((Want to see which books are currently in the hot spot? Check out this list from Banned Books Week of 2021))

The First Banned Book

I was curious about the history of banned books and how long the practice of controlling the narrative has been going on. I  learned that while the practice goes back as far as ancient China, when Confucian scholars were buried alive, the first non-murderous American banning happened in 1637. Immigrant Thomas Morton wrote an anti-Puritan treatise called NEW ENGLISH CANAAN. It was such a scandalous and insulting book (this terrific article by Matthew Taub talks about how Morton compared his former community to crustaceans), the angry Puritans immediately scrubbed it, as though they could put the genie back in the bottle.

Thumbnail photo of Thomas Morton's New English Canaan book banned books create selective history

What intrigued me though, was that in addition to his comparatively hedonistic approach to life (can someone say maypole dancing?), he was also the closest thing that passed as an ally in those days. He broke off from the Puritans to establish his own community, forming economic partnerships with the Native population and getting rid of his business partner who owned enslaved people. Morton’s more diverse, inclusive, and equitable approach to community didn’t conform with the lockstep attitudes of the time, therefore his book was of suspect political nature.

Sound familiar?

Imagine a world like the one Morton envisioned, where we can embrace and honor our differences and thrive in each other’s company. I hope we will continue to write and read the books that give us space for this to happen, and to fight the crustaceans who try to ban them.

 

 

SLJ Best Books 2021

Oh MG News Critter Logo

‘Tis the season of giving and gratitude, and we at MUF are grateful to spy several of the authors we admire most make the School Library Journal Best Middle-Grade Books of 2021 list.

school library journal logo

The prestigious list includes 139 titles from seven categories, this year including “a breakout list of poetry.” (SLJ)  Many congratulations to all the authors. We’ve been lucky to feature two of them on our We Need Diverse MG Mixed-Up Files series and we’d love to feature more stars from the rest of this list in the coming year.

Chad Lucas

WNDMG Letting Boys Be Boys

Thanks A Lot, Universe Book Cover

Saadia Faruqi

Saadia Faruqi author photo

9-11 Book List and Yusuf Azeem is not a Hero book cover

Chrystal Giles

Take Back the Block book cover Chrystal D. Giles author photo

 

Shakirah Bourne

Josephine Against the Sea book cov erShakirah Bourne author photo

 

 

WNDMG Wednesday – Tracey Baptiste on AFRICAN ICONS

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG Logo

Illustration by: Aixa Perez-Prado

AFRICAN ICONS on WNDMG Wednesday

Welcome to WNDMG Wednesday–we have quite a treat for you.  New York Times bestselling author Tracey Baptiste is here to talk about her newest book, AFRICAN ICONS, (Algonquin Books, October 2021) which has already garnered a Kirkus Reviews star: “empowering, necessary, required reading for all” and “game-changing.”   AFRICAN ICONS expands how Black History is presented by spotlighting the incredible achievements of ten awe-inspiring African innovators who have been too often ignored by history books.

“In African Icons: Ten People Who Shaped History, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers. She pieces together the stories of ten people in a continent that fueled the world. This is a great beginner’s guide to pre-colonial Africa.”

–Dr. Ibram X. Kendi

(Kendi quote sourced from author’s websiteCover for African Icons book by Tracey Baptiste

AFRICAN ICONS Origin Story

MUF: We’re so excited about your new book …. Can you tell us a little bit about the origin story for AFRICAN ICONS?

TB: This started as a blog post called “Africans Before Slavery” which I wrote in February 2017 Africans before slavery – Tracey Baptiste (wordpress.com). It was a response to the then president of the United States saying some embarrassingly ignorant things at a Black History Month breakfast. A few kidlit writers responded with a series of posts directing educators to better resources about Black people in history. All of their posts though, highlighted Abolition, Freed Slaves, or the Civil Rights movement. This has long been a source of aggravation for me from when my kids would come home with their Black History Month projects and nothing pre-slavery was ever mentioned. So I did some quick research and posted it. My editor, Elise Howard, saw the post and asked if I would like to write an entire book about pre-slavery Black history. Of course, I said yes.

The Research Journey

MUF: Where did you do your research?

TB: I did most of my research in libraries and museums and using online searches for articles. Academia.edu was particularly helpful, but most helpful were professors in African studies, museum curators, librarians at African library collections. Most of my physical searches were in New York City, Boston, and Cambridge, MA.

Illustration from Tracey Baptiste Website

Illustration Sourced from Tracey Baptiste Website: traceybaptiste.com

MUF: Following up on the research question: one of the most exciting/challenging parts of research is following threads of information to unearth new details and source material. Do you have any fun stories that illustrate this part of the journey? Were there any surprises?

TB: One of my favorite research trips was to the Metropolitan Museum of Art, where I met with one of the curators, Yaëlle Biro. She walked me through several pieces of art in the Arts of Africa, Oceania, and the Americas exhibits which is where I got my first introduction to Queen Mother Idia of Benin. She brought many of the pieces alive for me, and I started to see the real people behind the artworks. The big surprise came with one of the pieces which was covered in Venetian glass beads. It was the first time I saw the real connection in trade between Africa and Europe. I had been looking to find the long-established relationships between the two continents, and it was right there in front of me. I was really excited about that. Then when I left the museum, there was a west African woman selling beaded wire sculptures on the street on the sidewalk. It was exactly in the tradition of the artwork I had just seen behind glass at the Met. So revered inside, but outside, this was street art. A total discard. There weren’t even reproductions of any of the African art pieces at the gift shop. It laid bare for me that despite the displays, African art isn’t valued.

Illustration from AFRICAN ICONS

Illustration sourced from Tracey Baptiste Website: traceybaptiste.com

((Enjoying this interview? Read this archived MUF interview with Tracey about her book THE JUMBIES))

Favorite Icon

MUF: Do you have a favorite icon or part of the book?

TB: My favorite section is probably “Across the Golden Sand.” It was also one of the earliest pieces I wrote for the book. I can see the Berbers lined up and the caravans secured as they cross the dunes. It’s an exciting visual and was a lot of fun to write.

My favorite icon is probably Amanirenas. Imagine going toe to toe with a Caesar and winning! I had never thought of an African Queen being so formidable as to defeat Rome, because it was never in any of my history books. As far as I knew from what I’d read growing up, when Rome was in its heyday, Africans didn’t have anything at all, let alone kingdoms with warriors who would defend their borders against Rome, and diplomats who would negotiate with Caesar himself.

MUF: How did you narrow your list of icons to write about?

TB: The book started with a set of kingdoms and circumstances. When Elise read the first draft, she saw that there were ten icons, and asked me to focus on them. (Actually, there were eleven. We left off one, Prince Alemayehu of Ethiopia, because it was after the period we wanted to cover, and because he didn’t have a lot of agency in his life.)

Biased and Incomplete Records

MUF: Is there anything else I haven’t asked that you want to share with us?

TB: The research was incredibly difficult in large part because of the bias and racism in the written records, and the bias and racism that kept things out of the written records. Often, I would go down rabbit holes of research and find dead ends because no one bothered to follow up on threads. There was one story about a European king who tried to marry his daughter off to an African king because of the wealth coming out of the country, but I could never find anything to verify that story, who the players might have been, or what eventually happened. It was one offhand remark. Maybe it was true, maybe it wasn’t. It’s frustrating not to know for sure.

MUF: We’re grateful that AFRICAN ICONS will now be available to other researchers to fill in the blanks you found. Thank you for your time and many congratulations!

 

Tracey Baptiste Author Photo

Photo Credit: Latifah Abdur Photography

About Tracey Baptiste:

I am the New York Times bestselling author of Minecraft: The Crash, as well as the creepy Caribbean series The  Jumbies, which includes The Jumbies (2015), Rise of the Jumbies (2017), and The Jumbie God’s Revenge (scheduled for 2019). I’ve also written the contemporary YA novel Angel’s Grace and 9  non-fiction books for kids in elementary through high school.

I’m a former elementary school teacher, I do lots of author visits, and I’m on the faculty at Lesley University’s Creative Writing MFA program.

My name is pronounced buhTEEST.

How to stay in touch:

Twitter: @TraceyBaptiste

Instagram: @TraceyBaptisteWrites