Posts Tagged verse novels

WNDMG Wednesday: Author Interview with Aida Salazar

By Shifa Safadi on April 10, 2024 / Author Interviews, Diversity, WNDMG / Leave a comment

Ultraviolet cover with a young Latina boy in technicolor

WNDMG Wednesday: Author Interview with Aida Salazar

Welcome to WNDGM Wednesday. I’m so excited to be able to introduce you and interview accomplished award-winning author Aida Salazar today. Aida’s newest book is Ultraviolet (Scholastic) and it launches on April 2, 2024.

I absolutely love anything Aida writes. I am specifically a huge fan of her verse novels- A SEED IN THE SUN and LAND OF THE CRANES made me feel so much emotion while reading, and I hung onto every word of gorgeous poetry.

I cannot wait to dive into this new book!

I encourage everyone to buy a copy for themselves and their classrooms and libraries.

About ULTRAVIOLET

Description taken from online:

Sometimes life explodes in technicolor.

In the spirit of Judy Blume, award-winning author Aida Salazar tells it like it is about puberty, hormones, and first love in this hilarious, heartwarming, and highly relatable coming-of-age story. Perfect for fans of Jason Reynolds, Kwame Alexander, and Adib Khorram.

* “Stunning…A story that sings to the soul.” ―Kirkus Reviews, starred review

* “A compassionate verse novel about first love, heartbreak, and vulnerability. ” ―Publishers Weekly, starred review

“This important and intensely relatable tale perfectly captures the angst of growing up. A true gift to maturing tweens everywhere.” ―Ernesto Cisneros, Pura Belpré award-winning author of Efrén Divided

For Elio Solis, eighth grade fizzes with change―His body teeming with hormones. His feelings that flow like lava. His relationship with Pops, who’s always telling him to man up, the Solis way. And especially Camelia, his first girlfriend.

But then, betrayal and heartbreak send Elio spiraling toward revenge, a fight to prove his manhood, and defend Camelia’s honor. He doesn’t anticipate the dire consequences―or that Camelia’s not looking for a savior.

Hilarious, heartwarming, and highly relatable, Ultraviolet digs deep into themes of consent, puberty, masculinity, and the emotional lives of boys, as it challenges stereotypes and offers another way to be in the world.

Interview with Aida:

I loved getting to talk to Aida about her new book and I think you will enjoy meeting her and Elio as well.

SSS: What a heartfelt description! I was intrigued right away- and I cannot wait to see how Elio’s story unfolds.

What is the inspiration behind ULTRAVIOLET?

AS: The initial idea for the book came from my son, João, and his friend, Mario, who after I’d written about a Latina girl’s coming of age in The Moon Within, insisted that I write one from a boy’s perspective. Mario said, “Ms. Aida, you have to write The Sun Within.” “Yeah, mom, when are you going to write a book for me?” my son added. They wanted to see a book that showed their inner lives and brought up conversations about puberty, first crushes, gender, and rites of passages—conversations that echoed who they were as cis Latino boys.

SSS: As a mom of an almost-teenage boy, I am so protective over him. He is such a sweet emotional boy, and I love that the description honors the emotions of young boys. What emotions do you think young men feel as they grow into maturity?

AS: Our patriarchal societies have made boys victims as much as girls and women and gender expansive people. We don’t allow boys space to explore the tender parts of themselves – love, anger, rejection, grief, and hormonal confusion. They are raised to bury feelings—to be “macho” and “man up.” We rarely provide safe spaces and ways for them to move through tough feelings or offer guidance on how to rise above them. It is a huge tragedy, really. When boys deny this very human part of themselves, it deeply impacts their relationships as they grow into men. And in that loss, in that wound, they sometimes treat others with the same hurt they feel or worse. Girls and women often bear the brunt of that wound, as we have seen by the violence and wars in our society today. Through Ultraviolet, I want to offer boys examples of undoing toxic masculinity and how they can find strength through nurturing their sensitivity and vulnerability.

SSS: I love your answer! As a mom of a young tween who is Syrian American, I worry about how the world will view my little boy, especially with stereotypes about Muslims and Arabs. As a Latine author, does your role as a mother play a part in the stories you write? How does Elio’s book play out differently than it would for someone who was not Latine?

AS: Absolutely. I have a teen son and daughter and their lives as bi-cultural, multi-racial youth inspire me. What they have to deal with as young people is unprecedented in the history of humanity because of technology and as our racism and intolerance grows. Brown and Black children and other kids of color in particular are ever more vulnerable. But I do believe in the power of education, collective organizing, and efforts to make the world a better place. Young people have a strong moral compass and I only hope that is going to be the guide that will help them not only navigate but rise above and help solve some of the most troubling issues in the world. And some things, like love, heartbreak, and puberty are evergreen. I am hopeful that the universal experiences like those found in Ultraviolet will help boys (no matter the background) understand their hearts and where they might contribute to their own and others healing through justice.

SSS: The subject of puberty is such an important topic! I am excited to see more books centering these important coming of age stories for our young ones who may feel confused as their body’s changes.

AS: Indeed! There are only a handful of books like Ultraviolet. I had a conversation with Varian Johnson and John Schu at a conference about the need for a book like this. There was so much to explore in middle grade fiction and so much of it was hilarious! I challenged them to write one because I felt like it needed to come from a boy/man’s perspective. I think John might have a memoir coming which sounds beautiful. But when my son and his friend specifically asked me for it, I knew I couldn’t say no. This one, is my interpretation of a boy’s life as a mother and feminist.

SSS: Will there be more Elio (or other middle grade verse novels) in the future?

AS: Yes! I have a secret project that might involve Elio and might involve another character from another of my books. Writing these characters are pure joy. I know them so well and can’t wait to write them a new narrative with new adventures in growing up. Of course, in verse!

SSS: Ahhh! Amazing- I cannot wait!!

Link to preorder here.

Writing Process

SSS: When did you start writing Ultraviolet and was the process a long one?

AS: Ultraviolet was actually a graphic novel before it was a verse novel. I made the move on the suggestion of my editor at Scholastic, Tracy Mack. I struggled to transition from one to the other but then I gave it a shot. Once I wrote the opening poem, I was hooked on Elio’s voice and couldn’t stop. I wrote the first draft in about three months but the editing process took another six months. We worked hard to get the story as clear, as fun, as poetic as can be.

SSS: Wow so interesting!

As a fellow middle grade verse novelist, I LOVE reading verse. How do you write your verse books- do they start out as verse in your mind while you write, or do they end up that way along the revision process (as happened with me!)

AS: Yes, the characters come in verse and stay that way. I am a student of Linda Sue Park’s philosophy of writing voice in fiction. She says that “voice is word choice, rhythm, and punctuation.” I explore this wisdom from a poet’s perspective. Writing poetry gives us all the tools we need to articulate these elements of voice with an extra layer of artfulness and intention. For instance, rhythm or the song or musicality of a line is crucial to poetry. Many fiction writers don’t think about this as deeply as poets. Also, poetry needs for us to use precise and economic language. To make a line artful. How you do that is what will set the voice apart. I try to make it so that each character can be their own person, with their own artful word choice, with their own song, certainly not mine or an adult’s, so they emerge as their own poet.

SSS: One hundred percent- poetry is so special and the voice in your books always stands out beautifully!

Any advice for fellow middle-grade authors? For Debuts?

AS: Lean on community, be tenacious, be okay to fail or be rejected, and give yourself grace. These things have made me continue in this business when times have been tough. Onward!

For more verse novels- check out this previous Mixed-Up-Files Post!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

AS: Ultraviolet though it might seem a light-hearted and somewhat superficial experience, really is about undoing so many hurtful practices. It takes a look at the reasons why we hurt others. There is a line in the book by Fernando, one of the leaders of the sons and fathers’ group that urges Elio to reflect when he wants to lash out against his ex-girlfriend, “Just because someone hurts you doesn’t mean you have to hurt them back.” I think about the relevance of this line and the current genocide of Palestinian people by Zionists. It is my hope that young people will understand that our wounds, as deep as they are, will never be resolved with violence. My intention was to write a feminist book for boys, to dismantle and free ourselves from these oppressive patriarchal ideas.

Thank you so much Aida for answering my questions and with such thoughtfulness and honesty! I hope everyone picks up a copy of your beautiful book.

About Aida Salazar:

Aida Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. She is the author of the middle-grade verse novels The Moon Within (International Latino Book Award Winner), Land of the Cranes (Américas Award Winner), A Seed in the Sun (Tomás Rivera Book Award), the picture book anthology, In the Spirit of a Dream, and the picture book biography Jovita Wore Pants: The Story of a Mexican Freedom Fighter (Caldecott Honor). She lives with her family of artists in Oakland, California.

Website: www.AidaSalazar.com

Twitter: @aida_writes

Instagram: @aida_writes

TikTok: @aida_writes

Diversity in MG Lit #43 March & April 2023

By Rosanne Parry on May 8, 2023 / Diversity

Diversity in MG Lit

It’s the beginning of May, but March and April were big months for diversity in MG Lit book releases, so I’m going to recap and highlight a few standouts and ask you to mention those I’ve missed in the comments. As usual I’m going to focus on debut authors and diverse representations that most need amplification.

Happy to see a debut MG book from acclaimed Cherokee author Brandon Hobson, The Storyteller. Ziggy is already dealing with anxiety and the disappearance of his mother only makes things worse. In a search for answers about where his mother (and so many other Native women) have gone Ziggy is drawn to a nearby cave and the story tradition of the Cherokee for answers. (Scholastic Press, 4/18/23)

Books about neurodivergent girls are few and far between. I was thrilled to find Good Different by Meg Eden Kuyatt. Selah is an autistic seventh grader learning to embrace her inner dragon while still taking responsibility for her actions. The novel in verse format gives Selah’s story an engaging pace and emotional power. (Scholastic Press, 3/7/23)

Two graphic novels caught my eye this month, both with Asian-American protagonists. Squished by Megan Wagner Lloyd and Michelle Mee Nutter is about the second oldest daughter finding some autonomy and space to make her art in a family of seven siblings. A large family is its own culture beyond race and ethnicity. I belong to a big family and found lots of scenes here that resonated. (Graphix 3/7/23) Parachute Kids by Betty C Tang is about being left in America with siblings or relatives while parents remain behind in an Asian country. (Graphix 4/4/23)

Two stories about African-American athletes will appeal to sports fans. Colin Kaepernick Change the Game by Eve L Ewing and Orlando Caicedo is a graphic novel (Graphix 3/7/23). Track and field fans will devour the story of national champion, world champion, and four time Olympian, Chanunté Lowe in her debut MG biography Boundless. (Scholastic focus 3/7/23)

And finally there are four notable additions to the genre of MG protagonist meets magical creatures and discovers hidden powers. They are Once There Was by Kiyash Monsef (S&S 4/423), Momo Arashima Steals the Sword of the Wind (Labyrinth Road RH 4/4/23), Hamara and the Jungle of Memories by Hanna Alkaf (HC 3/28/23), and The Scroll of Chaos by Elie Chapman (Scholastic Press 3/7/23)

((Enjoying this list of diverse books published in March and April? Check out this author interview with MUF contributor Heather Murphy Capps on her diverse book published in April, INDIGO AND IDA))

As always this is only a small sample of the diverse books published in March and April. If I’ve missed something, do mention it in the comments.

Agent Spotlight: Rena Rossner

By Gail Shepherd on December 31, 2018 / Articles, Editor / Agent Spotlight

Literary agent and author Rena Rossner is a graduate of the Johns Hopkins University Writing Seminars Program, where she majored in poetry and non-fiction writing. She also holds an MA in History from McGill University in Montreal, Canada. She lives in Israel where she works as a literary and foreign rights agent at the Deborah Harris Literary Agency in Jerusalem. Rena’s debut historical fantasy novel, The Sisters of the Winter Wood, published in September, 2018.

Rena says: “You can usually find me cooking or reading, but I also do ceramics (in my non-existent spare time) and have been known to do yoga and take walks with my pug, Pablo. Did I mention I have five kids? Yeah. That too.”

Find out more about Rena and how to query her at www.renarossner.com.

Hi Rena! I know this is a crazy busy month for you—thanks so much for agreeing to chat with us. What have you been up to lately?

Most recently, I finished writing my second novel. But before that I returned from a five-week trip to the USA, a combination of being on book tour for my own first novel, The Sisters Of The Winter Wood, combined with editor meetings in New York City on behalf of my clients. I attended World Fantasy Con in Baltimore, YALLFEST in Charleston, and the Miami Book Fair – where various authors of mine were speaking and signing books.

Talk to me about middle grade novels in verse. I know you studied poetry at Johns Hopkins. What do you think a verse novel can do for middle grade readers that a prose novel can’t?

Well, novels in verse have a very special place in my heart. I was a poet first, before I decided to try my hand at fiction, and The Sisters Of The Winter Wood is written in two voices – one sister narrates in verse and one sister narrates in prose.

I also represent two middle grade novels in verse – Rachel Toalson’s The Colors of the Rain which came out in September 2018. And the upcoming ALL OF ME by Chris Baron which comes out in June 2019.

Something about novels in verse can be more dramatic than prose. Verse leaves space on the page, room for breath, room for thought. Room for the reader to fill in the blanks. Novels in verse can be more emotive than novels in prose because they take readers on an emotional journey. I absolutely love working with writers who were clearly poets first. You can tell, on the sentence level, that there is something different about their work.

I just finished reading ALL OF ME. I read through tears for the last hundred pages. This was easily the most moving MG book I’ve ever read about being a “big” kid. You’re right, the emotions just cut right through in a good verse novel, because it’s so spare.

2019 is going to be a big year for you! You represent three of my new middle grade debut pals, Cory Leonardo, Chris Baron, and Sofiya Pasternack whose first books for middle graders are publishing in 2019. Cory’s THE SIMPLE ART OF FLYING features a poetry-spouting parrot who eats the Norton Anthology of Poetry page by page. Sofiya’s 9th century historical fantasy ANYA KOZLOVA AND THE DRAGON has Vikings! And a water dragon! Can you tell us more about them? What did you love about each of these novels when their queries first hit your inbox?

2019 is going to be a great year for middle grade! Both Cory and Sofiya came to me as a result of PitchWars, actually! Cory and I connected back in 2016 as a result of the contest. I fell madly in love not only with her parrots (I am a bird lover and was the owner of a very precocious cockatiel when I was a teen) but her poetry and wit. Her book reduced me to a blubbering mess of tears, absolutely had me hooked. (Also, cherry crumble pie.)

Sofiya and I connected in 2017. Her story about a little Jewish girl who must choose between saving her home and protecting a water dragon blew me away with its originality. But it also hit my sweet spot – bringing more Jewish fantasy to the world, especially more diverse Jewish fantasy set in all different places and time periods. Her main character Anya has spunk, but she also bakes challah. I mean, what could really be better than that?

Chris was a cold query, but when I read his book, I was instantly smitten. I had never been reduced to tears in the space of a few lines of poetry before! ALL OF ME is about a boy around the time is his bar mitzvah who struggles with his weight. As someone who has struggled with her weight her whole life, and who has boys who have struggled with the same issue around the time of their bar mitzvahs – this book really hit home for me in a very deep way.

There’s been a lot of discussion among Jewish children’s authors of late on social media, particularly in light of anti-Semitic acts both here in the U.S. and in Europe. Do you think Jewish writers are underrepresented in kid lit? What kinds of books by Jewish authors or about Jewish characters would you like to see more of?

For me, it’s less that Jewish writers are underrepresented and more that certain types of Jewish stories are underrepresented. I think we need to showcase more of the multiplicity of Jewish experience in children’s literature. Jews have literally lived in almost every country in the world, and I want us to see more of their stories. Jews from Shanghai, Morocco, Cuba, Ethiopia and Yemen all have stories to tell. But their stories are not well represented in the canon of Jewish children’s literature.

I also think we don’t see enough diverse Jewish families and stories about all the different ways in which people identify as Jewish – including blended families, unaffiliated families, LGBQT Jewish families, Jews who have converted to Judaism, and more.

So much Jewish children’s literature tends to be about the Holocaust. And while that’s always going to be super important (I even sold a Holocaust memoir that came out last year called Claiming My Place by Planaria Price and Helen West), Jewish history is full of so many stories – some tragic, others full of incredible moments of resistance and heroism. I want to see more of those stories told as well.

On a personal note, I’m a huge fan of Jewish fantasy and SciFi, and I’m always looking to see more of that. We haven’t scratched the surface of what Judaism has to offer the SFF world. I can’t wait to bring more of those types of stories onto the shelves of bookstores.

What’s on your wish list for middle grade now? Why?

I’d love to see more novels in verse. I’m a huge fan of Science Fiction and Fantasy of all types. Books that make me cry: so, real, heartfelt middle grade stories that turn me into a blubbering mess of tears. I’m a sucker for beautiful writing, strong female (and male!) characters, and stories based on different mythologies and folklore. I love a good fairy tale re-telling, but bring me fairy tales from all over the world that and retell them in a way we haven’t seen before.

I love stories full of puzzles and whip-smart kids – like the books that another one of my authors, Ben Guterson, writes. His Winterhouse series (THE SECRETS OF WINTERHOUSE comes out December 31, 2019!) is a perfect example of that type of middle grade story that I love and would love to see more of! And of course, any middle grade that showcases the multiplicity of the Jewish experience.

Any genre you simply can’t stand?

I don’t know if there is any genre that I can’t stand – I read pretty widely. But I’m not the best person for a book about sports or for most straight non-fiction. Having said that, I’d love to be proven wrong! I never know what I will see in my inbox and what I will fall in love with. So I don’t really like to make any kind of absolute statements. I like to be surprised.

Are you an editorial agent? Is there any one piece of advice you give to middle grade authors? In other words, are there any common kinds of problems that you are good at helping MG authors fix?

I’m a super editorial agent (as many of my authors can attest to). I’m not afraid to cut a novel in half, if that’s what’s needed. I think that many novels in verse tend to be too long – those are often the ones I end up having to do the most work on.

Middle Grade is tough to write because it’s hard to nail the right voice. It’s important to talk to kids that age – but I mean, really talk to them. Find out what they’re thinking, what’s important to them, what they find funny. I’m lucky to have middle graders who live with me, and my kids are an invaluable resource to help me know what will or won’t work for kids their age.

What’s missing in the middle-grade marketplace now? The big sinkhole in the room that we’re not seeing?

Well, once upon a time I would have said: more books for middle grade boys, and especially for boys who are struggling with their weight. More books about body positivity. But I am so happy that Chris Baron’s book ALL OF ME is now going to be out in the world, because I think it fills a big hole in the MG space.

We need to make sure that every kid can see himself or herself reflected in fiction, to do so much more work to bring diverse stories and diverse voices to MG shelves. I’m super proud of a book that came out in October 2018, Charlie Hernandez and the League of Shadows by Ryan Calejo. We need more books like that.

How does what you do as an agent influence your art as a fiction writer, or vice versa?

Sometimes people think it gives me an edge in the industry. But the truth is, I went through just as much rejection (if not more…) as anyone else. When The Sisters of the Winter Wood sold, it was with my third agent, the third book I had been out on submission with.

Having said that, I definitely saw a hole in the market and decided to fill it. I wanted to write a fantasy novel about two Orthodox Jewish teen heroines – the kind of book that I wish had been around for me when I was a teen. But I don’t think you need to be an agent to know what’s missing from bookstore shelves today. You just need to read a lot and pay attention. I do think that my authors benefit from my being able to have a lot of empathy. I know what they are going through, often intimately.

Anything you’d like to elaborate on that I haven’t asked you? How’s life treating you?

Life is incredibly busy, but great! I can’t wait to see what 2019 will bring, but I certainly hope it bring more great middle grade authors my way!

Huge thanks, Rena! It was great to speak with you.

Posts Tagged verse novels

WNDMG Wednesday: Author Interview with Aida Salazar