Posts Tagged teachers

STEM Tuesday– Celebrating Diversity in STEM– Writing Tips & Resources

Author’s Purpose

Why do authors write what they write? I’ve thought about this question a lot lately. Authors explain their purpose in prologues, epilogues, introductions, or author’s notes. For me, these parts of a book are often as interesting as the main text.

This month’s Celebrating Diversity in STEM– Book List reminds me of why it’s important to have perspectives from diverse authors. As nonfiction authors, we always put ourselves — our passions, our personalities— into our books. Our race and cultural background is part of what makes us who we are. It can influence what stories —and whose stories — we choose to tell. And it also affects how we write our books, adding authenticity and heart. 

A Closer Look at Author’s Purpose

Let’s look at what four of this month’s authors say about their purpose for writing.

In HIDDEN FIGURES, Margot Lee Shetterly writes that growing up she “assumed the face of science was brown,” because her father and people in her community worked in science, math, and engineering. Shetterly soon learned the world was very different when her father was a child. And when Shetterly discovered African-American women mathematicians had worked at NASA Langley Research Center for decades without recognition, she was determined to spotlight their contributions to American history. As Shetterly writes in her prologue, “The contributions made by these African-American women have never been heralded, but they deserve to be remembered and not as a sidetone in someone else’s account but as the center of their own story. …This is their story.”

In WHAT COLOR IS MY WORLD, Kareem Abdul Jabbar also aims to inform readers about overlooked historical figures: “Unfortunately, many of the greatest American inventors have been ignored by history textbooks based on the color of their skin or their gender. …By telling of their unsung but vital contributions, I hope to celebrate these overlooked role models so that we can all appreciate one another in meaningful ways.”


William Kamkwamba (THE BOY WHO HARNESSED THE WIND) writes to persuade other youth, especially Africans, to pursue their dreams, “I want you to know your ambitions just as important and worth achieving, however big or small. …Think of your dreams as tiny miracle machines you can tough. The more faith you put into them, the bigger they get, until one day they’ll rise up and take them with you. (Epilogue)” In her introduction to PATH TO THE STARS, Sylvia Acevedo has a similar purpose for telling her story, to inspire young people to “dream big dreams and make those dreams come true.”

Whether the book is a biography or an autobiography, each author’s deep personal connection and passion shine through in their writing. They’ve crafted stories only they can tell.

FINDING YOUR PURPOSE – Story Sparks

That deep, personal connection that ignites our writing is something every good writer aims for. And it starts with the stories or angles we choose — our story sparks. So pull out your writer’s notebook, and let’s get going.

Turn to a clean page in your notebook, and title it “STORY SPARKS.” Now let’s fill it up with ideas.

  • First, what subjects excite you? They could be school subjects like biology, hobbies like knitting or building robots, pets, or your favorite sport. 
  • What kind of books do you like to read? What about TV shows, movies, and music?
  • Are there certain news stories you find most appealing?
  • Maybe there are special places you like to visit, like the beach or a quiet forest.
  • Next think about themes and ideas that interest you. Is it underdogs? Bullies? Being the youngest? Are you interested in social justice or the environment?
  • Finally, like the authors on this month’s book list, think about your personal history, traditions, culture, and community. Do they give you inspiration for stories to tell? If so add them to your list too.

As you make your list, see if you notice any patterns, similarities, or connections that fire up other ideas. If not, try smashing two ideas together like environmental issues plus your favorite spot— the beach? After a little digging, you add ocean pollution to your list.

Here’s the good news. You can use your story sparks to find focus even if your teacher assigns topics for informational writing. Have to write a presidential biography? Is space your jam? Why not pick John F. Kennedy, who launched the U.S. into the Space Race?

Whenever you learn something new and find yourself thinking, “Hmmmmm, that’s interesting,” jot it down. You’ll never run out of ideas. Happy writing!

O.O.L.F.

 


Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021), THE FIRE OF STARS, illustrated by Katherine Roy (Chronicle, Fall 2022), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.

STEM Tuesday– Celebrating Diversity in STEM– In the Classroom

This month we are celebrating diversity in STEM with several books that highlight the accomplishments of mathematicians, scientists, inventors, and more, all with diverse backgrounds. These books will help students learn more about these trailblazing STEM pioneers, their lives, and their contributions to science. They are a great starting point for different activities and discussions in the classroom. Here are a few to try:

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Changing the Equation: 50+ U.S. Black Women in STEM by Tonya Bolden

In this book, Bolden examines the lives of trailblazing Black female computer scientists, inventors, mathematicians, and more to inspire young readers.

 

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What Color Is My World? The Lost History of African-American Inventors by Kareem Abdul-Jabbar with Raymond Obstfeld, illustrated by Ben Boos and A.G. Ford

Discover African-American inventors with basketball legend Kareem Abdul-Jabbar.

 

Classroom activity: Have students choose a Black pioneer in STEM who they would like to learn more about and research. Then, create a living museum in the classroom. Students can dress up and present to the class what they have learned about their subject from their research.

 

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The Boy Who Harnessed The Wind by William Kamkwamba and Bryan Mealer

An inspiring story about the power of books and STEM-thinking. A fourteen-year old Malawi boy who cannot attend school educates himself and learns how to build a windmill to help his village.

Classroom activity: Lead a classroom discussion about windmills. Ask students to describe a windmill and brainstorm what they are used for and how they work. Have students design and build their own windmill using common household materials such as craft sticks, glue, paper cups, string, straws, rubber bands, paper towel rolls, push pins, and more. Have students compare the finished windmills. Which design features worked the best? What design challenges did students face? How did they overcome these challenges? What changes would students make to their windmills based on what they have learned through the design process?

 

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101 Black Women in Science, Technology, Engineering, and Mathematics by L.A. Amber

Young readers will be inspired by the women included in Amber’s book who paved the way for other women of color in STEM fields from the 1800s to today.

 

Support Independent Bookstores - Visit IndieBound.orgWomen in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky

Take a peek into the lives of women who chose STEM for their life’s work, trailblazing through a field with few women.

 

Classroom activity: Have students work in pairs and choose a STEM pioneer. Each pair should research their chosen pioneer to learn about their lives and their work. Then, have the students create an interview with their subject. They can present this interview to the class with one student taking the role of interviewer and the other taking the role of the STEM subject.

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and dog. When not writing, she can often be spotted at a hockey rink for one of her kids’ games. Find her at http://www.carlamooney.com, on Facebook @carlamooneyauthor, or on Twitter @carlawrites.

STEM Tuesday — Polar Ecology– Writing Tips and Resources

 

Squeezing It In

When you spend several years researching a topic, you end up with reams and reams of phenomenal facts. How are you ever supposed to cram it all in to one short book? Well, for starters, you don’t. Instead, you get choosy about what info you use, only opting for facts that support the main point of your book, but also, you get creative with ways to squeeze information in.

Let’s take a look at how writers, illustrators, and design teams use the edges to educate. By edges, I mean all of that extra information frequently found in a nonfiction book. Information in the epitext: backmatter, front matter, cover, footnotes, sidebars. captions, etc. We nonfiction nerds have awesome options that fiction folks don’t often play with. Now, an author or an illustrator is not always in charge (many of those decisions are made on the publisher’s end), but we can be strategic in our use of epitext.

For today, let’s set the front matter and backmatter aside and focus exclusively on matter placed on the main pages of the book.

I whipped out a few books from this month’s STEMTuesday list and will share features that jumped out at me and questions I immediately had. You probably might not have all these books at your disposal, but consider doing the same with a pile of books near you.

MAPS

Lost in the Antarctic: The Doomed Voyage of the Endurance, by Tod Olson, page 80. Black and white; the title uses the word “fate” which gives an ominous connotation; the legend allows the map to convey a narrative. Questions: What information on the map is also included in the text? What information is left out of the text? Did the inclusion of the map allow the author to trim content from the text? What content is important to include in both the text and the epitext?

Ice Scientist: Careers in the Frozen Antarctic, by Sara L. Latta, page 15. Color illustration; the lack of color within the photo makes it stand out; minimal information provided on the map. Questions: Why does the caption repeat the key information with only minor additions? Does comprehension of the text rely on support from this image?

Polar Explorers for Kids: Historic Expeditions to the Arctic and Antarctic with 21 Activities, by Maxine Snowden, page 76. A two-color image; many geographical locations identified; no legend or title; use of bold and italics; located at the beginning of Part II of the book. Questions: Why is there no title or legend? Is this map being used differently than the others which support text on a single page? Do the marked locations match the timeline as follows and/or the content from upcoming chapters ?

DIAGRAMS

The Polar Bear Scientist, Peter Lourie, page 22. Colored regions overlaying a photograph; a long caption; diagram overlays another photograph. Questions: Does the content in the extra long caption offer an aside to the main text or does it directly support the main text? If browsers stop to engage with the diagram, would they be drawn into the main text, and if so, where would they start reading? The top of that page, jumping in mid-story, or would they flip back to the beginning of the section or chapter? How can I use diagrams strategically to suck readers in? Should that be a goal? When writing the text for a caption, should I aim it at the browser or the person reading the full text? What are some strategies I can find for these different approaches?

Frozen Secrets: Antarctica Revealed, Sally M. Walker, page 20. An infographic; caption is integrated into the graphic; labels clarify the components of the graphic; seems to be connected to text which is actually an extended sidebar. Question: Did the author developed the concept for that infographic or find a related image elsewhere and use it for reference? If this infographic were not included, would readers understand the text?

Polar Explorers for Kids: Historic Expeditions to the Arctic and Antarctic with 21 Activities, by Maxine Snowden, page 19. Four separate images included; black-and-white; on a page with numbered instructions. Questions: Are these illustrations sequential? If they support the instructions, why aren’t they numbered? When writing a how-to piece, how critical is it to include text to support sequential illustrations?

SIDEBARS

Frozen Secrets: Antarctica Revealed, Sally M. Walker, pages 60-61. An extended sidebar that covers a full spread; encapsulates an entire story; because it does not fall between sections of the main text, it creates a fissure in the reading experience (one paragraph is orphaned on the following page). Questions: Are there tricks a writer can use to avoid a sidebar splitting up the main text?

Where Is Antarctica? By Sarah Fabiny, pages 88-89. An extended sidebar; expository timeline; alliteration used in the title. Questions: How frequently does the writing style and or voice of the sidebar differ from that of the main text? In a single book, are the sidebars all expository, all narrative, or a mix? Does this list provide a summary of the main text, provide information not in the main text, or provide something else?

Ice Scientist: Careers in the Frozen Antarctic, by Sara L. Latta, pages 30, 58, 71. Repeated sidebars with similar content; different word lengths; each of these includes parallel information such as definition, education required, and standard income. Questions: Are standardized sidebars more frequently used in certain series? By certain publishers? How frequently is this kind of feature used in trade publications? What impact would it have if this information were provided in chart or list form instead?

Being Intentional with Info

Analyzing the features of these informational texts helps me consider how to strategically use epitext in my manuscripts. My response as a reader to different styles, lengths, and approaches gives me insight into the impact these features have. It helps me understand their effect on reader comprehension and/or enjoyment of STEM books.
What impacts do specific types and styles of these nonfiction features have on you?

 

Heather L. Montgomery finds crafty ways to cram info into captions, sidebars, and footnotes. To read riotous footnotes full of fun, facts, and fecal forensics, check out her most recent middle grade STEM book Who Gives a Poop? Surprising Science from One End to the Other.

Learn more at www.HeatherLMontgomery.com