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STEM Tuesday — Pets — Writing Tips & Resources

By on August 20, 2019   /   Common Core & NGSS, Pets, STEM Tuesday  

Using Super Senses

Most humans rely on their eyes to learn about the world; sight is our dominant sense. But as you learned last week, life is far different for our furry friends. They don’t see nearly as well as we do.

So how do dogs and cats make up for their less-than-stellar vision? They use other, supersensitive senses like smell. Did you know dogs have 40 times the number of scent cells humans do? And both dogs and cats use whiskers to make sense of their surroundings. I learned these fascinating facts from this month’s books about our beloved pets. And comparing and contrasting our senses led me to think about how authors use our senses — and sensory details — when writing.

Everything Dogs Dog Science Unleashed

 

 

 

 

 

 

 

 

Souping Up Sensory Detail

Writers have a superpower. They can magically teleport readers into a book. A good book sucks the reader into the action. It’s like being in a favorite movie or video game. How do writers perform that trick?  Sensory details.

Since humans rely on vision, our natural inclination as writers is to provide lots of details related to what we see. For example, we might write, “A pink starfish clung to the gray rock.” Pink and gray are both visual details.

Yet to truly capture a setting, we must act more like dogs and cats and employ our other senses too. What does the starfish’s ocean home smell like? If you could touch the starfish, would its skin feel lumpy or smooth or rough? What does the sea smell or taste like? Is it salty?

To help you make the shift to your other four senses when writing, try this exercise.

  1. Highlight sensory details in your work. First, pick a paragraph. Then grab a pack of highlighters or colored pens. Highlight any details you included about sights, sounds, smells, textures, and tastes. Use a different color for each sense. Do you notice a pattern? Is your writing packed with visual description? Are there senses you’ve left out entirely?
  2. Close your eyes. Imagine yourself in your setting or sitting next to your character, and think about what you might hear, smell, taste, and feel. Real writer tip: If you’re writing about a place you’ve never visited, find a video online and listen. Or, take a trip to a local museum, zoo, or aquarium to suss out smells, sounds, and even textures if you can find touch tanks or petting programs.
  3. Revise. Go back to your paragraph and add sensory details that help give your reader a fuller picture of the world you’re writing about.

This is a technique I use each and every time I revise. I hope it helps you too!

 

Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, February 2020), CECILIA PAYNE: MAKING OF A STAR (SCIENTIST), illustrated by Katherine Roy (Chronicle, Fall 2021), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.

THE O.O.L.F. FILES

This month, the Out Of Left Field (O.O.L.F.) Files provides links to learn more about pet senses and resources for fine-tuning your sense of smell and touch.

  • Learn more about dogs and their senses with the Dogs! A Science Tale app from the California Science Center.
  • Watch this video (and use the accompanying lesson) from Ted Ed to find out how dogs sniff and process smell.
  • Want to see what your dog sees? Check out this Dog Vision app.
  • Ready to work on your sense of smell? I can’t guarantee you’ll be able to pick out the individual scents in a pile of stinky trash (dogs can do this!), but you can train yourself to notice smells in your world. Try this Mystery Smells experiment from KidsHealth to help you tune in to smells all around.
  • What’s it feel like? Did you know your skin is the biggest sensory organ in your whole body? Learn to tune into your sense of touch with these fun activities from the University of Washington.
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STEM Tuesday– Pets — In the Classroom

By on August 13, 2019   /   Common Core & NGSS, Pets, STEM Tuesday  

We all love our pets, from the biggest dogs to the tiniest hamsters. They inspire and amaze us with their crazy antics and incredible abilities. In the classroom, students can delve into their interest in pets and other animals with high-interest activities that explore the science of how and why our pets behave the way they do. In this activity, students will conduct an experiment to see if dogs can tell the difference between colors.

Can Dogs See Color?
To start, learn as a class about how dogs see by reading through Inside of a Dog, Young Readers Edition: What Dogs See, Smell, and Know by Alexandra Horowitz and Dog Science Unleashed by Jodi Wheeler-Toppen.

Support Independent Bookstores - Visit IndieBound.orgInside of a Dog, Young Readers Edition: What Dogs See, Smell, and Know by Alexandra Horowitz, illustrated by Sean Vidal Edgerton
This young readers’ edition of the popular adult nonfiction book gives children a glimpse into understanding a dog’s behavior. A great book for budding animal cognition scientists and dog trainers.

 

Support Independent Bookstores - Visit IndieBound.orgDog Science Unleashed by Jodi Wheeler-Toppen
This title offers readers fun science-based activities and experiments to do with their pets based on how the animals think, move, drink, and more.

 

 

To introduce this activity, explain to students how in animals, including humans, the eye and brain work together to translate light into color. Light receptors in the eye send messages to the brain. The brain processes this information and tells us the color we see. In the human eye, there are three types of color receptors called cone cells. Cone cells detect red, blue, and greenish yellow. Together, these cone cells allow us to see the full spectrum of colors.

What about dogs? What colors, if any, can they see? Unlike humans, dogs have only two types of cone cells which detect greenish blue and yellow. Explain to students that they will perform an experiment to test a dog’s ability to see color.

Materials
• Construction paper in different colors – red, green, and blue
• Two glass jars or cups of the same size
• Tape
• Dog treats

Procedure
Because most schools do not allow pets in class, explain to students that they will be conducting fieldwork at home and then analyzing their results as a class. You may assign students to small groups so that every group has a dog for fieldwork. Explain to students the procedures that they will follow at home to conduct their fieldwork.

Fieldwork Steps
1. To begin, students will cover each jar with one color of construction paper.

2. With the dog out of the room, place the blue and red jars on the floor. Bring the dog into the room and tell him to come. When the dog comes to the blue jar, give him a treat. If he goes to the red jar, do not give him a treat. Repeat the process several times and switch the position of the jars. Continue to give the dog a treat every time he chooses the blue jar over the red jar.

3. Take the dog out of the room. Add the green jar to the red and blue jars. Call the dog into the room and tell him to come. Which jar did the dog choose? Continue to give him treats for choosing the blue jar. Repeat 10 times, moving the positions of the jars each time. How many times did the dog choose the blue jar? Record the results.

Back in the Classroom
Have students organize the results of their fieldwork. They can create graphs, charts, or other visual displays of their data. Have each group present their data and discuss their results.

To encourage classroom discussion, have students discuss the following questions:
1. Based on the data, do you think dogs can see color? Which color(s)? How do your results support your answer?
2. Did the breed of dog affect the results? Why or why not?
3. Did any other factors affect your fieldwork and results? How?
4. What other experiment could you design to test if dogs can see color?

Need more ideas for teaching middle-school students about pets and other animals? Check out these resources:

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. Find her at http://www.carlamooney.com

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Go Visual-Spatial with Maps and Middle Grade Books

By on August 9, 2019   /   For Teachers  

I came across the phrase “carto-literate” in an article last week. The author was referring to geography skills, but it made me think of all the cool map-based activities one can offer readers of middle grade books. Maps, globes, and online mapping tools maintain a strong role in the study of history, geography, science, and math; however, the great benefits of using maps as learning tools can be extended to the reading experience, as well.  If you haven’t thought about utilizing map activities for literature selections in your classroom, home school, or library, consider these awesome benefits:

  • Maps immediately call up the use of Visual-Spatial skills, and might engage readers who are not quite as Verbal-Linguistic as others.
  • Maps promote flexible, creative thinking through the use of to-scale renderings and symbols.
  • Maps directly connect to math, science, technology, and research skills, and they promote discussions on cultural topics of inclusivity and acceptance. They also encourage an understanding of history, as borders and place names change over time due to migration, conflict, and political transition.
  • Maps also inspire the imagination with the notion of travel and adventure; after all, it’s easy to envision yourself as an explorer or treasure-seeker when you have a map in hand!

These activity ideas involving maps might inspire a more fulfilling reading experience, and will promote thinking and discussion on these and other titles.

1. Using a world map, locate and mark the literary settings of books that might be new to your library or books on suggested or curricular reading lists. Settings can be approximate or specific; sometimes, while specific names of roads or towns are fictionalized, the state or region is identified—giving students just enough context to pinpoint the setting on a map. For example, these recent MG books have specific or general settings that are “mappable”:

The Bridge Home by Padma Venkatraman (Chennai, India)

Ghosts by Raina Telgemeier (Northern CA)

The Book of Boy by Catherine Gilbert Murdock (Medieval France)

Finding Langston by Lesa Cline-Ransome (Chicago, IL)

North to Benjamin by Alan Cumyn (Dawson, Yukon)

Merci Suarez Changes Gears by Meg Medina (South Florida)

2. Use Google Maps to explore a realistic, named setting and discuss plot conflicts in terms of the story’s geography. Students can zoom in on locations, study city layouts, and even “drive around” neighborhoods in Street View. For example, when reading Jewell Parker Rhodes’s Ninth Ward, students can investigate through Google Maps the geography of New Orleans, and make connections to the impact of Hurricane Katrina.

3. Pinpoint the settings of books that share a historical time period on a map, and consider the ways in which location and culture impacted the plot and characters. For example, on a map of the world, mark the literary settings of books like these that take place in the time of WWII:

Milkweed by Jerry Spinelli (Warsaw, Poland)

The War That Saved My Life by Kimberly Brubaker Bradley (London, England and vicinity)

The End of the Line by Sharon E. McKay (Amsterdam, Netherlands)

Lily’s Crossing by Patricia Reilly Giff (Rockaway, NY)

 

4. Maps can help promote comprehension and increase the emotional value of a story when used in conjunction with the travels of a character. For example, readers can use a world map to trace the journey of Ebo, a refugee from Ghana, in Illegal, a graphic novel by Eoin Colfer and Andrew Donkin and illustrated by Giovanni Rigano.

 

5. In an exploration of their own world-building skills, readers can create maps for middle grade fiction with geography context clues. For example, readers can use close reading skills, logic, and imagination to draw a map of locations in Erin Entrada Kelly’s Hello, Universe, or for works that have a fantasy or purely fictionalized setting. Many MG fantasies showcase beautiful maps of the story’s settings, like Jaleigh Johnson’s The Door to the Lost. Readers can use these already-created maps to note plot points and trace the paths of characters.

6. A start-of-the-year icebreaker I’ve tried with success involves a world map, displayed in the classroom: each student shares the location farthest from home to which he or she has traveled and pins a marker on the map. Put a literary spin on this idea, and have readers share the book title they’ve read with a setting that is farthest from home. Each student can mark the map with the book title and author. A longer project idea might involve individual student presentations of plot summaries or book reviews.

Perhaps you’ll find a map activity here that suits your reader or students! Good luck to parents, teachers, librarians, writers, and readers of MG as we all head back to the classroom this school year.

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