Posts Tagged refugee stories

Diversity in MG Lit #26 Moving and Migration April 2021

By on April 14, 2021   /   Book Lists, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, WNDMG  
Moving is a watershed experience in a young person’s life whether it is across town or across the world. Here are six recently published or soon to be published diverse books about moving and migration.
book cover Letters from CubaOne of my favorite things about historical fiction is the window into seldom studied chapters in history. Letters from Cuba by Ruth Behar is an epistolary novel about a Jewish refugee putting down roots in Cuba while working to bring the rest of her family out of Poland during the horrors of the Second World War. Twelve year old Ester narrates her new and mostly welcoming life in Cuba in letters to the sister she left behind. It is based on the author’s own family story. (Published Aug 2020. Nancy Paulson Books, PRH)
Land of Cranes by Aida Salazar is a contemporary refugee story set along the US-Mexico border. In spare and haunting verse, nine year old Betita tells the story of her family, fleeing the drug cartels of Mexico to find refuge in Los Angeles, only to fall into the hands of ICE and suffer detention and deportation. There are a few graceful line drawings to fill out the pages with the shortest poems. It’s not an easy story to read but the format encourages taking it slow and asking questions along the way. Though the narrator is on the younger end of the MG spectrum I’d recommend this one for older readers. (published Sept 2020, Scholastic Press)
book cover While I Was AwayWhen I was in in the late 70s and 80s I had a friend who, like debut author Waka T Brown, traveled to Japan to stay with grandparens regularly in order to keep his language skills and connection to his family culture fresh. I remember his complex feelings about the whole thing. Pride in his culture, love for his grandparents who seemed fiercely strict to me. But sadness at missing summer camp with his scout troop. I remember that kids teased him about his proficiency in martial arts in an era before martial arts were popular. But I also remember how impressed we all were by his fluency in Japanese and the way he drew kanji with a brush pen. I loved how While I was Away by Waka T Brown captured all the beautiful complexity of being a bicultural kid moving between Kansas and Japan and finding things to love in both places. A very promising debut.  (published Jan 2021, Quill Tree Books, HC)
The Year I Flew Away by Marie Arnold is another debut novel. This one centers on ten year old Gabrielle who has moved to New York from Haiti. She faces the usual struggles, living with relatives she doesn’t know well, learning English, navigating the usual schoolyard teasing. What makes this one stand out is a fantastical element. An encounter with a witch who offers Gabrielle the ability to assimilate by magic. Though she knows better she makes the bargain only to learn what it cost to lose her heritage. A sweet story with a satisfying conclusion. (published Feb 2021, Versify, HMH)
book cover UnsettledUnsettled by Reem Faruqi is a novel in verse about the experience of coming to America from Pakistan. One of the things I appreciated about this book is the role sports played in helping Nurah and her brother feel at home and gain new friendships. There are many reasons to support sports and the arts for children in schools, one of them is the role they play in helping our diverse student populations find common ground and things to strive for together. I was happy to see a glossary in the back along with a recipe for Aloo Kabab. (soon to be published May 2021,
You may have noticed that so far every protagonist I’ve reviewed has been female. I’ve been paying more attention to gender balance on the bookstore shelves at Annie Blooms in the last year. I’d been hoping for more than this one new book about a middle grade boy on a great life journey. However, Ahmed Aziz’s Epic Year by Nina Hamza is the only recent book on this theme I could find. (If I’ve missed a good one please mention it in the comments.) It’s a charmer though. Ahmed was a bit a slacker in his old school in Hawaii but in Minnesota, he’s challenged in ways he wasn’t before. I especially enjoyed how the author weaved in the characters thoughts about three MG classics I’ve loved all my life–Holes, Bridge to Terebithia, and From the Mixed Up Files of Mrs. Basil E. Frankweiler.
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When Hitler Stole Pink Rabbit Still Relevant

By on July 4, 2019   /   Curriculum Tie-in, For Librarians, For Parents, For Teachers  

When Hitler Stole Pink Rabbit

When beloved children’s book author Judith Kerr passed away in May at the age of 95, I’d been about two weeks into reading to my two sons her classic and still relevant middle-grade novel When Hitler Stole Pink Rabbit.

This was a seminal book for me as a child: I read it over and over again and vividly remember parts of it to this day. I had great feelings—and memories— for the book, but never particularly thought about who wrote it. When I moved to London 25 years later however, I discovered that in fact its author, Judith Kerr, is the creator of some 30 picture books. This includes one of the most classic children’s books here in England: The Tiger Who Came to Tea which I had immediately fallen in love with.

Two Sequels

In that first year we lived in London, I made another surprising discovery, at least to me: When Hitler Stole Pink Rabbit actually has two sequels—Bombs on Aunt Dainty which is more upper middle grade or possibly YA, and A Small Person Far Away, which I would also classify as YA or possibly even adult. They’re all fictionalized versions of Judith Kerr’s own story of being a refugee from Germany as Hitler came to power. 

When Hitler Stole Pink Rabbit starts when its main character, Anna, is nine, and ends when she is 11 going on 12, which is roughly my own age range when I read this book over and over again. Now an adult myself, it was fascinating to read the continuation of Anna’s life into adulthood. And in essence the three books together are a bildungsroman: the story of the artist as a young woman. But while I greatly enjoyed discovering and reading the two sequels, something held me back from re-reading When Hitler Stole Pink Rabbit as an adult. I think I was probably afraid—what if it didn’t hold up to how I remembered it? And when considering a beloved childhood book to read to my kids there is always the extra risk of them hating it, not getting what’s so great about it, or finding it BORE-ING!

When Hitler Stole Pink Rabbit Still Relevant

But the story in When Hitler Stole Pink Rabbit, which was first published in 1971 and takes place in 1933-36, seems highly relevant right now and I sensed my sons were at a good age for it —at least to try. In any case, I needn’t have worried. The two boys, ages eight and ten, were enthralled. Every night they would literally beg me to read, and read more! In fact, the book not only holds up to how I remember it, but is even deeper.

There were several occasions on reading it—and not ones that I remembered from childhood—in which I was moved to tears. And reading the chapters each night with my sons provoked great questions and discussions. The story is not only so relevant now because of the refugee crisis, but it introduces children to Hitler coming to power and to anti-semitism—as well as the idea of racism—in a forthright and age-appropriate way. It “talks up” to them in a way that both the ten-year-old and the eight-year-old could handle and appreciate.

Pink Rabbit and Writing Craft

But it’s as a writer now myself that I marveled most.

Children's Book Still Relevant Today

I can’t find the cover image I remember from childhood but I adore this one from the edition I read with my sons

Judith Kerr expertly crafted When Hitler Stole Pink Rabbit yet with the lightest of touches so it’s only now that I realize what a feat the book is.

She is telling the story of her life and her family’s experiences, but instead of it being a series of “this happened,” “and then this happened,” it is all harnessed to a cohesive story that has a beautiful narrative shape. She writes in an afterward that although she “filled in the gaps with invented detail” and was writing in the third person about a girl called Anna (because she felt that as a middle-aged English woman she was no longer the same little German girl that had fled the Nazis) she decided early on in the project “that all the important things must be true—the things that happened, how I felt about them, what we, our friends and the places we lived in were like.”

I have recently been reading many books on writer’s craft as I work on a major redrafting of my novel, and I am struck and awestruck at how Judith Kerr accomplished this. For one thing, there is an efficiency to each vignette so that no episode is random (even if it might delightfully seem that way at first) and each comes together in service of the greater story or theme—which is that Anna doesn’t feel like a refugee because as long as her family has stayed together that is her home.

For another thing, Judith Kerr has a way of mining the quiet moments for their drama and humor, while what is truly frightening or deeply upsetting (especially read through the eyes of an adult) are handled with a feather-weight dexterity so that they are not made light of but they are not so scary so as to no longer be appropriate for a children’s book. I think a lot of this comes down to her success at seeing everything through a child’s eye and staying true to that perspective. She doesn’t shy away from depressing moments, that sometimes one feels low, or that bad things happen. But through it all there’s a general positivity and the assurance of grown ups.

Overall, re-reading When Hitler Stole Pink Rabbit with my sons, I experienced both nostalgia for how I felt about it as a child, a re-ignition of my love for it, and an all-new feeling of admiration and aesthetic connection. It gave me great joy to read. I wish I could write like her! I will continue to study her novels and figure out just how she did it. Judith Kerr’s work is a huge inspiration to me and children’s literature is richer for her legacy.

 

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