Posts Tagged #middlegradefiction

New Middle-Grade Releases for November!

By on November 1, 2023   /   Articles, Book Lists, Fiction, New Releases  

By  on November 1, 2023

Autumn is upon us. Leaves are colorful. Temperatures are dropping. Daylight is shorter. Turkeys are hiding. And exciting new books are waiting to be read. Grab a cup of warm cider and curl up with a November release.

Champions of the Fox (Thieves of Shadow) by Kevin Sands. November 7, 464 pp.

Champions of the FOx - Thieves of SHadowCommanded by the magical artifact known as the Dragon’s Eye, junior con artist Callan and his friends eagerly reach the end of the epic quest that will free him from the Eye’s sinister hold. But their final task is the most challenging: sneaking into the emperor’s private island prison to rescue a man from a jail cell that has been locked tight for a hundred years. This near-impossible task strains the gang’s unique abilities to deceive everyone including the guards, the city elite, the warden, and even the evil crime boss who warns them to stay away.

As the friends plan out their last, most difficult con job, Callan questions what they’re helping the Eye to achieve. Aided by magical hints and dreams, Callan uncovers the Eye’s true desires and to his horror realizes he may be the one being conned . . . and his mistake could cost the world’s entire existence.

Duel by Jessixa Bagley. November 7, 320 pp.

duelSixth-grader Lucy is brand new to middle school. GiGi is the undisputed queen bee of eighth grade. They’ve only got one thing in common: fencing. Oh, and they’re sisters. They’ve never gotten along super well, but ever since their dad died, it seems like they’re always at each other’s throats.

When GiGi humiliates Lucy in the cafeteria on the first day of school, Lucy snaps and challenges GiGi to a duel with high stakes. If GiGi wins, Lucy promises to stay out of GiGi’s way; if Lucy wins, GiGi will stop teasing Lucy for good. But after their scene in the cafeteria, both girls are on thin ice with the principal and their mom. Lucy stopped practicing fencing after their fencer dad died and will have to get back to fighting form. And GiGi must behave perfectly or risk getting kicked off the fencing team. As the clock ticks down to the girls’ fencing bout, the anticipation grows. But will winning the duel mean fracturing their family even further?

Forsooth by Jimmy Matejek Morris. November 7, 360 pp.

Forsooth

Thirteen-year-old Calvin knows he’s destined to be a star. . . if he can just stop making embarrassing mistakes onstage like getting stuck on a single line―”Forsooth!”―during the school play. The summer after seventh grade, he’s hoping for a fresh start. All he has to do is prove himself as an actor and fix the awkwardness with his friends that started after the play.

But nothing’s going according to plan. His parents don’t understand his love of performing. His best friend is moving on without him. And he might have a crush that could change everything. Surrounded by drama on all sides, Calvin will have to go off script if he’s going to be a real friend and be true to himself.

Futureland: The Nightmare Hour by H.D. Hunter. November 7, 384 pp.

Futureland - the nightmare hourThe most spectacular theme park in the world is headed to the Big Apple. After Atlanta, Cam Walker and his family are ready to turn over a new leaf with Futureland. This is where dreams literally come true, and the Walkers are going to show the people of New York City that their park is back and better than ever.

But trouble isn’t done with the Walkers. Glitches keep happening with the park attractions. There’s a creepy carnival in town that gives Cam goosebumps. Plus, he just can’t shake the feeling that his family is being watched. And it may be his imagination, but are the people around him acting . . . stranger than usual? Can Cam get to the bottom of what’s going on before Futureland becomes a playground of terrors?

Sail Me Away Home (Show Me a Sign Trilogy, Book 3) by Ann Clare LeZotte. November 7, 304 pp.

Sail Me Away Home

As a young teacher on Martha’s Vineyard, Mary Lambert—a deaf teenager—feels restless and adrift. So when a league of missionaries invites her to travel abroad, she knows it’s a once-in-a-lifetime opportunity. Paris is home to a pioneering deaf school where she can meet its visionary instructors Jean Massieu and Laurent Clerc―and bring their methods back to America! But the endeavor comes at a cost: The missionaries’ plan to “save” deaf children is questionable. What’s more, the missionaries’ work threatens the Wampanoag and other Native peoples’ freedom and safety. Mary struggles with pursuing her own goals at the price of betraying her friends and her own values.

So begins a feverish and fraught adventure that will enrich your understanding of the deaf experience as it celebrates Deaf history, culture, and community.

Read an interview with the author, Ann Clare LeZotte, here.

Morning Sun In Wuhan by Ying Compestine. November 8, 208 pp.

Morning Sun In Wuhan

Weaving in the tastes and sounds of Wuhan, the comforting and distinctive cuisine of the historic city comes to life as the reader follows 13-year-old Mei who—through her love of cooking—makes a difference in her community.

Grieving the death of her mother and being an outcast at school, thirteen-year-old Mei finds solace in cooking and computer games. When her friend’s grandmother falls ill, Mei seeks out her father—a doctor—for help and discovers an overcrowded hospital. As the virus spreads, Mei finds herself alone in a locked-down city trying to find a way to help.

Readers can follow Mei’s tantalizing recipes and cook them at home. For more cooking fun, check here.

Billy and the Giant Adventure by Jamie Oliver. November 14, 352 pp.

Billy and the Giant Adventure

Billy and his friends know that Waterfall Woods is out of bounds. Rumors say strange things happen there and no one in their village has ventured past its walls for decades. But when they discover a secret way in, Billy and his best friends, Anna, Jimmy, and Andy, can’t resist the temptation to explore. They quickly discover that the woods are brimming with magic and inhabited by all sorts of unusual creatures, including a whole community of sprites who need the children’s help! With magical battles, a long-lost mythical city, fantastical flying machines, epic feasts, and one GIANT rescue—not to mention some mouth-watering recipes at the back—get ready for an adventure you’ll never forget!

The Cool Code 2.0: The Switch Glitch by Deidre Langeland. November 14, 224 pp.

The Cool Code

When the coding club finds that their app has a malicious user, Morgan, Zoey, and Daniel code an update to deal with a mischievous AI llama that’s guiding a not-so-popular kid named Marcus to cause chaos in the school.

Annoying little siblings, chaotic pranks, and more problems abound as they race to repair the glitchy app—and their own friendships—before the damage is irreversible.

Interested in learning more about coding? Look here and here and here.

 

The Dubious Pranks of Shaindy Goodman by Mari Lowe. November 14, 172 pp.

The Dubious Pranks of Shaindy Goodman

In their Orthodox Jewish girls’ school, Gayil is the cool kid while twelve-year-old Shaindy feels shy and awkward. When Gayil suddenly befriends Shaindy and encourages her to join in on some increasingly serious pranks, the mischief becomes malice. Shaindy sees that the pranks are only targeting certain girls. But what could they have in common? With the fear of Gayil’s anger and her own reluctance growing, Shaindy comes to the terrifying conclusion that if she can’t figure out how to stop the pranks, she could be the next target. Shaindy must discover why Gayilis is behaving badly before someone really gets hurt.

Ruptured by Joanne Rossmassler Fritz. November 14, 272 pp.

rupturedClaire’s mom and dad don’t talk to each other much anymore. And they definitely don’t laugh or dance the way they used to. Their tense stand-offs leave thirteen-year-old Claire, an only child, caught in the middle. So when the family takes their annual summer vacation, Claire sticks her nose in a book and hopes for the best. Maybe the sunshine and ocean breeze will fix what’s wrong.

But while the family is away, Claire’s mother has a ruptured brain aneurysm right after she reveals a huge secret to Claire. Though she survives the aneurysm, she seems an entirely different person. Claire has no idea if her mom meant what she said, or if she even remembers saying it. With the weight of her mom’s confession on her shoulders, Claire must navigate fear, grief, and prospects for recovery. Will her mom ever be the same? Will her parents stay together? And if the answer to either question is yes, how will Claire learn to live with what she knows?

Too Many Interesting Things Are Happening to Ethan Fairmont by Nick Brooks. November 14, 224 pp.

Ethan Fairmont

Ethan’s beloved neighborhood is full of new faces. Lifelong residents lost their homes, and new businesses replaced old favorites. At school, Ethan finds a rival in new kid Fatima, an inventor who is just as science savvy as he is. Then there’s the mysterious real estate agent with way too many questions. Not to mention extraterrestrial-obsessed Jodie and his “Aliens Are Here” club.

It’s all too much for Ethan and he begins to miss Cheese, his adorable six-eyed alien pal. Fortunately for Ethan and his friends Kareem and Juan Carlos, distraction comes in the form of a top-secret project. Cheese left a communication device under Ethan’s bed before exiting the planet. There’s just one problem: they can’t figure out how it works! As Ferrous City continues to change and eyes are everywhere, will the trio be able to keep their secret and reach Cheese, or is something evil brewing right next door?

Ink Girls by Marieke Nijcamp. November 21,  288 pp.

ink girlsEleven-year-old Cinzia is a printer’s apprentice. She adores her mentor, Mestra Aronne, for taking her in and she loves life in the raggedy workshop that smells of paper and printing, where secrets and stories are always circulating. So when Mestra Aronne is sent to prison for publishing accusations against the ruling family, Cinzia will do anything to prove that Mestra Aronne told the truth.

Elena, also eleven, is forced to stay in her rooms and garden. Her mother says it’s for her own protection but her uncle claims it’s to protect the city because Elena is not the charming, powerful noble her family wants her to be. She’s far too gullible and struggles to understand people.

When the two girls meet face-to-face, they follow a trail of clues through their golden city, learning more about their home and each other than they ever could have imagined. If one person can change the course of history, just imagine what a whole flock of them could do.

Cat Kid Comic Club: Influencers: A Graphic Novel by Dav Pilkey. November 28, 224 pp.

cat kid comicThe Cat Kid Comic Club is in crisis! After learning that one of their comics will be published, the baby frogs are filled with anxiety and doubt. How will they get their creative groove back? Will Naomi or Melvin emerge as a leader? Will Flippy convince them to finally straighten up and fly right?

For more hilarity and heart, dive into the newest graphic novel in the Cat Kid Comic Club series.

 

Six of the above selections are part of a series. Here are some prequel titles in those series that may interest you so grab another cup of cider, an apple muffin, and enjoy!

nov new releases

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Monsters, Marvels, and Middle Grade with Alysa Wishingrad

By on September 6, 2023   /   Articles, Book Lists, Fiction  
graphic showing The Verdigris Pawn and Between Monsters and Marvels book covers

 

 

 

 

 

 

 

 

I first met Alysa Wishingrad on Clubhouse. If you’re not familiar with the app, just know at one point it had become a haven for writers seeking community with like-minded scribes—however short-lived. Alysa and I would meet up with a few others and have writing sprints and I recall being so excited to one day read Between Monsters and Marvels. This middle-grade fantasy comes out on September 12, but dear friends, NetGalley has finally started to show me some love, and amongst the ARCs (advanced readers copies) that I basked in this summer, was Alysa’s lovely, second middle-grade novel. Between Monsters and Marvels blew me away.

I had the true pleasure of interviewing Alysa about this treasure of a story, her writing process, and all things Dare—the gritty main character that readers will fall in love with. Read on below.

Let’s start with some questions for the writers out there researching MG books!

Ines:

“The coarseness of our weave scratches their more refined sensibilities, but our thicker fibers make us more durable.”  When you write delicious lines like these, are they the result of revisions or do they pour out of your head during your drafting process? So much of the writing in Between Monsters and Marvels is lyrical and visual. I guess what I’m really asking is, how do you do it? What does your writing process look like?

Alysa:

Ines, thank you so much for having me, I’m so happy to be chatting with you!

I tend to say that my process is kind of sloppy because I’m not a traditional outliner, I don’t use notecards or have a big whiteboard. But there is a logic and system at work, it’s just very slow. I have to let ideas stew in the back of my head for a good long time until I can begin to see the world in my mind’s eye — I need to be able to see it like a movie. I am an acolyte of paper and pencil so as soon as I begin to get the first whiffs of an idea I start a notebook and get to jotting down ideas and questions. Lots of questions. Who are they? What do they want? Why do they want it? Why are they where they are, and what forces had to coalesce to get them there? I push myself to try to look around corners and really search for the hidden truths hiding out of sight so I can learn as much about my characters, their world, and the problems they’re facing as I can.

Then eventually the writing begins, and I start playing around to try and find the voice. That’s the key for me- once I find the voice then I can begin in earnest. On those days when I’m in the voice, words flow. But by flow, I do not mean they rush out of me. I am a pretty slow, line-level drafter, and will work out a moment until it’s just the right set piece. BUT, and this is the important part, just because a line or beat sets me up to find the rest of the scene or chapter, that doesn’t mean it ultimately stays in. I used to think being able to string together a pretty line was the key to good writing. Silly me, pretty lines are all fine and well, but they have to hit at the heart of the tale you’re weaving.

Finally, my process on both THE VERDIGRIS PAWN and BETWEEN MONSTERS AND MARVELS involved chucking either a completed (and sold) draft, or large swaths and beginning again from the blank page. I’ve done all the hard work at this point, I know the arc, the world, and my MC, so now I have the knowledge and the freedom to roll the story out the right way.

Ines:

It’s so easy to lose oneself in Between Monsters and Marvels and feel like you’re running right alongside Dare in the Must or on the shores of Barrow’s Bay. What is your favorite piece of advice for middle-grade fans who want to write stories like yours, with such deep world-building and character development?

Alysa:

That’s very nice of you, Ines! I’d say take your time! Ask lots of questions. Interrogate your choices, ask yourself why you’ve made the choices you’ve made. Don’t settle for, “that works.” Push yourself beyond your first, second, or even your third idea.

Just as it takes time to get to know a new person in your life, getting to know a character or your world, is about seeing through all the layers. I try to look at my characters from many different angles and put them through a kind of stress test. How would they respond in any given set of circumstances? And is how they respond how they’d want to? Do they understand how others perceive them? Do they like it? Do they even care? How do they want to be seen, and why is that so important to them?

It’s one thing for me to understand a character by their outward persona— how they present themselves to the world. But they truly begin to come to life when I dig to find out what lies behind the mask. What stories are they telling themselves about themselves?

As far as world-building, I say consider everything – how does the society function, what’s its history, how did it come to look the way it does now. While so much of this work might never wind up on the page, having a full and complete understanding of your world’s geography, history, belief system, etc., helps bring a place to life. And do your research, but unless you’re writing straight historical, I’d say don’t do too much so that you feel hemmed in by it.

Ines:

For the writers wishing to write in the third person, how did you manage to make us feel so very much in the head of Dare? The narrator’s voice, though third, allows us to feel Dare’s humor, her curious mind, and her perspective.

Alysa:

Third is tricky, but it’s my favorite POV to both write and read. John Gardner’s writings on psychic distance were incredibly helpful to me. The way he talks about the lens zooming in and out just made it click— there’s that visual, movie brain again.

But it was mentor texts— reading and studying how other authors have drawn us in through close third— that were my best teachers. My copies of Laurie Halse Anderson’s middle grades are marked up in a sea of yellow highlighters! The power of her observations just always makes me feel like I am living in the skin of her characters.

Fundamentally though, I think the key goes back to truly understanding your character, knowing not only what they like or don’t like, what they want or don’t want, but how they see the world. It’s really like positioning yourself behind their eyes and experiencing life as they do. I often think of that alien that controls Vince D’Onofrio’s character in the first Men In Black!

On making connections with young MG readers.

Ines:

Dare is described as wild, tough, and gritty. But she’s also very sweet and thoughtful, and I get the impression that as much as she seems to not want to belong in Barrow’s Bay, deep down she yearns for that belonging or acceptance. For example, when she vows to be more like her father, invisible, rather than be herself.

How were you hoping children would connect with Dare, how she sees herself, and her place in her world?

Alysa:

We all feel like outsiders at some point, whether we admit it or not, and we all have different coping mechanisms. Some of us do everything we can to try to fit in, squeeze ourselves into a mold that winds up stifling us. Others rebel and dare people to try and get close. But deep inside we all just want to be seen for who we are.

Dare refers to all her points and angles (her opinions, intelligence, and her innate ability to see past the illusions people weave) as her awful. And when we meet her, she fairly revels in getting a rise out of people. Then, as she begins to worry about her father, she tries to make a deal with the stars at night to save him –she promises to try to fit in, to hide her awful. But through the course of her story, she begins to understand it’s those very points and angles that made her stick out like a rose among the lilies that are her greatest strengths.

That’s what I hope readers of all ages take away from my Dare— those things we think of as our faults and foibles are our superpowers, it’s up to us to learn how to use them.

Book reccos à la Alysa!

Ines:

Can you give us a list of your favorite middle-grade books? From when you were in middle school and from today, what books have inspired you?

Alysa:

Oh yes, this is my favorite part!

Growing up some of my most favorites were: Charlotte’s Web [still can’t think of that story without wanting to cry], A Wrinkle in Time, The Phantom Tollbooth, The Borrowers, so many of the Roald Dahl stories, and The Chronicles of Prydain. But I also read a whole lot of books that I’d pull off my parent’s shelves. I’m sure 97% that what I read at the time went right over my head, but they pushed me to consider views of the world I would not otherwise have. John Updike’s Rabbit series was a favorite when I was 12. It makes little sense. What does a 12 year-old girl have in common with a man having a midlife crisis? Well, a lot it turns out. We all face a kind of existential angst at different ages.

Some of my recent faves include:

  • The Troubled Girls of Dragomire Academy by Anne Ursu
  • Freewater by Amina Luqman-Dawson
  • Hana Hsu and the Ghost Crab Nation by Sylvia Liu
  • The Skull by Jon Klassen
  • The Plentiful Darkness by Heather Kassner
  • Adia Kelbara and The Circle of Shamans by Isi Hendrix, coming out Sept 19th!

Speaking of Inspiration…

Ines:

The setting is so clearly detailed that it’s easy for any reader to dive into the pages and travel through them to get to Dare’s world. Is there a real place that inspired the fictional island of Barrow’s Bay or the mainland (The Must/City on the Pike)?

Alysa:

Barrow’s Bay was directly inspired by Jekyll and Cumberland Islands— both off the coast of Georgia. At the turn of the 20th century, they were exclusively inhabited by the very wealthiest industrialists in the country. Mackinac Island in Michigan, was also a playground for the very wealthy. But the sense of isolation and mystery was inspired by Put-in-Bay in Ohio. I have a friend who grew up there, and her stories of being iced in over the winter and that sense of wilderness absolutely fed my imagination.

City on the Pike was inspired by the countless cities in both the US and the UK that were absolutely overrun and transformed by the rapid growth of factories during the Industrial Revolution. Sadly, the Must is any one of all too many neighborhoods in the cities that were once thriving communities that were ruined by pollution and the nearly inescapable poverty borne of the inequity of the system.

 

Thank you so much for having me, Ines, it’s been such a pleasure to chat with you!

You can pre-order BETWEEN MONSTERS AND MARVELS from your favorite indie, or from mine, Oblong Books, for signed copies and some MARVELous swag  (https://www.oblongbooks.com/between-monsters-and-marvels-hardcover-signed-alysa-wishingrad)

 

About Alysa Wishingrad

Author Alysa Wishingrad

‌‌Alysa Wishingrad writes fantastical stories for young readers, tales that ask; is the truth really true? Her favorite stories are those that meld the historical with the fantastic, and that find ways to shine a light on both the things that divide and unite us all.

She is the author of Between Monsters and Marvels and The Verdigris Pawn, which was a Junior Library Guild Gold Standard Selection.

Alysa lives in the Hudson Valley with her family, two demanding rescue dogs, and a cat-shaped dog, who is either a monster or a marvel, depending on the day.

You can find her at: www.AlysaWishingrad.com

Instagram & Threads @alysawishingradwrites

BlueSky @alysawishingrad.bsky.social

Twitter @agwishingrad

((If you enjoyed this post, check out this one.))

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Agent Spotlight: Victoria Doherty-Munro of Writers House

By on June 30, 2023   /   Articles, Editor / Agent Spotlight  
Literary Agent Victoria Doherty Munro

Literary Agent Victoria Doherty Munro

 

Let’s give a warm Mixed-Up Files welcome to Victoria Doherty-Munro! Torie is a junior agent at Writers House, where she represents middle grade, young adult, and adult authors. She started at Writers House as an intern in 2010 and, after graduating from Wellesley College with a degree in English, was hired as the assistant to senior agent Daniel Lazar in 2012. She began building her own list in 2015.

What a treat it’s been for me to interview Torie and learn about her enthusiasm for good books, her preferences as an agent, and her many and varied interests, from Central Park to soccer fields!

SK: Tell us about your path to becoming an agent.

VDM: I majored in English in college (to the surprise of exactly no one, as that had always been my favorite subject in school) and had no idea what I wanted to do with that degree until the end of my sophomore year – I was in my favorite bookstore and was suddenly hit by the realization that there were people involved behind the scenes in bringing books to the world. I’d just never thought about it before, somehow! I started researching the industry and was lucky enough to get an internship at Writers House the following summer; I fell in love with both agenting and the company itself, and I sort of just…refused to leave? (Not really, but I was hired to assist senior agent Dan Lazar a few months after I graduated from college and promoted to junior agent a few years later.)   

SK: What are the best and worst parts of being an agent?

VDM: The best part is always the moment I get to tell a client that they’re going to be published! And I love the feeling I get when I’m reading a manuscript, either a new client project or a submission, and I can start to see things really coming together.

 The worst part is rejections, for sure. It really is a privilege when authors choose to submit their work to me for consideration and having to pass is never a good feeling, but I try to keep in mind that they deserve an agent who is head-over-heels in love with their work and that if that isn’t me then I’m not the right fit. And on the flip side, it’s never fun to get a rejection from an editor on a project that I’ve submitted on behalf of a client – I love those books so much, too, that getting passes can sting a little!

SK: What do you look for in a query?

VDM: An interesting premise and something that grabs my attention in the opening pages.

 SK: What are the top reasons you pass on a submission?

VDM: This is kind of hard to answer! Often there’s just something about a submission that doesn’t quite feel like a fit for me, or something that I know isn’t working but that I don’t feel I have the editorial vision to address.

 I will say, though, that recently I’ve been passing a lot due to pacing issues – either the story starts off too fast and I can’t get oriented in it or it feels like it’s taking too long to get to the heart of the plot.

SK: What do you love most about middle-grade novels?

VDM: I love that they can tackle big topics with humor and heart, in a way that makes things accessible for kids as they figure out themselves and the world around them! I also think these books can be so special because they’re often the ones that make kids into readers – one of my closest friends teaches 6th grade Language Arts and I always love hearing stories about that moment when one of her students finds *the* book that opens up the whole world of reading to them.

 SK: Which middle-grade book(s) influenced you most as a child?

VDM: How much time do you have?! I could list a million…but in the interest of brevity, I’ll say that The Mixed-Up Files of Mrs. Basil E. Frankweiler was a constant favorite (so I got a kick out of the name of this website) as were Roll of Thunder, Hear My Cry and all its sequels by Mildred D. Taylor and Ella Enchanted by Gail Carson Levine (I actually went to a book event of hers when I was in college and got her to sign my incredibly bedraggled 15-year-old copy). And my brothers and I still have several inside jokes stemming from our love of A Series of Unfortunate Events, though it’s been years since any of us have read those books.

 I was also absolutely obsessed with Running Out of Time by Margaret Peterson Haddix for years and almost lost my mind when I saw the news that she’d written a sequel! 

 SK: What are some of your favorite current middle-grade novels?

VDM: Ghost Squad by Claribel A. Ortega, Sir Callie and the Champions of Helston by Esme Symes-Smith, The Girl Who Drank the Moon by Kelly Barnhill, Front Desk by Kelly Yang, Other Words for Home by Jasmine Warga, and The Jumbies by Tracey Baptiste all come to mind! And obviously I will be reading Falling Out of Time by Margaret Peterson Haddix as soon as possible.

SK: Which genres/themes/subjects are you drawn to?

VDM: I tend to be most drawn to contemporary, speculative, and fantasy – and am really loving that horror is having a moment in middle grade right now! And I’m particularly interested in seeing projects from marginalized authors whose voices and perspectives haven’t historically been represented in publishing.

 SK: What advice do you have for authors who would like to send you a query?

VDM: I’m not sure I have any specific advice, other than…please do send me a query if you think we might be a good fit! I’m actively building my list of clients and would be thrilled to find another middle grade project (or two! or more!) to fall in love with.

 SK: What are your favorite things to do that have nothing to do with being an agent?

VDM: I love soccer (playing it sometimes, watching it always), trying new recipes, going to the theater, and finding new corners of Central Park to explore. I’m also sort of getting into baking, though I’m still in the phase where it kind of stresses me out…but I’m getting better!

SK: Please tell us a little about your agency.

VDM: Writers House was founded in 1973 with a vision for a new kind of literary agency, one that would combine a passion for managing a writer’s career with an integrated understanding of how storytelling works. With this two-pronged philosophy, Writers House has played a critical role in developing the careers of hundreds of novelists and non-fiction authors. We believe in offering our clients not only our expertise in negotiating contracts, but in contributing to all phases of the editorial and publishing processes. Our goal is to maximize the value of our clients’ work by providing hands-on editorial and marketing advice, as well as leading the way in branding, licensing, and selling film/TV, foreign, audio, dramatic and serial rights. 

SK: It’s been so great getting to know you, Torie. I’m sure a lot of our readers are going to be interested in connecting with you. Where can authors learn more about you? 

The best place right now is probably on Twitter, @toriedm! I tweet out specific #MSWL asks there and also post my to-read piles periodically so authors can get a sense of my taste.

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