Posts Tagged middle grade debut

AUTHOR INTERVIEW: Sarah Scheerger on debut OPERATION FROG EFFECT

I just read an absolutely delightful debut called OPERATION FROG EFFECT (Random House), by author Sarah Scheerger. It’s funny, sometimes sad, has a wonderfully diverse cast of characters, and even includes a graphic novel element.  The multi-POV novel traces one transformative year in the life of teacher Ms. Graham’s fifth-grade students. Because of her innovative teaching style, students learn to rely on their own ingenuity, deepen their empathy for each other, and fight for what they believe in. Their story is told through their journal entries and drawings.

As I often do, I drafted my middle-grade son to read with me, and he loved it too, so when I got the chance to interview Sarah, I included some of the questions he had for her as well.

Interview with Sarah Scheerger

The Origins of OPERATION FROG EFFECT

MUF: What inspired you to write this book?

My fourth-grade teacher, Mr. Nubling, was innovative. He took risks, he made us think, and he understood when we made mistakes. He had a “growth mindset” before that was such a popular concept. He actually had us build our own model rockets in class and shoot them off on the school fields. (This probably wouldn’t happen today, but this was the eighties.) Mr. Nubling only had four fingers on one hand. One year (not my year), a student accidentally shot off his rocket while Mr. Nubling was still securing it in place. And despite losing a digit, Mr. Nubling continued to shoot off rockets every year with his fourth graders.

When I thought of writing a middle-grade novel, my upper elementary years jumped out at me as the most memorable. My character Emily has the voice most similar to my own fifth-grade voice. I connected with her need to belong and her confusion as her friend group shifts. All the characters in this story are fictional, of course.

MUF: Why did you decide to use a multi-POV approach?

I love the way multiple points of view provide the opportunity for misunderstandings, for unreliable narrators, and for a quick moving pace. I love the use of the graphic novel component (Blake’s voice) for multiple reasons. I see how my own children gravitate toward reading graphic novels, and I wanted a way to incorporate some of that element in this story. I thought perhaps the graphic novel component might widen the potential readership. Plus. . . I love how illustrations can convey emotions. Also, I wanted to create a character who has his own unique learning style. Blake is a student who struggles with writing but loves to draw.

Teaching Tolerance

MUF: I was fascinated by the Whistler/Non-Whistler project. Is that a real teaching model?

My fourth-grade teacher, Mr. Nubling, did this experiment with our class. To be honest, my memory is fuzzy, so I’m not sure whether he did an eye color experiment or based it on gender. I only remember my feelings of injustice! I was confused and upset… and that experiment has stuck with me ever since.

When writing this book, I researched the eye color experiment. It originated with a teacher, Jane Elliot. She talked about it on “Oprah” back in the nineties. Here’s a clip. https://www.huffingtonpost.com/2015/01/02/jane-elliott-race-experiment-oprah-show_n_6396980.html

In my first version of Operation Frog Effect, I considered doing the actual “eye color experiment”. But after much thought, my editor and I decided the point would be most poignant if I selected something entirely random, like the ability to whistle. (By the way, I cannot whistle myself.)

About that Frog…

MUF: Frogs are an important symbol in many cultures – often indicating a need for transformation or cleansing, for a new perspective on life. I can’t help but wonder whether this symbolism tied into your choice of the frog as a class pet? Ms. Graham’s class had an incredibly transformative year!

You’re totally right. This was a transformative year for Ms. Graham’s class.
Sweet Kermit was an addition during my first round of edits. My editor and I were brainstorming titles and ideas for metaphors and themes. We decided that a class pet frog could bring out Blake’s nurturing/caring side, had the potential for fun complications (oops—frog on the loose!) as well as created fun cover art. (My heart melts for the frog on the cover of the book.)

The frog symbolism was important too. You’re right that frogs are an important symbol for many cultures, and my editor and I also loved the concept of making ripples. Frogs make ripples in the water, and my characters made ripples in the world. (I love the ripples on the cover too!)

Writing the Book

MUF: What is your favorite part?

I love Blake’s sections. Gina Perry did a fabulous job. I’m hopeful that his sections will reach kids in a different way than the traditional text. Interestingly, I rewrote all of Blake’s sections for the audiobook. It was a group effort—I worked together with the producer to transform the illustrations back into inner dialogue… what Blake would have been thinking as he was sketching. (This was so fun—the producer and I met for coffee and worked together!)

And the counselor in me loves the little tidbits of social-emotional learning that Ms. Graham shares with her class.

MUF: What was the hardest part of the book to write?

Oh, great question! I did find it challenging to keep track of threads and details across characters. I kept lists and charts. I wanted to give each character equal playing time, make sure they each had their own arc, their own strengths, and their own weaknesses. I wanted to be sure the voices were different enough to be distinct. I also took extra care with the representation of my diverse characters. I had seventeen different authenticity readers! Each reader shared different insights, from his/her own perspective. It was really important to both me and my editor that we take extra steps to be sure we represented each character authentically.

(Cool fact: the audiobook is narrated by nine different diverse voices. This was really important to me, and I’m so thrilled with the end result.)

MUF: How many times did you have to rewrite?

Too many to count! Let’s just say that I started this book when my daughter was born. And now
she’s four and a half!
I do love revisions, though. Once I have the skeleton of the book written, I enjoy going back and fine-tuning.

Writing Multiple POV

MUF: Multi-POV books can be a real challenge in revisions – how did you approach that challenge?

This was definitely a challenge! There were so many layers of revisions with this book. I managed this in a variety of ways, but mostly I followed these steps:
• I went through and revised threads/overall plot
• then went back through one voice at a time, looking carefully at how this specific change impacted each specific character (for example, all of Kayley’s entries, then all of Cecilia’s, etc.)
• And then… I went back through the whole manuscript from beginning to end.

These multi-layered revisions occurred many times throughout the revision process. One change in a single plot point impacted each character in his/her own unique ways. Each time I went through I found more details to change.

MUF: My son and I both had the same comps in mind as we read – BECAUSE OF MR. TERUPT by Rob Buyea, and THE LAST FIFTH GRADE OF EMERSON ELEMENTARY by Laura Shovan. Did either of those influence your writing or your choice to do multi-POV?

Perhaps on some level, the book Wonder impacted my choice to do Multi-POV. I have a huge author crush on that book. R.J. Palacio reached so many kids, and I’ve enjoyed watching how teachers have incorporated Wonder into their curriculum. Since I’m a school-based counselor, I love it when teachers find creative ways to incorporate social-emotional learning and empathy-building into their curriculum.

I think Because of Mr. Terupt and The Last Fifth Grade of Emerson Elementary are great comps too. In fact, you’ll find all these books (as well as tips about classroom activities) in the School Stories Educator’s Guide at the following link: https://images.randomhouse.com/promo_image/9780525644125_5528.pdf

Thank you for reading Operation Frog Effect! Here’s a link to the audiobook clip: https://www.penguinrandomhouse.com/books/575577/operation-frog-effect-by-sarah-scheerger/9780525644125/

OPERATION FROG EFFECT, published by Random House, will be on shelves TOMORROW, February 26, 2019.

Interview with Debut Author Leah Henderson

Today, I’m thrilled to talk to author Leah Henderson about her debut (which released today!), One Shadow on the Wall, a story inspired by a young boy she saw sitting on a beach wall while traveling in Senegal.

JA: Welcome to From the Mixed-Up Files and congratulations on your debut! I love success stories, so tell us yours. What did your journey to publication look like?

LH: My greatest success with this book isn’t just getting it published, but finally getting out of its way and letting it tell its story. A story which in every way found me—not the other way around.

After I saw that boy sitting on the wall for the briefest of seconds and jotted down what I thought his day might be like, I was shocked when my professor thought my scribblings were the beginning of a novel. I was so worried about telling this story about a boy and a place I did not know well that I was finding every excuse I could not to work on it. Don’t get me wrong, it was a story that was important to tell, but I did not want to mess up. I just knew it wasn’t my story to tell and told my professor exactly that. But what I was forgetting, and what my dad later reminded me of was that I was standing in the way of kids whose life experience was similar to that of Mor’s would be losing a possible opportunity to see themselves in a book. Growing up, I remember feeling invisible on the page and I did not want that for them, but I also remembered how hurtful harmful representation was and did not want to be the cause of any more. We have had more than enough already. So true success for me and this project came when I just let go and I realized this wasn’t about me and what I was afraid of, it was about trying to tell these kids story in the best way that I could. I put learning about them and their experiences first.

As far as book publication goes, so many people stepped in to keep me on this path. After my first professor encouraged me to start this novel, my next professor encouraged me to show him “more pages of Mor,” then when graduation day came and I thought Mor could take a bit of a rest (for a long, long time) someone else stepped onto my path and asked, “what’s going to happen to Mor?” And with her endless encouragement I finished the novel and sent it out. Although every query was met with ‘no’, one of the agents encouraged me to keep writing. Many of the other replies had mentioned their uncertainty about where a book like this might be placed in the market, but this agent focused on a hope that I continue writing. And even though I have always loved Mor and the cast of characters that fill his world, I did decide to put them away and started a new project. Then about nine months later I was at a conference with the agent who had been so encouraging and they asked to see the project again. This time their answer was different. They wanted to represent One Shadow on the Wall. Shortly after that we sent it out to a group of editors (including one who had requested it), and within the blink of an eye, Mor had found a home. Leading up to that day was a long, meandering road, but I needed to take that journey for myself and for this story.

Book jacket for One Shadow on the Wall

JA: How has living abroad (and traveling widely) changed your life?

LH: Seeing the world informs so much of who I am and how I see things. I have met some of the most fabulous and gracious people on my travels, people that have left a lasting impression of what it means to live each day with heart and thanks.

JA: What other unique settings might show up in your work because of your travels?

LH: My family lived in the Middle East for a bit and I saw and experienced so many wondrous moment that I hope to one day sprinkle in a story or two. There is also a funny story from my time in China that I would love to one day figure out, but we shall see. I really never know where my next story will come from till a character or a scene is filling my head, demanding my attention.

JA: Where are you headed next?

LH: Vietnam is high on my list, but Senegal and Mali are always calling out to my heart and head to come back to a place that truly feels like home—West Africa.

JA: What made you want to be a writer?

LH: I have always enjoyed getting lost in stories. When I was growing up and we would visit historic places and learn about the people who passed through them, I was always curious about a person’s life before and after their grand adventures. I wanted to know those stories. And sometimes I was able to find them out, but often there wasn’t much more information, so I used to wonder and create my own stories for their lives. I always wanted to know what glimpse of a possibility they saw for themselves from the beginning. Were they always brave? Did they always care? Or did something happen that profoundly changed the course of their lives? These questions often lead to even more questions, and soon I was creating my own characters and writing my own tales.

JA: Did you have a teacher, librarian, or family member who particularly encouraged you to pursue your dream?

LH: My parents have always cheered me on in anything that I have set out to do. But in terms of writing, it was something that I kept coming back to again and again. I’d always enjoyed it and one day I just said: Why not? We should always pursue the things that bring us joy. So I did. No matter the time of the day I was jotting down stories and often felt incomplete if a day went by and I hadn’t scribbled something down, even if it was only a few paragraphs.

After that, there was really no turning back. My parents have always been big on telling my brothers and me to explore any possibility, so I decided to go study the craft of writing and get an MFA. And that is really when my love of writing became so much more.

JA: What’s up next for you, Leah? Any more short stories that might turn into your next book?

LH: As far as other short stories turning into something more, a picture book idea of mine quickly morphed into my next novel. Like Mor in One Shadow on the Wall, the main character in this book had a lot more he wanted to say than a picture book could hold. It is very different from this project though it still centers around family and seeing your possibilities. Vague I know, but it’s about a boy, his love for his grandfather, and a pair of magical shoes.

JA: That sounds intriguing! I can’t wait. Thanks for joining us on The Mixed-Up Files and best of luck, Leah!!

Leah has always loved getting lost in stories. When she is not scribbling down her characters’ adventures, she is off on her own, exploring new spaces and places around the world. One Shadow on the Wall (Simon & Schuster/Atheneum) is her debut novel. Leah received her MFA in Writing from Spalding University and currently calls Washington D.C. home. You can find her on Twitter @LeahsMark or through her website at leahhendersonbooks.com.