Posts Tagged middle grade books

July 2026 New Releases

July’s New Releases happen to include several spooky, creepy tales to read around a summer campfire. None with fireworks, but lots of stories to keep you up at night. All the more reason to read with a friend. So choose a book, keep your nightlight on, and have a joyful summer.

All the Sunshine in the World  by Caroline Brooks Dubois. 368 pp. (July 28)  July 2026 New Releases

It’s been almost six months since Tolly’s sister died in a distracted driving wreck.

Tolly misses Sunny every minute of every day, but is it wrong to want a semi-normal birthday? What about a new phone, to replace the one she lost soon after the accident? Instead, she gets grieving parents and a disappointing, misspelled cake.

And so Tolly starts 8th grade without a phone in hand and without answers to the endless questions she has about her sister’s death. Why did it happen? How did it happen? Was it Tolly’s fault? She needs her old phone back to uncover the truth.

Ironically, phone-less Tolly gets put in charge of a new Luddite club at school for kids who want to avoid technology. It’s the last place she expected to find herself, but it turns out to be a powerful escape from the unrelenting guilt she feels over Sunny’s death—and it might just be the place for her to get those answers, too.

Read an interview with the author here.

Airrelle of the Maroon Witches  by Sumayyah Beck. 304 pp. (July 14)

July 2026 New ReleasesAnyone can become a witch in Missen Dessalin. If you can find the Missen, that is. Some say the whole reason it was called a “Missen” is because it was a gathering place for those who wanted to stay missin’.

Twelve-year-old Airrelle Bookman, born and raised in Missen Dessalin by two witch parents, has been waiting for magic to call to her for years now. She just has to secure her four patron animals, complete four rites, master four skills, and pass the initiation ceremony. Then she’ll be a fully confirmed maroon witch, able to fly beyond the walls of the Missen as she pleases. Just like her parents, older siblings, and best friend Hosniya.

The time for her trial finally arrives, along with familial troubles and threats to the very safety and secrecy of Missen Dessalin itself. But an ordinary girl from beyond the protected walls of Missen, one who has grown up in our own tumultuous and unenchanted world, may just be the key to Airrelle’s troubles.

Bubblegum Shoes: The Big Sleepover  by Goldy Moldavsky. 240 pp. (July 14)  July 2026 New Releases

Normally, Maya Mendoza wouldn’t be caught dead at school on a Saturday, but it happens to be the most epic night ever: Marlowe Middle’s big sleepover! The Bubblegum Shoes detective agency is taking a night off from solving cases to enjoy Battle of the Bands, all-you-can-eat candy, and limited adult supervision … or so they thought.

When the girls learn classmate and rising YouTube star Hunter Holloway is being blackmailed to drop out of the singing competition, they have to help. But what they thought would be an easy case quickly turns complicated when the Gumshoes discover an illegal pillow-fighting ring, battling Broadway divas, and counterfeit art—not to mention Hunter seems to be hiding a few secrets of his own.

Can these slumber party sleuths solve the case before the fun is over? Or will this sticky situation spell lights out for Hunter’s career and the Bubblegum Shoes’ reputation?

Read an interview with the author here.

The Doll House  by D. W. Gillespie. 288 pp. (July 28)

July 2026 New ReleasesGarrett never met his grandfather, Burke, but his mother told him the stories. Burke was an enormously successful writer, but he was also notoriously cruel, especially to his family. After he passes away suddenly, Garrett and his mother learn that his enormous fortune is theirs … if they agree to spend a week at his estate.

The house is a monument to Burke’s obsession with puppet-like dolls, and the attic is packed with cryptic notes and ancient books. It’s clear that his grandfather was up to something, but Garrett can only guess what. His fear only deepens when he finds a creepily detailed doll with ‘Marion’ written on the foot.

As the week progresses, Garrett realizes that the house isn’t what it seems. An old typewriter clicks away on its own. There are sounds in the night that come from the basement. And strangest of all is Marion, who always seems to be watching.

Fear Files: Hide and Seek  by Christopher Edge. 160 pp. (July 14)  July 2026 New Releases

Nobody knows who started the Darkive. It’s a database filled with first-hand accounts of strange, unexplained experiences. Ghosts; paranormal entities; weird anomalies. Each one holds a bank of evidence to prove the story. Are you ready to dive in?

Adam didn’t think his summer holiday could get any worse. His camping trip with his best friend, Sol, seems doomed. Too many arguments. And, now they find themselves in a strange, abandoned town, where they must take part in a game of hide-and-seek. But the rules are hard to follow. And who, or what, are they hiding from?

The Frog Princess and Peter Pan (or, Wendy Darling and the Secret Prince)  by Kim Bussing. 336 pp. (July 7)

July 2026 New ReleasesPrincess Lissie of Neverland is a very good princess: she’s quiet, practices good manners, and stays out of trouble. She has even learned to live with the pesky curse that turns her into a frog each night, dodging the false king and his scout, Peter Pan. That is, until Lissie is magically whisked to a strange house on mainland Reverie . . . with Peter Pan himself waiting at the window.

Meanwhile, Wendy Darling has a problem. All she wants is her own happy ending, but unfortunately, her father is sending her away to finishing school (even though she isn’t that bad at being “good”). And that’s all before Wendy suddenly winds up surrounded by pirates—being ordered to walk the plank.

Happily-ever-after couldn’t feel farther away. Can Lissie stay safe from Peter Pan’s clutches? And in a world of curses and magic, can Wendy find her own happy ending?

The Ginghams  by T.C. Kemper. 240 pp. (July 28)  July 2026 New Releases

When 12-year-old Joni Bird returns home from summer camp, it’s clear something strange is afoot in Olive Springs. May, her usually head-banging best friend, now wears her hair in a tight bun and calls playing the drums “unladylike.” The ice cream shop only serves vanilla ice cream. And, the neighborhood women and girls all sport big pearl earrings and crisp cotton dresses.

At the heart of it all is a creepy new family with their soulless, carnival smiles and retro fashion sense: the Ginghams. Everyone they invite to their Thursday night book club returns as dead-eyed, smiling, Gingham-approved “model citizens,” all thanks to Mr. Gingham’s lifestyle guide, The Pillars of Perfection. And, something even more sinister hides behind his basement door.

Through quick thinking and cunning, Joni and her friend Tyler set out to not only fight to get May back, but to save their whole town from forever falling under the Ginghams’ control.

Girl from the Ashes  by India Hill Brown. 224 pp. (July 7)

July 2026 New ReleasesGianna and Carter John are best friends, but they couldn’t be more different. Gianna is small for her age, gets straight A’s, and is the teacher’s favorite. Meanwhile, Carter John gets in trouble no matter what he does, just because he’s tall and his voice is loud.

One day, while working on a class project in the town library, Carter John gets in trouble yet again and reaches his breaking point. As his anger builds, a stack of books flies off the shelf, hitting the librarian.

Now everywhere he goes, strange things are happening. The smell of smoke hangs in the air. Sparks fly when Carter John gets in trouble. And he hears the voice of a young girl singing a song. A song about burning.

When fires start breaking out around town, Carter John and Gianna are determined to figure out who’s responsible. They are certain that these are no normal fires. Something terrible once happened where the town library now stands, and someone’s trying to send them a message about it.

But who are they―and why are they determined to get revenge?

The Girl Who Loved Monsters (A Devilfish Bay Book)  by Insha Fitzpatrick. 192 pp. (July 28)  July 2026 New Releases

When Charlotte Bissett discovers a creepy cool book in her school library called Liber de Monstrum, she can’t help but take it home to investigate. Horror has always brought her comfort—as long as it stays safely within the pages of a book.

That night she reads a few pages out loud before going to sleep. And the next day, some really weird start happening in the small town of Devilfish Bay. There’s snow outside for the first time in years, Charlotte’s favorite teacher is missing, and the new substitute teacher, Miss Fell, is a little strange. She just might be a werewolf!

Charlotte’s worried she made a big mistake reading from the creepy book. She knows it’s up to her to make things right—but to do so, she’ll have to recruit her friends Molly and Griffin to help. But will they even believe her? And if they do, can this new crew of kid monster hunters actually defeat a real werewolf?

The Haunting of Old Splinter  by Jack Mackay. 272 pp. (July 21)

July 2026 New ReleasesPeter and his half-brother, Adrian, live in the shadow of Old Splinter—a formerly lavish estate now in ruins. Rumored to have once housed an eccentric magician, it’s now home to little more than spiderwebs and mold. Tasked with renovating the crumbling mansion on behalf of their wealthy uncle, Peter’s stepdad is at his wits’ end. And the cracks are beginning to show in their once-happy cottage.

A mysterious local legend may be their only hope. The wishing claw, a magical hand that grants your deepest desires, has spell-bound townsfolk for centuries. If it’s real—if he can find it—then Peter might just save his family! But wishes are tricky things and they always come with a price. What starts innocently enough soon unearths much more than Peter bargained for, including a dark secret lurking in the walls of the mansion … and a monstrous hunger that comes knocking at his door.

Learn more about the author here.

Monsters of Fife: Terror Birds  by Jane Yolen. 160 pp. (July 14)  July 2026 New Releases

It’s been a quiet seven months since their encounter with the fearsome sea dragons, and Cat, Jamie, Calum, and their teacher, Mr. Harris, are nearing the end of the school term. Then Cat finds a dog collar on the beach, and that night she dreams of a huge, howling black dog.

Cat’s nan believes it is the notorious Black Dog, a mysterious creature rumored to be a portent of death. It seems the dog brings a warning of a new kind of monster that threatens the Scottish village of Anstruther.

On a reconnaissance mission, the team spots a gigantic bird—could it be related to the ancient terror birds that Jamie’s pa wrote about in his research papers?

The hunt for the terror birds is on, and Cat, Jamie, Calum, and Mr. Harris must figure out what’s going on before the next bird attack.

Read an interview with the author here.

Pumpkin Apocalypse  by M. D. Payne. 208 pp. (July 28)

July 2026 New ReleasesHalloween is a big deal in Little Pine, but newcomer Adam Gibbons doesn’t get the hype. In fact, he’s actively anti-Halloween. You would be, too, if you were deathly afraid of pumpkins! Yeah … don’t ask.

When Adam is tasked to team up with pumpkin fanatic Molly to plan Friday Night Fright Night, the middle school shut-in event before Pumpkin Fest, he’s forced to confront his greatest fear head … er … jack-o’-lantern-on.

But it soon becomes clear that there is something strange and supernatural brewing in Little Pine. Mind-controlling pumpkins are possessing people and taking over the town, and it’s up to Adam and his small group of friends to smash the infestation and save the world!

Raven, Rising  by Christine Hartman Derr. 288 pp. (July 7)  July 2026 New Releases

Raven Miller only just moved to Bear Creek Falls, but she already hates it. There’s a clique that has it out for her, a vice principal who keeps targeting her for dress code violations, and a cruel rumor going around that Raven is a witch who killed her parents. If it weren’t for her new friends Laurel and Hazel, she’d be lost.

The “witch” stuff would be easy to shrug off, but Raven does possess magical powers in the kitchen—the treats she makes can mysteriously change the lives of those who eat them. Though she doesn’t bake anymore—not since the accident that took her parents’ lives.

Then the clique’s bullying and the vice principal’s watchful eye intensifies. When the girls’ attempts to retaliate fall flat, Raven wonders if the magical sweets she used to make could whip up a justice so powerful it would set everything right. In order to find out, she’ll have to face the things she’s been avoiding. Can Raven rise above the pain of her past to secure a better future?

Remember Me, Daphne  by Celia Krampien. 320 pp. (July 14)

July 2026 New ReleasesWhen a new family moves into the creepy old house across the street, sixth-grader Flora finds her wish for a best-best friend has come true. Her new neighbor Mac is sweet and charismatic. With Mac by her side, Flora feels like the upcoming school year will be a fresh start for her—no more anxious or klutzy Flora!

But despite their new friendship, not all is perfect. Mac fits in better with their classmates than Flora ever did. Mac’s family seems to be holding back a big secret, something about a mysterious ex-best friend named Daphne who Mac won’t ever talk about. And Mac’s little brother, Danny, gives Flora the creeps. Strange things keep happening whenever he’s around.

Is Flora’s mind playing tricks? Or could it be that Mac’s house is as haunted as it looks?

Royalslinger (The Slinger Series)  by Graci Kim. 288 pp. (July 21)  July 2026 New Releases

After successfully passing the Annual Royal Slinger Trials, Aria is about to kick off her second year of training at the Royal League of Dreamslingers. All she and her bloom dragon, Rio, have to do is pass the final Fellowship exam and they’ll finally become fully-fledged Fellows.

But before training can begin, the king of Royal Hanguk cancels the exam, and instead commands Aria and the other novices to reclaim the Touch of Death—a powerful ancient relic. Stolen by Aria’s mother, no less.

If that wasn’t bad enough, Aria experiences a devastating loss and considers going to horrific lengths to cope . . . even potentially joining the freedom slingers—a rogue and dangerous faction of dreamslingers. How will Aria choose to deal with her grief? And will her decisions result in the end of the League?

Sama Crushes the Code: A Graphic Novel  by Samaira Mehta. 160 pp. (July 14)

July 2026 New ReleasesSama’s starting middle school! Maybe Tech Club will be a good place to fit in. She’s into solving problems, building clever machines, and collecting beautiful data, plus her friend Nancy has given her a cool book on coding. But everyone at Tech Club is already so good at coding—will Sama’s contributions be enough for her to be included in the Code Crusher championship?

Sama proposes a project to help a stressed-out bus driver develop a time-saving route, but the club leader thinks the coding isn’t complex enough. When Sama befriends new neighbor Zoe (who built her own hovercraft!), however, the two girls inspire each other, and soon Sama bounces back with a bunny-based board game that teaches kids how to code while having fun.

Could this game be the key to getting to the championship?

Sleepless  by Gordon Korman. 240 pp. (July 7)  July 2026 New Releases

There’s not enough time in the day. How often have Mickey, Skye, Levi, Cyrus, and Thea thought that?

Well, now they have plenty of extra time … because they no longer need to sleep.

None of them knows why this is happening to them. All they know is that they have to keep it a secret from their families and their friends. And while they keep it a secret, they can use their extra hours to become better than everyone else.

Each of them thinks they’re alone in their sleeplessness. But once they find each other, they know it can’t be just an accident. Suddenly they ask themselves:

What’s keeping them awake at night?

Sneaks  by Amy Tern. 240 pp. (July 7)

July 2026 New ReleasesValory has developed an unfortunate reputation as a thief—primarily because she steals things—though she has resolved to change her ways.

Rook is a total asparagus-eater (a.k.a. a good kid), but he likes to spy on his neighbors. Nobody’s perfect, right?

The twelve-year-olds form an unlikely alliance when they encounter suspicious behavior in an “empty” apartment across the alley from Rook’s house. While agoraphobia keeps home-schooled Rook trapped on his property, confident and street-smart Valory can roam the scene undetected. Their opposite personalities might, in fact, be key to their success.

But their amateur detective mission morphs into something more sinister when they realize the apartment next door could be connected to a recent kidnapping. When the sleuths realize they’re also being watched, the pressure is on to unmask the villain … before she snatches them, too.

Spindlewood  by Freddie Kölsch. 304 pp. (July 21)  July 2026 New Releases

Lilac Black knows the séances her uncle runs for a living aren’t real. So when she pretends to talk to a spirit to get him out of a tight spot, she expects a scolding, not a celebration. She certainly doesn’t expect an invitation to her uncles’ alma mater, the top-secret Spindlewood School of Seeing.

Irresistibly curious, Lilac decides to attend. But as the only Unseeing student at a boarding school full of Seers, she has to bluff her way through classes and act afraid of spirits everyone else can See. Making new friends, like the intriguing Emmanuelle, only complicates Lilac’s web of lies. And, as if her big deception wasn’t enough, something is very wrong on campus.

Spirits send cryptic messages warning of danger, and every ghost on the island seems drawn to a hidden door deep in the library basement. A being is waiting down there … something none of the adults dare to talk about. Lilac and her friend Emmanuelle must use all their powers―or at least their wits and courage―to save Spindlewood from a terrifying fate.

Stitch Head: The Pirate’s Eye A Graphic Novel  by Guy Bass. 144 pp. (July 21)

July 2026 New ReleasesYou haven’t truly seen the world … until you’ve seen it through a pirate’s eye. So claims Dash Flashpowder, a legendary pirate, fearless adventurer … and the original owner of Stitch Head’s pearly blue glass eye?!

When the first of Mad Professor Erasmus’ creations discovers he might be part-pirate, he’s taken aback. But soon he realizes that, perhaps, the dangers of the open ocean have been his calling all along!

With his creator seemingly having abandoned Castle Grotteskew and its 311 monsters, Stitch Head sets out with his crewmates Creature and Arabella to search for a new destiny, only to discover that old foes may still lurk in the deep!s

Join this motley group of sailors as they search for the world’s greatest treasure—a place to belong.

Thunder and Mercy  by Jennifer Robin Barr. 368 pp. (July 14)  July 2026 New Releases

It’s 1979 and twelve-year-old Theodora “Thunder” Underwood is dreading her summer vacation once again. Every year, her scientist parents disappear on far-flung scientific expeditions, leaving her with relatives who clearly don’t want her around.

But this summer, Thunder is sent to Mount Pleasant, her aunt’s historic yet crumbling old mansion outside of Philadelphia once owned by Revolutionary War traitor Benedict Arnold. When Thunder discovers a mysterious diary written by Mercy, a girl her age who lived through the American Revolution, she plunges into a mystery that involves a shadowy prowler, a hidden ring, and mysterious spies—making her summer far more exciting than she ever expected.

Transylvania County  by Jenny Howard.  321 pp. (July 21)

July 2026 New ReleasesDigby Romer never lived in one place for very long; despite his best intentions, he’s managed to get kicked out of every European boarding school his parents shipped him off to. Now, his dad has dragged him to live with his aunt and uncle in small-town USA, with hopes that a slower-paced life will finally fix Dig’s so-called “behavioral issues.”

But all is not well here in Transylvania County, even if the locals insist that the legends of cryptids and monsters lurking in the woods are nothing more than lore. On his first night in town, Dig is convinced that he spots a gigantic, fanged beast in the woods, but nobody believes him. Then the school’s PE teacher disappears, replaced by a greasy, suspicious man named Renfield. When more people begin to disappear, Dig sets off with a ragtag crew―his smarty-pants cousin, the bossy class president, and a survivalist loner―to get to the bottom of things.

 

 

Interview with Author/Illustrator Maddie Frost

Today, let’s give a hearty Mixed-Up Files welcome to Maddie Frost. An award-winning author and illustrator, Maddie has been praised as a “powerhouse creator,” making over a dozen books for kids. Her first middle-grade novel, Really Rubie, which Kirkus hailed as: “Humorous, frank, and guaranteed to reassure,” is out now from Aladdin.

Really Rubie: A Summary

Eleven-year-old Rubie Fox can’t wait to go to sleepaway camp for the first time with her best friend, Riley. She and Riley will be at Camp Pineview for an entire month, and Riley’s crush, Owen Griffon, will be across the lake at the boys’ camp. But when Riley can’t go to camp because she broke her ankle, Rubie has to go by herself. How can she survive without Riley? But camp might be more eventful, and more exciting, than Rubie ever thought, including her first-ever crush on a boy.


Q&A with Maddie Frost

MR: Welcome to the Mixed-Up Files, Maddie. Huge congrats on the publication of Really Rubie. I went to sleepaway camp as a kid, so of course I loved your book. I gobbled it up in two sittings!

MF: That’s amazing. I hope it didn’t give you any gas.

MR: Um… 🙂 

Getting Campy with Rubie

MR: Your book is based on your own experience at sleepaway camp. How is Rubie’s experience similar to yours? How is it different? Also, what are the similarities and differences between you and Rubie?

MF: The biggest difference between me and Rubie’s camp experience is that my best friend came with me. Looking back, I always sort of wondered what kind of experience I would have had if I went alone. Rubie was the product of that curiosity.

All the fears, insecurities, and discomfort Rubie goes through at camp, I felt too. It was the first time I had left home for that long, and same for Rubie. It was like being flung onto another planet (with tons of woodchips). We both realized that a whole other world exists beyond the bubble of home. Amazing, and terrifying.

Rubie and I are both emotional and anxious, and we both try to find the humor in life’s struggles. Humor has always been a coping mechanism for me, especially in art. Rubie’s diary entries and doodles reflect that too. But we’re also super aware, and we take in everything all at once. Our feelings, our friends feelings, vibes and moods, exciting moments, awkward moments, people’s energy. I think all great writing comes from being hyper-aware to life.

MR: As a follow-up, what advice would you give to 11-year-old Maddie?

MF: “Hey Maddie, it’s Maddie from the future. Listen, I know it’s rough seas out there in middle school. You’re probably feeling A LOT of things right now and it’s okay. What doesn’t make sense now will later. I promise. Oh, BTW, you turn it all into a book series. I know, right?! Keep going, you got this.

Dear Diary

MR: Really Rubie is written in diary form. What informed this stylistic decision? Did you keep diaries as a tween?

MF: Um, of course I did! I don’t know how you didn’t as a tween girl. There’s so much going on internally and you CAN’T talk to your parents about it. No way! A diary was the safest place to let my thoughts and feelings out. I’ve always wanted to try and make a middle-grade diary. My drawing style and personality lends itself well to this age group. I’m forever a tween at heart. I wrote in a diary at camp, so there was some “research” to be done before I started outlining this book.

I have always considered myself an artist first, author second. I came to writing books by illustrating them. The two art forms have operated like best friends throughout my career. They riff off of each other. What one lacks, the other makes up for. So I knew that if I wrote a middle grade novel, there 100% would be art. Ergo, a diary was the perfect format for me. Also it’s just so fun to write a stream of chaotic conscious and time travel back into my eleven-year-old brain.

Tween Friendships

MR: After Rubie’s BFF, Riley, breaks her ankle and has to withdraw from camp, Rubie is forced to navigate the experience on her own. Did something similar happen to you at Rubie’s age? Also, what were you trying to say about the nature of tween friendships?

MF: Often times, we stay “close to the pack” because we feel safe. But there isn’t much personal growth that happens when we are afraid to venture outside of our comfort zone. If I look back, my biggest personal growth happened when I was EXTREMELY uncomfortable; aka, trying anything new alone. There’s a big world out there, and when you’re a kid, it’s sooo hard to grasp that. Friendships will grow and change because you grow and change. It’s all part of your process and progress as a human. I wish what happened to Rubie happened to me much earlier in my life. I wish I had made a friend like Eliza back then, who proved that the Universe will always meet you halfway.

The Art of Creating a Graphic Novel

MR: In addition to writing the novel, you created the illustrations. What was the process like for you? Did you do both at the same time or add the illustrations later? Also, how does being an artist influence your writing—and vice-versa?

MF: I write the manuscripts for all my books before I do any art. This goes for picture books and graphic novels too. If the story stinks, it doesn’t matter how good the art is. Kind of like if the plot of a movie is horrible but the actors are award-worthy. Does not matter. The writer in me always trusts the artist in me. I never try to avoid writing something for the sake of having to draw it. Unless of course it’s something I don’t like drawing. Like large crowds, or realistic horses.

Jane of All Trades

MR: In addition to Rubie, you have written and illustrated a slew of popular picture books. What prompted your decision to write for a middle-grade audience? Did the creative process differ from your experience as a picture-book author/illustrator?

MF: I’m always craving the next challenge. The same thing happened when I went from picture books to graphic novels. I asked myself if I could do it, and then I tried. I’m not afraid of failing, so it makes the attempt super relaxed. Rubie came from a combination of that, plus being bored with the genre I had been working in for almost a decade. As artists, sometimes it feels like we need to put ourselves in a box to get more “recognized.” Like, oh this girl is a mystery writer, that guy only does THIS type of graphic novel. Ugh, it’s so suffocating as a creator to limit yourself. I don’t want to be type-casted! I want to be a Jane of all Trades, Master of all. I mean, all women are, right? Wink, wink.

Sharing the (School Visit) Love

MR: Rumor has it you enjoy doing school visits. Can you tell MUF readers more about this? 

 MF: The rumor is true. I love making it to the other side and sharing my work with readers. Authors work in a hole, we need the reward of humans engaging with us and our stories. We also have sensitive egos. It’s the best feeling when you connect with an audience.

Maddie’s “Aha!” Moment

MR: What has your path to publication been like? Smooth sailing or bumpy seas?

MF: My road to publication was an unexpected one, let’s say that. I really never thought about it when I was younger. I knew there we authors and illustrators that made books, but had no idea that it could be a career choice. I went to college for Animation because I loved cartoons. I’m a 90’s kid and grew up watching Nickelodeon in it’s prime. While I was there, I won a freelance contest to illustrate a picture book for a local hotel. It paid nothing but it was an aha moment for an alternate job path. It was everything I loved about cartoons, just in book format. After I graduated, I wanted to work at Disney. But being a New Englander, I had no idea how one does that. Do you just call up Mickey Mouse? “Yo, Mickey, you got a job for me?” (Said in Boston accent.)

So I started teaching elementary art until I couldn’t ignore the itch to make my own art any longer. I followed a few book illustrators on social media and reached out to find out how to get an agent. Long story long, I got an agent and took on small, boring book projects for babies (literally) while honing my craft, and my voice. I worked my way from the bottom up with zero training or direction. The only thing I knew I had to do was work hard. And I haven’t stopped working hard.

The Magic of Writing

MR: What is your writing and illustrating process like, Maddie? Do you have a specific routine or word-count goals? Any rituals? Also, are you a plotter or a pantser?

MF: Writing process for Rubie always takes place somewhere in the morning after my daughter goes to school.  I can’t write Rubie on anything else but my tablet (I have a laptop and computer) but it MUST be on the tablet or the magic isn’t there. So weird, I know. I think I just like the sound of my keyboard, it must make me write better. Tap, tap, tap.

For illustrating, I work in my office at all/any times of the day on my computer. I make my art in Photoshop with a Wacom and stylus pen. No specific routine, since I have a three year old. What is a routine again? And when I’m cleaning it means I’m procrastinating.

What’s Next for Maddie

MR: Really Rubie is the first in a series. Would you mind sharing a bit about what readers can expect in the books that follow?

MF: In Really Rubie book two, she turns twelve and starts sixth grade. There’s a new girl in town and also the person Riley has spent half the summer with in secret. She also happens to be super annoying. Meanwhile, Mom is acting a little *sus* and Rubie is convinced she’s dating. I don’t want to say too much, but there’s a big art scandal, a new crush, breaking and entering a classroom, more sneaking out at night, and a whole lot more awkward drama.

Lightning Round!

Yellow graphic lightning bolt

MR: Last thing: No MUF interview is complete without a lightning round, so…

Preferred writing snack? Is coffee a snack?

 Coffee or tea? Coffee because it’s a snack?

 Zombie apocalypse: Yea or nay? Live it? Nay. Write it? Yea.

Favorite camp activity? Making friendship bracelets.

Most embarrassing moment at camp? Oh no not an MEM! Okay, this is true. I took sailing at the camp Rubie is based on, and one time I capsized the boat and it completely turtled over. Like it went upside down in the water. The “Hot Ben” in my situation had to come out on a motor boat and rescue me. Mega embarrassment viiiiibes.

 Superpower? Flying

Favorite place on earth? My home. And maybe Disney World I guesssss.

 You’re stranded on a desert island, with only three items in your possession. What are they? A sketchbook, pencil, and water. What more do you need?

MR: Thank you for chatting with me, Maddie—and congratulations on the publication of Really Rubie. I thoroughly enjoyed it, and I know MUF readers will too.

MF: Thanks for having me! Happy Reading! <3 Maddie

Interview with Author/Illustrator J.C. Phillipps

Today, please join me in giving a hearty Mixed-Up welcome to author and illustrator J.C. Phillipps. Originally from Toledo, Ohio, J.C. took art lessons at the Toledo Museum of Art and went on to get degrees in art and theater from Hope College in Holland, Michigan, and Emerson College in Boston.
More recently, J. C. has been working as an artist, author, and illustrator in West Hartford, Connecticut. She has written and illustrated four published picture books as well as the graphic novel series Pacey Packer Unicorn Tracker. Her latest graphic MG novel, The Ghost in Cabin 13, has been praised by Kirkus as “A coming-of-age journey worth sharing around a campfire” and is out now from Penguin Workshop.

The Ghost in Cabin 13: A Summary

Twelve-year-old Leah is nervous to attend Camp Cottontail for the first time. She’s worried about meeting new friends, sleeping out in the woods, and being away from her family. But Leah didn’t expect to be freaked out about the ghost in Cabin 13. It’s a good thing she brought her beloved doll, Beverly, for comfort. But after getting picked on by the older girls in her cabin, participating in a séance gone wrong, and befriending—and then ditching—a possessed doll, Leah’s experience at camp goes from anxiety-ridden to straight-up spooky. Will she survive or hightail it home?

Interview with J.C. Phillips

MR: Welcome to the Mixed-Up Files, J.C! (May I call you Julie?)

JCP: Absolutely! Thank you so much for having me.

It Started with Inktober

MR: I read that the inspiration for this book came from your participation in a month-long drawing challenge called Inktober. Can you tell MUF readers more about this?

JCP: Sure. Inktober is a 31-day drawing challenge that takes place in the month of October. Each day there is a one-word prompt, like Salty or Bluff, and artists all over the world draw their interpretations and post them on their Instagram pages with the hashtag #inktober and details like the year and prompt. In 2022, one of the prompts was Uh-oh. I thought back to my childhood when my friends and I would play spooky games at slumber parties, and I drew a séance gone wrong. Four poor girls are startled by a Victorian ghost that they have accidentally summoned. I loved the memory of having fun being scared and developed that feeling into the story of The Ghost in Cabin 13.

What a Doll!

MR: Leah, the doll-toting, 12-year-old protagonist, is an extremely sympathetic character. Did you share traits with Leah at that age? Also, did you go to sleepaway camp? If so, what was your experience like? Did you encounter any ghosts? 🙂 

JCP: I absolutely shared (and still share) character traits with Leah. Leah is nervous with new people. My nightmare is a party where I only know one person. Leah wants to be part of the group but she’s afraid of being teased and rejected. I think most of us feel that way. At the end of the day, I think we all want to be around people who like us for who we are. But sometimes it’s hard to find those people, so we pretend we don’t really need them. I’m no different.

As for personal camp experience, I had a one-night sleepover camp during my Girl Scout years and I used to be a counselor for a day camp called Camp Seafaring in the Boston area. (That camp was a major influence on Book 2 in the Cabin 13 series.) I’ve never encountered a ghost, and I’m okay with that. I prefer them in fiction. 🙂

Portrait of an Artist

MR: In addition to writing the novel, you created the illustrations. What was the process like for you? Did you do both at the same time or add the illustrations later? Also, how does being an artist influence your writing and vice-versa?

JCP: I write the story first. Sometime in the first draft I might start to draw the main characters. Knowing what they look like helps me capture their voice. I probably go through two or three drafts of writing before I get serious about illustrating. And I will intentionally over-write scenes knowing that I will cut them down when I start sketching out the pages.

It’s easy to write a long conversation, but once you start to draw it, it becomes visually boring if the characters stay in the same place for too long. It’s great to be both the writer and illustrator because I can choose what I want to say visually. Maybe I want a character to respond with a scowl. Or maybe I want a panel where someone’s jaw drops open in disbelief. I can visualize those moments as I’m writing and just make myself a little illustration note in the text. I call them Notes to Future Julie because I might not draw that scene for months.

Pacey Packer, Unicorn Tracker 

MR: In addition to The Ghost in Cabin 13, you have written and illustrated the popular Pacey Packer, Unicorn Tracker series. How did your experience crafting The Ghost in Cabin 13 differ from your creation of Pacey Packer? What was similar?

JCP: The writing of both projects was similar, although I remember having more difficulty in finding the right tone for Pacey Packer Unicorn Tracker. It took me a long time to figure out how evil or silly the unicorns were going to be. But for The Ghost in Cabin 13 I knew what vibe I was going for, so I had an easier time developing that plot.

I did have a hurdle at the beginning, because in the first draft there was no summer camp. Leah and her parents went to an AirBnB with their extended family. Instead of a cabin of teen girls, Leah was being teased by her teenage cousins who made TikTok videos. But the story focused too much on the relationship between Leah and her mom and it wasn’t as very fun. I had to figure out how to get rid of Mom. Once I landed on sending Leah to summer camp, things really came together.

The biggest difference between the creation of both books was in the illustrating. Pacey Packer Unicorn Tracker has only one color, purple. The Ghost in Cabin 13 is in full-color. I’m so glad Pacey was only in purple. It was the first time I’d worked digitally and it was a lot for me to learn Photoshop, Procreate, and the fundamentals of paneled storytelling without having to deal with color theory. Now that I know how to use the digital tools, I can spend more time working on the color palette and how to use color to help with the mood and tone of the story, especially the spooky parts!

Picture Books vs. MG

MR: Besides being a middle-grade author and illustrator, you have written and illustrated several picture books. What was it like for you to take the leap to middle grade? Were there any specific challenges creating stories and illustrations for an older audience?

JCP: If anything, the jump from picture books to graphic novels was a little easier. Writing for a middle-grade audience suits my sense of humor a bit more. I can be a little more snarky. A little more myself. Picture books are shorter, but that doesn’t mean they are easier. The ideas and the execution of those ideas have to be clear and concise in picture books. In graphic novels, I have more time to explore character arcs, include a small side plot, or even develop some of the supporting characters.

In Pacey Packer Unicorn Tracker I was able to develop a comic relationship between two unicorn guards. In The Ghost in Cabin 13, I had space to give more details to the counselors and Camp Leader. I think those small details are so much fun! In picture books, I might have been able to sneak some extra details into the art, but there was never space in the text. The biggest challenges for me in creating a middle-grade horror story was staying within the boundaries of what is acceptable spooky fun for the age group without overdoing it. I want the readers to have the thrill of being scared without any nightmares.

Path to Publication

MR: Can you tell us a bit about your path to publication? Was it smooth sailing or bumpy seas?

JCP: Arg! I think, relatively speaking, it was smooth sailing, but it was a roundabout path to get there. I never planned on being an author/illustrator. I got a Bachelors Degree in Art and Theater and a Masters Degree in Theater Education. I wanted to teach college-level theater. After I had graduated from Emerson College, I got a job teaching for a K-1 classroom at an afterschool program, and every day I would read picture books to the class. This was the first time I was looking at picture books as an adult. I looked at the art and knew I could create illustrations. And I looked at the stories, similar to plays, and I knew I could write them. So I shifted my focus to creating literature for children.

I read some books on the craft and joined the Society of Children’s Book Writers and Illustrators. One day, they had an Illustrators Day in New York City. I attended workshops while agents and editors looked at my portfolio. On the Greyhound bus back to Boston, I looked at my responses (the agents and editors left cards in my portfolio) and saw that an agent was interested in me. About a year later, I had a contract for my first picture book, Wink the Ninja Who Wanted to Be Noticed.

Julie’s Writing Routine

MR: What is your writing and illustrating process like? Do you have a specific routine or word-count goals? Also, are you a plotter or a pantser?

JCP: I wish I was a plotter! I’m such a type-A person that it would make sense if I was a plotter, but no, I love to sit down with an idea and just type away and see what happens. I’m a pantser through and through.

I always compare writing with pottery. The first draft is making clay. At the end of that draft you just have a big pile of clay in front of you. Then, in revisions, you shape it, remove excess, and it starts becoming a clear story with characters, plot, theme. I usually write in the mornings when my head is clear. I don’t have word-count goals when it comes to writing. For me, the writing process is most successful when I allow myself to be organic and free-flowing.

However, illustration is completely different. I absolutely set goals for myself. Usually it’s one spread (two pages) per day. That can take 4-6 hours depending on how detailed the drawing is. I ink (in Procreate) the entire book then submit it to the editors for notes. Once the ink drawings are approved, I move onto the coloring process. Again, I have a goal of one spread per day, but sometimes I can go faster and get 3-4 pages done per day. Making a graphic novel is a marathon-type project. I have to set a pace for myself that I can maintain for a year. Sometimes it can feel long, but, all in all, I like the routine of it.

Successful Author Visits

MR: Rumor has it you enjoy doing author visits at schools. What is your secret sauce for a successful visit?

JCP: This is where my theater degree gets put to use. I trained as an actor in my undergraduate program. I do not fear a stage. I can project my voice. And I enjoy interacting with young people. When I’m creating a school visit presentation, I build in games, quizzes, and different ways I can interact with the audience. I think of it as an audience-participation show. My goal is to give a 50-minute presentation that informs and entertains, that the students can be a part of.

The Ghost in Cabin 13: What’s Next

MR: The Ghost in Cabin 13 is the first in a series. Would you mind sharing a bit about what readers can expect in the books that follow?

JCP:  Cabin 13 is an anthology series, so every book is its own individual story. Different characters. Different camp. Different ghosts/monsters. But they are all spooky and there’s always a Cabin 13. I’m not sure how much I’m allowed to say about Book 2, but here’s a clue: Arrr, mateys!

When my editor and I were discussing book 2 of the series, we debated continuing Leah’s story or expanding the world of the books beyond Camp Cottontail. I figured I could extend Leah and Beverly’s story for one more book, but it would be challenging after that. Then I started brainstorming all the fun ideas for new monsters in new camps, and that seemed a lot more exciting. Plus, after the series is built up a bit, readers can choose any book in any order, which also appealed to me. I also like the idea of having many main characters so readers can hopefully find themselves reflected in one of the books.

Merch!

MR: Last question. You have the most incredible selection of artistic merch on Redbubble, including T-shirts, mugs, notebooks, phone cases, and more. What inspired you to branch out in this way? Also, will you have merch available for The Ghost in Cabin 13?

JCP: Okay, business talk. As an artist, it’s good to have multiple revenue streams. I love making books, but sometimes I don’t have a book under contract. So, I also have art in several local galleries and gift shops. I do art fairs. I teach paint-n-sip watercolor classes for adults. I do author visits. And I upload my art to print-on-demand sites like TeePublic and Redbubble.

I started uploading work to Redbubble about ten years ago. I liked being able to print my work on bags, T-shirts, and stickers so I could sell them at my art shows. But it’s also a good way for people to find my art online. If, say, someone in Chicago who follows me on Instagram likes a painting, they could buy a print on Redbubble. Or, sometimes people tell me they like one of my Inktober drawings and ask if I’ll post it on Redbubble so they can buy a print. I’m happy to do that. Right now there are two Cabin 13 designs in my Redbubble shop, so if you wanted to check them out, you’d go to Redbubble.com and search JCPhillipps Cabin13.

Lightning Round!

MR: No MUF interview is complete without a lightning round, so…

Preferred writing snack? Pretzels.

Coffee or tea? Iced coffee.

Zombie apocalypse: Yea or nay? In fiction, Yea – all the way. I love zombies. In reality, I think the zombies would eat my brains pretty quickly. Surviving a zombie apocalypse isn’t in my skill set.

Favorite camp activity? I’d be a theater girlie: painting sets, sewing costumes, making puppets. The show must go on!

Favorite ghost story? This is a tough one. The first thing that comes to mind isn’t a ghost story, but rather a scary, creepy story and it’s Edgar Allan Poe’s The Cask of Amontillado. It’s a story about cold, calculated revenge. My favorite ghost movie is The Sixth Sense, where a little boy can see ghosts, many of whom don’t know they are ghosts. He’s scared at first, but then he learns that he can help them. Neither of these stories are for kids, although I think I read The Cask of Amontillado in high school. I love Edgar Allan Poe.

Superpower? Teleportation. I love being places, but I hate getting there. I’d love to blink my way to Paris!

Favorite place on earth? Buck Island. It’s a small uninhabited island off the coast of St. Croix. If you go on a snorkeling trip, a boating company will take you out there, you can snorkel for an hour then spend about 20 minutes on the most beautiful beach I’ve ever seen. The sand is soft and white. The water is warm. It’s so peaceful and lovely. If I need to calm down, I just take a deep breath.

MR: Thank you for chatting with me, Julie, and congratulations on the publication of The Ghost in Cabin 13! I thought it was a lot of fun, and I know readers will think so, too!

JCP: Thank you so much. What great questions! I really hope your readers enjoy The Ghost in Cabin 13.

Bio

Originally from Toledo, Ohio, J. C. Phillipps took art lessons at the Toledo Museum of Art. She went on to get degrees in art and theater from Hope College in Holland, Michigan, and Emerson College in Boston. More recently, J. C. has been working as an artist, author, and illustrator in West Hartford, Connecticut. She has written and illustrated four published picture books as well as the graphic novel series Pacey Packer Unicorn Tracker. Learn more about J.C. Phillipps on her website and follow her Instagram.

 

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest, and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on Facebook and Instagram.