Posts Tagged middle grade books

Banned Children’s Book Classics

Some of the most beloved, beautifully written, and highly awarded middle grade novels have ended up as banned children’s book classics, often for surprising reasons.

A FEW OF THE  BANNED CLASSICS

Newbery honor book Charlotte’s Web by E. B. White is about an unusual friendship between Charlotte, a spider, and Wilbur, a runt farm pig who is scheduled for slaughter. Charlotte spells out Wilbur’s redeeming qualities by weaving words into her web, then enlists the help of the farmer’s daughter, Fern, to save him. This beloved story of friendship and the power of language has been a classic for seven decades. Its opening line is one of the most powerful in literature.  ‘Where’s Papa going with that axe? ‘ said Fern to her mother as they were setting the table for breakfast.”

But a parent group in Kansas wanted the book banned from school libraries. Why?  Because it has death as a theme, and because talking animals are “unnatural “and blasphemous. Only humans can talk and write, they said. Imagine the world of children’s literature without talking animals.

When Harriet The Spy by Louis Fitzhugh was published, there had never before been a character quite like Harriet.  She really stirred things up! Harriet wants to be a writer and keeps a notebook on everyone around her, what she knows and exactly what she thinks about them. Then she loses the notebook. Her nemesis finds it, and soon everyone knows everything she said. Her task then is to take responsibility for her words and to find ways to mend friendships. The book’s challengers overlooked that part. Harriet the Spy was banned through most of the South for encouraging children to “talk back, spy on others, lie, and disrespect their parents.” It also modeled “improper behavior for a girl.” School Library Journal said, ”Harriet the Spy bursts with life.” It has sold over five million copies.

In Newbery Award winner Bridge to Terabithia, Jesse becomes best friends with Leslie, the new girl in school. Leslie drowns trying to reach Terabithia, the hideaway they have created, and Jesse struggles to deal with her loss. School Library Journal ranks this novel number ten of the all-time best books for children. But the book also ranks high on the American Library Association’s list of the most commonly challenged books in the United States.

Challengers have objected to death being part of the plot and to offensive language, including Jesse’s frequent use of the world “lord.” They’ve claimed that it promotes “secular humanism, New Age religion, occultism, and Satanism.” A Pennsylvania township removed it from 5th grade classrooms because of profanity, disrespect for adults, and an elaborate fantasy world that “might lead to confusion.”

The all-time favorite target for challenges, bans—even book-burnings—has to be Harry Potter, a series immensely popular and successful among adults and children worldwide. The New York Times  had to create a separate list for children’s books, because the Harry Potter volumes coming out were taking up a third of the spaces on the Times best-seller list.

The series has also landed on the American Library Association’s list of top 10 banned books as recently as 2019. It has been attacked for promoting Satanism and witchcraft, for including actual spells and curses, for violence, and for disrespecting family. (Should Harry have been more respectful and obedient to the abusive Dursleys?).

POETRY, TOO

Shel Silverstein’s  clever A Light in the Attic, was the first children’s book to make the NYT bestseller list. It stayed there for 182 weeks. But it was banned in a Florida school and later some other schools in Wisconsin and Texas because  some  adults thought it encouraged “disobedience, violence, suicide, Satanism and cannibalism.”

One poem that parents objected to was “How Not To Have To Dry The Dishes.” They thought it would give kids the idea of breaking the dishes to get out of assigned chores. Silverstein’s Where the Sidewalk Ends and his more serious story The Giving Tree faced similar challenges.

EVEN PICTURE BOOKS

In picture books for younger readers, the objections can be even more mystifying. Hop On Pop by Dr. Seuss has been challenged for encouraging violence against fathers! The Texas State

Board of Education banned Brown Bear, Brown Bear, What Do You See? for promotion of Marxism. When someone pointed out to them that they had confused the Brown Bear author, Bill Martin Jr.,with another Bill Martin, author of Ethical Marxism: The Categorical Imperative of Liberalism,  they withdrew the ban and said Brown Bear, Brown Bear was okay for kids.

REASON TO WORRY?

Should a father fear that a child to whom he reads Hop on Pop will attack him? No known cases. Will readers of the Harry Potter series lose their faith? Probably no more likely than that they will drop out of soccer to train for broomstick sports.  Or abandon their cell phones in favor of a personal messenger owl. Teachers, librarians, and most parents believe that reading stories encourages and expands the most positive natural qualities of children—imagination, curiosity and empathy.

ASK LIBRARIANS: THEY HAVE READ THE BOOKS

Librarians know their collections well. They are happy to help parents select books for their children that will not conflict with their particular family values and beliefs.

But book-banning groups want to decide which titles other people’s children in their communities will not be allowed to read. The number  of banned  children’s books has increased dramatically just in this last year. The main targets currently are books that focus on—or mention— such topics as slavery, racial  discrimination, gender identity, or climate change. Challengers claim that reading, knowing, and talking about these things will harm, even “traumatize” children. In some places the bans have become law, requiring libraries and librarians to comply by removing the books.

For librarians, a core principle is that free access to books and information is inseparable from freedom of speech. That means for all of us and all our kids, not just a few. Arrest librarians? Better to cherish and defend them.

Banned Books Week isn’t until the first week of October. The list will be especially long this year, though. Let’s  get an early start exercising ours and our kids’. . .

 

 

 

Judy Blume: The Author, the Legend… The MOVIE!

Judy Blume, author

Are You There God? It’s Me, Margaret was the first book I bought with my own money. Later, Judy signed it for me at a meet-and-greet at Eeyore’s, the iconic and sadly, now defunct children’s bookstore on the Upper West Side of Manhattan.

“To Melissa,” she inscribed. “Love, Judy Blume.” Yes, Judy had written “Love” in my book. This was more valuable than my collection of Bonne Bell Lip Smackers and Wacky Packages combined.

Margaret: The OG

I read Margaret obsessively, for months. Soon, my once-pristine paperback felt apart (above, left) and I retired it to my bookshelf, only to be brought out for special occasions, like birthdays, or to impress my friends. I purchased a new Margaret (this time, my mom paid for it), and when that copy fell apart, I bought another. And another. And then another…

I Must… I Must… I Must Increase My…

As a voracious reader with an underdeveloped body and an overactive imagination, Are You There God? It’s Me, Margaret—which was published in 1970, when books weren’t banned for using words like “menstruation,” “masturbation,” and “wet dreams”—had an enormous impact on me. I could relate to Margaret’s yearning for breasts, and for her period, and for her desire to impress the girls in Nancy Wheeler’s secret club, the Four PTS’s. And who could begrudge Margaret’s crush on Philip Leroy? Sure, Jay Hassler was nicer, and he had clean fingernails, but Philip Leroy was hot.

Margaret Simon, Movie Star

With that in mind, you can imagine my reluctance to see the movie version of Margaret. I knew it couldn’t possibly be as good as the book, but I was too curious not to go. Plus, my 23-year-old daughter, an avid Margaret fan too, gamely agreed to go with me. So, off we went.

I was grateful to see how closely the movie hewed to the book, especially its 1970s setting, updated and enhanced by a more inclusive and diverse cast. Abby Ryder Fortson, the 15-year-old star, brings Margaret to life, with a perfect combination of moxie and self-reflection, and Kathy Bates, whose incomparable comic timing makes Margaret’s grandma, Sylvia Simon, sparkle like a Swarovski crystal, gives a standout performance as well. Other notables include Elle Graham as alpha girl Nancy Wheeler; Isol Young, as the misunderstood Laura Danker; and Amari Alexis Price as Margaret’s effervescent pal, Janie.

But the best part of the movie…?

The cameo of Judy Blume walking her dog, along with real-life husband, George Cooper. I could have watched that all day. 😀 (For more on Melissa’s admiration for Judy Blume, check Are You There Judy? It’s Me Melissa.)

Kidlit Authors ❤️ Judy Blume

I asked MUF contributors and other children’s authors—including bestselling author and illustrator Debbie Ridpath Ohi, who illustrated the fabulous Simon & Schuster Judy Blume book-cover reissues (see above, and below)—to share their admiration for the Queen of Kidlit.  Here’s what they had to say…

Debbie Ridpath Ohi

“While I was growing up, reading Are You There God? It’s Me, Margaret helped me realize that I wasn’t the only one thinking these crazy thoughts, and that everything was going to be okay.”

Debbie Ridpath Ohi, illustrator of the Simon & Schuster Judy Blume book-cover reissues and award-winning author and illustrator. Learn more about Debbie on her website and follow her on Twitter and Instagram.

(For more on Debbie’s experience illustrating the Judy Blume cover reissues, click here.)

Beth McMullen

“I saw the movie with a group of friends, and we agreed it felt like a surreal trippy visit to the 1970s that felt faithful to the book. I had completely forgotten about the religious exploration part of the book, which reminded me how much that resonated with my young self. I grew up in a very small, very Christian town and I was a weirdo transplant from New York City who was raised in a non-religious household.

Looking back now, I release how strange it was to identify as ‘not’ something, rather than as something, and how often I was called upon to defend my lack of religious affiliation in this community. Most middle-grade authors I’ve met have, at some point, felt like they were on the outside looking in, and this was certainly my experience around religion when I was young.”

–Beth McMullen, MUF member and author of the Mrs. Smith’s Spy School for Girls series,  Lola Benko: Treasure Hunter series, Secret of the Storm series, and others. Find Beth on LinkTree and check out the Writers with Wrinkles podcast, which she co-hosts with MUF member Lisa Schmid.

Tonya Duncan Ellis

“Judy Blume was like that Big Sis who knew everyone’s secrets. I’ve read all of her books for tweens and teens, and they definitely influenced me as I wrote The Snitch and other books in my Sophie Washington series. Beloved characters like Fudge, Margaret, and Sheila the Great stay with me as an adult and played a huge role in making me a reader and book lover!”

Tonya Duncan Ellis, author of the Sophie Washington series. Learn more about Tonya on her website and follow her on Twitter and Instagram.

Chris Baron

“Like most kidlit writers, when I hear the name Judy Blume–I smile. I also think of Blubber, and the sharp white curves of the lettering on the cover. I watched that book spin on the fifth-grade book carousel while Mrs. Goldberg taught us math problems. I wanted to read it but was told the subject matter was a little ‘too much’ for me. But one day, I tucked it beneath The Lion The Witch and the Wardrobe. I Immediately identified with Linda [aka ‘Blubber,’ the character bullied for her weight] for her demeanor and size, and the truthful and brave way Blume wrote this story. I felt like it had been written for me.

Whenever I read any of Judy Blume’s books, I still feel connected to Blubber. In my deepest writerly dreams, I hope that I can write books like this–with honest, memorable characters whose focused and relational stories are as intimate as a Sunday afternoon with friends, and as universal as the questions they make us ask about ourselves.”

Chris Baron, author of All of Me, The Magical Imperfect, and The Gray (out 6/13). Visit Chris on his website and follow him on Twitter and Instagram.

Heather Murphy Capps

“I can’t understate the influence Judy Blume had on my life as a young person. My BFF in grades 3-7 was Michelle, and we read Are You There God? It’s Me Margaret together– multiple times. Feeling deeply connected with Margaret’s narrative, we helped each other figure out how to use maxi pads, monitored our (seemingly slow-motion) progression toward puberty, and cheered each other on as we checked off those all-important development milestones. (“We must, we must, we must increase our bust!”) I think Margaret contributed to the foundation of that friendship, which was a fundamentally important part of my life during those years. (Sadly, we lost touch.)

As a writer, Judy Blume’s work serves as mentor text—a running tutorial every time I craft or edit character arc and emotional resonance. Blume’s work is timeless, and her influence on the MG space is one I will always appreciate, honor, and hope to emulate.”

Heather Murphy Capps, MUF member and debut author of Indigo and Ida. Learn more about Heather on her website and follow her on Twitter and Instagram.

Sally J. Pla

“I just finished watching the Judy Blume documentary (I loved it, of course). What moved me most was when Judy got choked up and cried, remembering one word in one book: The F word. It appears once, at a critical moment, in Here’s to You, Rachel Robinson. Her editor told her it would cause banning, but he supported whatever decision she made about leaving it in or taking it out. Judy resolved not to take it out. Because censoring herself wouldn’t be true to the story, true to the character, true to her readers or herself. And in recalling this decision, she broke down in tears. Those tears moved me so much. Such a small thing: one word. Such a big, important thing: artistic integrity. This loyalty to her vision, and to her readers’ real lives, will always stay with me.”
–Sally J. Pla, author of The Someday Birds; Stanley Will (Probably) Be Fine, and the forthcoming The Fire, the Water, and Maudie McGee; creator/editor of A Novel Mind. Find  Sally on Linktree.

Mae Respicio

“Judy Blume’s books took me through girlhood with glimpses of love, friendship, and periods… Are You There God? It’s Me, Margaret was such a heart book for me that I was specifically asked by my beloved elementary-school librarian, Mr. Reilly, to take a break from checking it out so that other kids could have a chance to read it. And as a middle-grade author who writes about everyday kids in their everyday worlds, her books were one of my very first inspirations.”
Mae Respicio, author of How to Win a Slime War, Any Day with You, and The House That Lou Built. Learn more about Mae on her website, and follow her on Twitter and Instagram.

Carol Weston

“So many girls identify with Margaret. Me, I identified with Judy. My first book was Girltalk: All the Stuff Your Sister Never Told You, and Newsweek once called me a “Teen Dear Abby.” But I didn’t want to be Dear Abby, I wanted to be Judy Blume. I wanted to write fiction. I was over 40 when I finally made the leap.Did it help that I heard Judy speak at Marymount College? I think so. Her beloved father, like mine, had died too young, and she choked up talking about her grief. Getting rejections was hard too, but she persevered. She was so real and so radiant. So generous. I was starstruck. Still am.

I love the new movie, of course, and also the new documentary. Judy said she went to a therapist because it was such a responsibility to recieve so much mail from girls. I’ve been an advice columnist at Girls’ Life since 1994 and have sometimes felt buried in letters. I appreciated Judy’s therapist’s advice: “You can’t save everyone.” True. But I love that Judy hasn’t given up on trying. I’m a fan. Forever!”
–Carol Weston, author of Speed of Life, Girltalk, the Ava and Pip series, and more. Learn more about Carol on her website and follow her on Twitter and Instagram.

Mindy Alyse Weiss

“I remember how much I LOVED Are You There God? It’s Me, Margaret, and how relatable yet shocking it was, in the best possible way. Judy really changed kidlit! The novel that made the biggest impact on me as a kid was Tales of a Fourth Grade Nothing. Later, while getting my degree in elementary education, I saw the magic of reading it aloud—and of course I read it to my daughters. My oldest was in kindergarten, the youngest in preschool, and they sat, mesmerized, begging me to read another chapter or two before stopping for the night.”

–Mindy Alyse Weiss, Mixed-Up Files contributor, MG author, and host of #PBParty and co-host of #PBFest. Learn more about Mindy on her website and follow her on Twitter and Instagram.

Faran Fagen

“I enjoyed reading Judy Blume’s book growing up, because I felt like she spoke to me. I actually met her in Key West, at her bookstore. She was so nice, and took a whole bunch of pictures with me and then signed her new book, which I bought for my wife. As far as the documentary, I couldn’t stop watching it, and I plan to watch it again. The most striking takeaway was that no matter how famous she got, or how much her life changed, Judy always took the time to connect with children—her readers—and put them first.”

Faran Fagen, Mixed-Up Files contributor, teacher, journalist and MG author. Find Faran on Facebook and Twitter.

Kellye Crocker

“Judy Blume has had a tremendous impact on me, both as a lifelong reader and writer. She told the truth to young people. That’s powerful and an incredible gift. Many of novels I read as a kid painted a false, saccharine picture of what life was supposed to look like, so I distinctly remember the shock I felt at reading Are You There God? It’s Me, Margaret. Here were girls like me, worrying about periods, boys, fitting in, and existential questions like: ‘Does God exist?’ and ‘Will I ever need a bra?’ (My mom refused to take me shopping for one until a boy in my fifth-grade class drew a picture of me with two dots on my chest. Deeply mortifying! But I’m…fine… Really! Um…I mean, mostly.)

Judy Blume’s books are funny and entertaining, and I devoured them all. But they were so much more. Validating. Informative. It was as if Judy showed us a secret world that other adults pretended didn’t exist—like what happens to boys during puberty. (No one told me!) I still remember someone’s well-loved copy of Forever being passed around the middle-school bus—with certain passages marked, of course. (They didn’t tell me about that, either!)

Judy was one of the first authors to write truly realistic fiction for and about young people, and she paved the way for other authors, and for me. She’s also fought tirelessly against censorship and the folks who believe they have the right to decide what other people’s kids should read. Judy Blume is a national treasure!”

–Kellye Crocker, debut author of My Dad’s Girlfriend and Other Anxieties. Learn more about Kellye on her website and follow her on Twitter and Instagram.

Wendy McLeod Macknight

“I was in grade six—small for my age and two years away from getting my period—when I heard rumblings about a BOOK. And not just any book, a book written by a female author who KNEW what it meant to be twelve years old and feeling less than. Are You There God, It’s Me, Margaret was being passed from girl to girl like a sacred text, but I couldn’t wait: I used my savings to buy my own copy and devoured it in one sitting. Then promptly reread it. It was the first book I’d ever read that addressed the inner lives of young girls. Judy Blume got us. She KNEW. She UNDERSTOOD. We were no longer alone.

She became my patron saint, her work a beacon of safety and understanding as I navigated the choppy seas of middle school. I’m not sure Judy Blume made me want to be a writer, but I do know this: Judy Blume made me believe things would be okay. And honestly? That was everything.”

Wendy McLeod MacKnight, author of The Frame-Up, The Copycat, and It’s a Mystery, Pig Face! Follow Wendy on Twitter, Facebook, and Instagram.

Rosanne Parry

“I saw a preview of the movie a few weeks ago, and I was really touched by it. I was happily surprised to see that they kept the early Seventies setting. Even nicer to see all the glory and agony of girl friendships played out so beautifully, without cellphones, cyber bullying, or the continuous drumbeat of gun menace that children face today.”

Rosanne Parry, Mixed-Up Files contributor and New York Times bestselling author of A Wolf Called Wander, A Whale of the Wild, and the upcoming A Horse Named Sky. Learn more about Rosanne via her website and follow her on Twitter and Instagram.

WNDMG Wednesday – Author Interview with Doan Phuong Nguyen

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around

Illustration by: Aixa Perez-Prado

Interview with Doan Phuong Nguyen

on her middle grade debut, Mèo and Bé

I was so excited to interview the author of middle grade novel, Mèo and Bé, releasing on May 25, 2023. One look at the description and I was hooked. This book is sure to become a childhood favorite that will live in hearts for years to come. Read my interview with Doan Phuong Nguyen to learn more about this beautiful and gripping story and the woman who wrote it.

Author Doan Phuong in blue princess dress and crownBook cover girl and cat under a tree

Let’s Talk Inspiration

Ines: Doan Phuong, the description of this story alone tells me that readers will be in for an emotional ride, one that will tug at all the heartstrings. Can you tell us how the inspiration for this story came to you?

Doan Phuong: Mèo and Bé is definitely an emotional ride and it definitely tugs at my own heartstrings. It was hard writing such difficult scenes because I wanted to protect Bé from the horrors of war, but alas, she had to go through the hard scenes to find a happy, hopeful ending! There were so many tears as I wrote this, and I hope readers will feel the same.

This novel was inspired by my adopted aunt’s childhood. She was abused and mistreated by her stepmother as a young child, and also abandoned by her biological mom. Fortunately, she was able to find a happy family when my paternal grandmother adopted her. But the seed of my aunt’s painful childhood tugged at me, and I knew there had to be a story in there. As I started writing, my aunt’s story became greatly fictionalized, but the emotion of being left behind was still there. My father and my Vietnamese grandparents (when they were still alive) have told me many stories of life during the Vietnam War, and I wanted to write a novel that told a mostly unwritten perspective from the war – of what regular life might have looked like for some people, and some of the horrors that children may have experienced during the war.

Many of the settings in this novel—from Bé’s home to the city where she ends—are based on my own family history, my grandparents’ home, and the city where I grew up in Vietnam. I hope all of these elements will make this novel feel more real to my readers.

What Conversations Do You Hope to Spark?

Ines: One of the first thoughts that came to my mind while reading the description for Mèo and Bé is how I could see this beautiful story as a classroom read. Can middle-grade students expect school visits from you? What conversations are you hoping your historical fiction will spark?

Doan Phuong: I would absolutely love to be read in classrooms everywhere. Mèo and Bé is a novel that speaks to the atrocities of war, but also one of hope. When students learn about the Vietnam War in schools, we don’t hear very much about what life was like during the war, the fear of the unknown, the worry that the fighting could destroy your village and the worry that your life could be in danger.

At school visits, I’d love to speak about the Vietnam War, but I would also love to introduce more about Vietnamese culture and the country itself, what it was like growing up, what it’s like visiting today.

In my novel, I share a few Vietnamese folktales in the narrative (such as The Legend of Mai An Tiêm—how watermelons came to Vietnam, and the story of Chú Cuội, the man on the moon). I’d love to share more of these fairy tales to school audiences because they are so unique and not often known outside of the Vietnamese community.

I also have an MFA in Writing for Children and Young Adults from the Vermont College of Fine Arts, and I would love to inspire children to write their own stories one day. When I was in school, I loved when authors visited. They inspired me so much to be an author one day, and I hope I can inspire children to reach for their dreams.

Furry Friends Are The Best Friends

Ines: Mèo is a powerful character. A real support animal if ever there was one. Was Mèo’s character always a part of the story, or did he develop as the story unfolded in your drafts?

Doan Phuong: Mèo’s evolution has been so interesting! In the early drafts, Mèo was such a tiny part of the story. He was there, but not that big of a character. Some critique partners wanted me to kill him because it wasn’t realistic that he’d survive through some of the events of the book, but then my literary agent thought he should be a larger part of the narrative. (He doesn’t die—don’t worry!) So, I revised the novel and Mèo became this sweet support animal/best friend to Bé, who supported her and helped her throughout the novel. He is a big part of how Bé survives and finds a hopeful ending! My editor asked me to revise the novel further, and we also get to meet Mèo’s siblings and his mother at the beginning of the novel.

This novel discusses a lot of hard, difficult topics that aren’t middle-grade friendly (such as sex slavery, domestic abuse, parental abandonment), but I didn’t want it to be a YA. When I was rejected in the past, some of the critiques were that this wasn’t a children’s novel. However, my editor and I worked very hard to make this novel very child-friendly, and I think Mèo is one of the reasons that it has succeeded in becoming an upper middle grade book. The tough, violent scenes also happen off screen, and we worked hard to soften the narrative to make it more palpable to younger audiences. However, because of the topics that are touched upon, this novel is best suited for ages 11 and up.

We Love Tropes

Ines: A quick Google search tells us that the found family trope is very popular in books for teens and older readers, but making familial bonds with friends at the middle-grade level is equally as important, if not more. According to the Yale-New Haven Teacher’s Institute, “[middle school students] are just beginning to be able to see themselves from an outside perspective. Making community connections are critical at this age.” Was it always your intention to incorporate this concept into the story? Or, did the found family aspect develop as you realized it was something that Bé needed?

Doan Phuong: I have always loved the idea of found family. For me personally, when my family immigrated to America from Vietnam, I lost my extended family members (my grandparents, aunts and uncles, and cousins all stayed behind) and these family members had been so important to me in my earlier childhood years. However, in America, we were able to find family friends who bridged this gap. I was fortunate enough to have two American grandmothers and uncle (who had started as family friends, but our love for one another grew so they became my extended family.) So this idea of found family is very personal to me.

In this novel, Bé loses her biological family, but she gains an assortment of found family members. The women in the underground bunker, where she’s kept after she’s sold, protect her and become a village of loving mother and auntie figures. She also gains a new sister, and later a new adoptive mother.

To me, I wanted my readers to know that you can find found family anywhere. You just have to look and love people.

Tell Us Your Favorites

Ines: I truly believe this story will live in readers’ hearts long after they close the back cover. Are there any books or authors that left you feeling that way, effectually inspiring this gripping story of your own?

Doan Phuong: Thank you! I hope so too! I love so many amazing middle grade novelists. I love Jacqueline Woodson’s Brown Girl Dreaming (2014). That was the first novel that I read that was based on real events, and it inspired me to use my own family history for future novels. I also loved Thanhha Lai’s Inside Out and Back Again (2011), which touches on events in Vietnam after the fall of Saigon in 1975. Thanhha Lai’s work inspired me to write my own Vietnamese stories.

About Mèo and Bé

Eleven-year-old Bé hasn’t spoken a word since her mother left. She hangs on to the hope that one day they will be reunited, but after two years of waiting, it’s becoming more difficult. Her father–who is now frail and helpless after a stroke–can do little to protect her from her stepmother, Big Mother, who treats Bé like an animal and a servant. Thankfully, Bé has a secret friend, her little kitten Mèo, to comfort her in the worst of times. Maybe if she just steers clear of Big Mother and is obedient, everything will be okay.

Unfortunately, Big Mother has other plans. She accuses her of stealing, and Bé is drugged and sold. When she wakes up, she finds herself in a locked underground bunker being held captive with a group of young women. Bé is too young to understand why they’re prisoners, but at least she still has Mèo! He was hiding in her shirt when she was taken. As weeks pass, Bé makes a friend her own age, Ngân, even without speaking, and Mèo becomes a solace for the women–being available for cuddles and catching the mice that annoy them.

Suddenly, a violent uprising enables the imprisoned women and girls to escape, only to realize the wider world of war is just as dangerous. Can Bé and Mèo, and their newfound friend, Ngân, find their way to a safe place they can call home–even though the world is literally exploding all around them?

Pre-Order Links:

Lee and Low, Amazon, Barnes & Noble, Bookshop, Indiebound, Mainstreet Books, Parnassus Books

More About Doan Phuong Nguyen

Doan Phuong in blue dress seated in grassy field

 

Doan Phuong Nguyen was born in Vietnam and immigrated to the United States when she was in elementary school. After growing up in the South, she settled in the Midwest. Doan Phuong loves anything pink and cute but enjoys writing incredibly sad, emotionally evocative novels. She received her MFA in Creative Writing for Children and Young Adults from Vermont College of Fine Arts. This is her first middle grade novel. Find her at doanphuong.com and on Instagram and TikTok @doanphuongwrites. Visit her website doanphuong.com.

 

((If you enjoyed this interview with Doan Phuong, you’ll love this interview of author K. Ibura.))