Posts Tagged Giveaways

STEM Tuesday– Celebrating Diversity in STEM– Interview with author Tonya Bolden

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Tonya Bolden , author of Changing the Equation: 50+ Black Women in STEM. This game changing compilation profiles more than fifty women whose significant contributions to science often go unsung. School and Library Journal writes, “Bolden, a master of the collective biography, presents an impeccably-researched call to action, imploring black girls to fight the racial and gender imbalance that plagues the STEM field.”

One of the things that impressed me about our guest author is her passion for children and willingness to light the way for future generations. Her work breathes life into nonfiction subjects, providing young people (and the adults in their lives) with vivid examples to follow. In 2016, Tonya received the Nonfiction Award for Body of Work from the Children’s Book Guild of Washington, DC. for significantly contributing to the quality of nonfiction for children. I am frequently quoted for advocating we provide positive, uplifting books for young people of color. Tonya Bolden is an outstanding example of that in practice. Many of today’s diverse writers, including myself, walk along the path she blazed.

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Christine Taylor-Butler: Tonya, with more than 40 publishing credits to your name you’ve had an amazing career in children’s literature. You once said you were surrounded by books as a child.

Tonya: I did. My parents didn’t complete their education but they had ambitions for me and my sister. They raised us to reach high. To dream big. We didn’t have a lot of money but they knew the value education would play in our lives and made sure we were surrounded by books.

CTB: Was there a particular book that stood out to you as a child?

Tonya Bolden: Yes. The Borrowers, by Mary Norton is one that comes to mind. It’s about little people who secretly live in a house and borrowed things they needed from the owners. There was just something magical about the story and it resonated.

CTB: You were originally uninterested in writing history or nonfiction, or even writing books for children. And yet you are known for writing insightful works in this genre. What changed your mind?

Tonya: While reviewing books for Black Enterprise, I realized that history could be told with passion and heart. If you added soul, nuance, texture and complexity those books could be as fascinating as fiction. I realized there was nothing wrong with history. What had been wrong was how it had been taught when I was a kid.

“I find that historical figures are more fascinating than things people conjure up.”Tonya Bolden, Indian Express

CTB: In various interviews you  talk about writing for children who don’t otherwise see themselves in literature. Who aren’t shown as belonging in the world. 

Tonya: Yes. I wondered, where are the books for children who are aspirational? The kids who want to travel? I wanted to say – especially to girls – so much is possible! A lot of children don’t dream big. After I wrote And Not Afraid to Dare: The Stories of Ten African American Women, that’s when I found my passion for writing for children.

CTB: You hold a Bachelors degree from Princeton and a Master’s degree from Columbia. It might surprise people to know that both degrees are not in history or literature, but in Slavic Languages and Literatures with an emphasis on Russian.  I’ve been advocating for children to learn more than one language. My daughters, for instance, studied Latin, Italian and Japanese. But there is often push back, especially in urban communities. Where did your interest come from?

Tonya: I was 17 when I made that decision. In high school, I fell in love with works by Anton Chekov. It might have had something to do with the fact that I grew up during the Cold War. I’ve always loved languages. I was the first in my family to go to college. Back then, there wasn’t as much pressure on young people because of college costs. You could dabble and follow your bliss. My parents didn’t pressure me to follow a certain career. Their philosophy was “Do whatever you want, but find a way to make a living at it.”

It’s so much harder today for young people to explore their interests in the same way. The stakes are higher because of the high cost of education. But it’s still important for young people to learn languages outside of their own culture and learn about the broader world around them.

Changing The EquationCTB: Your book, Changing the Equation: 50+ US Black Women in STEM is such an important addition to children’s literature. You cover an enormous amount of information. What did the research process look like? Were you able to speak with any of the women you included?

Tonya: It started when I wrote Pathfinders: The Journeys of 16 Extraordinary Black Souls. My research included a profile of Katherine Johnson. Most people know her as one of the original “Hidden Figures.”  After I wrote that profile I was curious to know more about black women in STEM so my research grew out of that curiosity.

PathfindersThere’s a saying, “When a student is ready the ‘teacher appears’.” I read newspapers, books, oral histories and conducted web research to identify people to profile. I was surprised by how much I was able to find when I searched for specific professions. I discovered so many women, I didn’t have room to profile them all.  There were a lot of outtakes. If I had the opportunity, this book would have featured more than one hundred woman but it would have been too big a volume for the industry.

“We still have this stereotype that STEM is for boys and men and that’s not true,” – Tonya Bolden, Amsterdam News

Rebecca Crumpler

Rebecca Crumpler

One thought behind the book – I wanted girls to see how wide the world is. Even in science. Not everyone is in a lab coat. I liked the idea of presenting a Black woman who is an astrophysicist. Or a robotics engineer. I wanted girls to know that if they were going towards something that is tough, that there were people who have done it before them. For example, the first woman in the book, Rebecca Crumpler, was a physician. If this woman could go to Medical school before slavery was abolished then anything is possible.

I was lucky to be able to communicate with a number of the women. They were all very generous with their time. Those women included Mamie Parker (Biologist), Aprille Joy Ericsson (NASA Aerospace Engineer), Pamela McCauley (Industrial Engineer), Ayanna Howard (Roboticist), Treena Livingston Arinzeh (Biomedical Engineer), Paula T. Hammond (Chemical Engineer), Lisa D. White (Geologist), Emma Garrison-Alexander (Cybersecurity), Aomawa Shields (Astronomer and Astrobiologist), and Donna Auguste (Computer Scientist–and more!).

CTB: What advice do you have for young people who might want to follow in your path one day.

Tonya: Read. Read. Read. Master the language in which you want to write. Knowing other languages also helps a writer. Know your own culture and other cultures. If you want to write professionally, be prepared for lean days. It’s hard to get into publishing. I started writing under “write for hire” contracts. That means I wrote books other people wanted done and I took the work I was offered. It was helpful because it kept me flexible and nimble. In the industry it became clear I was open to other people’s ideas and I was offered additional work. It’s harder to get published now. Back in the day, publishers nurtured “house authors”. You would write several books and be given time to find an audience. Now books have a shorter shelf life. If you don’t hit it out the park with that first or second book it may be Game Over! There was a time when publishers focused on helping to build a long-term careers. Having said that, perseverance is key. Follow your passion and don’t give up. A young woman once wrote me to say, “You may not know me, but you have paved a path for me in this industry, and I wanted to personally thank you.”

CTB: So in a way, you’re passing on the dream through your writing.

Tonya: Yes. Doors started to open for many of us in the 1960’s. We grew up hearing about giving back. The work that I do is my way of saying “Thank you” to those people who opened the doors for us. People like Fannie Lou Hamer, Charlayne Hunter-Gault, Katherine Johnson, for example.

I always wanted to be useful. In elementary school, I thought I wanted to be a classroom teacher. But in a way that’s what I’m doing now. Teaching young people through the books I’m writing.

Dovey Johnson Roundtree

Dovey Johnson Roundtree

CTB: So what’s next for Tonya Bolden. Are there any books we should be looking for in the future?

Tonya: I have a new book coming out in June 2021: Dovey Undaunted. It’s the biography of Dovey Johnson Roundtree, civil rights attorney. She lived a life of service and was one of the first Black women to enter the Women’s Army Auxiliary Corps (WAAC). Dovey was born in Charlotte, North Caroline which is where my father was born. When I was a kid, our family would go down south to visit. I have so many vivid memories of Charlotte. This book seemed like a natural fit for me to write.

How to Build a MuseumAuthor’s note. Tonya Bolden is featured twice on our list this month. Her other book, How to Build A Museum: Smithsonian’s National Museum of African American History and Culture is a must read, featuring little known details about African American history. For those unable to make a visit to Washington, DC, this book is an important addition to your collection.

Changing The Equation

Win a FREE copy of Changing the Equation: 50+ US Black Women in STEM.

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Tonya Bolden

photo by Hayden Celestin

Tonya Bolden has authored and collaborated on more than forty books. Holding degrees from Princeton and Columbia Universities, she originally intended to complete a PhD and teach Russian literature. But her path lead elsewhere. Her first book for young people, an adaptation of the musical, Mama I want to Sing, lead to more contracts to write books for children. The rest is history. Her book, 33 things Every Girl Should Know was praised by Hillary Rodham Clinton in a speech on the 150th anniversary of the first Women’s Rights Convention. Her awards and recognition are too numerous to list in their entirety but include, the Childrens Book Guild Nonfiction award for her body of work, the James Madison Book Award, ALA’s Coretta Scott King Honor Award, NCTE’s Orbis Pictus Award, ALSC Notable Book and multiple nominations for the NAACP Image Award. To learn more about Tonya, please visit www.tonyaboldenbooks.com

Christine Taylor-Butler headshot

photo by Kecia Stovall

Your host is Christine Taylor-Butler, MIT educated STEAM nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram

GROUND ZERO –Interview and Giveaway with Author Alan Gratz

I was thrilled to be able to read Alan Gratz’ new book, Ground Zero.  His books are so awesome! Such fun and exciting reads. And this one is no different. I wasn’t sure if I was ready to read about 9/11. Yes, it’s been 20 years, but like most of us, there are a lot of emotions tied up in that very difficult day. But Alan did a fantastic job with this book! He did a great job of handling the facts of the event, while masterfully weaving together two different action-packed stories. He kept me on the edge of my seat wondering what would happen next. Of course, if you read Alan’s other books, you’ve seen this type of heart-pounding action before.

 

In time for the twentieth anniversary of 9/11, master storyteller Alan Gratz (Refugee) delivers a pulse-pounding and unforgettable take on history and hope, revenge and fear — and the stunning links between the past and present.

September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive — and escape?

September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz — and put herself and her family in mortal danger?

Two kids. One devastating day. Nothing will ever be the same.

 

 

Reviews! 

“The pace is quick (don’t blink or you’ll miss something!), its emotions deeply authentic, and the highly visual settings resonate with accuracy. With a moving author’s note, pertinent back matter, and a surprise twist which brings the book full circle, Gratz delivers another winning read.” — Booklist, starred review

“Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11.” — Kirkus Reviews

 

Alan was gracious enough to answer a few of my questions about this amazing book:

Ground Zero was an amazing read, but a bit difficult for us who remember so vividly that very dark day. Was it hard to do the research for this book? To relive 9/11 all over again?

Yes. I thought, “Oh, twenty years have passed. This won’t be any harder than anything else I’ve written about.” But I was wrong. It was very difficult, emotionally, for me to research and write this book. 9/11 is still such a raw nerve for me, it turns out–and for many of us who lived through it. And I wasn’t even in New York or Pennsylvania or the Pentagon, and didn’t have my own personal connection to it! But like so many Americans, I felt like part of me had been carved out by the events of that day, and it took a long time to fill that hollowness back in. It turns out, it still hadn’t entirely been filled in. At the same time, I knew that for today’s middle schoolers, 9/11 is ancient history. It happened before they were born. They don’t have that same visceral reaction to reading about it or thinking about it as adults do. And it was important to try to show them how that feels for me and so many other adults, especially as many of us still have trouble talking about it.

I love how you weave two different storylines with their own characters together. You keep the suspense going in both at the same time. Do you write each storyline by itself first? Or do the two stories come to you at the same time?

When I’m writing multiple, parallel POVs, I start by researching and thinking about the story for each. I haven’t figured out every beat of the stories at this point; I don’t know every chapter. But I’ll figure out what the larger story is for each kid. I’m definitely looking for parallels throughout. “Oh, here they both see a helicopter. Oh, here they’re both trapped in a dark place underground. Oh, here they see their world come tumbling down.” Little parallels too. “Oh, here Brandon mentions toy Wolverine gloves, and here Reshmina puts sticks in between her fingers and pretends to attack her brother like a giant cat.” Then I’ll put together the individual chapter outline for one of the stories–often the first of the stories we’ll read in the book. In Refugee, that’s Josef’s story. In Grenade, it’s Hideki’s. In Ground Zero, it’s Brandon’s. I plot that story out all the way. Then I go back and start plotting the details of the next story. That way I can build in parallels and connections to the first, but with an idea already where I want to go overall. I think if I were building two or more stories at once, simultaneously, I might be too tempted to pull off in different directions that then don’t connect in the end. It’s tricky, but researching and having a strong idea of each story first and then building each one separately seems to work best for me. When I write the actual book though, I write it straight through, jumping from character to character, because I want the whole book to feel like one story. One novel. Not two or three separate stories I mashed together.

The storyline of the girl in Afghanistan is so vivid and real. Where did you find the research on Afghanistan? Did you contact people who lived there?

Thanks. For the Afghanistan War side of the story, I relied heavily on the amazing reporting that’s still being done by newspapers and magazines and radio and TV networks around the world. That war’s been going on so long that there are already lots of books about it too. And thanks to contacts I’ve made at UNICEF due to my work with Refugee, I was also able to speak via Zoom with the UNICEF team on the ground in Afghanistan to get a better idea about the situation there now. The World Trade Center side of the story has of course been covered extensively here in the United States. I read a number of books that went into great detail about what happened before, during, and after that day, but it was the first hand accounts from survivors that were the most important part of my research. Everything that happens in my story really happened to people inside the Twin Towers that day.

You write about some amazing places in the world, not just in this book, but in all of your books. How do you learn so much about them to give such distinct details? Are you able to visit them?

I almost never get to visit the places I write about, unless it’s after the fact! Which I regret. But my deadlines are often such that I don’t have a lot of time to travel as a part of my research, and of course there’s the cost of visiting far-flung places. I wish I could! In the case of Afghanistan, of course, that’s not a place I would visit now even if I could. The 2020 Global Peace Index ranks Afghanistan as the most dangerous country in the world. I hope Afghanistan is one day peaceful again, and that I’m able to visit. To make up for not visiting, I try to learn as much about a place and a people as possible through books and interviews and other media. Not just the historical events I’m writing about, but everything from the food they eat to the religion they practice to the music they make and the stories they tell. And more, of course. Not all of that will make it into the book, of course. It can’t. But I want to get to know a place and a people as much as possible before I write about them. Most importantly, that includes how they think. It’s a terrible mistake to assume that another culture shares the same attitudes and beliefs and values that you do–and worse, to assume that YOUR attitudes and beliefs and values are the “right” ones. In everything I read and learn about a place and a people, I’m trying to empathize with them as much as possible, and see life through their eyes, not mine. That is, after all, what I’m hoping to help my young readers see too.

I have read that you use a storyboard to brainstorm ideas and write extensive outlines for your books before you even start writing. How does that help you to see the story?

Outlining helps me see the larger path a story is taking. It helps me see the plot twists and emotional beats in a story from high above, and make sure I have those well-paced throughout the story. Outlining helps me see if I’ve taken too long to move from Act One to Act Two, if I’m spending too long (or too short a time) in Act Two, and if Act Three is too quick or too slow. I can see the parallels I build into my multiple POV stories. Outlining also helps me keep track of secondary characters and storylines, and make sure I haven’t gone too long without returning to them. My outline board helps me save time too. I don’t end up doing as much wholesale rewriting when I have taken the time to hammer out plot decisions in advance. I still do a LOT of rewriting, of course. And some of the outlined plot will change in revisions. But I can generally get most of the big problems figured out before I ever write the first word of the actual book.

Do you have any tips to give writers who might like to write books like yours?

I like the way you ask that: “writers who might like to write books like mine.” Because there are as many different ways to write books as there are authors, of course, and no one way is the right way. But if you’re looking to write books like I do… Get to the action early and often. Be accurate where it matters, but don’t let the truth get in the way of a good story. Make your story more about the individual characters than the moment in history. And perhaps most importantly, have something to say. Don’t just tell an action-packed story. Have a theme. A message beyond the action and the thrills. Refugee challenges young readers to see the plight of otherwise invisible refugees and open their hearts and communities to them. Grenade says, “Hey, war isn’t all fun and games, and look what happens to the people caught in the middle.” Allies says we’re stronger when we work together. And similarly, Ground Zero says “It’s not us against the world. It has to be everyone, working together. That’s how we survive.” What is your story about? Answer that, and make sure you return to that question or idea or theme throughout your book. Then you’ll have a book your readers really can’t put down.

 Excellent interview, Alan! Thanks so much. Alan’s publisher, Scholastic Press is offering a giveaway of 1 copy of the book. To enter, leave a comment below and/or tag @mixedupfiles on Twitter. 

STEM Tuesday — Polar Ecology — Interview with Author Rebecca Barone

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Rebecca Barone, author of RACE TO THE BOTTOM OF THE EARTH: Surviving Antarctica, a thrilling narrative nonfiction tale that chronicles two different centuries’ treacherous expeditions to the South Pole and the men who raced to be first. The newly released book has received multiple starred reviews, including one from Booklist that says:  “Readers will be caught up in the real-time action sequences and should end up rooting for everybody as these determined individuals face unimaginable physical and mental hardships.”

Mary Kay Carson: Tell us a bit about Race to the Bottom of the Earth and how you came to write it.

Rebecca Barone: First off – thank you Mary Kay Carson and the team at STEM Tuesday for hosting me today! It’s an honor to be featured here! Race to the Bottom of the Earth is the story of two races through Antarctica: one in 1912 to be the first to reach the South Pole and one in 2018 to be the first to cross Antarctica solo, unsupported, and unassisted.

Antarctica has always captured my imagination! There’s something about how entirely inhospitable it is to life, and yet humans go there! I’ve always been mesmerized by the contrast. When I saw a New York Times headline in November, 2018 that two men were attempting a “first” in Antarctica – right as I was sitting at home eating lunch – I rushed to read the article. As luck would have it, I had read a Wikipedia article about the 1912 race to the South Pole not too long before. So that adventure was fresh in my mind as I was reading about the 2018 race.

It was like a lightning bolt hit. Before I had even finished the NYTimes article, I knew that I had to put these two races together into a story. What really sealed it for me was finding out that neither race was intended to be a race. That the two adventures could parallel each other, entirely inadvertently, more than a century apart, was like a story-telling gift. I had to write this book!

MKC: The book goes back and forth in time, in alternating chapters, between the two races. Why did you choose this structure? Did you write it in that order?

Rebecca: From the start, I was struck by the parallels between the two races. By placing the two stories so directly side-by-side, I wanted my readers to draw history forward into the present. It’s so easy to place 1912 as nothing more than static, black-and-white pictures in a textbook, but they’re really men with personalities and characters like people we know and love today.  I did an in-depth outline in the book’s order, but I drafted it with each timeline separately. Even more so, I went through and wrote all of Amundsen’s story, then I went and wrote all of Scott’s, then O’Brady’s, and finally Rudd’s. It wasn’t in the book’s order at all!

MKC: How was your research process different for the 1912 and the 2018 race?

Rebecca: I could talk with people involved in the 2018 race! (Not so much with the men who were around in 1912…) Both involved a ton of reading to research. But it was wonderful to talk with some of the Antarctica expedition experts involved in setting up both O’Brady’s and Rudd’s journeys. And I shouldn’t be glib about the 1912 race; talking to experts in 2018 was certainly helpful with the Amundsen/Scott race, too. Even today, it seems like anyone who is interested in Antarctica comes down heavily as either Team Amundsen or Team Scott. It kept me on my toes to talk with people so heavily invested with Antarctic history!

Rebecca E. F. Barone is an engineer who has worked on a diverse array of projects: NFL injury analysis, development of gait biometrics, and engine calibration of hybrid cars. Realizing her love for books in addition to numbers, she now describes the world with words rather than equations. Race to the Bottom of the Earth is now available, and her second book, about breaking the Enigma cipher of WWII, will launch in the fall of 2022. Visit her at rebeccaefbarone.com or follow her on Twitter @rebeccaefbarone.

MKC: To whom did you imagine yourself writing to while drafting the book?

Rebecca: I always write for myself. If I don’t like it, if I can’t get excited about it, then I figure no one else will.

MKC: Why do you choose to write STEM books? Do you have a STEM background?

Rebecca: I do have a STEM background! I’m a mechanical engineer! I love knowing how the world works, and STEM has taken me to some pretty amazing places: hot testing development cars in Death Valley, learning about car crash biomechanics in Spain, and even developing injury criteria on the sidelines of an NFL game. I don’t see STEM and books as all that different – both describe our environment, both are ways of explaining and making sense of the world around us. They’re both ways of telling stories. If I ever do write fiction (who knows?!), I imagine even those stories would have some STEM elements to them as well. I can’t imagine divorcing any story from technical subjects – for me, the narrative and the STEM inform and support one another.

MKC: For readers who loved Race to the Bottom of the Earth, what other middle-grade books would you suggest?

Rebecca: I’m deep, deep into researching and drafting my next book about breaking the Enigma cipher in WWII (so much fantastic STEM!!), so I’m woefully behind on new MG. But, from 2019/2020, I loved Jennifer Swanson’s Save the Crash Test Dummies. I mentioned it earlier, but I worked in an auto safety lab in grad school where we regularly crashed cars, and I loved revisiting that topic in her book. She did such a great job of weaving information in an accessible, entertaining way! For older readers, I thought Candice Fleming’s The Rise and Fall of Charles Lindbergh was spectacular. She makes the subject and the themes immediately and obviously relevant to readers living through the events of the early 21st century.

Thanks again for inviting me to the STEM Tuesday blog! If any of your readers have more questions about Race to the Bottom of the Earth, I’d love to chat via social media or my website.

Win a FREE copy of RACE TO THE BOTTOM OF THE EARTH!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of Wildlife Ranger Action Guide, The Tornado ScientistAlexander Graham Bell for Kids, Mission to Pluto, and other nonfiction books for kids. @marykaycarson