Posts Tagged Giveaway

Interview with Author Patti Kim + Giveaway

I was introduced to Patti Kim’s books when we were on a panel together at the ALA Summer conference in 2018 and immediately fell in love. From just reading the opening paragraphs of her debut middle-grade novel, I’M OK, I knew I’d love the book and I was right. Patti blends laugh out loud humor with such deep heart. So when I heard Patti had a new MG novel out, I wanted to know more about it.

Here’s more about Patti:

Patti Kim

Patti Kim

Born in Busan, South Korea, Patti Kim immigrated to the United States on Christmas Day, 1974. Convinced at the age of five that she was a writer, she scribbled gibberish all over the pages of her mother’s Korean-English dictionary and got in big trouble for it. But that didn’t stop her from writing. She is the author of A CAB CALLED RELIABLE, HERE I AM, I’M OK, an APALA Literary Honor Book, and IT’S GIRLS LIKE YOU, MICKEY. Patti lives in University Park, Maryland with her husband, two daughters, and a ferocious terrier.

And onto our interview:

Patti, welcome to From The Mixed Up Files. Thank you for being here. Tell us about your new middle-grade novel, IT’S GIRLS LIKE YOU, MICKEY.

IT’S GIRLS LIKE YOU, MICKEY is about Mickey McDonald first seen in my previous book, I’M OK as Ok Lee’s unforgettable friend. Bursting with personality, she urged me to take a deeper look into her life and character. This book begins with the first day of 7th grade, and the bold Mickey we know is not feeling so great. Ok has moved. Her dad has left. Back-to-school shopping didn’t happen. Her mom is in a mood. With such a precarious home life, Mickey is all nerves and not so sure about herself. And turning 13 is no stroll in the park. What she really wants is a best friend, and she finds one in the new girl, Sun Joo. The two girls truly hit it off, but other forces soon interject, leaving Mickey with first major friend breakup.

It's Girls Like You. Mickey by Patti KimThis is a companion book to your debut MG novel, I’M OK. Tell us about that book too and how the books are connected.

The two books are connected by Mickey and Ok’s friendship. In I’M OK, Mickey forces a friendship with Ok which ends up playing a pivotal part in helping Ok open up about the death of his father as well as helping his mother find him when he runs away. She becomes his first real friend.

What made you want to write this companion book following Mickey’s character instead of a sequel with Ok?

Mickey loves the spotlight. It truly felt like she wanted her story to be told. So many intriguing details about Mickey’s life kept emerging in Ok’s book like her many animals, her little brother, her irritable mother, her often absent truck-driving father, her past pageant life, and the sheer force of her positivity. Her need and love for attention called to me.

What were the biggest challenges to writing this second book in the same world?

The biggest challenge was keeping echoes of Ok in Mickey’s story without him taking center stage. I had him move out of the neighborhood which made perfect sense since his mother remarried. I kept them connected as pen pals through postcards and letters. This ended up working quite well since the writing process plays a significant part in Mickey developing an introspective and reflective voice. It’s challenging to strike that balance of keeping a previous protagonist in the picture in a meaningful way, while not diverting the story. I also wanted to see these kids do all right without each other. So much of growing up is being able to say goodbye.

I'm Ok by Patti KimWhat are some things that surprised you about writing IT’S GIRLS LIKE YOU, MICKEY, compared to writing I’M OK?

It was surprising how much I actually enjoyed the revision process. This is a big deal because I used to absolutely hate revising. After my first draft returned with my editor’s notes, I couldn’t wait to get back into that world and revise. The sensation felt like a blurry image gradually coming into focus. It was incredibly fun.

You write about some issues that haven’t been in MG novels for a while, like dealing with getting a period. Why do think it’s important to have characters going through these issues in MG novels?

Yes, the period scene. If these taboo topics aren’t covered in books, then where? Getting my period was shrouded in secrecy and shame, and that attitude informed the relationship I ended up having with my body. No body confidence whatsoever for me at that age. I really wanted Mickey to be Mickey about her period and to be an inspiration and encouragement, demonstrating a more positive narrative around getting your period. I couldn’t imagine writing a book about a girl, especially a girl like Mickey, turning 13 without making a big deal about it. Come on, we’re talking about Mickey.

I love the title, even if it does have me singing for the rest of the day. What gave you the idea of naming the book after an ‘80s song?

Since the original song is about a guy who breaks hearts, don’t you just love the idea of re-purposing the title to elevate a girl? And it’s so catchy. I couldn’t resist.

Agreed! What can we look forward to next from you?

I’ve been thinking a lot about Sun Joo Moon. I think she’s asking for stage time. Unlike Mickey, she’s quiet about it, but there’s a real depth to her that feels worth exploring.

Can’t wait to read that one!

Thank you, Patti, for being on From The Mixed Up Files today.

Check out IT’S GIRLS LIKE YOU, MICKEY on Bookshop.org, and enter the giveaway below for your chance to win an advanced reader copy (ARC).

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STEM Tuesday– SHARKS!– Interview with Author Lisa Bullard

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Lisa Bullard, author of We Need Sharks (The Animals Files). It’s a fascinating look into the mysterious life of sharks, the important role they play in Earth’s ecosystem and the conservation efforts underway to prevent their extinction.

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Christine Taylor-Butler: Lisa, you are the prolific author of more than 100 books for children. In your bio, you suggest you found your calling when, as a 5th grade student, you sent a letter to the local  newspaper about the plight of baby seals. What concerned you about the seals and how did it feel to see your name in print for the first time?

Lisa Bullard: Thanks so much for asking me to share my “origin story” as a published writer! The day that letter was published really was a life-changing day for me. Looking back, I don’t remember any of the details about why I wrote it—maybe it was a school assignment, or a suggestion from my mom, who was a huge animal lover? But what I do clearly remember is the huge feeling of pride that came with seeing my name in print and knowing that people all over town would read the words I’d written. I decided that day that I wanted to be an author when I grew up. I’d been writing since I could first sort the letters of the alphabet into actual words—I wrote stories, poems, songs, comic strips; I even attempted a mystery novel. But what changed for me with that 5th-grade publication was the understanding that writing isn’t just something we do to entertain ourselves. Writers also have readers! And writing as a career choice means we get to use words to persuade people to take action, or to learn something new, or to enjoy a good story.

As soon as I got home from school that day, I decided to practice being a “real” writer. In my 5th-grade brain, that translated to me deciding I needed a glorious signature full of swoops and swirls and curlicues. I was sure that when I became famous, I’d need a very distinct autograph. But as I now tell kids during my school visits, if your plan is to someday sign your name over and over, don’t make it complicated: instead, make it as simple as possible! It always takes me longer than it should to sign my books at events because my signature is way too fancy. Of course, as a grownup writer of very modest name recognition, I also find it funny that rather than practicing my story-writing to prepare for my writing career, my 5th-grade self instead decided to practice “being famous.”

CTB: You started your career as Marketing Director in publishing. Was it a tough transition to switch to the other side of the aisle and become a full-time author?

Lisa: A lot of what happens during the publishing process is mysterious to authors. I’ve also discovered that many writers are daunted by having to market their books. So I feel really fortunate to have an insider’s perspective on those things from my publishing career. There was an adjustment period, however. I was still working in publishing while my first couple of books were going through the publishing process (at a different publisher). Some authors are very demanding (just like there are demanding people in every profession, I’m sure). So when I first shared the news that I was going to have a book published, some of my coworkers looked a bit horrified, warning me not to become a “diva.” Hopefully I succeeded in avoiding that when I transitioned over to writing full-time.

CTB: So let’s talk sharks! My first introduction to them was in the movie, Jaws. After that I was scared to go back into the ocean. But your book, We Need Sharks, shows their importance to Earth’s ecosystem. What lead you to write about them?

Lisa: My books have come about in different ways. In some cases, I’ve dreamed up a concept, written a manuscript based on that, and been fortunate enough to sell it to a publisher. As an example, that’s how my mystery novel Turn Left at the Cow came about. But in the case of many of my nonfiction books, including We Need Sharks, the process has been different: they were work-for-hire projects assigned by educational publishers. That means that I have a working relationship as a freelance writer with publishers or packagers who focus on the kinds of books that are especially popular in school libraries. They identify a need in their marketplace, and then approach writers with a concept for a book or series based on that need. If I agree to take on the project, then my job is to write the book based on their guidelines, which specify details such as the key idea, reading level, word count, back matter, and kind of research expected. The process is different than when I come up with the concept myself, but I’ve discovered it can be really satisfying. It’s almost like putting a puzzle together, having to figure out how to meet all the guideline demands while still creating a book I hope kids will love to read.

“Walking Catfish”
Image by: Pam Fuller, USGS

The good news is that this process feeds my personally inspired book projects as well. I always learn so many fascinating things about the subjects I write about, and those facts often lead to new writing projects! In fact, a big inspiration for Turn Left at the Cow was an animal called the walking catfish. I stumbled across it while researching a nonfiction series. This strange creature manages to survive out of water, and it provided a fantastic metaphor for my fictional character, a kid who feels very much like a “fish out of water.”

CTB: Was there anything that surprised you while researching your book?

Lisa: Probably the biggest surprise for me in writing We Need Sharks was something I hadn’t thought about prior to writing this book, and that’s how tough it is for scientists to research ocean animals. They’re difficult to study for reasons that are now obvious to me. That’s why oceans remain a frontier of science.

Image by Terry Goss / CC BY-SA

CTB: You suggest that some shark species are “top predators” which means other animals don’t hunt them. The exception is human beings, is that right?

Lisa: Even great white sharks, the fearsome creature that epitomizes sharks for many people, are sometimes preyed upon by orcas. But generally, yes, sharks are much more likely to be the predator than the prey—with the notable exception of their interactions with humans, when sharks are much more often the prey.

CTB: Now the United Nations is working with countries to create shark sanctuaries to protect them from extinction. Are those measures working?

Excerpt from We Need Sharks

Lisa: Shark sanctuaries are just one of the measures people are taking to protect sharks. For example, there has also been important progress in educating people about and regulating against the practice of shark finning. But as I mentioned above, ocean animals are difficult to study in the wild, and that makes it hard for scientists to measure current shark populations—which means we don’t know the whole story about whether preservation measures are working.

CTB: Were you able to consult with experts when researching the book?

Lisa: Talking to subject experts has provided some of my most interesting research moments over the years. For example, I was able to talk with a crane operator when I was researching a book about construction cranes, and he gave me the best quote ever: he said that the crane operator is known to the rest of the construction workers as the “king of the sandbox.”

But as was the case with We Need Sharks, work-for-hire deadlines are often very tight, and there’s simply not enough time built into the process to track down interview subjects and conduct interviews. In those cases I make sure that the research materials I use are sources created by experts, such as museums, universities, and research institutions. Fortunately in some cases, editors have subject experts review my manuscripts to make sure that I’ve gotten the facts right. I’m always grateful when that’s the case, as it was for We Need Sharks.

CTB: I often tell students that our jobs as writers are very similar to their work on homework assignments. You open the book with such a  powerful paragraph to pull the reader in. What would you like children/students to know about writing engaging nonfiction?

Excerpt: We Need Sharks

Lisa: Because the books I write are often for very young readers, many of them are also very short. That means that there just isn’t room for me to fit in all of the facts I learn through my research about the topic. So I’ve come up with two basic rules to determine what information to include. First, I figure out what I think a reader must know to gain a true basic understanding of the topic. Then I decide on a couple of “fun facts” to include—the kind of things that aren’t the most critical pieces of information, but that are real attention-grabbers. These high-interest facts move readers into “discovery mode,” where they’re excited to learn. I hope that combination helps readers absorb all the information I’m presenting and be motivated to learn even more. So for all the student authors out there, I believe our job as writers is to inspire readers to actively wonder about the world!

This also means that my friends and family are used to me testing random facts in the middle of dinner to see if those facts are, indeed, attention-grabbing; like “Did you know stock car drivers have to climb in through the window because there are no doors?” Or, “Did you know that scorpions glow a neon-aqua color under ultraviolet light?”

CTB: What’s up next for you? Any books on the horizon we should be looking out for?

Lisa: Thanks for asking! I know that in some cases my publishers have had to delay titles because of COVID-19, but I believe Saving Mountain Gorillas will come out within the next few months, and that’s for the same age group as We Need Sharks. I also have some books for beginning nonfiction readers slated to come out this summer: Crayola ® Desert Colors, Crayola ® Woodland Colors, and Crayola ® Tundra Colors.

CTB: Lisa, thanks for being such a great guest on STEM Tuesday and for providing pearls of wisdom for writers of all ages wanting to peek behind the curtain of our industry.

Thanks for talking with me, Christine, and thanks, everyone, for sharing today’s Writing Road Trip with me! I hope that you’ll be inspired to keep reading, keep writing, and keep wondering!

Win a FREE copy of We Need Sharks

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.
Good luck!

Photo credit: Katherine Warde

Lisa Bullard is the author of more than 100 books for children including nonfiction, fiction, and writing guides. Recent books include We Need Bees, Tides, and the Go Green series. Her book Turn Left at the Cow was nominated for a number of state reader awards and was chosen as a Junior Library Guild selection. To learn more visit Lisa at https://www.lisabullard.com and follow her on Facebook.

 

Christine Taylor-Butler

Your host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and many other nonfiction books for kids. She is also the author of the STEM inspired middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram

STEM Tuesday– Symbiotic Relationships– Author Interview

STEM Tuesday–Symbiosis– Interview with co-authors Jenn Dlugos and Charlie Hatton

 

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go, Science-Tech-Engineering-Math!

Today we’re interviewing authors Jenn Dlugos and Charlie Hatton, co-authors of Odd Couples, part of their “Things That Make You Go Yuck” series. Although busy with lots of projects–Jenn writes and illustrates science text books, and Charlie is a computational biologist–they say they collaborate on their books to meet a “fundamental ‘need’ to be creative.” Self-proclaimed science nerds who met through stand-up comedy, they bring humor to their books. In a time when basic biology has revealed its scary side, it’s a relief to be able to laugh a little while enjoying the fascinating tales of interrelationships in this book.

(*I had a lot of questions and Jenn and Charlie had a lot to share. This interview has been edited for brevity.–CCD)

 

Pictuer of the cover of Odd couples.

Carolyn Cinami DeCristofano: What’s Odd Couples about—and what was most important to you in deciding to write it?

CH: Odd Couples is part of a series of “Things That Make You Go Yuck!” books, all about interesting and unusual critters and plants. This book explores some of the cooperative – and competitive and completely bonkers – relationships between organisms. With Odd Couples and all the Yuck! Books, we wanted to show young readers that even the “yucky” bits of nature can be fascinating, inspiring and sometimes oddly beautiful.

JD: Every second is life or death in the wild, and sometimes organisms have to work together to survive. Odd Couples covers everything from weird mating habits to strange friendships (and  frenemy-ships). From a crab that waves sea anemones around like pom poms to ward off predators to sloths that have strange friendships moths that lays eggs in sloth poop, Odd Couples covers the oddest of the odd.

CCD: You are two co-authors of a book named Odd Couples, so of course I have to ask: What kind of an odd couple are you? How would you describe your creative partnership?

CH: Oh, we’re odd. We met around fifteen years ago doing amateur standup comedy around the Boston area among a crowd of fellow misfits. We began collaborating on creative projects a few years ago, which has turned out to be much more productive than telling jokes at a coffee shop at midnight on a Tuesday. We’ve taken a “sure, let’s try it” approach to projects, leading to working together on writing books as well as short plays, producing a web series and short films, and various other oddities-in-progress.

JD:  In biological terms, we’re in a parasitic relationship. The parasite is whomever is not paying the tab that week.

CCD: What’s one of your favorite organism relationships from the book? Why is it a favorite?

CH: We researched a number of parasites for Odd Couples, which is a really… interesting way to spend your Saturday afternoons. My favorite is a flatworm called Ribeiroia that infects frogs during one phase of its life cycle. The worms’ next stage of development occurs in birds. To improve their odds of getting there, the worms affect infected frogs’ development, causing them to grow extra, gangly useless legs that hinder their hopping. These frogs are less likely to escape birds trying to eat them, which is good for the worms – though not as much for the Franken-frogs. It’s basically a Bond movie villain strategy for getting ahead.

JD: My favorite animals are spiders. (Yes, really. I had pet tarantulas when I was younger.) So, I have to go with the peacock spider. It’s an adorable little arachnid who basically does the Y.M.C.A. dance to attract a mate. Scientists recently discovered a new species of peacock spider that has markings that resemble a skeleton. You know, because spiders need to double-down on their creepy reputation.

CCD: Can you say a little about how your writing partnership works? For example, who does what when?

CH: On most projects, we discuss an outline and detailed plans for writing. I promptly forget most of it, and Jenn reminds me of the parts she says that we both liked the best. It’s not the most efficient process, but it works. While writing, we generally pass material back and forth – in the case of Odd Couples, we agreed on a format and researched the organisms we wanted to include, then split them up to each write about our favorites. Sort of like a fantasy sports draft, only with more spiders and parasites.

JD: Nothing happens until food and drinks arrive. It’s very possible that our waiter/waitress is our muse. Several hours later, we have something that resembles an outline typed out in Jenn-ese on my phone. I translate it to something that resembles English, and from there it’s a 50/50 split. We’ve been writing together for so long that we’ve developed a joint voice, and we sometimes forget which part each of us wrote. There have been more than a few times we have seen/heard a joke in something we’ve written and wondered which one of us was responsible for that nonsense.

CCD: What’s next for you as authors?

JD: Another infographics book (is) waiting in the wings after Awesome Space Tech.

(Awesome Space Tech, also an infographics project, is Jenn and Charlie’s latest book. –CCD)

CCD: Well, I’d bet that your humor and serious science creds have led to yet another book that will inspire, entertain, and fascinate kids. Your symbiosis certainly benefits others! Thanks so much for your time!

Win a FREE copy of Odd Couples

Enter the giveaway by leaving a comment below.  (Scroll past the link to the previous post.) The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

 

Snapshot of co-authors Jenn Dlugos and Charlie Hatton in a comic pose.

Boston-based collaborators, Jenn Dlugos and Charlie Hatton are co-authors of Prufrock Press’s series, “Things That Make You Go Yuck!” and, in Charlie’s words, “several other, far more ridiculous projects.”

By day, Jenn writes science textbooks, assessments, and lab manuals for grades K–12. By night, she writes comedy screenplays, stage plays, and other ridiculous things with Charlie Hatton. Her favorite creepy crawlies are spiders.

Charlie is a bioinformatician who slings data for a cancer research hospital–as well as a science fan and humorist. He enjoys working with genetic and other data to support cancer research, learning about new and interesting scientific areas, and referring to himself in the third person in biographical blurbs.

 

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photo of author and STEM Tuesday contribuor Carolyn DeCristofanoCarolyn DeCristofano, a founding team member of STEM Tuesday, is a children’s STEM author and STEM education consultant. She recently co-founded STEM Education Insights, an educational research, program evaluation, and curriculum development firm which complements her independent work as Blue Heron STEM Education. She has authored several acclaimed science books, including Running on Sunshine (HarperCollins Children) and A Black Hole is NOT a Hole (Charlesbridge).