Posts Tagged fantasy

Interview with Alex London for BATTLE DRAGONS, Plus Giveaway

By on July 23, 2021   /   Author Interviews  

Alex London is joining us on From the Mixed Up Files today to talk about the first book in his brand new middle-grade fantasy series BATTLE DRAGONS. Alex is the author of more than 25 books for children, teens and adults, including the middle-grade series DOG TAGS, TIDES OF WAR, WILD ONES, and ACCIDENTAL ADVENTURES. His latest series launches on Sept. 21 with BATTLE DRAGONS: CITY OF THIEVES, which is a super fun adventure. Here’s the description:

Cover of Battle Dragons: City of Thieves by Alex LondonIn a modern mega-city built around dragons, one boy gets caught up in the world of illegal dragon battles and a high-stakes gang war that could tear his family apart.

Once, dragons nearly drove themselves to extinction. But in the city of Drakopolis, humans domesticated them centuries ago. Now dragons haul the city’s cargo, taxi its bustling people between skyscrapers, and advertise its wares in bright, neon displays. Most famously of all, the dragons battle. Different breeds take to the skies in nighttime bouts between the infamous kins―criminal gangs who rule through violence and intimidation.

Abel has always loved dragons, but after a disastrous showing in his dragon rider’s exam, he’s destined never to fly one himself. All that changes the night his sister appears at his window, entrusting him with a secret…and a stolen dragon.

Turns out, his big sister is a dragon thief! Too bad his older brother is a rising star in Drakopolis law enforcement…

To protect his friends and his family, Abel must partner with the stolen beast, riding in kin battles and keeping more secrets than a dragon has scales.

When everyone wants him fighting on their side, can Abel figure out what’s worth fighting for?

Doesn’t it sound awesome? Until you can get your dragon paws on your own copy, let’s go behind the scenes of the book’s creation. And make sure you read to the end to enter the giveaway.

Samantha: Hi Alex! Welcome to From the Mixed Up Files. I loved BATTLE DRAGONS: CITY OF THIEVES. Tell us where you got the idea from?

Headshot of Alex London | Photo by Gina Clyne Photography

Alex London | Photo by Gina Clyne Photography

Alex: Thanks so much!  The short pitch is that it’s The Fast and The Furious meets How to Train Your Dragon, except that I hadn’t actually seen those movies or read those books when I began this project. Of course, I’ve corrected that oversight now (and am kind of obsessed with the gleeful story-telling chaos of the Fast and The Furious franchise.

As to my inspirations, there are endless sparks that ignite the ideas in any novel, but this one combined so many influences that fueled my imagination when I was a middle schooler. It combines my love of cyberpunk like Akira and Blade Runner with my love of fantasy, of dragon lore, and ultimately of stories set in that middle school time, when young people start to come into their own and realize how much bigger, complicated, and wonderful the world is than they ever dreamed. I wanted to write a story that would have appealed to me in middle school, but that would’ve also expanded my imagination for what kind of a world was possible.

There are sibling rivalries and new friends and high stakes souped-up dragon riding action. There are also, I hope, a lot of laughs!

Samantha: You’ve incorporated a lot of dragon story lore (with the dragons keeping a hoard, for example), but you’ve also expanded on the roles of dragons, like having them be taxis, school buses and cleaners. How did you decide what to keep and what to add for this story?

Alex: Writing a mash-up of genres gave me the freedom to pick and choose what dragon lore was useful or interesting to me. What of my main concerns was using the lore that would make the dragons feel familiar and recognizable, without being derivative or boxing me in to any narrative corners. So, flying and hoarding and breath weapons were a must, but speaking English to humans, as they do in some wonderful dragon tales, was not something I wanted.

Samantha: I love all the different types of dragons you’ve come up with for the story. What inspired each one?

Alex: I couldn’t possibly go into detail on each one here, but I did develop a basic dragon taxonomy when I began, essentially dividing them into Short-Wing, Medium-Wing, and Long-Wing dragons, each more suited to different jobs for humans, and within each category a wide variety of species, from Infernal Long wings whose fire their hot breath from high in the clouds, the short winged Blue Foot, which are like the Honda Accords of the Drakopolis. Then there are the different Reapers, medium winged dragons who make the best battlers with their wide variety of breath weapons and skills, and the related Wyvers, pulled straight from mythology, but in my story, used mostly by the secret police. It’s a lot of fun researching and inventing dragons and their abilities! I spend a lot of time thinking of it like a card game, Pokemon or Magic: The Gathering. In fact, I even invented a game just like that for the story!

Samantha: Abel and his brother Silas and sister Lina are all very different. Are you closest to one of them or do they all have similarities to you in different ways?

Alex: I’m probably most like Abel, with my ADHD and tendency to catastrophize, though, like Lina, I’m idealist who broke more than a few rules as a teenager, but like Silas, I can slip into an inflated sense of self-righteousness if I’m not careful. This is the first series I’ve written since becoming a parent, however, so I do find myself identifying a lot more with their parents than anyone else! I hope I could stand up the gangsters and the secret police as well his Abel’s parents do!

Samantha: If you were one of your dragons from Drakopolis, which one would it be and what would be your favorite thing to hoard?

Alex: Oh, I would want to be Karak, the Sunrise Reaper, because describing him was just so cool! The scene where he meets Abel and Roa was the first I thought of, even before I starting writing.  And I think I would probably hoard books…because I kind of do already!

Samantha: You’ve written both contemporary and fantasy books, but you said in an interview that the fantasy book Redwall helped you become an avid reader. As a writer, do you enjoy writing one genre more than another?

Alex: I like writing everything! As this fantasy-sci-fi mashup with real themes of middle school probably demonstrates, I can’t confine myself to just one genre. The world is so full of stories, I’d hate to limit myself to just one kind.

Samantha: Do you have any tips for teachers and librarians who are trying to encourage reluctant readers to read more?

Alex: Choice! Letting readers choose their own reading—even if it doesn’t seem like great literature to us—matters. I read far more Calvin and Hobbes as a kid than I did prose novels, and far more illustrated nonfiction magazines than ‘literature’ and far more “trashy novels’ than ‘great books’ and now I’m an avid and critical reader and a fairly prolific writer. People come to it in their own time and in their own ways, and I think we need to model following our interests and knowing when to put books down if they aren’t working for us. Life is too short and there are too many good books to force ourselves to read ones we hate. For every “reluctant reader’ out there, there are books that will feel like their were written just for them. They just need the chance to find them.

Aside from choice, I think removing the stigma from not loving to read could help. We put a lot of moral weight on reading, but I know brilliant people who don’t read much of anything and total monsters who are bookworms. I think reading is a source of great joy, insight, and inspiration, and I want to invite kids into it, but I don’t see any use for shaming them when they aren’t.

Samantha: Finally, can you give us a sneak peek at book 2 in the series? When is it coming out?

Alex: It will be called BATTLE DRAGONS: CITY OF SPEED. I don’t know the publication date, but I do know that there will be high stakes dragon races, new and wonderful breeds of dragons, and new friends and enemies for Abel and his crew. It’s gonna be a high stakes, high speed, high flying romp, that I hope readers love!

Samantha: I can’t wait!

Enter the giveaway below by July 30 for your chance to get one of three copies of BATTLE DRAGONS: CITY OF THIEVES plus a signed bookplate.

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Magic Systems for Non-Magicians

By on June 4, 2021   /   For Writers, Writing  

I’ve been thinking about magic systems lately. To be more accurate, author Brandon Sanderson has spent a lot of time thinking about magic systems and lately, I’ve been thinking about how to apply his theories to other types of writing.

Sanderson’s Laws are popular guides to writing in the fantasy genre. Sanderson distinguishes between hard magic systems and soft magic systems, with most applications of fictional magic falling somewhere in between. On the harder side of the spectrum, magic has strict rules that can’t be broken. On the softer side, anything goes and new rules seem to be created on the fly.

Sanderson’s Laws aren’t about those laws of magic, but offer guidance to authors on how to incorporate systems of magic into their storytelling.

Among the examples Sanderson uses to apply his rules are the fantasy systems in Harry Potter, Lord of the Rings, and…superheroes. In fact, he writes an extensive analysis of the laws of a universe that would allow Superman to exist.

We don’t often think about superhero worlds as fantasy, as they are usually grounded in our own reality, but they offer settings in which potions, spells, and monsters are replaced by mutation, lab accidents, and aliens. These worlds offer impossible events that operate within a system that can be described in terms of magic.

Currently, I’m working on a story inspired by Greek mythology and set in a Bronze Age society where the gods of Olympus are active and real. In this world, the magic system is made of gods. It operates just like any other fantasy work except that the magic system is sentient and made up of interlocking parts with clashing personalities beyond human control.

In Greek mythology, the rules of magic are defined by the personalities of the gods. The more strictly delineated the gods are, and the less likely the gods are to deviate from their standard behaviors, the more the system moves toward the harder side of Sanderson’s soft-magic to hard-magic spectrum.

The body of Greek mythology as a whole is a fairly soft magic system. The gods are fickle, unpredictable, inconsistent over multiple works, and are often constrained by the Fates. In such a system, one god or another can show up at any time to resolve any conflict, becoming a literal deus ex machina. For example, Athena showing up at the end of Homer’s Odyssey to end the cycle of vendetta between Odysseus and the families of all the people he killed.

The challenge within a specific work of mythic fantasy is to harden the magic system by providing more specific motivations and realms for each god, and better defining the extent to which the gods are willing or able to intervene in mortal affairs. In Homer’s Iliad, Zeus doesn’t just refrain from saving the life of Sarpedon. He defines a rule for all of the other gods to follow regarding the deaths of their own favored mortals.

I’m using this in my story by giving gods predictable personalities and sets of rules in which they operate. This makes their interventions in the mortal world seem more natural to the story, reducing the problem of deus ex machina plotting.

If Sanderson’s Laws of magic can by applies to superheroes and mythology, where else might they be applied outside the traditional realms of fantasy?

The speculative technology in a work of science fiction could be viewed, not just as an extension of current technology, but as a system in itself with elements that operate by a set of predictable laws. That way, a new program, process, or device will have a more natural introduction and will more naturally fit into the setting.

The landscape in a speculative political thriller can be viewed as a system under which the outcomes can be explained.

Or in a spy thriller, where the hero is reliant upon a set of gadgets to survive. As much as I enjoy the James Bond franchise, it always annoyed me that Q would gear Bond up before every mission with exactly the gadgets he would need in specific situations that couldn’t possibly have been foreseen by the scope of the assignment. By thinking of spy gadgets generally as a kind of magic system, they could be employed more realistically.

Spy writers, mythologists, and the writers of political thrillers may not dip into the critical analysis of works in the fantasy genre, but they should. This is just one example of how authors who write in one genre can benefit by examining the rules that seem, on the surface, to apply only to a different genre. No matter the genre, we’re all just telling stories.

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Mourning the Middle Grade Years and Finding Them Again by Donna Galanti

By on January 11, 2021   /   Articles, For Writers  

It struck me recently that I couldn’t remember the very last time I read a goodnight book to my son, Joshua. I asked him if he knew. As a teenager now, he couldn’t remember either.

“There was probably a night where you couldn’t read to me, Mom, because you were busy,” he said. “And then the next night we forgot about it. And the next.”

“So, it just faded away?”

“Yup.” *Mom choke-up*

Since then, I’ve been bothered by the fact that:
1. I desperately want to remember when and what that last goodnight book was.
2. If I’d known it was the last time, I would have cherished it.
3. Bedtime reading to my son is forever gone and I’m just realizing the significance of this now.

I mourn something now long disappeared that I had not even known was gone.

Along with bedtime reading gone of current children’s books with my son, so has the reading of books to him that I received as a child over 40 years ago. My mother wrote my name in mine, the year I received it, and who gave me the book. The Tooth Fairy brought me books from Beatrix Potter to Laura Ingalls Wilder to Roald Dahl. These books have now long been collecting dust on my son’s shelves.

“Mom, can we pack these books up now?” he asked, pointing to his bookshelf of old and new.

“Never!” I protested and gently dusted of books, taking them to my office where children’s books will never die.

These included my son’s best-loved books like Wonder, Diary of a Wimpy Kid, Big Nate, Warriors, Flat Stanley, Goosebumps, Genius Files, Joshua Dread, Captain Underpants (the lunch signs are the BEST!), and Charlie Bone (Mom, this is THE best series EVER! You have to read it). And I’ll never forget my son’s excitement when he found out that the Charlie Bone series author, Jenny Nimmo, was blurbing my first middle grade book, Joshua and the Lightning Road.

All too soon for me, my son left the middle grade world. He moved on to reading dark, dystopian young adult novels.

And I realized, sadly, he also moved on from all of our kid shows: iCarly, Big Time Rush, Good Luck Charlie, Pair of Kings, Drake and Josh, Sponge Bob Square Pants. Watching them with him made me nostalgic for my own shows I grew up with like Little House on the Prairie, The Love Boat, Benson, Greatest American Hero, and re-runs of The Carol Burnett Show and Leave it to Beaver.

Occasionally, I bring up our shared favorite episodes to him of middle grade shows buried in tv-land dust.

“Can’t we just watch a Sponge Bob episode tonight? How about the Frankendoodle one or Pizza Delivery or Best Day Ever?” I asked.

“No, Mom,” he laughed. “That’s kid stuff.”

“What about iCarly where Spencer pranks everyone and does the prank song?” I started bopping around.

“No, Mom.” He gave me an eye roll.

“Okay,” I said with a sigh.

It’s true that I’ve grown with my son as he’s grown, but in doing so I’ve also relived many of my own childhood paths through his middle grade books and shows – and I don’t want them to end. I’ve returned home to a place where I will always be young, laughing myself silly, on magical adventures, and experiencing so many wondrous ‘firsts’.

As a kid growing up in the 1970s and 1980s there weren’t books categorized “middle grade” and so I downed Sidney Sheldon, Stephen King, Jack London, Paul Zindel, and V.C. Andrews (all soooo not kid-friendly). They were my “middle grade” then, but now I have my son’s books, too (and age-appropriate!). And someday, I hope he’ll come back around to them just like I did. Maybe with his own children. He doesn’t need to relive his childhood now. He’s living it. And I realized, my son and his book world set me on my own journey as a middle grade author. What a wonderful legacy he gave me, even though he’s moved on.

He also doesn’t need me to be home anymore after school. He has his own business and drives to his restaurant job. He doesn’t need me to read him bedtime stories or cut up his meat. He doesn’t need me to do his laundry. He can do that simply fine (good!).

Don’t misunderstand me; I am enjoying the new phase of things. Watching him go to work, open a bank account, clean his room because he wants to (faint!), and calm his frazzled mom down when writing deadlines loom.

“It’ll be okay Mom,” he now says. “You’ll get it done. You always do.” He even helped me years ago in writing my first book when I got stuck on plot and character.

He may have said goodbye to middle grade for now, but I love sharing in the continued new wonders with him. I just won’t ever stop loving middle grade, not since I fell in love with it again through my son. I’ll keep writing it and reading it—and waiting for the day he comes back to it. *fingers crossed*

Have you ever mourned moving on from a phase in your child’s middle grade life? What were some of your favorite books as a child? What are some new favorite children’s books now?

 

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