New Releases

December New Releases!

The holidays are almost here. What makes a better gift than a book? NOTHING!  As you start your shopping, consider looking for great books to buy for all of your friends, relatives, and well, just anyone. Here are a few wonderful books releasing this month to get you started…. Happy Holidays!

 

Support Independent Bookstores - Visit IndieBound.orgMidnight Without a Moon by Linda Williams Jackson (HMH BFYR)

It’s Mississippi in the summer of 1955, and Rose Lee Carter can’t wait to move north. For now, she’s living with her sharecropper grandparents on a white man’s cotton plantation. Then, one town over, an African American boy, Emmett Till, is killed for allegedly whistling at a white woman. When Till’s murderers are unjustly acquitted, Rose realizes that the South needs a change and that she should be part of the movement. Linda Jackson’s moving debut seamlessly blends a fictional portrait of an African American family and factual events from a famous trial that provoked change in race relations in the United States.

 

 

Dog Man and Cat Kid by Dav Pilkey (Graphix)    Hot diggity dog! Dog Man, the newest hero from Dav Pilkey, the creator of CapSupport Independent Bookstores - Visit IndieBound.orgtain Underpants, is back — and this time he’s not alone. The heroic hound with a real nose for justice now has a furry feline sidekick, and together they have a mystery to sniff out! When a new kitty sitter arrives and a glamorous movie starlet goes missing, it’s up to Dog Man and Cat Kid to save the day! Will these heroes stay hot on the trail, or will Petey, the World’s Most Evil Cat, send them barking up the wrong tree?

 

Support Independent Bookstores - Visit IndieBound.orgthe Bad Guys in Intergalatic Gas by Aaron Blabey (Scholastic Press)

The bad news? The world is ending. The good news? The Bad Guys are back to save it! Sure, they might have to “borrow” a rocket. And there might be something nasty in one of the spacesuits. And Mr. Piranha miiiight have eaten too many bean burritos. Surviving this mission may only be one small step for man, but it’s one giant leap for the Bad Guys.
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Liberty  (Dogs of WWII) by Kirby Larson (Scholastic)

Fish has a knack for inventing. His annoying neighbor, Olympia, has a knack for messing things up. But when his latest invention leads Fish to Liberty, a beautiful stray dog who needs a home, he and Olympia work together to rescue her. At the Higgins boatyard, where the boats that just might save the Allied forces during World War II are built, the wartime workforce is integrated and includes women and the disabled. However, a friendship that crosses racial lines is not the norm in 1940s New Orleans.

 

Support Independent Bookstores - Visit IndieBound.org  The Slime Book by DK Children

Includes more than 30 borax-free, simple, safe, homemade slime recipes—from basic slime to edible, textured, glow-in-the-dark, and color-changing slime. Kids will be mesmerized and “slimerized” by the book’s gloopy, gooey, colorful slime recipes. The easy-to-follow recipes all use inexpensive, accessible, and safe everyday products.

 


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Detention of Doom by  Derek Fridolfs  (Scholastic, Inc.)

When Lex Luthor’s family company, Lexcorp(TM), invites kids from all over the country to attend an honors ceremony, Clark Kent is happy to participate. That is, until his award trophy creates a portal to another dimension and sucks him in! Lucky for Clark, his old friends Bruce and Diana along with newer friends Barry (The Flash(TM)) and Ollie (Green Arrow(TM)) are on the case! They’ll have to travel to an alternate dimension to free their friend from Lex Luthor’s grasp (and the worst detention ever) in this all-new adventure from Eisner Award winner Dustin Nguyen and Eisner Award nominee Derek Fridolfs.
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Who Was Corretta Scott? King by Gail Herman (Penguin Workshop)

The wife of Martin Luther King Jr., Coretta Scott King was a civil rights leader in her own right, playing a prominent role in the African American struggle for racial equality in the 1960s.

Here’s a gripping portrait of a smart, remarkable woman. Growing up in Alabama, Coretta Scott King graduated valedictorian from her high school before becoming one of the first African American students at Antioch College in Ohio. It was there that she became politically active, joining the local chapter of the National Association for the Advancement of Colored People (NAACP). After her marriage to Martin Luther King Jr., Coretta took part in the Civil Rights Movement. Following her husband’s assassination in 1968, she assumed leadership of the movement. Later in life she was an advocate for the Women’s Rights Movement, LGBT rights, and she worked to end apartheid in South Africa.

An Interview with Tony Abbott

Today we’re pleased to talk with Tony Abbott, the author of more than 95 books for middle-grade readers, including the Golden Kite Award winner, Firegirl. Tony’s newest book, The Summer of Owen Todd (Ferrar Straus Giroux, 2017), is the subject of our discussion. (Giveaway Alert! Read all the way through for details.)

The Summer of Owen Todd could be the story of just about any 11-year-old. Summer has arrived, school is over, and for Owen, the days stretch long with the possibility of beach trips, go-kart races, and baseball games with his best friend, Sean. Sean’s own summer plans, however, are derailed by his mother’s new job and the presence of a babysitter, a young man Sean’s mom believes she can trust to keep Sean, who has diabetes,  safe and help monitor his blood sugar levels.  When Sean becomes the victim of sexual abuse at the hands of his new babysitter, Owen is the only person Sean can talk to.  Told entirely from Owen’s point of view, The Summer of Owen Todd addresses a difficult topic as it explores issues of trust, friendship, and bravery.

MH: It wasn’t too long ago that a topic such as childhood sexual assault would have been taboo in middle-grade fiction. When did you know you wanted to write this story?

TA:  The “when” of this story is critical to me. To step back a few years, my wife knew a work colleague, and one day she told my wife a truly horrible story about her son. He was very young, molested, filmed, later told a friend about it, then swore that friend to keep it a secret, which he did. The boy eventually committed suicide. Some years later, his mother approached my wife, knowing I was a writer, saying she was ready to get her son’s story out and wondered if there was a book that could help other children and families. My wife told me about this, and one or two writer friends who had written tough stories for young adults were discussed, but almost from the beginning I had begun to feel some of the tensions and visualize some scenes that would need to be dramatized in any telling. There was something uniquely powerful in those moments. They drew me in.

I have not been molested, though there was a moment in high school, a meeting with an older man, that immediately came to mind, and I remembered how I felt when that happened. I also felt that the ultimate truth of what happened—the suicide—was something that occurred when the boy was approaching adulthood and that any story for younger readers would likely have to end before that. It might have been at this time that the element of telling the story from the friend’s point of view became the way into the tragedy. So, the molested boy’s friend tells the story, and it would chart the days and weeks of the ongoing abuse from the friend’s point of view. If, as I later discovered, from 1 in 7 to 1 in 20 boys is sexually abused, that left the majority of boys as bystanders, friends of the abused. It seemed a way to broaden the story, make it approach real life, to write from the likely reader’s point of view.

These tensions drew me into the story both deeply and quickly and there was no question of talking to other writers; I would try to create a draft to see how it might work. The narrator’s name, Owen Todd, came to me from that place where names come. It wasn’t assembled. It came, he came, with a voice and a personality, as these things often do. I loved him, his vulnerability, his likes and dislikes. I don’t think this is news to any writer. A character is born, not crafted, and that’s the way of it with Owen.

MH: The awful reality of what is happening to Sean is clearly, and yet delicately, stated. How much discussion happened in the editorial process about what words would be used and what words might be avoided?

TA: To begin to answer this, I have to say that the original draft had the characters aged around 8 or 9. The summer was between 3rd and 4th grade. What I knew, but perhaps not completely consciously when I submitted the draft, was that the language I was using, both in conversations between Owen and Sean and in describing the events of the abuse, was pushing the story out of that lower-age area of middle grade stories. To tell the story properly it had to be harsh and raw in parts. To have really worked it for younger readers, some of the language would have to be less precise and more vague. “Bad touching,” instead of the wordage Sean actually uses in the book. I felt that the gauzier language would have made the book poorer as a piece of art and as a representation of reality. So my editor kindly brought me back up to meet my own language, so to speak. The characters are now eleven and in the summer between  elementary and middle school. This made the story match the kind of humor and emotion, description and relationship interaction the characters already displayed. The Summer of Owen Todd may be one of the first middle-grade stories to talk this way about the sexual abuse of a boy, but what is still needed is a book for younger boys who are very much the prey of molesters. Another way of saying this is that I failed to find the way to tell the story I had in mind to a readership lower than ten years old.

MH: I wouldn’t say you failed as much as you adjusted the story you had in mind to fit a slightly older audience. Tell us about the sale of the manuscript. What did your agent say about the manuscript’s marketability?

The first draft was some 18,000 words long. Eighty pages. The events in the published book were mostly all there, but in compressed form, one abuse following the other until the end. My agent at the time, Erica Silverman loved the story as I submitted it. She thought, I suppose, that it was too short as is, but it was like a, what did Dickens call such things, a sledgehammer, and that it would find an editor with an encouraging response. We assembled a list of six or eight editors from different companies and imprints, and Erica sent copies to some of them, keeping a reserve of a few for a second round of submissions. There were a couple of odd passes from good editors, a useful letter or two, but it took a few submissions and weeks to find Joy Peskin at Farrar Straus, an editor who saw the inside of the story, saw what it could be, and knew from the brief draft that I could pull and push and enlarge the story into what it has now become. Joy’s wanting me to go back and draw some of the background characters and situations into the light—Owen’s sister, Ginny; his grandmother; the buying of the go-karts, the baseball game, the outdoor theater—proved to me that the story was both bigger and more real when I made it fuller. We knew from the beginning, Joy, Erica, and myself, that it was a specialized sort of book. Not one that you could market to all comers.

MH: How much outlining/preplotting did you do while writing this book?

TA: I tend to outline very specifically when I write a mystery or a thriller, and I have done quite a few of those. For novels—and yes, I guess I make a distinction between my books this way—there isn’t anywhere near as strict a machine for getting from the first page to the last. There is a very strong thread, I would call it, that I know the story will follow, or that I suspect it will. But there is enough play throughout so that events and motives can transform themselves, and that thread becomes more like a tapestry of several motives, weaving together what is a more complex whole. Some of what results during the writing of the story are, of course, elements I hadn’t the least conceived when I set about to write it. Those surprises are organic and, as such, exciting and life-bearing. All this is to say that I knew where the story would go, how it would end, but not all the features of the landscape.

MH: You capture summer on Cape Cod from the perspective of the locals, which is different from many seaside stories told from the point of view of vacationers. Why did you choose to set the book there?

Place has always been a character in the stories I love to read. Give me descriptions of rooms, weather, streets, the panorama of life. When I start to read a book and I find I don’t feel the place, I don’t go on.  I’ve visited the Cape for decades, just about every summer, often off-season. I am deeply in love with it, want to live and die there, if at all possible. If the characters and their voices and feelings come first, the setting comes quickly after. Where are they speaking and feeling? In this case, everything I knew about living on the Cape would find a home with these boys. I love go-karting, I love the Gut in Wellfleet, Provincetown, Chatham, Brewster, all of those things became living backgrounds for the psychological progress of Owen and of Sean. The idea of being locals; now that’s interesting. I suppose after going there for so long, I don’t feel like a tourist anymore. My wife and I and our daughters have so many “regular” places, it’s like being home.

MH: In the bookstore scene, there’s a nod to Brian Lies’s Bats at the Ballgame when Owen’s little sister Ginny picks out a “picture book about vampire bats playing baseball.”  Is Owen’s choice— “I find a novel about a boy who disappears”— also a nod to one of our own middle-grade contemporaries?

TA: Ha! This is funny. Because Brian lives on the South Shore below Boston, he’s quite familiar with the Cape; I thought of his books immediately when the bookstore scene came around. The novel, the one that Owen would buy for himself, is a veiled reference to one of my own, which isn’t out yet, and turns out to be not a quite truthful description of it, after all (but I still claim it!). I thought I would save Owen’s choice for something of mine, didn’t want it to be an old one, so it sort of just hangs out there as a question: what book is he talking about?

MH: Talk to us about using the truth as a springboard into fiction, as you’ve done so beautifully in this book.

TA: The idea of fact becoming fiction is always fascinating to me. Although the impetus for The Summer of Owen Todd came from a real event, the novel that emerged is almost completely imagined, and this sort of thing happens in an interesting way. The voice of Owen came first, I feel comfortable in saying. Sean’s voice, second. The center of the story would be Owen and his reaction to what  happens to Sean, but also his reactions to summer, which is a big deal in a resort area. So, first the voices, then the setting, then the emotional thread I mentioned earlier begins to establish itself. You know instinctively, I believe, when the novel you are writing cleaves too closely to what really happened, because it lacks a certain kind of fictive truth. Fictive truth, I’m compelled to say, is not less true than what really happens, but creates itself out of the emotional reality of the story you are crafting. If an imagined conversation or event aligns with that truth, then it is as true as life.

MH: Tony, thank you. Thank you for the brave way in which you tackled a project that many would have deemed too difficult. Thank you for generously sharing your process with us. And, thank you, for providing The Mixed-Up Files of Middle-Grade Authors with TWO signed copies of The Summer of Owen Todd for our giveaway. Your kindness is so very appreciated.

To enter, see below. *Contest open to U.S. residents only.*

a Rafflecopter giveaway

November New Releases

This month we celebrate a cornucopia of wonderful new middle-grade releases. Be sure to tell us which books you’re thankful for in the comments below.

COOL PHYSICS by Sarah Hutton, illustrated by Damien Weighill from Pavilion (November 1st) Aimed at older children and curious adults, this book covers everything you need to know about some of the most complex scientific ideas the world has ever seen, made accessible and fun—Newton’s Theory of Relativity, quantum physics, nuclear fission and fusion, quarks, Heisenberg’s Uncertainty Principle and that old favorite E=mc2 are all explained here, clearly and entertainingly. There are also 10 practical experiments to give you even more insight into the theories, including making a pinhole camera, a whirlpool in a bottle and electric circuits with Play-Doh.

MOSQUITOES DON’T BITE ME by Pendred Noyce from Tumblehome Learning, Inc. (November 1st) Mosquitoes don’t bite Nala Simiyu. It’s part of who she is, like being a half-Kenyan seventh-grader whose mother is in a wheelchair. But when a schoolmate’s father–who happens to head up a large drug company–learns of Nala’s special power, the excitement begins. After helping out with mosquito research, Nala has the chance to travel to Kenya to investigate mosquitoes’ reactions to her father’s family. All goes well until a man heartbroken by his daughter’s death from malaria kidnaps Nala. In the midst of a realistic adventure story, this book will introduce young readers to such dilemmas as health disparities, subtle racism, and who owns biological information. Brave, fallible, compassionate and spirited, Nala is a strongly relatable character in a loving, imperfect family.

FIREFLY WILDLIFE ATLAS by John Farndon from Firefly (November 1st) This beautiful book is from the producers of Firefly Encyclopedia of Animals, praised by Kirkus Reviews: “the entries come from all over the world; some are common and others rare, but all are interesting in some way… for browsers and researchers alike, this is a useful and inviting display — and a bargain.”

Firefly Wildlife Atlas is similar but approaches the animal kingdom by means of habitat. It is also remarkable for its scope and presentation, covering almost 1000 animals in meticulous full-color illustrations and concise authoritative text. From millipedes to monkeys, this book offers a detailed and thorough guide to a wide array of the world’s mammals, birds, reptiles, amphibians and fish, as well as insects, spiders and other invertebrates.

THE GETAWAY (DIARY OF A WIMPY KID #12) by Jeff Kinney from Amulet (November 7th) Greg Heffley and his family are getting out of town. With the cold weather and the stress of the approaching holiday season, the Heffleys decide to escape to a tropical island resort for some much-needed rest and relaxation. A few days in paradise should do wonders for Greg and his frazzled family. But the Heffleys soon discover that paradise isn’t everything it’s cracked up to be. Sun poisoning, stomach troubles, and venomous critters all threaten to ruin the family’s vacation. Can their trip be saved, or will this island getaway end in disaster?

DANIEL COLDSTAR #1 The Relic War by Stel Pavlou from HarperCollins (Novemeber 7th) Below the surface on a forgotten planet, Daniel Coldstar searches for relics from a lost civilization. Daniel has no memory of his past. All he knows is to do his job and fear the masters of the mines.

Until he unearths a relic more powerful than anything he has ever seen. A relic that might help him escape…

What follows is an epic outer space adventure filled with Truth Seekers, anatoms, Leechers, and the evil Sinja who seek to control the universe.

All that stands in their way is a boy named Daniel Coldstar, whose journey will change the galaxy forever.

HOW OSCAR INDIGO BROKE THE UNIVERSE (AND PUT IT BACK TOGETHER AGAIN) by David Teague from HarperCollins (November 7th) Oscar Indigo has never been good at baseball, so naturally he’s nervous when he has to fill in for his team’s injured All-Star, Lourdes. Luckily, Oscar has a mysterious gold watch that can stop time, which he uses to fake a game-winning home run. Now Oscar’s the underdog hero of his town and even Lourdes wants to be his friend.

But the universe is a precarious place, and you can’t just steal time without any consequences. If Oscar doesn’t find a way to return the time he stole, the universe will unwind completely.

Oscar wants nothing more than to ask Lourdes for help, but what would a baseball star like her think of a guy whose fake home run actually destroyed the universe? But as he and Lourdes grow closer, Oscar understands that it isn’t always what you do that makes you special—but who you are. And that confidence just might be the key to fixing the universe.

MARTHA AND THE SLAVE CATCHERS by Harriet Hyman Alonso, illustrated by Elizabeth Zunon from Triangle Square (November 7th) Thirteen-year-old Martha Bartlett insists on being a part of the Underground Railroad rescue to bring her brother Jake back home to their abolitionist community in Connecticut. It’s 1854 and though African-Americans and mixed-race peoples in the north are supposed to be free, seven-year-old Jake, the orphan of a fugitive slave, is kidnapped by his “owner” and taken south to Maryland. Jake is what we’d now describe as on the autism spectrum, and Martha knows just how to reassure him when he’s anxious or fearful. Using aliases, disguises, and other subterfuges, Martha artfully dodges Will and Tom, the slave catchers, but struggles to rectify her new reality with her parents’ admonition to always tell the truth. She must be brave but not reckless, clever but not dishonest. But being perceived sometimes as white, sometimes as black during the perilous journey has thrown her sense of her own identity into turmoil. Alonso combines fiction and historical fact to weave a suspenseful story of courage, hope and self-discovery in the aftermath of the Fugitive Slave Law of 1850, while illuminating the bravery of abolitionists who fought against slavery.

MUTANT BUNNY ISLAND by Obert Skye, illusrated by Eduardo Vieira from HarperCollins (November 7th) Ten-year-old Perry Owens has learned everything he needs to know from comic books. So when Perry receives a troubling message from his favorite uncle, Zeke, he knows exactly what’s wrong. Obviously, evil newts wearing trench coats must have kidnapped Zeke. Now they’re holding him hostage somewhere on Bunny Island, the remote vacation destination that Zeke calls home.

On his own, Perry travels to Bunny Island, where dozens of bunnies are running wild. One in particular doesn’t seem quite right. A creature this cute shouldn’t exist in nature. Are there truly evil newts on the loose, or something much stranger…and more disturbingly adorable?

CICI’S JOURNAL: The Adventures of a Writer in Training by Joris Chamblain, and Aurelie Neyret from Feiwell and Friends (November 7th) Cici dreams of being a novelist. Her favorite subject: people, especially adults. She’s been watching them and taking notes. Everybody has one special secret, Cici figures, and if you want to write about people, you need to understand what’s hiding inside them. But now she’s discovered something truly strange: an old man who disappears into the forest every Sunday with huge pots of paint in all sorts of colors. What is he up to? Why does he look so sad when he comes back?

In a graphic novel interwoven with journal notes, scrapbook pieces, and doodles, Cici assembles clues about the odd and wonderful people she’s uncovered, even as she struggles to understand the mundane: her family and friends.

A CHILD THROUGH TIME from DK (November 7th) An original look at history that profiles 30 children from different eras so that children of today can discover the lives of the cave people, Romans, Vikings, and beyond through the eyes of someone their own age.

History books often focus on adults, but what was the past like for children? A Child Through Time is historically accurate and thoroughly researched, and brings the children of history to life—from the earliest civilizations to the Cold War, even imagining a child of the future. Packed with facts and including a specially commissioned illustration of each profiled child, this book examines the clothes children wore, the food they ate, the games they played, and the historic moments they witnessed—all through their own eyes. Maps, timelines, and collections of objects, as well as a perspective on the often ignored topic of family life through the ages, give wider historical background and present a unique side to history. Covering key curriculum topics in a new light, A Child Through Time is a perfect and visually stunning learning tool for children ages 7 and up.

THE LOST FROST GIRL by Amy Wilson from Katherine Tegen Books (November 7th) With a name like hers, Owl never expected her life to be normal, at home or at school. But when Owl finds out that she is Jack Frost’s daughter, her world shifts beyond what she could ever imagine.

Determined to meet him, Owl delves into Jack’s wonderful world of winter and magic–the kind of place she thought only existed in fairy tales. And as she notices frost patterns appearing on her skin and her tears turning to ice, Owl starts to wonder if being Jack Frost’s daughter means that she has powers of her very own.

At once breathtaking and brimming with heart, The Lost Frost Girl is a story of family, friendship, and the magic of embracing who you are meant to be.

THE REAL MCCOYS by Matthew Swanson, illustrated by Robbi Behr from Imprint (November 7th) Her name’s Moxie. Moxie McCoy.

Bold, opinionated, and haplessly self-confident, the world’s greatest fourth-grade detective faces her biggest challenge! When someone kidnaps beloved school mascot Eddie the Owl, Moxie is on the case―but she’s forced to fly solo now that her best friend (and crime-solving partner) has moved away.

Moxie must interview her classmates―both as potential new best friends and as possible suspects. She finds clues and points fingers but can’t save the owl on her own. Enter Moxie’s little brother, Milton. Quiet, cautious, and boring as a butter knife, he’s a good listener.

Can the Real McCoys form an unlikely alliance and solve the crime of the century?

LILY’S  MOUNTAIN by Hannah Moderow from Houghton Mifflin (November 14th) Lily refuses to believe what everyone else accepts to be true: that her father has died while climbing Denali, the highest mountain in North America. Lily has grown up hiking in the Alaskan wilderness with her dad. He’s an expert climber. There’s no way he would let something like this happen. So instead of grieving, Lily decides to rescue him. Her plan takes her to Denali and on a journey that tests her physically and emotionally. In this powerful debut, Hannah Moderow has written an authentic Alaskan adventure that crosses terrain both beautiful and haunting–and ultimately shows the bond of family and the wonder of wild places. 

GOLDELINE by Jimmy Cajoleas from HarperCollins (November 14th) In the wild, free woods of the Hinterlands, where magic is as real as stories are, Goldeline travels from camp to camp with Gruff and his bandits, getting by on the things they steal from carriages that pass through the woods.

But someone is after Goldeline. The same man who wants to cleanse the Hinterlands of anyone who’s different–and who convinced the overzealous Townies that her mother was a witch–suspects that Goldeline might be a witch, too. Now Goldeline must summon all the courage and magic she got from her momma to escape her pursuers, save her friends, and maybe even find a place to call home.

PENELOPE MARCH IS MELTING by Jeffrey Michael Ruby from Delacorte (November 14th) Something sinister has come to Glacier Cove, an icy-cold town that sits on top of an iceberg. Nothing bad ever happens here. Until now. And it’s up to Penelope March to stop it. Mmm-hmm, that Penelope–the bookworm who lives in the ramshackle house with her brother, Miles. The girl with the mom who–poof –disappeared. The one everyone ignores . . . except strange Coral Wanamaker, a tiny thing with raven-black hair and a black coat. When Penelope meets someone who seems to know secrets not only about Glacier Cove but about Penelope herself, she and Miles are pulled into an ancient mystery. Together, they’ll face the coldest, cruelest enemy ever known. Looks like the girl who only reads about adventures is going to start living one. Magic cookies. Volcanoes. Penguins. Sea monsters.  And a girl hero with the strength and imagination to spring into action.

IN THE COUNTRY OF QUEENS by Cari Best from Farrar Straus Giroux (November 28th) Eleven-year-old Shirley Alice Burns lives with her domineering mother, Hurricane Anna, and loving Grandmother. One day she unexpectedly discovers that her beloved father isn’t in Absentia as her family would have her believe, but dead. And she understands all too well why they haven’t told her; she’s always been shy and quiet, and Anna has always been protective of her. But if Shirley doesn’t start speaking up, she isn’t going to be able to do the things she wants to do: go on vacation to Lake Winnipesaukee with her cousins, stop taking ballet lessons, and talk about her father. Through the help of a mouse, her hero Pippi Longstocking, and her cousin Phillie, Shirley finds the strength to give her dreams a voice and convince everyone, even Hurricane Anna, that she doesn’t need to be sheltered, especially from the truth. IN THE COUNTRY OF QUEENS is the debut novel from acclaimed picture-book author Cari Best.

CHARLIE NUMB3RS AND THE MAN IN THE MOON by Ben and Tonya Mezrich from Simon and Schuster (November 28th) Charlie is recruited to use his mathematical prowess to discover what happened to a box of stolen moon rocks in this follow up to Bringing Down the Mouse.Charlie Lewis is really good at math. So good, that he’s approached by a mysterious woman who needs his help. The woman is carrying an incredible item: an actual moon rock, one of the most valuable objects on Earth, and she’s investigating the theft of a box of moon rocks from NASA’s vault at the Johnson Space Center, and believes the stolen rocks are now in the possession of a former astronaut. Although she claims to work at NASA, Charlie suspects she is something else–but he decides the adventure is too good to pass up. Charlie and the whiz kids go undercover by entering the Smithsonian Air and Space Museum’s paper airplane contest, and head down to the nation’s capital. Working together, they master the principles of aerodynamics, wind science, and gravity to excel in the competition.Charlie must decide how far he’ll go to solve the mystery of the stolen moon rocks; is he willing to betray a new friendship? Or has he unwittingly been drawn into something even bigger than some missing chunks of the moon?

ODDITY by Sarah Cannon from Feiwel and Friends (November 28th) Welcome to Oddity, New Mexico, where normal is odd and odd is normal.

Ada Roundtree is no stranger to dodging carnivorous dumpsters, distracting zombie rabbits with marshmallows, and instigating games of alien punkball. But things haven’t been the same since her twin sister, Pearl, won the town’s yearly Sweepstakes and disappeared . . .

Along with her best friend, Raymond, and new-kid-from-Chicago Cayden (whose inability to accept being locked in the gym with live leopards is honestly quite laughable), Ada leads a self-given quest to discover Oddity’s secrets, even evading the invisible Blurmonster terrorizing the outskirts of town.

But one of their missions goes sideways, revealing something hinky with the Sweepstakes . . . and Ada can’t let it go. Because, if the Sweepstakes is bad, then what happened to Pearl?