Publishing & Promotion

Lessons from Becoming a Bookseller

Last year I took a part time job at my local independent bookstore, Annie Blooms Books. I spend seven to twelve hours a week on the floor, restocking books, handling special orders, ringing up sales and helping customers find books. I spend another three to ten hours a week working on author events both in the bookstore and off site. Annie Blooms is a general bookseller with a strong children’s section so I’ve particularly enjoyed broadening my horizons beyond children’s books. Here are ten things I’ve learned from bookselling that have broadened my perspective as an author.

IMG_12941. People like to read what other people are reading. Blockbusters are not entirely engineered by publishers. They tend to occur naturally because reading is a more social activity than it seems.

2. But on a related note, Blockbusters are hard to predict. Sometimes a book gets a ton of hype, a fat advance, even a celebrity author and it just doesn’t connect with readers even if the bookseller happens to love it. Sometimes a quiet title surprises everyone.

3. Indy booksellers love it when an underdog takes the prize, whether the prize is an actual literary award or just strong sales. Indy booksellers are at a disadvantage in the marketplace dominated by Amazon and the big chain stores so we have a fellow feeling for small publishers and debut authors and often go out of our way to recommend underdog books.

4. Reviews matter. Without fail when a book is mentioned on NPR we sell out of that title by the end of the day. Probably we only had 1-3 copies of it in the store, but still, that’s impressive. Sunday is a good day for us because people come in with the newspaper book review section looking for something specifically. I always cared about the loss of regular book reviewing in the local paper. Now I care even more. If you are lucky enough to live in a town that still puts book reviews in the paper, give your newspaper some praise and attention.

5. Libraries are a bookstores best friend. Lots of parents & grandparents come in looking for the book their kid has checked out 500 times from the library. A long hold list at the library tends to encourage people to buy rather than wait. A strong library system feeds avid reading and encourages library goers to buy the best of the library books they’ve read.

6. Often people are buying a book gift for a person they don’t know well. So a bookseller who can spend 10 minutes chatting with them about what 10 year old girls, who like horses and magic but nothing to scary, are loving this year is a huge help. It’s one of the things that most sets a bookstore apart from an online book vender.

7. Book gifts reflect both the pleasure of the readeIMG_1353r and the values of the giver.  I find this especially true of grandparents. They often go for the nostalgia read which is why we still carry book like Mike Mulligan and his Steam Shovel. They also want something that reflects Oregon to send to distant grandchildren. Or something that reflects their family history which is why historical fiction and immigration stories appeal to them.

8. A white book buyer is often choosing books for a  child who is not
white. 
This was a very happy discovery and I’ve learned to be bold about suggesting diverse titles to white buyers (grandparents especially) who are thrilled to see kids on the cover who look, not like them, but like the beloved children in their lives.

IMG_1287_29. Often people are not there for the books. A bookstore more than most shops is a place people come for a little oasis in their busy life. We have families who make it the after soccer game treat every Saturday, friends who meet up before going to the pub next door, people who stop every afternoon on the way back from the dog park and teenagers who come to hang out with their pals. Most of these people don’t buy every time. Sometimes they are just here to pet the store cat or rock on the store dragon.

10. Passion matters. Booksellers tend to gush over their favorite books. They squee happily when someone brings it to the counter. Engage in lengthy patron chat about what else the favorite author has written, and brainstorm similar books. We don’t get paid to care and the books we care about are often not best sellers nationally, but sometimes booksellers can bring to light a book over looked by the big awards and reviewers and make it a star.

 

Interview with Caroline Starr Rose, Author of Blue Birds

Today we are lucky to have an interview with acclaimed author Caroline Starr Rose, whose newest book, Blue Birds, comes out in March. Blue Birds is a story of forbidden friendship told against the backdrop of England’s first settlement in the Americas — Roanoke, the colony that failed. It is a novel in verse told by Alis, a twelve-year-old English settler, and Kimi, a Roanoke girl. The author is offering a special gift to those who pre-order this beautiful book by January 19th. See below for more information.

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Caroline Starr Rose was named a Publishers Weekly Flying Start Author for her debut novel, May B., which was an ALA-ALSC Notable Children’s Book and received two starred reviews. She spent her childhood in the deserts of Saudi Arabia and New Mexico, camping by the Red Sea in one and eating red chile in the other. She has taught social studies and English and worked to instill in her students a passion for books, an enthusiasm for experimenting with words, and a curiosity about the past. She lives in New Mexico. Visit her at carolinestarrrose.com.

You have wonderful writing resources on your website, and are so encouraging of other writers. Can you tell us about your own path to publication?

Thank you! I’m happy to hear it. My own path to publication was a long and winding one. I started writing seriously the summer of 1998. I was teaching at the time. My husband was in seminary, and we didn’t yet have children. A whole, empty summer stretched before me. It felt like it was time to get serious about the writing I’d dreamed about forever.

Just a few weeks before school ended I’d shown my students a video about Roald Dahl. He talked about his everyday commitment to sit with his work for two hours, whether he had something to say or not. He also stopped mid-scene so it would be easier to get to work the next day. These two things felt doable, so I dug in.

That summer left me with a horrible first draft — a middle-grade novel about the Oregon Trail. It also set me up for a pattern I followed for years: drafting in the summer, revising and mailing out queries during the school year.

Truly, I spent years trying to figure things out on my own, largely stumbling around in the dark. I didn’t join SCBWI until 2004 (though years later I found I’d written notes to myself about looking into it). I knew no one else trying to get published. This was the era before blogs. At times it was pretty lonely.

May B. (2012), my first published novel, was actually novel number 4. The publication process was not smooth sailing (you can read about it here, on my blog: http://carolinestarrrose.com/plowing-planting-hoping-dreaming/), but everything worked out beautifully in the end. The journey has been challenging, but a blessing in a lot of respects.

What writers influenced you?

Katherine Patterson. Laura Ingalls Wilder. L.M. Montgomery. Lloyd Alexander. Beverly Clearly. Gary Paulsen. Norton Juster.

Do you have a favorite quote on writing?

My friend J. Anderson Coats shared this with me (she’d heard it from author Elizabeth Bear): “Learn to write this book.” This little phrase has been so liberating. I tend to be a rule follower; if I read about a way I’m “supposed” to write, I’ll feel guilty if it doesn’t work for me. I find each book needs to find its own way. I don’t ever approach the process the same way twice. Realizing my round-about, inefficient approach can be what’s best for this particular book at this particular time has been really, really validating.

Blue Birds cover high res

What inspired you to write Blue Birds?

In 2008 I was teaching fifth-grade social studies. We’d gotten to those textbook paragraphs about Roanoke. Reading about the Lost Colony along with my students, I remembered the fascination I’d felt the first time I’d encountered the story: 117 missing people. The word CROATOAN the only clue left behind. I knew I wanted to dig deeper.

As stories often do, the characters circled back to my own experiences, namely my time as a young girl returning to the US after living in Saudi Arabia and later coming home after being an exchange student. In many ways I was a stranger in a strange land. I wanted to really examine those feelings — the fascination, the difference, the distance with what was once familiar, even — in my characters Alis and Kimi.

Tell us about the cover and how it came to be.

When my editor told me Penguin’s art director had Italian twin sisters Anna and Elena Balbusso in mind [to do the cover], I raced over to their website (http://www.balbusso.com/) and was absolutely blown away. I wasn’t sure how they would depict the girls and worried only Alis might make it to the cover (Kimi only wears a skirt — not exactly something you see on your average mid-grade novel!). Thankfully, they understood the story belonged to both girls and wanted to show their equality and unity in the way they were portrayed.

The Balbussos asked if I wanted a color theme. I chose coral and blue, to reflect the coloring of the eastern bluebird. You’ll notice the bird the girls are holding isn’t colored. It’s a wooden representation of the bluebird. The wooden bird and the eastern bluebird become symbols of their friendship. So really, there are three bluebirds on the cover — the carving, Kimi, and Alis.

May B. was inspired by the American frontier and the Little House books. Blue Birds is also historical fiction, about the first English settlers in Roanoke. How do you find inspiration to create these real and relatable characters who live in times very different from ours?

Thank you so much for saying they are real and relatable. Without this, historical fiction isn’t accessible, I think. I always start with the era and immerse myself in reading. But I then come back to feelings. They are what unite us over the ages. Though experiences, responsibilities, and life expectations are so very different now than at other times, our emotional responses are largely the same: fear, sadness, curiosity, loneliness. If I can draw on these things, I can truly meet my characters…and then share them with readers.

Do you travel to research?

I haven’t yet, but I want to! I’m hoping this is the summer it will happen. Up to this point, my “travel” has largely consisted of YouTube videos on repeat.

Tell us a bit about your writing process. Are you an outliner? Do you use notecards or a writing program like Scrivener?

I keep a journal for each book, full of notes, questions, and sketchy ideas that become my starting place. I best fit the “ploster / pantster” definition — someone who knows a few key turning points and has a pretty good sense of character and setting before digging in. Honestly, drafting is angst-inducing. The something from nothing phase is really hard for me.

Scrivener and I aren’t friends. I really tried and wanted to love it, but it didn’t work for me.

Do you have any writing rituals or superstitions?

Blue Birds was really, really hard for me on many levels. So I started wearing pearls. 🙂 Everyday. With jeans. With sweats. With dressy clothes. It didn’t matter. I just wanted to feel some sort of connection with Alis and Kimi. I’m not sure if it worked, but they felt close and I felt close to the story, even when I wasn’t working on it.

Do you hear from readers much? What kinds of things do they say that are rewarding or surprising?

I love hearing from readers! Just the fact they’ve taken time to contact me is meaningful. And to hear people have connected with my characters is especially dear. Probably the most rewarding interactions I’ve had have been with dyslexic readers who have found courage and dignity in May’s story. These letters bring me to tears.

BB PDF pic for blog posts

This post is part of a week-long celebration in honor of the book Blue Birds. Author Caroline Starr Rose is giving away a downloadable PDF of this beautiful Blue Birds quote (created by Annie Barnett of Be Small Studios) for anyone who pre-orders the book from January 12-19. Simply click through to order from AmazonBarnes and NobleBooks A MillionIndieBound, or Powell’s, then email a copy of your receipt to caroline@carolinestarrrose.com by Monday, January 19. PDFs will be sent out January 20. To see why Rose picked this quote from the book, see her blog post here.

Katharine Manning is a writer and mom of three. She reviews middle grade books at www.kidbooklist.com. You can follow her on twitter @SuperKate.

Procrastination, Celebration, and Hibernation: Seasons of A Writer’s Life

‘Twas the season.

That’s what they say, right? We’ve just ended a season of candlelight, cookies, giving, worship, family, faith, friendship, peppermint mocha lattes.

Now the New Year has arrived, and ’tis the season for resolutions, reflection, diets, new leaves, saying goodbye to old habits, embracing new, healthier ones.

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I’ve come to realize that much of life is seasonal. Especially for me.

Perhaps it’s because my first careers have been in the school setting. As a special education teacher and then a school-based speech-language pathologist, I’ve followed the seasons dictated by a typical school calendar. Off in the summer, back-to-school in the fall, rejoicing over snow days in the winter, celebrating growth and graduation in the spring. Shake. Stir. Repeat.

Or maybe it’s because I married into the farm life. On a working farm, everything revolves around the seasons. Spring planting, summer hay and straw baling, fall harvest, winter shop work. Shake. Stir. Repeat.

I’ve read a lot blogs/interviews about writers who insist they must “write ___ hours every day.” They write faithfully from “____ o’clock to ____ o’clock.” It’s their groove. It’s how they work.

Not me.

Because, for me, even writing is seasonal. My writing seasons have names: Creation. Submission. Promotion. Procrastination. Celebration. Hibernation.

Right now, I’m just coming off a season of Promotion.

kammie Rockford B&N

This year, I had middle grade books release in April, September, and October. After 5 years of no new releases, this was an amazing year, no doubt. Those who don’t know the publishing world ask, “Why did you schedule them so close together?”

Bahahahahahaha! Once I stop laughing hysterically, I try to explain that authors don’t get to schedule a book release. No, there are publishers, editors, marketing folks, book designers and perhaps even divine beings who weigh in on these decisions.

But, lest I sound ungrateful, let me say that I have loved everything about this season of Promotion. I met incredible young readers, older readers, booksellers, librarians, teachers and parents. I visited storied places like The Bookstall in Winnetka, IL and Anderson’s Bookshop in Naperville. I returned to Rockford, IL, the home of the Rockford Peaches and reunited with wonderful folks who were so helpful while researching Kammie on First.

Like all seasons, though, this one has come to an end. And just as fall has stepped aside for winter, I’m done promoting (for the time being)  and ready for what’s next: Creation.

Creation is going to require some Hibernation on my part. Even though I don’t prescribe to the “___ hours of writing every day” theory, I am a sold-out believer in Jane Yolen’s “butt in chair” theory. And on the farm, there’s no better season for hibernation than the dead of winter.

Waiting for spring.

How about you?

What season are you in? Creation? Submission? Celebration? Promotion?  Procrastination?  Whatever your season, embrace it.  Because, like all seasons, this season of your writing life will soon change.

Michelle Houts lives, writes, and plays on a family farm in Ohio. She and The Farmer of Her Dreams are raising children, cattle, hogs, goats, a whole lot of barn cats and a Great Pyrenees named Hercules. Find Michelle on the web at www.michellehouts.com, here on Facebook, and on Twitter as @mhoutswrites.