For Librarians

#MeToo and Middle Grade

On October 15, 2017, actress Alyssa Milano tweeted:

If you’ve been sexually harassed or assaulted write “me too” as a reply to this tweet.

Her message unleashed a hurricane of tweets and Facebook posts that swept the internet. Women (and some men) shared their stories of sexual harassment and assault under the hashtag #MeToo. Many of us asked each other Is there any women alive who hasn’t experienced these things? Many men were shocked at the ubiquity of the problem.

The #MeToo movement, which as of this writing in late December, continues to shake the foundations of power in American media and politics, began ten years ago with Tarana Burke, director of the Brooklyn-based Girls for Gender Equity.

She describes the movement she founded this way:

On one side, it’s a bold declarative statement that “I’m not ashamed” and “I’m not alone.” On the other side, it’s a statement from survivor to survivor that says “I see you, I hear you, I understand you and I’m here for you or I get it.”

#MeToo has focused attention on what feminist theorists call rape culture: the fabric of beliefs, social norms, media depictions, and institutional structures that both normalize and excuse male sexual aggression and sexual violence. The underlying message of rape culture is that the female body exists primarily for male pleasure and male domination.

So why am I writing about rape culture on a blog dedicated to books for middle grade readers?

This post is a call-to-action for those of us who care about young people.

Rape culture exists on a continuum from cat-calling to pats on the butt to solicitations for sexy pictures to assault and rape. And these behaviors begin early.

Consider these examples:

(a) A boy chases a girl and tries to kiss her during elementary school. The girl complains and is told, “He does that because he likes you.”

(b) A boy snaps a girl’s bra. The girl complains and is told, “Boys will be boys.”

(c) A school’s dress code forbids girls from wearing spaghetti straps or short skirts because this attire distracts boys from their school work.

(d) A boy grabs a girl’s bottom, and she slaps him. Her peers accuse her of being too sensitive and over-reacting. Others call her a b*$%#.

In each of these cases, an act of harassment, upsetting in itself, is coupled with the message that girls should be (a) grateful for the attention, that (b) this behavior is “normal,” that (c) girls are the cause of boys’ misbehavior, and that (d) girls should be silent and accept this treatment.

These examples show how we confound desire and aggression and coercion so profoundly that our young people grow up believing that men are supposed to be sexually aggressive and not “take no for an answer,” while women are supposed to both welcome sexual attention and be blamed if their own boundaries are violated.

According to a study of 1,300 middle school students conducted by Dr. Dorothy Espelage of the University of Florida, 25% of girls had experienced verbal and physical sexual harassment. In a similar study of high schoolers, that percentage rose to 68%.

Is it any wonder that the percentage of women responding to #MeToo is 100%?

For young adults, sexual harassment and sexual violence are linked to depression, eating disorders, problems in school, and problems with friends. In adults, sexual harassment and sexual violence are a huge part of why women continue to be at a disadvantage in the workplace.

If we, as writers, educators, and parents who value young people, want to make a real difference in the lives of girls and young women, we need to educate ourselves about rape culture (book list below) and make a commitment to calling out instances of rape culture as it affects young people.

This means having hard conversations about everything from the lack of consent depicted in story of Sleeping Beauty to the current wave of actors, musicians, and politicians being outed as sexual predators thanks to the #MeToo movement. We need to be talking about these things with all our young people—boys and girls alike—if we are going to deconstruct the toxic effects of rape culture and move toward true gender equity.

Resources for learning about rape culture

Asking for It: The Rise of Rape Culture—and What We Can Do About It by Kate Harding, Da Capo Lifelong Books, 2015. In-depth research into present day rape culture.

Missoula: Rape and the Justice System in a College Town by Jon Krakaue, Doubleday, 2015. An incisive case study of rape culture on a college campus.

Yes Means Yes by Jaclyn Friedman and Jessica Valenti, Seal Press, 2008. An anthology that deconstructs rape culture and proposes new paradigms for respecting women’s sexual autonomy.

Men Explain Things to Me by Rebecca Solnit, Haymarket Books, 2015. A collection of essays including one that responds to the #YesAllWomen hashtag and sexual aggression toward women.

Hey, Shorty! by Girls for Gender Equity, Joanne Smith, Meghan Huppuch, and Mandy Van Deven, Feminist Press, 2011. A guide to combating sexual harassment and violence in schools and on the streets.

Slut by Katie Cappiello and Meg McInerney, Feminist Press, 2015. A play and guidebook for combating sexism and sexual violence.

P.S. I am currently writing a nonfiction book for tween and teen readers about rape culture, which will be traditionally published in Spring of 2019. More details as soon as I am able to share them. You can follow me on Twitter at @amberjkeyser or sign up for my newsletters at www.amberjkeyser.com if you want to be in the loop.

Adventure, Intrigue, and Korea, OH MY!

One of the perks of being a teacher is the authors who grace our school halls, no matter where in the world those halls stand. Korea is such a place, currently front and center in recent events.

First, let me say, as a teacher and author, I appreciate the process: long hours, extensive research, pondering, the wrestling and wavering of ideas, bits of your heart and soul on paper. I value how one’s experiences provide rich content for the stories we create and how those events can touch the lives of students in the classroom. I especially love when students are able to connect to the person behind those words.

Meet author, Anne Sibley O’Brien, and her middle grade novel, In the Shadow of the Sun, an adventure story set in North Korea.

When our school librarian announced an upcoming author visit, I was intrigued to learn that the author, Anne Sibley O’Brien, had grown up in South Korea as a daughter of medical missionaries. A prolific picture book author, Ms. O’Brien’s first novel for middle school kids, In the Shadow of the Sun, unfolds in North Korea, a country currently in the midst of rising tensions around the world.

When my class and I pick up an author’s work, I remind them we are looking inside the mind of another person. We are immersing ourselves into a world that has been created from nothing. If someone else was to tell the same story, it would be voiced from a totally different perspective. In Ms. Obrien’s case, we are not only privilege to her writing acumen, but also bicultural experiences that provide sustenance in the backdrop of a foreign land.

Book Synopsis: North Korea is known as one of the most oppressed countries on Earth, with a dictatorial leader, a starving population, and harsh punishment for rebellion.

Not the best place for a family vacation.

Yet, that’s exactly where Mia Andrews finds herself, on a tour with her aid-worker father and fractious (would irritable be better here?) older brother, Simon. Mia was adopted from South Korea as a baby, and the trip raises tough questions about where she feels she really belongs. Her dad is then arrested for spying, just as forbidden photographs of North Korean slave-labor camps fall into Mia’s hands. The only way to save Dad: get the pictures out of the country. Thus, Mia and Simon set off on a harrowing journey to the border, without food, money, or shelter, in a land where anyone who sees them might turn them in, and getting caught could mean prison — or worse.

 Author Interview

In the Shadow of the Sun, Anne Sibley O’Brien

Please tell us about In the Shadow of the Sun and how you came to write it.

Our family arrived in Korea in March 1960, when my parents were hired by the Presbyterian Church to do medical missionary work. I was seven. We lived in Seoul and Daegu and on the island of Geoje, and I attended Ewha Women’s University for my junior year of college. Along the way I became bilingual and bicultural, and that background has influenced the content of some of my books, including the folktale 바보 온달, published as The Princess and the Beggar (now out of print) and my graphic novel of the Korean hero tale, The Legend of Hong Kil Dong: The Robin Hood of Korea. 

Those books were both inspired by retellings of traditional Korean stories. In the Shadow of the Sun, however, is a completely original story, and a modern one. The inspiration for the book was a radio interview in which my attention was drawn to the people of North Korea in a way I’d never thought of them before. (More about the story here.) That led to a ten-year process of research and writing, including several remarkable encounters with North Koreans who had defected.

You can find more about my childhood and background, photographs and videos, responses to the novel, and whether I’ve ever visited North Korea, on the novel’s blog, InTheShadowOfTheSunBook.com. There is also an activity guide created by Island Readers and Writers.

How do the events in your book tie into our current events with North Korea?

In the Shadow of the Sun is the first fictional portrayal of contemporary North Korea for young English-speaking readers. When I was writing it, I never anticipated just how much the DPRK would be in the spotlight!

The picture of North Korea that’s presented in the media is such a cartoonish one. I think it’s important to consider not just the government but the people, everyday citizens who have no say in what their leaders do. Of course, my plot is a completely imagined one, but I’ve tried to weave in bits of current North Korean politics and society — and most of all, people — in a way that will give readers a glimpse of what it might be like to live there today. In the Author’s Note, I also recommend other books and films which can add more context. I hope that people might come away from the novel with a sense of the humanity of North Korea’s people.

 

 

Dealing with Mental Health Issues in Middle Grade Literature

Mental Health in Middle Grade Literature

Mental Health in Middle Grade Literature

(EDITED TO ADD: Responsibility in these kinds of topics is of the utmost importance. There are many books that do NOT handle issues like these appropriately–and some that increase stigmas rather than assuage them–so please make certain that books are informed whenever they assert any kind of mental illness. Familiarize yourself with the Diagnostic and Statistical Manual of Mental Disorders, build relationships with professionals, and be careful that books you recommend are supportive and empowering rather than detrimental. 

It is important to represent these children in the fiction they read, but it is essential that they be represented well.)

So I’ve been thinking a lot lately about mental health and neurodivergence in children’s literature.

As a bit of background, I’ve worked with teens and tweens in various capacities for most of my adult life, providing mentorship and guidance to kids from all sorts of backgrounds. And I’ve seen all types; enough to know that neurodiversity—that idea that everyone’s brain works differently—is the order of the day. Every child is different.

But in those differences, I’ve also seen a lot of hurt. Social structures come easy for some kids, but not for others. Some excel at math, while others look at numbers and see Greek. Many, many struggle with deep insecurities when they see the difference between themselves and those kids who are celebrated by the culture at large. And sometimes those differences in cognitive function provide enough pain and disruption to a kid’s life that they leave any sense of normalcy behind.

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

That’s a painful place to be. Students who find themselves on the margins of what we call “mental health” often experience an overwhelming sense of confusion and sadness as a result. They feel lost, adrift, and often, alone.

It’s part of our nature, I think, to believe that when hard times come, we are the only ones facing them. And when a child’s daily experience consists of a consistent string of hard times and marginalization—of any type—that sense of loneliness and hopelessness can grow even greater. As those feelings grow, so too does the gulf that these kids experience between them and the world at large.

This isn’t just something to only consider once a kid gets older and their “brain has developed,” as some might say. Statistics from the National Alliance on Mental Illness say that half of all mental health conditions begin by the time a child turns fourteen. Half. That means half of all people with these mental health issues are first experiencing these issues when they are readers of middle grade literature.

And yet, when I start seeking out books for this age group that feature these kinds of kids, the pickings are often slim. This is the time in these kids’ lives when they’re discovering what their life is going to be like—what they are going to be like—and they (and the adults in their lives) have to work hard to find examples of other kids coping with these experiences.

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

I’ve overheard parents say that they don’t want their kids reading “books like that,”—referring to those books that address mental health issues—because they don’t want their kids “exposed to that sort of thing.” This is exactly the problem, though. The kids whose parents want to shelter them from neurodiversity and neurodivergence often end up with distorted understanding of kids in their own schools who experience life differently from them. And a child who’s experiencing these feelings of differentness and otherness needs to know that their experience isn’t something to just discount. Their life has infinite value, even if they don’t realize or believe it yet.

That’s where the educators, librarians, and authors of middle grade come in. It’s our responsibility to give these kids access to books they can see themselves and learn that they fit in the world, just like anyone else. They need to know that it’s okay to claim a spot on the map and make it their own.

And I have been grateful to find more books and authors doing this lately. Books like the Alvin Ho series by Lenore Look and Kenneth Oppel’s psychological horror The Nest give us a look at kids exhibiting some OCD tendencies. Dusti Bowling’s Insignificant Events in the Life of a Cactus centers on a girl with physical challenges, but her close friend deals with his Tourette’s throughout the book in a very positive way. Patrick Ness’s A Monster Calls, Anne Ursu’s Breadcrumbs, and Claire Legrand’s Some Kind of Happiness all give heartfelt portrayals of depression. Donna Gephart’s Lily and Dunkin provides a deep rendition of a boy dealing with bipolar disorder. And Anne Ursu’s The Real Boy puts a beautiful fantasy twist on neurodiversity.

The Nest by Kenneth Oppel (image by Sean Easley)

The Nest by Kenneth Oppel (image by Sean Easley)

These are still only the tip of the iceberg. It’s important that kids with cognitive differences be normalized because—in reality—the existence of these kinds of differences IS normal. These kids are all around us. They are us. Librarians and teachers know how common those differences are, and often do a wonderful job of celebrating those books that will reach these kids where they’re at. And putting those books in the hands of kids who don’t have those cognitive “differences” will go a long way to building compassion, understanding, and acceptance of kids who feel unloved, confused, and unaccepted.

What books have you loved or recommended because they gave honest, normalizing portrayals of neurodivergence? Add your suggestions in the comments below!