For Librarians

The View from Under the Fantasy Umbrella

timeofthefireflies_cover01finalftp1Hello Mixed-Up-Filers!

During the last 10-15 years Fantasy has **exploded** in children’s literature with hundreds, if not thousands, of marvelous and exciting titles. But each book we describe as “fantasy” actually fits within a sub-category under the Umbrella of Fantasy.

the little white horse miss-peregrineHerewith are the definitions of all those genres and a book list with suggested titles to explore.

 

 

Definitions of Fantasy Sub-Genres:

Fantasy: Stories where supernatural phenomena is a primary element of plot, theme, or setting. The stories take place in imaginary worlds where magic is common.

High Fantasy: Hero’s Quest or Big, Epic Fantasy with many species of creatures, and fully realized worlds (like Middle Earth) with its own particular history. Dragons and Knights-in-shining-armor usually abound.

Paranormal: Stories with fantastical creatures or situations that give you the creepy crawlies. i.e., vampires, werewolves, zombies, ghosts, angels, demons, to name a few.

WinterfrostDystopian: An alternate timeline or future in which modern day society has crumbled and is in a repressive and controlled state, often under the guise of being a utopian. Dystopian societies are often imagined as police states with unlimited power over the citizens. Includes end-of-the-world scenarios.

Science Fiction: A genre of fiction dealing with imaginary but more or less plausible content such as future settings with futuristic science and technology, space travel, aliens, and paranormal abilities. Exploring the consequences of scientific innovations is one purpose of science fiction.

Urban Fantasy (or Gothic fantasy): descriCinder-the-lunar-chronicles-34174401-842-1271bes a work that is set primarily in a city and contains aspects of fantasy. These matters may involve the arrivals of alien races, the discovery of earthbound mythological creatures, coexistence between humans and paranormal beings, conflicts between humans and malicious paranormals, all set in a big city somewhere in our own world, such as London, San Francisco, Vienna, or Prague.

Myth: A traditional or legendary story, usually concerning some being or hero or event, with or without a natural explanation, especially one that is concerned with deities or demigods and ex-plains some practice, rite, or phenomenon of nature.

Legends & Fables: These terms usually refer to stories that are handed down by tradition. Legend denotes a story (sometimes involving the supernatural) usually concerned with a real person, place, or object, as in the legend of the Holy Grail. A fable is specifically a story (often with animals or inanimate things as speakers or actors) designed to teach a moral.

Lumiere-Jacqueline GarlickSteampunk: incorporates elements of science fiction, fantasy, alternate history, and speculative fiction. Steam power is widely used in an alternate history such as Victorian era Britain, Wild West America, or a post-apocalyptic time —that incorporates elements of science fiction or fantasy. Steampunk features anachronistic technology based on a Victorian perspective.

Ninth WardMagical Realism: A style of fiction which firmly takes place within the regular world in which magical elements blend with the real world. The story explains these magical elements as real occurrences, presented in a straightforward manner that places the “real” and the “fantastic” as equal or the same.

SinisterSweetnessFairy Tales: A story that features folkloric fantasy characters, such as fairies, goblins, elves, trolls, dwarves, giants, mermaids or gnomes, and usually magic or enchantments.

 

Examples of Each Sub-Genre:

(Basic) FANTASY:
Howl’s Moving Castle by Dian Wynne Jones
Tuesdays at the Castle by Jessica Day George
The Amaranth Enchantment by Julie Berry
Incarceron by Catherine Fisher

the false princeHIGH FANTASY:

The Lord of the Rings by J.R.R. Tolkein
Dealing with Dragons by Patricia C. Wrede
The Queen of Attolia by Megan Whalen Turner
Inkheart by Cornelia Funke
The Chronicles of Prydain (The Book of Three, The Black Cauldron, The High King) by Lloyd Alexander

URBAN FANTASY (or Gothic fantasy):

Tantalize (Series) by Cynthia Leitich Smith
The Borribles by Michael de Larrabeiti
The Painted Boy by Charles de Lint
Vodnik by Bryce Moore
The Wall and the Wing by Laura Ruby

PARANORMAL:

Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
My Haunted Library (Series) by Dori Hillestad Butler
The Time of the Fireflies by Kimberley Griffiths Little

picture deadDYSTOPIAN:

Z is for Zachariah by Robert C. O’Brien (same author as Rats of N.I.M.H.)
Divergent by Veronica Roth
Life as We Knew It by Susan Beth Pfeffer
The Giver by Lois Lowry

SCIENCE FICTION:

Chronal Engine by Greg Leitich Smith
Invisible Sun by David Gills
The Adoration of Jenna Fox by Mary Pearson
These Broken Stars by Amie Kaufman and Meagan Spooner

MAGICAL REALISM:

When the Butterflies Came by Kimberley Griffiths Little
Winterfrost by Michelle Houts
You Will Call Me Drog by Sue Cowing
Bigger than a Breadbox by by Laurel Snyder
Ninth Ward by Jewell Parker-Rhodes

When the Butterflies Came Cover Art  from ErinMYTH:

Seven Wonders (Series) by Peter Lerangis (Greek Myths)
The Mermaid’s Mirror by L.K. Madigan
Goddess of Yesterday by Caroline Cooney
Where the Mountain Meets the Moon by Grace Lin

LEGENDS AND FABLES:

The Brixen Witch by Stacy DeKeyser
Tyger, Tyger (Series) by Kersten Hamilton
The Extraordinary Adventures of Alfred Kropp by Richard Yancy
Avalon High by Meg Cabot
Goose Girl by Shannon Hale

STEAMPUNK:

Clockwork Angel (Series) by Cassandra Clare
The Boneshaker by Cherie Priest
Lumiere by Jacqueline Garlick
The Mesmer Menace (Gadgets & Gears Series) by Kersten HamiltonCinderskella Cover

FAIRY TALES:

Beauty by Robin McKinley
Mira, Mirror by Mette Ivie Harrison
Cinder by Marissa Meyer
The Grimm Legacy by Polly Shulman
Cinderskella and Little Dead Riding Hood by Amie & Bethany Borst

In the comments, please tell us some of your favorite fantasy genre titles. We’d love to add more to our list!

Kimberley Griffiths Little’s best ideas come when taking long hot baths, but instead of a sunken black marble tub with gold faucets and a dragon-shaped spigot, she has New Mexico hand-painted tiles in her adobe home along the Rio Grande. She makes a lot of chocolate chip cookies when writing/revising.

Her four Middle-Grade novels with Scholastic have won several awards and Forbidden, the first of a Young Adult trilogy recently published with Harpercollins. Find Kimberley on Facebook. and Twitter:@KimberleyGLittl Teacher’s Guides, Mother/Daughter Book Club Guides, and fabulous book trailers “filmed on location” at Kimberley’s website.

 

A Love-Letter to Children’s Books

Saturday’s Western Washington University Children’s Literature Conference was a love letter to children’s books. Attended by over 600 librarians, educators, and writers, it featured four amazing talents: Kate DiCamillo, Matt de la Pena, Yuyi Morales, and Joyce Sidman.

Next year’s Children’s Literature Conference will feature Cynthia Lord, Gene Luen Yang, Peter Brown, and Melissa Sweet. If you get a chance to head to Bellingham, Washington next February, I’m guessing it will be just as great as this year’s conference!

For those of you who weren’t able to be there this year, here are some highlights. I hope you find them as inspiring as I did!

Swirl by Swirl by Joyce Sidman

My eight-year-old daughter’s new-favorite book of poems.

One of the nicest things about this conference was finding a new author to add to my list of favorite. Joyce Sidman, a talented and award-winning children’s poet, is now on my list. Her poems feature natural rhythms and biological facts with a sense of wonder and mystery that is really compelling.

She spoke about how she comes up with her ideas and said most of them came from what she called “dawdling” out in nature: looking, hearing, smelling, feeling. That rich sensory imagery runs throughout her lovely poems.

I write for the person inside me who wonders about the world. –Joyce Sidman

Viva Frida by Yuyi Morales

Viva Frida by Yuyi Morales

Picturebook author/illustrator Yuyi Morales exudes infectious energy as she speaks. That vibrancy is reflected in her fanciful drawings, which often recall the folklore, culture, and history of her birthplace in Mexico.

When we start sharing stories, we realize how interconnected we are. –Yuyi Morales

The Hunted by Matt de la Pena.

Matt de la Pena’s new book, The Hunted, comes out in May.

I’m from Indiana, so I consider myself honor-bound to know about anyone who writes basketball stories for children. But even knowing his books didn’t prepare me for Matt de la Pena’s dynamic talk. He emphasized the importance of humility in reaching reluctant readers, and pointed out that self-definition is often even more limiting than the labels that are applied by others to children in today’s world. The talk was a good reminder not just to write for the eager reader, but to write for the child that has not yet discovered a love of books.

Books become a secret place to feel. –Matt de la Pena

2014 Newbery Medal-winner Flora & Ulysses

2014 Newbery Medal-winner Flora & Ulysses

I would be lying if I didn’t admit that Kate DiCamillo drew me to this conference. Her beautiful, heart-wrenching stories inspire me every single time I pick one up. So it’s no surprise that she was kind, humble, a little shy, very funny, and all around magnificent in person. Getting to thank her for writing the glorious Flora & Ulysses was a bucket-list item for me.

I’ll leave you with my favorite quote from the conference:

It’s a privilege to have anything to do with books. –Kate DiCamillo

 

Interview with Award-winning Author Sarah Albee and a Giveaway!

Please welcome award-winning author Sarah Albee!

Sarah Albsarah-albee1ee is the author of more than 100 children’s books. She has had three of her books appear on the New York Times children’s bestseller list.  She currently has an upper-middle-grade, nonfiction book published in May, 2010 about the history of toilets and sanitation entitled POOP HAPPENED! A History of the World from the Bottom Up, and a follow-up title under contract due out in 2013 about how insects have affected human history. She blogs daily on a variety of science and social history topics geared toward middle-grade readers (sarahalbeebooks.com/blog). She spent nine years as an editor at Children’s Television Workshop, working primarily for Sesame Street and attending both the Bologna and Frankfurt Book Fairs.

 

Here’s her new release!

Why’d They Wear That?  from National Geographic Kids (Feb 2015)
Move over Project Runway. Get ready to chuckle your way through centuries of fashion dos and don’ts! In this humorous and approachable narrative, kids will learn about outrageous, politically-perilous, funky, disgusting, regrettable, and life-threatening creations people have worn throughout the course of human history, all the way up to the present day. From spats and togas to hoop skirts and hair shirts, why people wore what they did is an illuminating way to look at the social, economic, political, and moral climates throughout history.

Fanatastic reviews for her new book:

“Now see, the reason I like National Geographic Kids is that they’re reliable.  Take Why’d They Wear That?, for example.  You know what you’re getting here, even if you don’t know the details.  Mind you, the details are where all the good stuff is.” School Library Journal

“Full of period images that show off every bustle, frill, and rivet, this wide-ranging guide to clothing throughout time will fascinate history and fashion buffs alike.”Publisher’s Weekly 

 

Thanks for joining us Sarah! Here are some questions we have for you: 

You write both fiction and nonfiction- Do you like one genre better?

I love that I get to do both. And I do think writing for different genres is a great opportunity. My fiction editors appreciate that I like to do research. And my nonfiction editors appreciate that I know how to tell a story. At present, though, my passion is nonfiction.

  What was it like working at Sesame Street?

It was a fantastic place to work. I landed a job there soon after I graduated from college. I loved the humor, the music, the travel, the creativity—and just being surrounded by so many talented people. It was a dream job.

                       

Your nonfiction books are so much fun! How did you get interested in writing nonfiction?

Thanks for that! I’ve always been interested in nonfiction. As a kid, I read the World Book Encyclopedia for fun. It’s only been in the last 6-7 years, though, that I’ve been able to devote larger chunks of time to researching and writing longer, middle-grade books. For years, when my kids were young, I wrote a lot of work-for-hire and younger fiction and nonfiction. It was fun, and rewarding, and I learned how to meet tight deadlines and never get writer’s block. But now that my kids are older and don’t need me around as much, I feel like I’m in a new phase and I’m loving the flexibility to choose a topic I’m passionate about and plunge into it.

 Three of your nonfiction books, including your newest, take a specific topic from the beginning of civilization to the present time. Why so broad a category?


I often ask myself that very question—why do I keep writing the same book over and over–the history of the whole world from ancient times to the present? But what I love to do is to trace one theme chronologically through human history, ideally a theme that kids will find interesting. First sanitation (okay, poop), then insects, and now, with my new book, crazy fashions. Chronology is really important to me. Some might call a broad sweep through history superficial, but often kids don’t get enough context when they study historical units in school. They might study ancient Egypt, or the American Revolution, but they may not have a good sense where and when these events fall on the historical continuum. And the beauty of tracing a theme through history is that I am not limited to one time or place—I can take a snapshot of the world from multiple places and perspectives, as long as I can relate them all to my theme. For instance, in Why’d They Wear That? in the chapter on the seventeenth century, I was able to include the Pilgrims in America, Oliver Cromwell in England, Louis XIV in France, sedan chairs, tanning leather, and the weird trend of wearing face patches—because I could tie everything together with fashion.

 How much time does it take you to research one of these books? Where do you start?

                                                

I spend about a year doing research—but it’s not all I’m doing, of course. I usually have various book projects in different phases at the same time. For instance, I just finished two new book proposals, and am working on a first draft for my 2017 book, but am beginning research on a new idea. And my new book, Why’d They Wear That? (National Geographic), launched on February 10th so I’ve been super busy with publicity for that.

For research, I have the greatest library nearby—my husband is a high school teacher, and we live close to his school. His school’s library has fantastic subscriptions to various academic search engines, and the librarians are awesome and helpful. I make frequent trips to DC to research at the Library of Congress and the National Archives, and then, depending on my topic, to more specialized academic libraries. I also interview experts, in person if possible, but also via Skype.

  Do you travel to places to research your books or do it from your house?

A little of both. Every place I go—whether it’s a school visit in another state, a family vacation, or a museum trip—I see as a research opportunity. And whenever I can, I visit a place I want to write about, to get a feel for the sights, sounds, and smells. I’ve been to the Paris sewers, and Lyon, France where they still make silk, and a cotton mill museum in Lowell, Massachusetts so I could hear for myself how deafening the sound of the looms are. And last fall, I visited the poison plants garden at Cornell University to research a future book project.

 Can you tell us three fun and unexpected facts you discovered when researching your latest book?

Early versions of men’s athletic trunks—the kinds acrobats and boxers wore in the late nineteenth/early twentieth century—were the same in front and back, which must have resulted in a terrible wedgie.

Shoes, even for the wealthy, who could afford custom-made shoes, did not come in right and left until the latter part of the nineteenth century.

old-shoes

As late as the nineteenth and even early twentieth century, most young boys in Europe and America from well-to-do families wore petticoats up until the age of six or seven, when they’d be “breeched,” and dressed in pants. Once you start looking for them in portrait paintings, you start to see boys in dresses everywhere.

Okay, one more: 4. In seventeenth century Venice, most men, women, and children wore masks for a huge part of the year, and not just during Carnival season. It made it hard to tell the identity, or social class—or even the gender, sometimes—of most people, and allowed them to participate in some serious debauchery incognito. It was quite a bizarre phenomenon.

 What tips can you give people if they want to write nonfiction? 

Find a topic you feel passionate about, and don’t worry about whether it will “sell.” It’s a really exciting time for nonfiction right now—there’s so much great nonfiction being published, and writers can really develop their own voice and style, more than ever before.

Thanks for joining us Sarah!!

Giveaway!

Sarah has generously donated an autographed copy of her new book,

Why’d They Wear That?  

To win this prize, tell us the craziest outfit you ever wore below.  

************

Jennifer Swanson is the author of over 20 nonfiction books for kids.  Like any good scientist and author, Jennifer is rarely without a notebook and she writes down her observations throughout the day. It is a practice she encourages many young readers and writers. You can visit Jennifer at  www.JenniferSwansonBooks.com,  her special place to explore the world.