For Librarians

Time Slipping Middle Grade!

The concept of time travel or time slipping has always fascinated me, ever since I read the book, Magic Elizabeth when I was in fourth grade. I also read Madeline L’Engle’s A Wrinkle in Time series, of course, with interstellar time travel.

Magic Elizabeth

I often lament that science hasn’t given us time-wrinkling, or time-folding yet, so I can zip across the country for a writer’s conference or a book signing for an author friend, or meet the other writers and authors I correspond with through Facebook and Twitter. I mean, really, time travel inventors–get with the program!

But the great thing is that we can time-slip through books – which I always talk about when doing author visits at schools. Books and stories can take us ANYWHERE, ANYTIME! That’s the real magic of reading!

A_wrinkle_in_time_digest_2007

Here are a few titles I particularly like, including two time travel/time slipping MG’s that I wrote. Because of course I would write one of these stories when I love them so much.

AND! Here’ s a link to a children’s book blog that features Time-Travel Tuesday posts. The blogger has delineated the titles by time period and included author names and dates of publication. http://charlotteslibrary.blogspot.com/p/time-travel-books.html

The Last Snake Runner1

The Last Snake Runner by Kimberley Griffiths Little (2001) MG

Wild Robert, by Diana Wynne Jones (1989) MG

Three Lives to Live, by Anne Lindberg (1992) MG

Archer’s Quest, by Linda Sue Park (2006) MG

Crashing the Party, by Perdita Finn (2007)

Frozen in Time, by Ali Sparks (2009) MG

*The Hotel Under the Sand, by Kage Baker (2009) MG

Justin-Thyme-jacket

The Prince of Fenway Park, by Julianna Baggott (2009) MG

Benjamin Franklinstein Lives! by Matthew McElligott and Larrry Tuxbury (2010) MG

The Witchy Worries of Abbie Adams, by Rhonda Hayter (2010) MG

The Witchy Worries of Abbie Adams

The Dead Gentleman, by Matthew Cody (2011) MG

Counterclockwise, by Jason Cockcroft (2009) MG

11 Birthdays, by Wendy Mass (2009) MG

 

 

Justin Thyme, by Panema Oxridge (2011) MG

A Year Without Autumn, by Liz Kessler (2011) MGA year without autumn

Odessa Again, by Dana Reinhardt (2013) MG

 

 

 

 

The Time of the Fireflies by Kimberley Griffiths Little (2014) MG

Time of the Fireflies_Cover

The Glass Sentence, by S.E. Grove (2014) MG

 

 

 

 

 

glass-sentence

If you *also* love Young Adult novels this list has many terrific titles as well:

http://charlotteslibrary.blogspot.com/p/time-travel-books.html

What are your favorite time-slipping books? Please tell us in the comments!

 

 

Kimberley Griffiths Little has published 10 award-winning novels with Knopf, Scholastic, and Harpercollins. Her most recent MG, The Time of the Fireflies, was named a Bank Street College Best Books of 2015, a Whitney Award Finalist, a Letters of Mormon Arts Award Finalist, and was recently chosen for the William Allan White Kansas State Children’s Choice List for 2016-2017. Find Kimberley on Facebook and Twitter @KimberleyGLittl

More Podcasts for Middle Grade Fans!

In September, From the Mixed-Up Files’ own Kate Manning wrote a great post on Podcasts with Middle Grade Authors and I started loading my phone with fabulous content just the right length to tackle on a commute, a Mom Taxi run, or while waiting for an appointment.

A photo of headphones and an iPad.Since the fall, the number of bookish podcasts seems to have exploded. So here’s an updated list of podcasts on middle grade books to help our avid fans learn about new books:

The Yarn by Travis Jonker and Colby Sharp – The Yarn takes listeners behind the scenes of children’s literature, and lets them look at all the threads that must be weaved together to create a book.

The Narrative Breakdown by Cheryl Klein and James Monohan – Each episode, they analyze popular novels, movies, Broadway shows, television shows, short stories, and more. Featuring various expert guests as well as material from Cheryl Klein’s book ‘Second Sight’ and James’ app ‘The Storyometer.’

Children’s Books – The Guardian. Leading children’s authors discuss their work with young readers and the Guardian literary team.

HarperCollins Children’s – Now HarperCollins Children’s has its own podcast on children’s books as well.

SCBWI Conversations – Now the Society for Children’s Book Writers and Illustrators has another great reason to join–a great series of podcasts interviewing leaders in the children’s book field.

Kids’ Book Corner – Hear an indie bookseller talk about her favorite children’s titles on her blog.

Book Club for Kids – One of our MUF readers let us know about this podcast, which lets you hear what kids think about their favorite middle grade books!

What are your favorite podcasts? Let us know in the comments!

 

 

When Traditionally Published Authors Make the Leap to Indie Publishing

CarolI’d like you all to meet my friend and mentor, Carol Gorman. She’s the author of more than 40 books for young readers. Dork in Disguise, originally published by HarperCollins, was nominated for 10 state children’s choice awards and was the winner in 5 of those states. Her books have sold to various book fairs and audiobook companies in the U.S. and to publishers in England, France, Germany, Sweden and Finland.

I first met Carol when I moved from Minnesota to Iowa in 1994. She was what I wanted to be: a published author! I’d published a few magazine stories at that point, but nothing else. I could hardly believe that such an accomplished author would be interested in me. But that’s Carol!

She taught me about Three Act Structure, how to audition for and work with book packagers (which started me on my own career), what to look for in an agent, what to look for in a contract, how to put together a good school visit presentation. Much of what I know about writing and publishing, I can trace back to some conversation I had with Carol.

And now she’s set up shop as an indie publisher. I’m so impressed by all she’s learned and accomplished. So here’s a peak at what it’s like for a successful, traditionally published author to make the leap to indie publishing.

You’ve published many books with traditional publishers. What got you interested in indie publishing?

The experience with my 40 traditionally published books was very stressful for me. I’d hope and pray that an editor would like my manuscript, that I’d get a great cover, that the book would come out when it could get noticed, and that it would stay in print for a long time. So the idea of actually getting some control over these things was very appealing. I could choose and hire my editor, approve the cover art, design or approve the interior, publish the book when it would work in my life, manage my own book launch, and maybe best of all, make sure the book is available as long as I’m alive and interested!

Was it hard to learn how to do this?

Yes. I’m still a novice; I have so much more to learn! Business and sales are not in my natural skill sets. But I hooked up with online and onsite courses in Lincoln City, Oregon taught by Dean Wesley Smith, Kristine Kathryn Rusch, and Allyson Longueira. They taught me the basics and are still teaching me, as I am ready to learn more.

What was the hardest part?

It would have been designing my cover. But I’m realistic and know that I don’t have the talent for that. I’ve seen so many covers that, frankly, look self-published: the 6 x 9-inch cover using a generic photo, no author or book blurbs on the front, amateurish copy, etc. So I’m using a smaller trim size, which is more expensive—printing costs are determined by number of pages—but looks more professional, I think. And I’m hiring artists for the cover illustration and book designs. Claudia McGehee designed the logo for my publishing company, Skylark Lane Press, and I love it. I’m also absolutely thrilled with the illustrations and designs from artist Candace Camling for my Dork novels. She’s interested in doing a lot more of my books, and I’m so happy about that!

Carol's logo

dork cover

I took an online course on interior book design with Dean Wesley Smith and Allyson Longueira which was the best course of any kind I’ve ever taken. I learned enough about InDesign that I can do my book interiors. I know that Joel Friedlander has very reasonably priced print and ebook design templates that many writers use and like. But I didn’t want to be limited to his designs.

What was the easiest?

I don’t think any part of this is easy. But I love it so far! It’s hard work and frustrating, but it’s so gratifying when the book is ready and It looks very good, and I feel confident about the story.

Were there any surprises along the way?

I can’t think of any. I knew I’d have a steep learning curve—or mountain—to climb. I think many people learn these things more easily than I do. People with business acumen, people who have design talent, people who are good at detail work, these people will grasp the minutiae more easily than I have.

Do you think you’ll return to traditional publishing?

No. I don’t want to go back to feeling so helpless. I’ve decided that I’d rather earn less money but have control over the publishing process. I do think, though, that if I learn how to do this right, I should be able to earn a very good living. I’ve started very slowly because of the strain of my husband’s 14-year battle with bone cancer and the grief of losing my sister to breast cancer last summer. It’s hard to focus and learn new things when these crucial life events take over. But over time, I’ll get more books out, I’ll know the steps to take, and I expect the process to become smoother.

Do you have any tips or suggestions for other traditionally published authors who might be considering indie publishing?

Yes. I recommend that you start your own publishing company so that the company name is listed on the copyright page. You want to be an indie publisher, not a “self-published writer.” If you have your own publishing company, it demonstrates that you’re take your writing and your business seriously. You’re going to write and put out a lot of books, not just one or two. (That said, I have to admit that Skylark Lane Press doesn’t yet have a website. That’s the next thing to tackle.) The publisher website can be a part of your website or a separate entity.

Also, take classes from Dean, Kris, and Allyson, and learn everything you can. They hold an on-site 8-day workshop once a year for experienced writers who want to become publishers of their own work. The workshops are tremendously helpful and inspiring. Dean and Kris have written best-selling novels. They’ve had a wealth of experience writing, publishing, and in distribution and promotion, and they like sharing what they’ve learned.

Thanks, Carol, for answering my questions. Please visit Carol’s website to learn more about her and her books.

Dori Hillestad Butler is the author of the Haunted Library series, the Buddy Files series and many other books for middle grade readers. For more information visit her website or look for her on Facebook or Twitter.