Curriculum Tie-in

STEM Tuesday–Checking Your Health– Interview with Author Gail Jarrow

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Gail Jarrow about her Deadly Diseases Trilogy: Red Madness, Fatal Fever, and Bubonic Panic. Both Red Madness and Bubonic Panic are among this month’s featured health and medicine books. Gail is an author of nonfiction books for ages 8-18 about science and history (and the history of science). Her books have received many honors, including the YALSA Award Nomination for Excellence in Nonfiction, a Notable Social Studies Trade Book, Outstanding Science Trade Book, a NSTA Best STEM book, the Jefferson Cup Award, the Eureka! Gold Award, an Orbis Pictus Recommendation, as well as Kirkus Reviews and School Library Journal Best Books and VOYA Honor Book distinctions.

                

Mary Kay Carson: How did these books come about?

Gail Jarrow: It all started with a chance discovery in the Cornell University library stacks.  While researching scurvy for a magazine article, I spotted a shelved book on pellagra written by a Cornell professor I had met. Even though the book wasn’t about my topic, I took it home to read because I knew her. I was fascinated by this forgotten nutritional deficiency disease that had once affected millions of Americans, and I sensed it would make an interesting story for young readers. But pellagra turned out to be one of those ideas you file away until you can figure out how to approach the subject. I didn’t figure it out for a dozen years. After online databases made it easier to access old medical journals and hundreds of newspapers from the early twentieth century, I saw a way to write Red Madness as a medical mystery using the experiences of doctors and pellagra victims. As part of my pellagra research, I used U.S. Public Health Service reports from the early 1900s.  I came across many entries about typhoid fever and plague, two other epidemic diseases that the Public Health Service was trying to control then. That was how Fatal Fever and Bubonic Panic were born from Red Madness, completing the Deadly Diseases trilogy. It goes to show that new ideas can be hiding anywhere and it pays to be receptive to them.

MKC: I have to ask, which of three deadly diseases—plague, typhoid, or pellagra—would you least like to suffer from? 

Gail: These diseases all have nasty symptoms. But without question, I would NOT want to contract plague. It is the deadliest of the three. We have effective antibiotics for plague today, but the survival rate is decent only if you’re diagnosed early on. If you have pneumonic plague, your chances diminish drastically. Antibiotics work against typhoid, though scientists are seeing more antibiotic resistance. Yet even before we had those drugs, the majority of typhoid victims recovered. Pellagra is easily treated with diet change or niacin supplements.

MKC: These books were quite a journey through primary sources. Do you have a favorite finding?

Gail: Of all the intriguing information I uncovered, my favorite had to do with typhoid fever. I discovered that the epidemiologist who tracked down Typhoid Mary had—four years earlier—helped end a typhoid outbreak in Ithaca, New York, where I live. He determined that the likely source of that outbreak was a creek not far  from my house. Finding connections to your own life makes history and science come alive. When I write for young readers, I look for ways to connect the book’s content to their lives. For example, in Fatal Fever, I included specific details about the physical effects of typhoid on college students in Ithaca, some of whom died during the 1903 epidemic. I found these case studies among infirmary records and other local archival material. Because the victims were teens, I hoped this would help my readers relate to a disease they probably knew nothing about.

MKC: Any further reading recommendations for fans of the Deadly Diseases Trilogy?

Gail: To add a few to the STEM Tuesday Checking Your Health list: Suzanne Jurmain’s Secret of the Yellow Death deals with medical sleuthing. John Fleischman’s Phineas Gage: A Gruesome But True Story About Brain Science would grab young readers. I really enjoyed Poison by Sarah Albee and How They Croaked by Georgia Bragg, two books that use humor to explore medical topics.

Want to know more about Gail Jarrow and the Deadly Diseases Trilogy?

 

Win a FREE copy of BUBONIC PANIC: When Plague Invaded America!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids. @marykaycarson

 

STEM Tuesday — Deep Space and Beyond — In the Classroom

Let’s launch into nonfiction literacy with this month’s theme, Deep Space and Beyond!

Space is the star of the show this month. From asteroids to zero gravity, there are human interest and general STEM themes interwoven with this theme.  Have a blast as you explore the Solar System and beyond!

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Try a Trio.

Emphasize the human heart of science as you compare and contrast the stories in a trio of books: Team Moon (Catherine Thimmesh), Mission to Pluto (Mary Kay Carson), and Voyager’s Greatest Hits (Alexandra Siy).  Focus on the motivations, challenges, worries, and risks involved in reaching for big, ambitious goals that advance scientific and technological frontiers.  Students can consider which missions they find most interesting; which one they think they would most like to have been involved in; and where else they think humanity should explore. They might also write about what they see as the advantages and disadvantages of  human explorations compared to robotic ones.

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Elizabeth Rusch’s IMPACT! Asteroids and the Science of Saving the World focuses on professional scientists’ efforts to understand asteroids and their, er, impacts, both past and potential, on Earth. Then Rusch invites readers to get involved in citizen, or amateur, asteroid science. (After reading this book, who wouldn’t want to join the fun?) Page 64 offers resources to help engage your group, or just one motivated kid, in efforts to track asteroids, discover one, or even save the world from an asteroid! Rusch provides tips for meteorite collecting, but it might be easier to collect tiny micrometeorites. Their incredibly long adventures through space can end on rooftops and in downspout debris. They’re ready for pick-up by the well-informed, slightly lucky, prepared amateur with a magnet. Check out Popular Science’s DIY article for details. (Be sure to get all the appropriate permissions and scout only in safe areas when collecting!)

 

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Readers zipping through Dr. E’s Super Stellar Solar System  (Bethany Ehlmann with STEM Tuesday’s Jennifer Swanson) might appreciate the mind-boggling size of the solar system after they make and revise solar system models to various scales. Get started with a scale and relevant data for a football field-sized model, found on page 18. Before heading out to the gridiron, however, help students map out the model.

Begin by sketching the football field on cm-grid graph paper and locating the planets’ orbits on it. (Each cm represents one foot on the field and 5 million miles in real space.) At this scale, students will find the field is too small for all orbits; students will need to adjust the scale so all planets can fit. New map in hand, head outside. Students can position themselves at the scaled planetary distances from the Sun.

Reading on, as students find that the solar system extends farther than the planetary orbits, they can track distance data for all Solar System features mentioned in the book. At the scale students used before, where in the community beyond the field would these features have to be placed?

For more depth, consider the scale of the objects and other models.

  • Is the model of the Sun (an orange) the right size for this scale?
  • If not, what would be?
  • What are the strengths and limitations of various 3D and illustrated visual models of the solar system that students have encountered?

 

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Metaphors and imagery help scientists flesh out ideas for themselves. Piggy-backing new ideas onto ones we already grasp is also important in science communication, especially when it comes to fascinating but abstract, challenging concepts related to black holes.

Keep a class log of the metaphors, analogies, and other comparisons used by scientists and the authors—including Sara Latta, author of Black Holes: the Weird Science of the Most Mysterious Objects in the Universe and me, author of A Black Hole is NOT a Hole. You’ll find some, for example, on page 35 of Black Holes, where Latta quotes Neil deGrasse Tyson describing galactic (and black hole) cannibalism : “…the big galaxies get bigger; the little ones get eaten”. By contrast my book begins by challenging  such anthropomorphism (“monstermorphism”?); soon, starting on page 8, the text compares a black hole to a whirlpool.

  • What other examples can readers find of scientists or writers using metaphorical language to describe black holes and related ideas?
  • In what ways does each metaphor work as a model and in what ways does it break down? What metaphors do students come across in other science contexts?
  • Based on their own world experience, what metaphors can students develop for the science concepts they are learning?

 

Make It Your Mission. Just as it took 400,000 people—Team Moon–to launch humanity to the moon, it takes a big Team STEM Tuesday to launch kids into getting the most of their STEM and STEM reading experiences. We would love to hear from you.

  • What books on this month’s list do you want to bring to your young readers?
  • Which of this month’s suggestions intrigue you most?
  • What other ideas, thoughts, and questions around using space books with your young learners do you have?

 


portrait of author Carolyn Cinami DeCristofanoSTEM author Carolyn Cinami DeCristofano writes books for kids about space and other topics. Her lively author programs bring engaging science and writing experiences to readers.  As co-founder of Blue Heron STEM Education, she provides teacher professional development and creates curriculum resources for classrooms and other contexts.

Think Like Socrates: Middle Grade Readers and Socratic Discussion

A teaching tactic from antiquity…in the MG classroom, library, homeschool group, summer reading program, or book club? Absolutely! Perhaps you’ve heard of or participated in a Socratic discussion (also called Socratic method, dialogue, seminar, and questioning). It’s been a great way to get learners thinking, listening, and expressing since Socrates encouraged his students to do the same in Ancient Greece!

Socratic discussion allows each group member to contribute ideas and to listen to the ideas of others, while thinking critically about an open-ended topic or question. Even elementary students can become skilled in the techniques of Socratic discussion—and middle graders, with their developing abilities in complex thinking and making connections, are excellent candidates for this activity. In a Socratic discussion on a book, chapter, or reading passage, middle grade readers have the chance to articulate their ideas and serve as active listeners to other readers doing the same.

What are the goals with Socratic discussion in a reading group? Whether you are a librarian, a teacher, a book club guide, a homeschooling parent, or a summer program facilitator, Socratic discussion can fulfill many reading goals for your group of middle graders:

  • provide readers with an opportunity for sharing ideas;
  • promote critical thinking skills;
  • demonstrate how each reader’s takeaway from a book can be different, and to teach acceptance of differing viewpoints;
  • allow an outlet for a variety of levels of thinking, listening, and speaking;
  • encourage and motivate readers through active learning.

How is a Socratic discussion different from a debate? Open-ended questions guide Socratic discussions—the kinds of questions that do not have defined, simple answers. There is no right/wrong, winner/loser, argument/refutation/rebuttal. Ideally, the ideas flow from all readers, and all readers listen and respond when moved to contribute. Readers can disagree with an idea, and offer a different thought for consideration—but unlike a debate, the objective is not to prove the other “side” wrong—because there is no opponent.

Also, while a debate may focus primarily on one issue, a Socratic discussion welcomes new, connected questions into play—maybe even questions that you (as the discussion guide) hadn’t considered.

Some methods for a successful Socratic discussion:

  1. Let readers know at least a day in advance that they will be participating in a special activity called Socratic discussion. They may need a quick briefing on the concept, if it is new to them.
  2. Explain that readers should arrive having read the MG book (or a particular chapter, passage, or part) in advance of the discussion day. (Consequently, Socratic discussions work very well with the “flipped classroom” model.) Each reader should bring his or her copy of the book, for handy reference during the discussion.
  3. If you have a particularly reserved group, you might let them know the discussion question(s) ahead of time, and encourage each reader to bring 2-3 ideas to the discussion.
  4. You’ll need chairs in a circle, so that readers can see each other. If the group is so large that two smaller discussion groups are warranted, the waiting group might need an activity while waiting, or they can enjoy extra reading time.
  5. Create several guiding questions that are open-ended, involve reader reaction, and can be supported or detailed with moments from the reading. Here are some examples of guiding questions for two MG novels I read recently. (Though, as open-ended questions, with a bit of tweaking they might work well for many others too.)

The Crossover by Kwame Alexander

  • Remember that a character can be dynamic or static. Relationships between characters can be dynamic, too. How are the relationships in The Crossover dynamic? (Extension question—how do dynamic characters in the book cause their relationships to be dynamic as well?)
  • How does the format (verse) of this novel impact its storytelling?
  • Choose any secondary character and describe him or her with three adjectives, explaining the moments in the book that led you to your choices.

The Inquisitor’s Tale by Adam Gidwitz (with awesome medieval-style illuminations by Hatem Aly)

  • Whose story is this, ultimately? In other words, if you had to choose, which one (and only one) character is the book mostly about—one of the three children, one of the storytellers, someone else? What events and/or character reactions lead you to feel that way?
  • What theme topic (or theme statement) comes out most prevalently in this story? What parts of the book support your choice?
  • How did the method of storytelling (multiple first-person retellings, each one acting as an omniscient narrator!) impact your reader experience? What predictions or questions did you have while reading? 

 

6. Just prior to the discussion, briefly review these guidelines with your middle graders before revealing or reviewing the guiding question to discuss:

When a reader would like to contribute an idea, he or she does so—the discussion guide does not have to acknowledge him. (Then, how to tell who has the floor? One way: the speaker simply stands to speak. This allows everyone to focus on him or her, and gives a sense of importance to the ideas being contributed. If two or more readers stand at the same time—what a great problem to have!—establish an easy, impartial rule for speaking first, such as who has the earliest (or latest) birthday date in the calendar year.)

Acknowledge other readers’ ideas, and reference the speaker by name. (Providing readers with some leads to use as models in formulating their verbal contributions allows even shy speakers to confidently contribute an idea, and encourages the forming of good discussion habits: “I agree with what John said about….” “I think another way Emma’s idea shows up in this chapter is….” “I hear what Caitlyn is saying and another way of putting it might be….” “I disagree with Hayden, because I think that character…..”)

7. After these reminders, reveal or review the question for discussion, and invite the ideas: “Who would like to begin?” Your role as a guide can be challenging—because now, you mostly need to keep quiet! Interject a guiding comment if clarity is needed—“Who can restate in your own words the idea Brianna mentioned?”—or to regenerate a hook—“Let’s go back to Sierra’s question about the main character. Any thoughts on that?” However, refrain from offering your own ideas or introducing any new content in the middle of the discussion.

Also, bring a speaker back on track if he or she drifts into lengthy personal storytelling. A quick mention of an individual experience is great to show connections—“That scene reminds me of when I took this long road trip across the state”—but an overly detailed recounting of a family vacation stalls the discussion.

8. Allow the discussion to pick up tangential ideas and new questions, as long as the readers are engaging in critical thinking about the book.

9. Wrap up the discussion when new ideas begin to wane—and before interest in the question or topic fades. Interest gained from the discussion motivates readers into the next chapter or book, which hopefully drives additional interest going into the next discussion.

With a little practice and guidance, middle grade readers can benefit from and enjoy this classical technique!