Book Lists

Indie Spotlight: Hooray for Books! Alexandria VA

screenshot_812Today we’re talking with Ellen Klein, founder-owner  of
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in that town of avid readers, Alexandria, Virginia (www.hooray4books.com).

Sue Cowing for Mixed-up Files: I gather Hooray for Books began where another shop left off and was founded by some of its booksellers, so it’s a long tradition, right?
Ellen:Yes. A Likely Story closed its doors in November 2007, after serving the Alexandria community for more than 20 years. As a full-time bookseller at that store, I knew there were many loyal customers who would sorely miss having an independent, locally owned children’s bookstore in Old Town. That was the impetus for opening Hooray for Books! in June 2008. What really keeps me going, though, is seeing how excited the children are about everything we do in the store, at their schools, and in our community.

MUF:I’m so glad you tell us something about each of your individual booksellers on your website.  Just glancing over the rich variety of their interests and experiences and the titles they list of favorite books, I can just picture a middle-grader coming into your store to browse, asking for a recommendation, and coming out with a book to love for life!

Erin Hunter and Survivors Fans

Erin Hunter and Survivors Fans

Ellen:Yes, we’re all readers here at the bookstore, so we’re always happy to talk about new books with the children. Many of the children are regular customers, so we’ve learned what kinds of books they most enjoy reading and, often, we’ll order books with the thought, “Oh, so-and-so will want to see this book!” I should add that this is true for our adult readers, too!
Being an independent bookstore means that we’re responsible only to our customers – to anticipate their needs and respond quickly to their requests. What we stock on the shelves is, of course, limited by the size of the store, but we work with more than 400 vendors to try to have on hand the books and other merchandise that we believe our customers would like. If, however, we don’t have exactly what they want, we’re usually able to get it for them within a week or two.

MUF: How do you choose the books to carry in your shop?  Are there some favorite titles, fiction or nonfiction, new or old, that you are recommending to middle-graders this summer?
Ellen:We choose  titles based on several factors: gut instinct; reading an advance review copy; advice from our publisher reps; reviews from other independent bookstores; and customer recommendations. As for summer reading recommendations for middle graders, there are many great books, but I’d be remiss if I didn’t mention books by authors who will be coming in the fall: Peter Nimble and His Fantastic Eyes by Jonathan Auxier; the Accidental Adventure series by Alexander London; and the Dragon Chronicles series by Ellen Oh.

MUF:Apparently Alexandria is a reading community.  Is that part of the secret of your shop’s success? What kinds of outreach do you have to your community?
Ellen:Alexandria is said to be the nation’s leader when it comes to readers of children’s books, which is great! We work very closely with a local literacy organization, Wright to Read, to ensure that new books are donated to economically disadvantaged children throughout the city. With Wright to Read, we also cohost the annual Alexandria Story Festival, which is a free event that gives children a unique opportunity to meet award-winning authors. We work with many other organizations, too, as well as public schools in Alexandria and the surrounding counties, to bring books and authors to a wide variety of events.

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Judy Bloom signs copies at HFB 

MUF:What have been some of your favorite events at the store?  What’s coming up in the next month or so?
Ellen:For our middle grade readers, we offer two book clubs that meet once a month, year-round. The clubs are very popular because the members read and review copies of books not yet published—and we post the young readers’ reviews when the books are published. We also host events at the schools, public libraries, and the store. Just a few of our upcoming events include Aug. 26th at the store with Ty Burson (Let Sleeping Dragons Lie); Aug. 27th at the Bethesda Public Library with five middle grade authors; Sept. 8th at the store with four middle grade authors; Sept. 19th school and store events with Caroline Carlson (The Very Nearly Honorable League of Pirates); and Sept. 28th–the Alexandria Story Festival.

MUF: If families from out of town Hooray for Books, would there be a family-friendly place nearby where they could get a snack or meal after browsing? And if they could stay awhile, are there some places or activities in the neighborhood or the city they shouldn’t miss?
Ellen:We’re fortunate that right at the corner is a coffee shop, The Uptowner, which makes great sandwiches and wraps and is very popular with our customers. As for sightseeing, I’d recommend visiting the George Washington National Masonic Memorial, which is about three blocks west of the bookstore on a hill that Thomas Jefferson argued should be Capitol Hill. I’d also highly recommend the Torpedo Factory Art Center on Union St (at the city marina), where visitors can see more than 100 artists at work.

Waldo went that-a-way!

Waldo went that-a-way!

 MUF: Thanks,Ellen for taking time out to talk with us.  One thing you said in passing really sticks in my and reminds me why we continue to spotlight children’s bookstores here on The Mixed-Up Files: “Being an independent bookstore means that we’re responsible only to our customers.”  That seems to be the underlying difference between children’s bookstores (all of which are independent)  and chains or on-line booksellers and goes far to explain visiting an Indy is so much more fun and rewarding.
Readers, let us know if you’ve visited Hooray for Books! or would like to go.  And if you’re just too far away, tell us about a favorite children’s bookstore nearer to you.

Sue Cowing is the author of the middle-grade puppet-and-boy story You Will Call Me Drog (Carolrhoda Books 2011, Usborne UK, 2012)

 

Tricks to Critiques

When your writing project, whether it be a novel, a poem, or a short story, has reached a place where you feel happy about it, keep in mind that your perception of it is a little like if you pressed your nose against a mirror to check if your hair looks good. You’re simply too close to it to see it properly. Now is the time to add the greatest addition to your tool box. No, not a blow dryer. What you need are the fresh eyes of a trustworthy critique partner. But finding this magical partner and then making good use of the feedback that she offers can be tricky. The following is a list of questions frequently asked by writers who are looking for a constructive critique.

How do I find a critique partner?

The best way to find fellow writers is to take a class. Most towns have universities that offer affordable classes for adult education in various subjects such as creative writing. Here, you’ll have an opportunity to read or listen to your classmates’ writing samples and you’ll soon know whose style fits with what you like or what you can connect with. I don’t mean to say that you want to find the “best” writer in the class and latch onto them, but rather, cue yourself in to a style that resonates with your writing sensibilities and ask that writer if they’d be interested in exchanging a few pages. If it goes well for both of you, then you can suggest exchanging full manuscripts.scbwi-logo

Another great place to meet writers is at a writers conference. Given that this is a blog for middle-grade readers and writers, I’ll assume that your interest is in children’s books. So I’d highly recommend becoming a member of
The Society of Children’s Book Writers and Illustrators. The SCBWI is, in my opinion, the best resource available. Most regions offer one or two big conferences a year, each lasting a full weekend, and their workshop and luncheon schedule is designed to help writers meet one another.

If you don’t have either the time or the finances for a class or a conference, you can find online writers’ message boards, such as Verla Kay’s Children’s Writer’s and Illustrator’s Chat Board. Verla Kay is a picture book author who started this forum, also called the Blue Board, about ten years ago. It was on this board that I found my critique buddies. And even though we’ve never met in person, we’ve all become close friends as well as cheerleaders for one another’s writing triumphs.verla kay

 

When is the best time during the process to request a critique?

Every writer is different. I know writers who meet as a group every other week and critique each other’s progress, chapter by chapter. This works well for them because it holds them accountable for maintaining their personal writing goals. They can’t procrastinate getting that word count up when they know it’s their turn to present their work on a scheduled date.

When I am first starting a new project, I like to write a few chapters and then pass those chapters along to almost anyone who’s willing to read them (for me, that person is my husband) and tell me if the idea is worth pursuing. If I get a thumb’s up, I’ll keep working on that project until it is completely finished. I may try to revise and polish it up, but if I have a person who’s patient (or held captive, such as my husband) I prefer to let him see the work in its messy but complete phase. At this point I’ll request what I call a “Big Chunk Critique.” I ask things like: Does this scene make sense? Is this element believable? Is the ending satisfying?

After I receive the Big Chunk Feedback, I revise and polish the manuscript according to the suggestions, plus I tidy and tighten up everything else. When it’s completely finished and I feel absolutely satisfied with it, I send it off to my critique partners. Then I prepare for my satisfaction to get turned on its head. It’s okay though because that’s what those readers are supposed to do. I want them to show me what doesn’t work and help me face head-on the manuscript’s problems. I think it’s important to add that my partners are also good at telling me what they liked and what places made them laugh or cry. Not only do their compliments please my ego, but they also help me know what scenes I need to leave alone.

Is a paid critique from a professional worth the cost?

If you’re interested in finding someone to give you a professional edit of your complete manuscript you can expect to pay a lot of money. Check closely the credentials of the person offering the services and make sure your manuscript is of a genre or category that is the editor’s expertise. Most writers I’ve talked to who have paid for an edit have said that yes, it was worth it. Does it guarantee that after you revise according to the suggestions you’ll find an agent or a publisher? Sadly, no, it does not. But usually the paid edit includes a few pages of detailed notes about your story plus comments throughout the pages of the manuscript. This kind of feedback is an education in itself. Even if it doesn’t help you sell this particular manuscript, you may learn something about your writing that will help you write your next manuscripts.

What if I don’t agree with the suggestions in my critique?

It’s perfectly fine to disagree. Accept the advice graciously and if you have questions or need clarification on some of the notes or comments, hopefully your critique partner will let you feel free to ask. Once you understand everything and you’re still not sure how you feel about the suggestions, then put the manuscript away for a while, maybe a few days, maybe a few weeks. When you’re ready to look at it again, pull it out and carefully consider everything that’s been said. Then start scratching off each comment you disagree with and keep the ones that resonate with you.

If you have the right partner, the purpose of her critique will be to help you make your manuscript what you want it to be.

 

Jennifer Duddy Gill is the author of forthcoming The Secret of Ferrell Savage (Atheneum/Simon & Schuster, February, 2014).