Book Lists

A Non-fiction book birthday for our own Laurie Edwards

laurie photo Laurie Edwards is a Mixed Up Files member with a very busy month. Three of her non-fiction titles come out this month. They are all from the educational publisher Cengage and they are: Ancient Egypt, Imperial China, and West African Kingdoms. She graciously stole a few moments away from her time with a brand new grandbaby to answer my questions. Thank you and quadruple congratulations!

1) All three of your books are about the ancient world. Do you have a long standing interest in history?

Egypt coverI’ve always been fascinated by life long ago. I especially like finding out how people lived, so I enjoyed doing the research for these books. Sometimes we think that ancient people weren’t very advanced, but that isn’t true. All three of these civilizations invented items that are still used in our times, and scientists and historians are still trying to figure out how they created certain things. For example, no one knows for sure how the Egyptians built the pyramids.

 

My love of history also extends to fiction. I’m writing a young adult novel set in ancient China and two middle grade novels, one set in Russia during the pogroms and one set in Eastern Europe in 1050 CE. Capstone is publishing my young adult series set in the Wild West that I’m writing as Erin Johnson. The first two books, Grace and the Guiltless and Her Cold Revenge are out now, with two more to follow. I spent a lot of time doing research for all of these books.

I took a quick look at these titles and I think they’re going to be terrific for teens with a thirst for western writing which is not all that common in YA.

2)Your publisher works within the education market. How did you come to work with them? Do they assign a topic with an overall road map to the structure of the finished project or do you come up with the topic and structure yourself?

I’ve worked for Cengage, the publisher of these books, many times doing writing and editing. I started by writing short articles for them, and then later they asked me to write books. The first books I wrote for them were a biography of Rihanna, the Encyclopedia of Native American Tribes, and Pirates through the Ages (yes, another history title!).

West African coverBecause these 3 new books are part of a 10-volume set, the publisher wanted them to be consistent, so they gave me topics for the chapters (e.g., Geography, Art, Transportation and Communication) and a general layout for each chapter. The chapters needed to include a brief introduction, 2-3 sidebars, a glossary, 2-3 activities, and a set of questions. I chose what material to include in each chapter.

 

3) What was your favorite juicy tidbit from researching these books? Did you have a particularly useful source or an unexpected one?

I like finding primary sources, which are actual documents or pictures from people who lived during that time. The Chinese and Egyptians both kept good records of events, so I read translations of many ancient documents. We also included some as sidebars in the books. The West Africans didn’t have a written language for much of the period the book covered, which meant that their primary sources were the griots, or storytellers, who memorized all their history.

China coverOne of my favorite documents was a list of rules from an ancient Chinese boarding school. Instead of bells, they used clappers. The first time the clappers sounded, students woke and washed. By the second round of clappers, they needed to be dressed in their robes. After that, they bowed to their teachers. They then followed a whole list of rules, many of which sound like classroom rules today, such as sitting properly, writing neatly, keeping desks tidy, and not eavesdropping. Students took turns washing the floor at the end of each day. Some different rules included never taking off their caps, socks, or shoes even in their rooms, and never going to bed before their elders.

Other fun sources were a list of rules from a Chinese pirate ship run by a woman and descriptions of Egyptian mummification. I also discovered ancient recipes, poems, stories, plays, jokes, and paintings showing daily life. Many of these can be found in the sidebars.

I love this! The combination of familiar rules–like write neatly–with completely wacky rules–like don’t go to bed until all the grownups are asleep and never take off your shoes! You’re a natural at making history engaging.

4) Do you do something special with the MG audience in mind?

Because MG readers are curious, I try to find unusual and interesting facts that will surprise them. But I also like to show that children from long ago have are like modern children in many ways. Knowing that ancient children disobeyed their parents, disliked school, or skipped their chores makes them more real and relatable.

5) I’ve only done a little bit of writing for educational publishers and it has been a while. If a person was interested in writing for the educational market what advice would you give them?

Educational writing is strongly tied to the core curriculum, so having some experience as a teacher or some knowledge of the expectations for the various grade levels is important. Rather than coming up with your own topics, you need to be willing to write books on the subjects that the publishers need or want. To get work in this field, check what publishers are looking for freelance writers and follow their guidelines. Many request a resume and a sample chapter. If they think your writing is suitable for their imprints, they may assign you a book or even a series.

6) Do you have a favorite MG non-fiction title or two you’d like to share?

Two nonfiction authors whose books I love are Candace Fleming and Susan Bartoletti. All of their books are well worth reading.

Here are the two most recent titles by these two authors.18691014

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Thanks again for sharing Laurie. Happy book birthday and happy  birthday to your new grandchild!

 

 

 

Second-person Point of View

You’re reading a book. You’re minding your own business. But you don’t see it coming, until . . .

WHAM!

Second-person point of view smacks you upside the head and you realize you are in the story!

1st-person Point of View:

In middle-grade, tons of authors use first-person POV. A character in the story acts as the narrator, telling about his or her own experiences.

I learned something on the first day of fifth grade—never mess with a girl who can break 1-inch boards with her elbow.

3rd-person Point of View:

Third-person POV is also popular, using an outside narrator to tell what happens to the characters.

Kaylie knew it was going be a rough day when she woke up with a chicken standing on her forehead. And she knew it was going to be a really rough day once the chicken started pecking.

2nd-person Point of View:

So . . . how about second-person POV, where the author acts like the reader is a part of the action? Well, there’s not much out there.

When you ran away, the toughest thing about using a bus was all the waiting.

Second-person POV got stuck in my head recently (a scary place to be!) because I was reading Rebecca Stead’s Goodbye Stranger. From chapter to chapter, Stead used alternating viewpoints throughout the novel, with one of the viewpoints written entirely in second-person. I found the POV to be both surprising and refreshing!

Goodbye Stranger


And, of course, this got me thinking: What other middle-grade books are written in second-person point of view?

Choose Your Own Adventure

As this question percolated, my first thought was a blast from my childhood past—the Choose Your Own Adventure series.


Then I thought of an ongoing nonfiction series that I’ve found many middle-grade students really enjoy—the You Wouldn’t Want to . . . series.

You Wouldn't Want To-1 You Wouldn't Want To-2


And then . . .

Nothing.

That was it.

One middle-grade novel, a nonfiction series, and then a fiction series first published when I was still in elementary school. (And let me tell you—that whole in-elementary-school thing was a few decades ago.)

Now I’ll admit—there are plenty of middle-grade books that occasionally address the reader directly (such as Okay for Now by Gary Schmidt). There just aren’t many that fully immerse the reader in that viewpoint. So . . .

Know of any other middle-grade books where the author uses second-person POV to put you into the story? If so, you can post in the comments below.


T. P. Jagger The 3-Minute Writing TeacherAlong with his MUF posts, T. P. Jagger can be found at www.tpjagger.com, where he provides brief how-to writing-tip videos as The 3-Minute Writing Teacher plus original, free readers’ theater scripts for middle-grade teachers. He also has even more readers’ theater scripts available at Readers’ Theater Fast and Funny Fluency. For T. P.’s 10-lesson, video-based creative writing course, check him out on Curious.com.

A Reason to Read

Obie

My daughter and her horse, Obie.

It’s often said if you want to befriend a horse, you earn its trust by standing still, then turning and walking away. The hope is that the horse will follow.  When my oldest daughter had no desire to read, I was at a loss-what books would entice her to follow me down the literary path? She loved hearing me read aloud, but bucked when it came to reading for school or on her own.

Then my family’s horse genes kicked in, with all four hooves. My grandpa on my dad’s side had worked on a ranch, and my maternal grandpa had raised ponies. I’d grown up in the saddle and obsessed over all things equine as a girl. So of course I was delighted when my daughter’s tween years became “the barn years.”

HorseClassics

Hoping this new-found passion would lasso her into reading, I offered her my favorite horse books. And even though it was hard as a homeschooling mom, for an entire year I left my daughter alone-no book reports, no quizzes, no pressure. Just a girl and her horse books. She began to devour them and beg for more. I signed her up for monthly book clubs, and she galloped through the pages. Recently, she was helping her younger sister pack before her wedding, and my daughter grabbed up her horse books and hugged them. “I’m taking these home,” she declared, and I couldn’t help but smile remembering the little girl who had once hated to read. (Two of my favorite books that aren’t pictured above are National Velvet by Enid Bagnold and Misty of Chicoteague by Marguerite Henry.)

HorseSeries

Now my daughter’s dream  job (besides being a professional barrel racer) is to become a librarian. On average, she says she reads five novels a week.

I’m convinced that the way to get a child to befriend books is simply by finding the right hook, whether that be sports, humor, or horses.

For more great horses and reading posts, check out this MUF post by Jen K. Blom and this MUF post by Jaye Robin Brown.

What are your favorite horse books? What books were the “hook” for you or your reluctant reader?

stacks_image_46Louise Galveston is the author of BY THE GRACE OF TODD and IN TODD WE TRUST (Penguin/Razorbill). She grew up on horseback in Oklahoma. This is not one of her more sensible moments.