Author Interviews

A Passion for Literacy and Service, Knitted Together

Sabrina Carnesi is a middle school librarian with a passion for knitting. We met at a multicultural literature conference in Norfolk, Va., and when she started to tell me about her knitting program for students, I was utterly fascinated. You will be, too.

Tell me a little about your program.

The name of my student knitting circle is Knitting4Life. The rule for being a participating member in the circle is to knit four items of whatever project has been assigned: the first well-made item goes to the less fortunate; the second item goes to a friend; the third item goes to a family member; and the last to self. If the student does not have a friend or family member who can use the items, they are all contributed to someone in need.  Our first meeting was held in October 2009, at the beginning of my second year in the building.

What kinds of kids join your program? How do they grow in the program?


Most students come from various socioeconomic backgrounds with as varied a profile of personalities. (So far, the boys have not lasted too long, although they are made aware that there are male knitters in the world.) The circle seems to break everyone down to the same plane of existence, because each student depends on the other for their knitting survival. They have to help each other out with practicing their newly acquired skills. The loud aggressive girls learn how to speak softly. The quiet shy students learn to assert themselves. All the members come to realize that their skill is one that helps others across the age groups, because they work on projects used from infancy to adulthood.

When my first circle started, they were teased unmercifully by students calling them granny…until they produced their first hat… and their first scarf…then the requests rolled in to make them a hat or scarf too…and it became a status to wear a handmade hat by their new friend. Nowadays there’s no more name calling, but the requests definitely roll in.

K4L students at a daily knitting session

What is your own history with knitting?

My experience with knitting started in my grandmother’s house by simply observing and assisting in rolling the yarn that she got from her brother’s sheep. This yarn was seldom dyed or treated, but made the warmest hats and bed socks you can imagine. When I reached the magical age of 9, I made my first hand-sewn monstrosity that was referred to as a dress (I had to wear it in public too). I knew the knitting was soon coming and was absolutely delighted that my first knit project (a hat) was not as poorly made as my first dress. My grand also knew how to crochet, can veggies and fruit, and make potpourri from her rose petals and apple peelings and cores (from the apple tree in our yard, of course) and poor little me had to learn how to do it all.

Now almost 50 years later, I am so grateful for what my grandmother taught me. I even have my own sheep that I pay for the feeding of so I can now have winter hats and bed socks just like the ones I use to have as a little girl.

How / why did you decide to start this program?

Initially, I wanted to use the group as a catalyst to help change the culture of my school building. I observed many students, at that time, showing much interest in sporting elite brands but not harboring a sense of giving back to their community. As a child, I constantly saw adults in my hometown giving back. This was also something that was verbally communicated…that everyone, no matter how small or humble the talent, was responsible for using that talent to share with others.
What I soon came to understand was that many students didn’t realize they had something of value to share or give back. They underestimated the strength of their abilities and were more aware of their voids and weaknesses. My heart was so torn. As the school librarian, I used checkout time to have quick book chats and human interest chats about service empowerment…nothing overbearing… for example, I spoke to my cookbook squad about their love for cooking and how they could use that to help others. The more I spoke to the students one-on-one, the more I thought about what I could do personally. That’s when the idea of knitting came to mind.

What kind of community support do you get? What kind of support do you give back?

We have annual projects that we work on each year: children’s scarves for Christmas baskets at our town’s “Downtown Christmas Party” and preemie hats for NICUs in our two area hospitals. The preemie hats are our most popular projects, because no one believes that the hats were knitted by middle schoolers. I also like the circle to practice their technique on the baby hats, because if they can successfully make an infant hat, they can then make one for themselves.

My first community cheerleader was Sheila Reuben, the owner of one of our local knitting shops, the Village Stitchery. She allowed our girls to come to the shop and sit in the back room for a session. She also gave us leftover yarn and loads of yarn for give-away prices. Her own knitting circle started coming down to share their projects with my knitters. Word has gotten around and we are constantly finding bags of yarn left at our door with no name…just a bag of yarn.

A lot of people are going to think, knitting is really nice, but what does that have to do with literacy? How do you make that connection in your library?

When K4L knitters began to conduct research for new knitting patterns, they use both print and digital resources and communicate with each other via emails, text messaging and social networks.

A school library’s program is deeply entrenched in providing guidance for students to successfully access information for academic and personal needs. For academic purposes, the steps for accessing information and completing a final project are called the inquiry process. Knitters go through the same exact same steps for each new knitting project as students go through to complete a research project, from generating questions and collecting information, to organizing materials and evaluating the project. (For a complete list of how knitting develops research skills, read Carnesi’s article, A Common Chord in Our Beliefs, in Knowledge Quest, Journal of the American Association of School Librarians, starting on page 62.)

What hopes do you have for the future?

Members of the circle impact the lives of everyone around them with their skills. Parents come to me all the time with testimonies of how K4L has totally turned their child around as a person. What I wish for in the future, is that one day my older knitters that have gone on to high school will feel a need to start a Knitting4Life circle in their schools and pass the skill and service tradition on.

K4L also has a photo blog at http://cmsk4l.edublogs.org/research-skills-and-knitting/. You can also visit Carnesi’s main library web page at http://mariehollandlibrary.edublogs.org/.

Wendy Shang just may attempt her first knitting project for the holidays.

 

Indie Spotlight: Monkey See, Monkey Do

Anyone who thinks children’s bookstores are becoming a thing of the past probably needs to get out in the country more!  True, some wonderful old favorites are no longer with us, but others are doing just fine and wonderful new ones keep springing up, even in these recent hard times.  Today we’re talking to owner Kim Krug of Monkey See, Monkey Do in Clarence,  New York, whose small-town shop is just over three years old  and  has already become an asset  to the community and  earned the 2012 Pannel Prize for Children’s Specialty Bookstore from The Women’s National Book Association.
Sue Cowing for Mixed-Up Files: It’s always a pleasure to discover a new—and thriving—children’s bookstore. What led you to start one up in Clarence, New York?
Kim: Our three children inspired me to open a children’s business.  I had the wonderful opportunity to stay at home with them for the first five years and then wanted to share with them a passion I had to give back to our community, teach them the importance of following a dream and work to inspire other families with a love of reading and lifetime learning.
MUF:Describe the atmosphere in Monkey See, Monkey Do.
Kim: It’s a very warm, charming and creative space.  Both children and adults alike love to look at the books and enjoy the building.  Our bookstore is housed in a historic 1840’s building with timber beams in the young adult/adult book room.  There are six cozy rooms in which books are shelved, tables are set up and classes are held.  People are very curious about the history of the building, it is said to have ties to the Underground Railroad.
MUF: How do you select the books to carry at Monkey See, Monkey Do? What are some favorite titles, fiction or nonfiction, that you recommend to middle-graders?
Kim: I spend a lot of time reviewing advanced titles provided by independent authors and publishers.  I follow our regional book groups and the American Booksellers Association for reviews.  I love finding unique, indie titles that I can bring into the store and tie a program around.  One of my favorite titles is Wonder by RJ Palacio, I absolutely love this book and highly recommend children in grades 5 and up along with parents/adults to read it!  It’s an inspiring story about a 5th grade boy who has a facial deformity  and is homeschooled up until the 5th grade.  The story switches narrative throughout the book as we journey along with Auggie, the main character through his first year of transition in public school.  Some newly released picture books that I am a huge fan of are:  Big by Coleen Paratore, Because Amelia Smiled by David Ezra Stein, What Does it Mean to be Present by Rana DiOrio  and Say Helloby Jack & Michael Foreman. Our Gorilla Girls Book Club (Gr. 5 and up) has been reading Out of My Mind by Sharon Draper, and the Bright Monkeys Literacy Club (Grades 3-6) is reading The Lion, the Witch, and the Wardrobe.  

Gorilla Girls Book Club

MUF: The Pannel Prize folks cited your “innovative approaches to getting kids engaged with reading.” That seems like an understatement. Monkey See, Monkey Do has a strong commitment to promoting literacy and acts on it by holding a number of literacy classes and activities, even individual tutoring sessions. Tell us about some of those efforts and the community response.
Kim:We truly believe we “bring our books to life” through the variety of creative, literacy-based classes we offer each month.  This past summer we held over 40+ to inspire children to creatively engage in literature.  This Fall we began a new venture in partnering with schools in our After-School Literacy Clubs in which we offer a 6-week literacy club led by a

Reading to each other on National Star Wars Reads Day

NYS certified teacher where children practice reading aloud, work on cadence, pace, vocabulary-building and comprehension.  Children discuss the reading each week, practice journal writing and reflective questions.  In this current session we are running in the schools, the last class will end with a very special author Skype in which children can engage directly with the author to learn about what inspired them to write their book and question the author directly.

MUF:Your book camps sound fun and popular, and you hold them not only in the summer but also during school breaks throughout the year. What have been a couple of your most memorable ones?
Kim: That is a tough question, I have so many fantastic memories from many of our camps but here’s a few that really stick out:
  • Art Safari – children spend a full week reading about a new artist each day and then working on an art project inspired by that particular artisan’s work.

    Art Safari

  • Cupcake Diaries – a full week camp in which children formed reading circles each day to complete reading, creating cupcake journals and writing entries that tied in with their reading and discussions and ended each day with a cupcake decorations lesson by a pastry artist.  The children learned a new cupcake recipe each day, worked on frosting/decorating skills and then enjoyed their work!
  • Let’s Go To Spain – a full day camp reading about Spanish culture, learning new vocabulary, enjoying Spanish treat and engaging in a role-playing skit.
MUF: All this community involvement and teaching and operating a bookstore, too! You must have some good help and/or very little sleep!
Kim: Yes, that is true!  We have an absolutely amazing staff of devoted teachers, employees, artisans and interns from local colleges that offer their time, talent and energy!  And yes….little sleep these days in juggling our family and the business.
MUF: Many towns have no bookstore at all, much less a children’s bookstore. If an out-of-town family decided to make an excursion to Monkey See, Monkey Do, would there be any places for them to have a snack or a bite to eat after browsing?
Kim: Yes, right in the back of our bookstore is a charming restaurant called The Carriage House.  It’s steps away from our bookstore and offers a wonderful lunch menu.
MUF: Are any special events planned at Monkey See, Monkey Do (or in Clarence) for Halloween or November?
Kim: Yes!  Next week we are hosting our 4th Annual Storybook Halloween Party in which we encourage families and children to dress up as their favorite storybook character and come to our free event that features free crafts, sweet treats and two local authors that will be reading their book and signing copies!
In November,  we will be hosting our 4th annual Black Friday camps (Friday, November 23rd) for children to enjoy and parents to have a place to drop off their children for creative programing while they shop.  On Saturday, November 24th we will have our SHOP LOCAL Holiday Event where we invite several authors, artisans and small business owners to come into our bookstore and sell their wares and promote a local shopping spirit.
MUF: Thanks, Kim, for talking with us and for creating not just a children’s book store but a center for learning to love to read  Here’s wishing you success and many anniversaries and honors in the future!
Readers, if you would like to know more about this place, go to http://www.monkeysread.com.  If reading about Monkey See, Monkey Do makes you want to visit the shop, and/or if you think Kim’s approach to running a bookstore is intriguing, please leave her a comment here.
Sue Cowing is the author of the middle-grade puppet-and-boy novel, You Will Call Me Drog, (Carolrhoda, 2011; Usborne UK, 2012)

How to write (or be) funny

When I think funny, and in particular, funny middle grade novels, the first character I think of is

Charlie Joe Jackson.

Charlie Joe belongs to Tommy Greenwald, who is also pretty funny. When his first book, Charlie Joe Jackson’s Guide to Not Reading was released, I interviewed him HERE. (For a while, after I posted that interview, people thought I was funny, too!)

Well…..now Charlie Joe is BACK with Charlie Joe Jackson’s Guide to Extra Credit. And I am still laughing. But now I want to know more.

Because, like a lot of writers, I would really like to know how to write funny, So, instead of an interview, I thought I would ask Tommy to share some of his secrets.

Because he is very funny.

And generous.

Or maybe he wants a favor from me.

Because he did it!

Are you ready to learn? Because here he is:

 

Write my blog post, Tommy!!!!!

(no problem, Sarah!)

People always ask me how am I able to write such funny books.

 

Then they realize I’m not who they thought I was, and they give me a slightly embarrassed look and walk away.

 

I think that may be what happened with Sarah, the nice woman who asked me to write this blog. (note from Sarah: flattery may not be funny, but it gets you everywhere!!) But the difference is, she asked me over email, so she can’t tell that I’m not the person she thought I was. And if she’s walking away embarrassed, I can’t see her.

 

So I’m writing the blog anyway. Just try to stop me.

How do you write funny? Wow, that’s a really good question. It’s kind of like asking, How do you BE funny? There’s no real answer. There are just a few tidbits, hints, suggestions, guidelines, bits of nonsense and wild guesses that I can share. It might help you. But it probably won’t.

 

  1. Don’t overdo it. I learned this the hard way, when I was starting out with my writing, and trying to make every situation hilarious and ridiculous and side-splitting. That just ended up making my writing completely overwrought. Keep the humor subtle, sly and surprising. Let it sneak up on you while you’re writing, and it will sneak up on the reader too. (In a good way, not in an “intruder in your house” kind of way.)
  2. Don’t underdo it. Don’t be so subtle, sly and surprising that no one gets what you’re trying to do. There’s nothing wrong with a good, solid gastro-intestinal joke every forty-seven pages.
  3. Let the characters be funny. I’m not sure this one makes sense, but I’ll say it anyway. Your job isn’t to be funny. It’s to make sure the characters are funny. The sense of humor has to be theirs, not yours. Don’t show the world how funny you can be. Show the world how funny your characters can be.
  4. Let the comedy breathe. Meaning, when something funny just happened in your writing, let the reader enjoy it for a little while. Don’t be in a rush to be funny again immediately. Take your time, get into a nice rhythm, relish in the chuckle you’re getting, then go in for the kill again a page or two later.
  5. POV. Make sure your characters have a distinct personality and point-of-view right away, complete with quirks. If the reader knows that the main character is a sarcastic, somewhat obnoxious book-hater right off the bat, then the reader knows some hopefully-entertaining commentary and situations will result.
  6. First Person rocks. I’m a huge fan of writing in a character’s voice. I’m not saying it’s for everyone, but I’ve found it’s a lot easier to make a character funny when he’s able to offer snarky asides and then get completely humiliated directly to, and in front of, the reader.
  7. Do what comes naturally. Every writer has their wheelhouse. For me, it’s writing humor. The idea that I could write a complicated dystopian romance is comical in its own right. Not a snowball’s chance in Phoenix. But I can write funny, so I go with it. Write to your strength. It’s impossible to force the funny.
  8. Eat a ton of chocolate and play with your dogs a lot. That’s what I do, anyway. (note from Sarah: FINALLY! something I can do!!!)

 

So, there you have it. My non-rules for writing humor. Follow them at your own risk. Except for the gastro-intestinal joke thing. That’s a must.

 

Thank you, Tommy!

You’re welcome, Sarah!

READERS: if you want a good laugh,

and we KNOW you do…..

check out Charlie Joe Jackson’s Guide to Extra Credit. If you would like people to look at you funny, read Charlie Joe Jackson’s Guide to Extra Credit IN PUBLIC! It’s a fun book.

(Just don’t drink anything while you’re reading. If you know what I mean!)

And don’t forget….if you have a question for Tommy….or you want to try making him (or me) laugh, post a comment!!! 

Sarah Aronson is the author of books with mostly subtle humor. (Another way of saying: not really all that funny. But still good. Just not all that funny.)