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Giveaways & Interview with Author Lindsay H. Metcalf

I’d like to welcome Lindsay H. Metcalf to the Mixed-Up Files blog to celebrate the launch of her MG, Farmers Unite! Planting a Protest for Fair Prices.

Photo credit: Anna Jackson

Credit: Anna Jackson

Lindsay H. Metcalf is a journalist and author of nonfiction picture books: Beatrix Potter, Scientist, illustrated by Junyi Wu (Albert Whitman & Company, 2020); Farmers Unite! Planting a Protest for Fair Prices (Calkins Creek, 2020); and No Voice Too Small: Fourteen Young Americans Making History, a poetry anthology co-edited by Lindsay H. Metcalf, Keila V. Dawson, and Jeanette Bradley, illustrated by Bradley (Charlesbridge, 2020). Lindsay lives in north-central Kansas, not far from the farm where she grew up, with her husband, two sons, and a variety of pets. You can reach her at lindsayhmetcalf.com.

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This is such an amazing, unique, and emotional story, Lindsay. I’ll never look at food the same way again. How did you come up with the idea for Farmers Unite! Planting a Protest for Fair Prices and did anything surprise you along path to publication?

Family combine at corn harvest

Family combine at corn harvest

Thank you! I suppose this is the story I was meant to write. I grew up on a farm in Kansas. During wheat harvest, my mom would drive a grain truck with me and my little brother fighting over who had to straddle the gear shift in the middle. We would chop weeds out of the soybean fields and lay irrigation pipe along the corn fields. I know I complained, but looking back, I see a family working together, leaning on one another.

The photo that sparked FARMERS UNITE! came via text from my dad:

Here I was, someone intimately connected to agriculture through my family, and I’d never heard the story of the farmers who had driven their tractors cross-country to Washington, DC, to demand action from Congress. They were losing their farms because market prices had bottomed out, and they needed to get the attention of the public, who relied on the farmers to eat.

A lot surprised me along the path to publication—namely how many forms this story took. During the course of my many revisions, everything changed, including the main character, length, target audience, tone, title, and illustration style. At its core, this story was always about a group of hardworking people coming together to seek a change that would improve their lives and the lives of those they served. It’s about a grassroots group of people working together, leaning on one another, just as my family does out in the field.

 

Wow! I love hearing about your connection to this story. I’m so glad your dad texted you that photo. It’s amazing how much changed during revisions, but now that I read it, I can’t imagine it any other way.  

What type of research did you have to do—and do you have any research tips to share with our readers?

You know I love research! I read everything I could find on the tractorcades. There was one self-published book on the topic, which helped me understand the timeline. I also conducted interviews myself, read oral histories transcribed by a small-town library, and scoured newspaper archives. Then, when Carolyn Yoder at Calkins Creek bought the story, I had to start the research process again. She had seen some dynamic archival photos of the tractor protests and thought they should illustrate the book. Oh, and she wanted me to find them. I found that idea intimidating, but by the end of the process, I was having fun.

During my research, I had to reconcile two opposing perspectives. On one hand, the newspaper stories and national photo archives focused on a handful of days in which the farmers’ protests on the National Mall turned sour. The American Agriculture Movement had driven thousands of tractors into DC during rush hour, snarling traffic. Police literally penned them in by ringing the Mall with buses, police cruisers—any city-owned vehicles they could find. Some of the protesters got upset and lit an old tractor on fire. What I learned from reading oral histories and actually talking to people was that the vast majority of protesters had come to speak with lawmakers and earn their respect. So my advice is to keep researching until you have a good idea of the full picture. Each source is created from a certain perspective, and it’s the researcher’s job to root out the gaps in information.

 

Thanks for your amazing tips, Lindsay! I feel like I just took a research workshop. And I love the tractor protest photos you found.

Do you have any favorite quotes in the book? One that jumped out at me is: These first “tractorcades” energized farmers for the next step—to remind lawmakers in Washington, DC, that food doesn’t grow in grocery stores.

Oh, thank you! Many of my favorite quotes came from the farmers themselves, so when Carolyn suggested I add more, I couldn’t help myself. Some advice that’s always stuck with me since journalism school: Quote someone only when you can’t say it better yourself. Behold…

“You bet we started crying in our milk.” – Marjory Scheufler, a Kansas farmer

“We’re going to stay here (in Washington) until the snow stops and the songbirds go to singing.” – Gerald McCathern, a Texas farmer

“It’s just as silly for a tractor to be in the streets of Washington as a skyscraper in my cornfield.” – Leonard Cox of Kansas

 

What are some of the differences between middle grade and picture book nonfiction?

This book is kind of a genre buster. Traditional middle grade nonfiction is sometimes novel-length and goes into a lot more detail. You’re going to laugh, but you know I wrote FARMERS UNITE! as a picture book for young readers because you critiqued it! After acquisition, Carolyn and I worked through a couple big revisions, and she encouraged me to make the story more “vivid.” I didn’t hold back and included details about tear gas and the fallout of financial troubles facing farmers. Those themes, plus the longer text, at 2,000 or 2,500 words, pushed the audience into middle-grade territory. We also included 12 pages of back matter.

 

You’re right—I did laugh. I was surprised when I first found out your picture book morphed into middle grade, but it was such a fantastic decision. Your book and discussion and activity guide are perfect for grades 3 – 7! In addition to those amazing questions and activities, do you have a writing or research exercise to share with our readers?

I do! I just created a handout for a National Council of Teachers of English presentation this month. With the questions provided in my “Detecting Bias in Sources” handout, students can test the credibility of each source and discover ways to deepen their research. These are techniques I use as a journalist as well as an author. Readers can also go to my website to browse some of the sources I used in the book — oral histories and images of the tractorcades from the Smithsonian.

 

What’s something unique people don’t know about you?

I was a cheerleader in high school. I surprised my mother-in-law with this fact when it came up in conversation today. I surprised myself with the realization that I had never told her this in the 17 years that I have known her. So there you go.

 

Is there anything else you’d like our readers to know?

This story went through 27 drafts, plus or minus a couple, before we arrived at the polished final version. I say we, because so many people had a hand in the process, including you, Mindy, as one of my critique partners. Say it with me: Writing is revising.

 

Writing is revising! You do such an amazing job with both of those—and you’re a research queen. Thank you again for stopping by the Mixed-Up Files to celebrate your launch with us, Lindsay.

Thanks for having me, and thanks for helping me bring the farmers’ story to young readers!

You’re welcome. I’m sure they’ll love the farmers’ story as much as I do!

 

Enter this Rafflecopter for a chance to win a copy of Farmers Unite! Planting a Protest for Fair Prices (US Only).

In the late 1970s, grain prices had tanked, farm auction notices filled newspapers, and people had forgotten that food didn’t grow in grocery stores. So, on February 5, 1979, thousands of tractors from all parts of the US flooded Washington, DC, in protest.

Author Lindsay H. Metcalf, a journalist who grew up on a family farm, shares this rarely told story of grassroots perseverance and economic justice. In 1979, US farmers traveled to Washington, DC to protest unfair prices for their products. Farmers wanted fair prices for their products and demanded action from Congress. After police corralled the tractors on the National Mall, the farmers and their tractors stayed through a snowstorm and dug out the city. Americans were now convinced they needed farmers, but the law took longer. Boldly told and highlighted with stunning archival images, this is the story of the struggle and triumph of the American farmer that still resonates today.
a Rafflecopter giveaway

Enter this Rafflecopter for a chance to win a 5 page middle grade or picture book critique from Lindsay H. Metcalf! (Lindsay’s critiques are amazing!)

a Rafflecopter giveaway

Winners will be announced on Thursday, November 19. Good luck!

Three-Act Structure: My Writer’s Compass

Understanding three-act structure in storytelling isn’t just for writers. In a writing workshop for a crew of fifth-graders, I presented it as a framework for analyzing novels, plays, movies, and picture books with plots—anything with a story arc. The kids got into it, applying it to their own favorite books and films.

That said, I find that three-act structure serves as a compass in my own creative writing. If I wander off in the weeds or lose the thread of the story or mangle a mixed metaphor, I can return to these pivotal plot points to recalibrate the way forward. It ain’t perfect but I find it elegant in its functionality, and for someone who has almost no sense of direction, like me, it helps fend off writer’s block. It offers steady reference points that point to where the story is going.

 

Back to Basics

So here’s a refresher course, as much for me as other readers and writers. Let’s start real basic:

BEGINNING, MIDDLE, END

Seriously, those are a story’s essential three parts whether it’s Click, Clack, Moo, Chicken Little, or Hamlet. Three-act structure helps define and refine this, expanding the story and managing its pace and flow.

ACT I

Exposition: As a rule, the very beginning introduces the central characters and gives us reasons to care.

The Catalyst or Inciting Event: This sets the story in motion. (In movies, it usually occurs 10 minutes in—check your watch!) If the catalyst doesn’t happen the story doesn’t happen.

ACT II

Turning Point 1: This event sends the action in a new direction. It makes clear what the main conflict is. The plot, or storyline, now gets more and more complicated as the protagonists face obstacle after obstacle.

Halftime Smooching: About halfway through the story or movie, there usually comes a period of calm. Now the main characters have time to reflect on what has happened and plan what to do next. Sometimes there is kissing!

ACT III

Turning Point 2: Like Turning Point #1, this shoots the action in a new direction. Everything now accelerates toward the climax.

Climax: This is the BIG MOMENT when the central conflict of the story is resolved: The protagonists win, the antagonists lose, the sweethearts fall in love, etc.

Denouement: This answers any remaining questions and shows characters reacting to how things turned out.

 

The Three-Act Structure of an Old Favorite

Yada, yada, right? Example please! For the sake of familiarity, let’s use a story many of us know and dissect its three-act structure: Star Wars—A New Hope.

ACT I

Exposition: We are introduced to Princess Leia, Darth Vader, and some kid named Luke Skywalker.

The Catalyst or Inciting Event: Luke buys the droids C3-PO and R2-D2. If he doesn’t get those droids, he never meets Obi-Wan Kenobi, never leaves his home planet, never learns about The Force, never becomes a Jedi.

ACT II

Turning Point #1: The heroes discover the Death Star and the Millennium Falcon is captured with a tractor beam. They also learn Princess Leia is being held prisoner there and plot to break her out. The main conflict and what’s at stake becomes crystal clear. They must get the plans for the Death Star to the Rebellion or all is lost!

Halftime Smooching: There isn’t much of a break for reflecting or kissing in A New Hope. Halftime Smooching fans have to wait for The Empire Strikes Back.

ACT III

Turning Point #2: The Death Star tracks the Millennium Falcon to the Rebel base. The Rebels, including Luke Skywalker, launch a desperate attack to try to destroy the Death Star before it obliterates the moon where the base is located. All looks lost when …

Climax: Luke trusts the Force. At the very last second, he drops two torpedoes into a small thermal exhaust port … and … and … BOOM! Conflict resolved: Protagonists win, antagonists need to go build a new Death Star.

Denouement: This is very short and weird in the movie. The rebels celebrate and Luke and Han Solo get medals. (Hurray! Hey! What about Chewbacca?!)

Whether by Nature or Nurture, three-act structure seems to appeal to our story-loving minds across cultures. For writers, it can be a reassuring road map that can guide us true from first draft to The End.

Plotting Puzzles and the Necessity of Silence: An Interview with Jennifer Gennari

I jumped at the chance to interview author Jennifer Gennari as soon as I heard about her newest book, Muffled. As a special education teacher, I’m always excited for stories that portray exceptional kids with honesty, humor, and strength. Muffled does it beautifully, and as it happens, Jen is just as insightful and honest as her main character, Amelia.

Jennifer Gennari

CL: Hi, Jen! Thanks for chatting with me! Let’s start with how the idea for Muffled came about – can you tell us about it?

JG: Thank you, Chris, for inviting me to the Mixed-Up Files of Middle Grade Authors! Like many writers, I keep a story file of ideas. For more than fifteen years, I had a note about a blizzard from my childhood: “I’ll never forget that snowstorm. The silence without cars. What would happen if all the noises stopped?” It wasn’t until much later that I saw a way to approach that idea. I realized that for many people, including my husband, silence isn’t just beautiful, it’s something they need to recharge, to be able to participate in our very noisy world. And that’s how Amelia’s story began.

CL: And the story is set in Boston – any particular reason you chose that city?

JG: I lived in Boston when I was the age of Amelia, and it was important to me to show a family that depends on public transportation. Many children who live in cities don’t have cars, and I wanted to reflect that reality. I love Boston, for its Public Garden (and Make Way for Duckling statues), the stately, amazing library in Copley Square, and the Red Sox. Like Amelia, I grew up riding the green line!

CL: It’s so cool to have that personal connection! How about research, then? Muffled seems like a super realistic portrayal of life with sound sensitivity—did you have to do any research for the book? 

JG: Researching is an integral part of writing. I didn’t rely on my memory of Boston—I looked at images of the library’s lions, transit maps, and apartment buildings. To develop Amelia’s character, I read The Highly Sensitive Child and spoke to a therapist and special education teachers. Researching also means empathizing, an important skill for writers. I notice people’s emotions in certain situations, and try my best to get those details right. Stories introduce young readers to different ways of being, something I take seriously. Readers will always find hope and connection in my books.

CL: Muffled is your second traditionally published book. I’ve heard that second books can be harder to write…was that your experience?

JG: Yes! I’m glad you asked. I wrote three books between My Mixed-Up Berry Blue Summer and Muffled. Each one was beloved but the stories, in the end, were not viable. I think of those manuscripts as plotting practice: I got better at increasing tension, giving characters a satisfying arc, and rewriting scenes that didn’t work. For all those aspiring writers out there, know that persistence and a willingness to revise are key to success!

CL: That’s a great way to think about it! You actually mention on your website that plotting a story is a bit like a puzzle. Could you explain that?

JG: I am a big fan of jigsaw and crossword puzzles—especially during this pandemic! When you first start a jigsaw puzzle, all the colors and details are scattered. You have to organize the pieces, and see what picture emerges, just like the details and scenes of your manuscript. And to carry the metaphor on, revising is like doing the same puzzle twice—it’s still hard but memory helps you find the path forward to complete a story without any holes.

CL: I love that! So if it wasn’t obvious already, you’re also an editor and writing teacher yourself, right?

JG: My career began as a reporter, and later, I became a news editor of a weekly paper. If your article doesn’t fit on the page, it will be cut! I discovered I’m good at preserving voice and intent and excising the fluff. When I studied for my MFA at the Vermont College of Fine Arts, I understood even more completely that every word choice matters. Now, through The Highlights Foundation, I teach others how to edit their own manuscripts. It’s an essential skill and I love teaching writers!

CL: So cool! Okay, Jen – now it’s time for the lighting round! Favorite place to write?

JG: Surrounded by shelves of kidlit books with a cup of tea nearby!

CL: Favorite authors?

JG: Jacqueline Woodson, Kate DiCamillo, Erin Entrada Kelly to name a few!

CL: Best dessert?

JG: Any homemade pie!

CL: Do you have any pets?

JG: No, but I love watching shorebirds from my home.

CL: Favorite elementary school memory?

JG: Like Amelia, I often snuck off during recess to find a cozy place to read. 

CL: And lastly – favorite piece of advice for other writers?

JG: Read, read, read!

Jennifer Gennari is the author of MUFFLED (Simon & Schuster, 2020), a Junior Library Guild selection, and MY MIXED-UP BERRY BLUE SUMMER (Houghton Mifflin, 2012), a Bank Street Best Children’s Books of the Year selection, and an American Library Association Rainbow List title. An engaging speaker and teacher, she has presented at the Writing Barn, SCBWI workshops, and Highlights Foundation. She serves as Marin County Co-Coordinator for the SF North and East Bay Region of SCBWI. A graduate of Vermont College of Fine Arts, she lives on the water in the San Francisco Bay Area. Find her @JenGenn and more at www.jengennari.com.

Many thanks to Jen for taking the time to talk to me! Don’t forget to leave a comment for a chance to win a free copy of Muffled!

See you next time!