Yearly archive for 2013

Out of print? It doesn’t have to stay that way!

no more out of printDear Book Lovers,

Please meet Anny Rusk, who along with John Campbell and Greg Luther are working to make out-of-print books a thing of the past. I found out about Anny at an SCBWI-Illinois event, and then later saw an interview with her on Cynthia Leitich Smith’s blog, Cynsations. Both Anny and I thought the interview would be particularly interesting to both writers and readers of middle grade fiction!

Sarah: So Anny, tell me a little about yourself!

Anny: I’ve always written.  When I was little it was soap operas a friend and I recorded, or diary entries like Nancy Drew.  When I was older it was lyrics, marketing copy, or an advice blog. Before I became an Acquisitions Editor at IntoPrint, I was a singer/songwriter and co-founded a music licensing company.  When not talking to authors about IntoPrint, I’m writing a Middle Grade Fantasy/Mother-daughter novel.

Sarah: Could you share with us the history of IntoPrint Publishing?
intoprint_publishing

Anny: John Campbell and Greg Luther realized that in the tech age there’s no such thing as an out-of-print book, just books that haven’t been read yet.

In addition, as readers, both Greg and John were frustrated by their inability to find certain out-of-print books. Upon further investigation, they realized that many out-of-print books still had readers who wanted to buy them, and that the authors of these books were losing out on untapped revenue.  IntoPrint was created to help author and reader reconnect.

Sarah: That is fantastic. Seems win-win!

Anny: IntoPrint’s mission is to serve authors by republishing their out-of-print works to the reading public, and in doing so, help them to make a living from their craft.

We think that serving authors’ needs helps readers, too.  For readers, we represent an opportunity to discover, purchase, and read excellent works that have disappeared simply because their sales may not have met the financial requirements of a large publishing company.

Sarah: Here at The Mixed Up Files, we like middle grade books. 

We’ve found that there’s a real need in the kidlit world for a publisher like us because children’s books seem to go out of print quickly these days.  We plan to start a children’s imprint to further expand the reach of the many children’s titles we are republishing.

Sarah: Why is the time right? Has the technology made it easier?

Anny: As readers, we’re being deprived of a treasure trove of works because traditional publisher’s business models require them to dump books that fall below a certain sales number, often within months of the book’s release.  Digital technology allows us to keep these books available by keeping our costs low; thus, we don’t have sales minimums for our books.

We think it’s time that the 99% of authors who want to keep their books out in the market, but who haven’t been well served by the traditional publishing industry, have a publisher who will allow their work to continue to be read.

Sarah: So…..how does it work? 

Anny: It’s a two-way selective process.  The author has to feel that IntoPrint is the right place for their work, and so do we.  Once an author submits their book we review it.  If we think that our business model will serve the author and the book, we’ll move on to the next step.  At any point before a contract is signed the author can walk away if she/he decides that we’re not a good fit.

First we scan our physical book(s), or we convert the author’s Word doc, PDF file, or InDesign files into print-ready digital files. Then we convert them into e-book formats. Once we have these finished digital files, we use Ingram’s global distribution network to make our print books available to over 30,000 retailers in 100 countries, and our e-books available to 160 online distributors including Amazon for the Kindle, Barnes and Noble for the Nook, and Apple’s iBookstore for the iPad. (See our Web site for a more detailed list.)

Sarah: Sounds great! Why should authors choose IntoPrint? Is there a catch?

Anny: We do all the work required to get our authors’ books back into the marketplace.  They don’t have to master new software, technology, or complicated business arrangements.  And they don’t have to pay for a series of service “packages.”  Because we are a publisher and not an author services company, we only make money if authors’ books do, and we do that in partnership with our authors.

Our print quality is excellent and we have a lot of options. Print on demand technology now uses the highest quality inkjet printers in addition to the toner- based solutions that marked the early years of print on demand publishing.

Our authors receive a sliding-scale royalty based on net sales that starts at 50% and goes up depending upon units sold.  There are no upfront charges for digital conversion or distribution, and we pay for marketing.  Our contract has a five-year term, but if book sales fall below a lower limit, the author has the option to terminate the agreement before then.

In addition, we support our books with what we call Discoverability Marketing.  We’ll create a profile for your book, including a description, author information, available reviews etc., and send it to online bookstores like Amazon and Barnes and Noble, as well as to reader sites such as Goodreads.  Using continuous search-engine- optimization and search-engine-marketing techniques, we’ll also increase the likelihood that your book will pop up when readers search for you, your title, or keywords related to your title—making it easy to purchase.

We understand that authors have a great deal at stake in terms of their personal brand. Our intention is to go forward as partners and provide visibility to our process and methods so that the author is comfortable with IntoPrint.  Publishing is harder than it looks, and we aren’t perfect, but we want to do everything we can all the time to foster a trusting and effective relationship between us and our authors – and the same between authors and their readers.

Sarah: How should authors contact you? What are key do’s and don’t’s?

Anny: We welcome anyone with a previously published book to go to http://intoprintpublishing.com/submit-your-book-to-intoprint/ and submit your book to us for review.

At this time we are not a good fit for unpublished authors.  Our aim is to get previously published, out-of-print books back into the marketplace within 90 days or less.  We’re not set up to edit, copyedit, and do all of the other steps that come with bringing an unpublished book to market for the first time. (However, if an author is dissatisfied with their original cover, we will work to obtain a new cover for the IntoPrint version.)

As a note, for those of you who want to submit picture books and/or graphic novels, we need both your consent and the illustrator’s consent before we can move forward.

Sarah: So what are your personal writing goals, Anny?

Anny: My current author goal is to get my MG work in progress finished and published.  Once published, I hope that my book will spur discussions on topics such as being true to one’s self, accepting one’s self and others, and girl power, by this I mean embracing gifts/traits that are uniquely female and using them to change the world!
As for middle grade books, I adored Charlie and the Chocolate Factory and James and the Giant Peach, A Tree Grows In Brooklyn, Charlotte’s Web, Trumpet of the Swan, and Anne of Green Gables, though they’re all still available, I just checked.
I also loved short stories by Poe, and Catcher in the Rye, though not sure they’d be considered middle grade even though I read them when I was 11.
I am thrilled that IntoPrint is republishing Valerie Hobb’s books, though they weren’t around when I was a middle grade student, and also some of Greg Leitich Smith’s MG books too.

 Sarah: Thanks, Anny, for visiting The Mixed Up Files! Good luck with Into Print! Writers, let’s here your questions…and your suggestions. Is there a book YOU wish would come back into print?????

 

 

Sarah Aronson writes books for middle grade and YA readers. If you like writing tips, check out her website: www.saraharonson.com and sign up for MONDAY MOTIVATION.

 

An Interview with Jane Yolen

Hi Mixed-Up Filers!

I know, I know. You’re thinking, wait a second, Jonathan. Aren’t you around eighteen months too early for your next turn in the rotation? Well, yes. But, this was a special occasion, so I was given a one-time exemption to go. In return, I had to agree to forfeit my next turn until May, of 2072. But, ha! I’ll show them! I have a piece I plan on sneaking in, in April of 2043. They’ll never suspect!

In any event, I recently had the pleasure of having one of my favorite authors, Jane Yolen, graciously agree to answer several questions.  Like most of you, I am a huge fan of all of her books, but there are a few which particularly resonate with me, which I had always wanted to talk to her about.

jane yolen

JR: First off, I’d like to thank you for making the time to speak with me. I’m just amazed by your career. Besides being in total awe, I was amazed when I looked at your website and profile and saw that you had over two hundred books written.

JY: Actually, it’s over 335 now. I have been working too hard on writing books and not hard enough rewriting my website.

JR: 335? Wow! If I start now, I think I can probably catch up in around the year, 2157. For you, when is your best time to write?

JY: Depends on the day, my mood, and whether I have a doctor’s appointment or a book signing to go to. Though mornings and early afternoons are my best time.

JR: I am not going to ask which is your favorite, because I’m pretty sure that you won’t or can’t answer that, but is there one that you perhaps are most fond or proud of and why?

JY: Depends which day and which hour you ask.

JR: Fair enough. I read that your first book was Pirates in Petticoats, which was about women pirates. Seems like a fascinating topic. What made you decide to do that one and how easy/difficult was it doing research for it?

piratesip

JY: Then it was difficult to research as Pirates in Petticoats was the first ever book written about it. Today there are a number of books about female pirates, including two others of mine: Ballad of the Pirate Queens and Sea Queens.

JR: On the same line of questioning, how much research do you wind up putting into all your novels?

JY: Depends on the novel: Devil’s Arithmetic is about the Holocaust–so LOTS of research. The Wizard of Washington Square a light fantasy about two kids in New York and a wizard–not so much!

wizard of ws

JR: I have read how your favorite story is the one you’re doing now. So, what are you working on now?

JY: I am finishing up (with my son Adam) the last revision of a fantasy novel that’s the second book of the Seelie Wars trilogy (book is The Last Changeling); working on poems for Hedge/Briar/Rose; workng on the verse novel, Finding Baba Yaga; working on the first book of a graphic novel YA trilogy (again with Adam) called Stone Cold. Working on several other books of poetry, a nonfiction book with daughter Heidi called War Girls, and a book of adult poems about political topics: The Bloody Year. Have four chapters of another Holocaust novel called House of Candy and six chapters of a fantasy novel called Plague of Unicorns. And anything else I can think of.

JR: I see that you have written several books based on Jewish themes. The first story I wrote had a Jewish mythological element to it. It’s a topic that’s always special to me. Is that topic important to you? Did you grow up in an observant home?

JY: Totally non-observant though whenever anyone calls me (as Newsweek once did long ago) the Hans Christian Andersen of America, I tell them I’m the Hans Jewish Andersen! But I have about eight or nine Jewish-themed books including one (Devil’s Arithmetic) that won the Jewish Book Award and one that was an honor book (Naming Liberty).

JR: Love the name Hans Jewish Andersen! 🙂 And speaking of Devil’s Arithmetic, I’m a fan of it, and have used it in classes I’ve taught. It was a powerful book and I also included it in a Holocaust-themed post on this site. I think for anyone, but especially for someone who is Jewish, the Holocaust has to resonate in a deep way. It was a country coming right out and saying that they wanted to systematically eliminate a people. For you, what was the impetus for that book and was it personal in any way?

devil's arithmetic book

JY: My family–on both sides–came to America in the early 1900s so we were safe from that hideous time. But my father and many uncles were in the army and navy during WW2 so they were not unaware of what was going on.

JR: How did you like the movie based on it?

JY: A good movie though much was changed from my book, which had to do with money and time.

devil's movie

JR: Have you been to the sites of the concentration camps and how do you feel about going? I know growing up, I was always told not to go and give money to those places, but now I have a different view and perspective, and feel that I want to go and pay my respects to those who were murdered there, as well as show a free, Jewish person is standing there after their murderers have come and gone.

JY: I have been to two of the museums (Washington DC and New York) and seen sites in Hamburg, Heidleberg, Paris of atrocities. But cannot bring myself to go to the actual camps.

JR: Is there any topic that you haven’t yet hit, but have always wanted to? You have a home in Scotland, a place I loved visiting, how many stories have been inspired by places you’ve lived or been to?

JY: I am inspired all the time by place, though I don’t always write successful pieces (poems, stories, novels, picture books) about them.

JR: Which writers were your inspiration and who do you admire today?

JY: Main inspirations: Isak Dinisen, Emily Dickinson, James Thurber, W.B. Yeats. Minor inspirations: Alice Hoffman, Ray Bradbury, Elizabeth Wein, Patricia MacLachlan, Jo Walton, Lisel Mueller. And Terri Windling is my muse.

JR: I’d like to once again thank Ms. Yolen for taking the time to speak with me. I hope you all enjoyed reading it as much as I enjoyed asking her the questions!

Interview with Greg Pincus, author of The 14 Fibs of Gregory K.

ImageToday at the Mixed Up Files, we interview Greg Pincus, the author of The 14 Fibs of Gregory K, his debut novel about 11 year-old Gregory Korenstein-Jasperton, a poet, struggling with math anxiety.

Greg Pincus is a poet, a screenwriter, a volunteer elementary school librarian and social media strategist. He can be found online at http://gottabook.blogspot and on Twitter at @GregPincus.

1) In the book, your character Gregory Korenstein-Jasperton truly dreads math, yet everyone in his family thinks math is mathemagical. His father is an electrical engineer, his mother an accountant and his siblings Owen and Kay play with numbers for fun. How did you come up with this character? Is math something you also fear?

I have no fear at all of math. In fact, I love math… though I’d say that what I really love is the beauty of how it can explain things in the world, not so much the computational stuff like subtraction and multiplication. I also love writing, and I knew from the start that Gregory K. was a writer. At the same time, I knew that there was going to be Fibonacci poetry in the book, and that Gregory would write it, so math and writing would have to collide in the story. I wanted this collision to be a surprise to Gregory, and since he loves writing, I figured it would be most interesting to make him hate, fear, or dread math. To make the situation more “fun,” I added in the bigger idea of being a kid who loves something – in this case, writing – that they think no one else in their family loves or respects. The combination of all that led to Gregory K.

2) What was the most challenging thing about writing this novel? What came the most easily?

Math and poetry are not necessarily the best starting points for an action-packed book, so for me, the most challenging thing in the writing process was making sure the story kept moving forward. In the end, I accomplished this by having the aliens land and… oh, fine, that didn’t happen. I think it’s the relationship between Gregory and Kelly that helps keep momentum going, and coincidentally, that turned out to be the part of the writing that came the easiest. As Kelly’s story grew, too, the “plot” issues became less of a challenge for me.

3) You worked with Arthur Levine on this novel. What was something that you learned from working together?

I learned conclusively that a good editor will help me write a better, richer novel… and will be able to get something very different out of me than I might have expected. I also learned that changing from first person to third person will not cause your brain to fall out of your head. This is valuable knowledge for future endeavors, I figure.

4) In Gregory’s family has Weird Wednesdays where Mom tries out a new and very wacky recipe each week. Does your family have any odd traditions like this?

Other than the fact that all Reese’s cups that appear in our home have to be taste-tested by me (hey – quality control is very important!), we do not have anything I’d consider an odd tradition.

5) Math is Magic Camp is Gregory’s worst nightmare what was yours as a kid?

Hmmm. I don’t recall dreading a situation like Gregory K. does, though I do remember a recurring fear-like experience. One year on Halloween, I went as a giant aspirin because we’d come into possession of this gigantic cardboard aspirin box. I used that big box to carry my candy… but at some point in the night, unbeknownst to me, the bottom opened up. I had no candy when I got home. In future years, believe me, I was obsessively careful about how I gathered candy for fear that I’d once again find myself candy-free at the end of a long night of hunting and gathering.

6) In researching this book, what did you learn about math that you didn’t know before?

I don’t think I truly knew how many math (and writing, actually) competitions/camps there are out there at the local level. It’s fantastic… but who knew?

7) You are a poet and keep a popular blog on poetry. When you were a kid were you like Gregory and wrote poetry?

From a youngish age, I wrote poems for family birthday cards and other occasions, but if you want to know a big secret… I wasn’t really much of a writer or a reader at Gregory’s age. That came much later in life – proof, I believe, that there are multiple paths to the same result.

8) What has writing poetry taught you about math?

There’s beauty everywhere, sometimes best expressed in equations and not in metered rhyme or free verse!

9) Any words of wisdom out there for kids (and adults too) who want to write poetry?

I think to really get started, it helps a ton to read and hear a lot of poetry first. Luckily, there is amazing work out there for kids and adults alike (often the same thing, by the way!). Also, it’s okay if your first draft is awkward or blah, even for the shortest poem. You can rewrite (and probably will do so over and over if you’re like me). From the start, don’t be shy about writing honestly about the way you experience life. We all experience things differently and can see the same situations in different ways. Poetry is a great way to let everyone know what you see and feel when you move through the world. Most of all, if you want to write poetry… write poetry! It’s a good thing.

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Hillary Homzie‘s second tween novel for girls,The Hot List, was published by Simon & Schuster’s Mix/Aladdin imprint. She has three boys so she must become a spy to write about tween girls and remember her own experiences, which is easy since Hillary claims that she’s still thirteen.