Posts Tagged writing

Author Spotlight: Stephan Pastis

You’re in for an extra-special treat, Mixed-Up friends! Today, Stephan Pastis, the author/illustrator of the wildly popular and critically acclaimed New York Times bestselling Timmy Failure series—which was lauded by Kirkus as: “Wittier than the Wimpy Kid”—as well as the creator of the syndicated comic strip Pearls Before Swine, is here to chat about his latest illustrated MG novel, Looking Up. It’s out from Aladdin/S&S on October 10. (Spoiler alert: It’s AMAZING!!!) For a never-before-seen sneak peek at Stephan’s illustrations, read on…

Summary of Looking Up

Living alone with her mother in a poorer part of town, Saint—a girl drawn to medieval knights, lost causes, and the protection of birthday piñatas—sees the neighborhood she has always known and loved disappearing around her: old homes being torn down and replaced by fancy condos and coffee shops. But when her favorite creaky old toy store is demolished, she knows she must act.

Enlisting the help of Daniel “Chance” McGibbons, a quiet, round-faced boy who lives across the street (and whose house also faces the wrecking ball), Saint hatches a plan to save what is left of her beloved hometown.

Interview with Stephan Pastis

MR: Welcome to the Mixed-Up Files, Stephan. So happy to have you here!

SP: Thank you for inviting me! And for all the kind words!

MR: First and foremost, I gobbled up your novel faster than a pint of Cherry Garcia ice cream—and that’s saying a lot. I absolutely LOVED it. Can you tell us what inspired you to write this story?

SP: Well thank you! I wanted to write a Don Quixote-type story, but instead of with a man fighting giants, mine would be about a little girl futilely fighting against the redevelopment of her neighborhood. Also, I had never done a middle-grade novel with a little girl as the main character, so I liked that challenge.

The Saint Comes Marching In

MR: Saint, the big-hearted, piñata-rescuing 11-year-old protagonist is, hands down, one of the most lovable and unconventional characters I’ve encountered in middle-grade fiction. How did you capture the essence of this wonderfully quirky character, and lay it out for readers on the page?

SP: Hahah thank you! I think I had just read Catcher in the Rye before writing it, and I loved Holden’s voice, how he talked directly to the reader, so there’s a little bit of that influence in there — maybe mixed in with the slightly delusional perspective of Don Quixote. I like characters who are overwhelmed by their surroundings and ill-equipped to deal with change.

Word Up!

MR: A discussion of Saint wouldn’t be complete without a mention of her impressive vocabulary. Saint uses such words as: “mendacity,” “depravity,” “sanctity,” “pilfered,” “germane,” “critical juncture,” “legal ramifications.” This is a bold move, considering it’s common wisdom for middle-grade writers to employ vocabulary that most of their audience is familiar with. Your thoughts?

SP: I think I did that with Timmy Failure too. Maybe it’s just the appeal of words like that coming out of a little kid’s mouth. The incongruity of their age and the maturity of the words makes me laugh. I think I pilfered “mendacity” from the Burl Ives character in a Cat on a Hot Tin Roof. He shouts it over and over.

The Truth About Turtles

MR: As a follow-up, can you tell me about Saint’s love for her pet turtle and “life partner,” Dr. Rutherford B. Hayes? There’s a ton of fascinating material to unpack here…

SP: Well, she doesn’t really have an active adult in her life. So I needed someone who could be the voice of reason, and give Saint perspective and wisdom. Of course, he’s also a blowhard, not to mention curmudgeonly, so he’s not the best at that. Plus, I liked the metaphor of the turtle—someone who retreats from the world into their own shell. 

Promises, Promises

MR: Let’s move on to Saint’s relationship with her mother. You set up the story with Saint’s declaration that: “My mother breaks all her promises.” How does this affect Saint’s life overall, and what does this say about promises—and promise breaking?

SP: Yeah, that’s a complicated relationship. I think Saint needs a lot more than she’s getting from her mom, especially at the point of her life she’s in. And since she’s not getting what she needs, she’s lashing out. I don’t know if Saint’s mom breaks any more promises than the average mom; I think Saint’s just at a breaking point and can’t take any more disappointment.

Only the Lonely

MR: Loneliness is another prominent theme in your book. Both Saint and her across-the-street neighbor, Daniel, suffer acutely from loneliness. Without sharing any spoilers, can you tell us how Saint’s loneliness manifests itself in her life? What about Daniel’s?

SP: Well, without an active parent in her day-to-day life, she copes by making friends with turtles and piñatas (which she rescues from kids’ birthday parties), and by living mostly in her imagination. I think her imagination is her coping mechanism. Daniel’s as well.

Invasion of the Latte Sippers

MR: Looking Up also explores the issue of neighborhood gentrification; specifically, when one group of residents feels intruded upon by a new, unfamiliar population. What were you aiming to say about gentrification, and displacement in general?

SP: Well, you see a lot of it in the Marigny and Bywater neighborhoods of New Orleans, where I spend a lot of time. And when it happens, the neighborhoods slowly lose what’s unique about them—namely, long-time residents who really are what give the city its personality.

The Juggler

MR: In addition to being an author of illustrated middle-grade novels—including the über-popular Timmy Failure series—you are the creator of the syndicated comic strip Pearls Before Swine, which appears in over 800 newspapers. You’ve also cowritten the Disney+ movie Timmy Failure: Mistakes Were Made. How do you juggle everything without dropping the ball? I can barely walk and chew gum!

SP: Thank you! Well, I work pretty much seven days a week, but because I love it, it never feels like work (or very rarely). That’s the real key—loving what you do. It’s cliché, but true. I had a truly stressful job as a lawyer for 10 years, so this never feels like work compared to that.

Timmy Failure: The Movie

MR: Speaking of the Timmy Failure: Mistakes Were Made movie, how much time did you spend on the set? And, maybe more important: Did you get to meet Wallace Shawn? 🙂 Also, is there a Timmy Failure: Mistakes Were Made sequel in the works? Rumor has it that you’ve been working on the script.

SP: I was on set every day for the entire four months of pre-production and filming, half in Vancouver and half in Portland. 

And yes, I did meet Wallace Shawn! I talked to Wally whenever I could. I wrote the script for the sequel, but I’m not sure if it will get made. Would be great if it did, though.

Stephan’s Writing Routine

MR: What does your writing/illustrating routine look like? Do you have any particular rituals?

SP: Crazy ritual.  I turn off all the lights (I just have the light of the computer screen), light incense, and play really loud music.

MR: What are you working on now, Stephan? Enquiring Mixed-Up Files readers want to know.

SP: A book of all my travel adventures. I travel a lot and have been to a lot of unique places. [For more on how travel opens our eyes as writers and readers, check out this article from the MUF archives.]

Lightning Round!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Those little pretzels stuffed with peanut butter.

Coffee or tea? Coffee for sure. I wouldn’t trust anyone who said tea.

Zombie apocalypse: Yea or nay? Yea.

Superpower? To shut out all distractions when I write. 

Favorite comic strip (besides Pearls Before Swine)? The Far Side.

Favorite place on earth? New Orleans, Louisiana.

If you were stranded on a desert island with only three things, what would they be? Confederacy of Dunces by John Kennedy Toole. The Joshua Tree by U2. Tacos.

 

MR: Thank you for chatting with us, Stephan. It was an absolute pleasure, and I’m sure MUF readers will agree!

SP: Thank you!

All About Stephan

Stephan Pastis is the creator of the syndicated comic strip Pearls Before Swine, which appears in over 800 newspapers. He is also the creator of the Timmy Failure Book series and the cowriter of the Disney+ movie Timmy Failure: Mistakes Were Made. He lives in Northern California with his wife and two kids. Learn more about Stephan on his website and follow him on Twitter, Instagram, and Facebook.

Book Renovations

My three little boys are very vigorous tub-takers. They jump, splash, stick things to the walls, and in some cases, tear those same things off the walls with enough force to pull tiles straight out of the mortar. To their credit, they began the repair work right away, and by the time they confessed to my wife and me, the tiles in question were expertly smooshed back into place.

our lovely bathroom in mid-edit

Anyone who lives in an old house knows that when something breaks, it’s usually just the beginning of a much larger project. In my case, the wall behind the tiles was damaged, so those tiles couldn’t be repaired, which meant other tiles had to come out, which meant the whole wall was coming out. I’m planning to petition my state senator to outlaw all toys with suction cups.

Around this time last year, I wrote an article about new beginnings and the editing process. I was redrafting the opening of my new book at the time, and I’m happy to say I’m now wrapping up what I hope is the last major round of revisions before that book goes out on submission. Between that process and the bathroom renovation, I’ve got edits on the brain again, and I honestly don’t think the two projects are all that different. Sometimes you start an edit thinking you’re just replacing a few tiles, only to find that there are issues that run deeper into the plot. Before you know it, you’re redrawing characters and reorganizing scenes, taking everything back down to the studs. 

In the world of home renovations, there are thousands of very helpful YouTube videos for this purpose (I’m shocked at the number of channels devoted entirely to tiling bathrooms). But editing a book is a lot more nuanced, and much more specific. No one can tell you exactly how to shift the tone of a scene and make it work better for your main character’s overall arch. 

Of course that doesn’t mean there aren’t resources available, so for this post I thought I’d share a few of my favorite books on the subject (and if you’re looking for tiling guidance, shoot me a message and I can probably help there, too).

 

Self-Editing for Fiction Writers, by Renni Brown and Dave King

Hitting its 30th anniversary this year, this classic text is a highly engaging one-stop shop full of examples and non-examples (think features like “what’s wrong with this paragraph?”). Even if you’re not an avid writer, there’s something tantalizing about peeling back the curtain on famous books and getting at the heart of why they work (or in some cases why they don’t). The authors even cover complex and difficult to articulate topics like character voice and beats in dialogue.

 

The Plot Clock by Jamie Morris, Tia Levings, and Joyce Sweeney

Full disclosure — Joyce is my literary agent, but that’s not why I shamelessly promote this book whenever I get the chance. I’ve been through three novels with Joyce in the last three years, and each time, my first round of notes on the manuscript is an echo of the themes in this text — things like timing and setting up the third act. The plot of a story can feel like a monstrous, unapproachable thing, but this book reigns it in and gives writers a much-needed confidence boost, not unlike a friendly email from your favorite literary agent. 

 

The Magic Words by Cheryl B. Klein

Cheryl has been a kid lit authority for many years now, and she has had many roles in the writing and publishing world. What makes this book especially exciting for us middle grade folks is that her advice is tailored to writing for young audiences. Concepts like pacing are highly specific to the audience (most adolescent boys aren’t crazy about the slow-burning whodunit). Cheryl also covers very practical concepts like using other people as a lens on your characters and turning a situation into a story. It’s the sort of book you can open randomly and learn something, which I frequently do.

 

 

Hopefully by the time you’re reading this, I’ve finished renovating my bathroom walls. Maybe I’ve even finished editing my book and sent it off to Joyce. But of course there are more stories and more inevitable edits waiting around the bend, so these books will stay where they’ve been for the last few years — right in the corner of my writing desk. Maybe I’ll add a porcelain tile to the collection as a reminder that big or small, every fix brings me closer to a finished project.

STEM Tuesday — Robotics and Artificial Intelligence– Author Interview

STEM Tuesday– Robotics and Artificial Intelligence — Interview with Author Darcy Pattison

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Darcy Pattison, author of A.I.: How Patterns Helped Artificial Intelligence Defeat World Champion Lee Sedol It’s a fascinating look at the use of artificial intelligence and how a common board game was used to demonstrate that, in some cases, a computer might possess superior skill levels.

Kirkus Reviews calls it, “An enthralling, contemporary tale of man versus machine.”
AI Cover

 

 

 

 

 

Christine Taylor-Butler: Darcy, you’ve been in the business for quite a while and you’ve written everything from science fiction and fantasy to contemporary stories and science. When did you know you wanted to become a writer? Were there detours along the way?

Darcy Pattison: I have always been a reader! In sixth grade, I read THE LORD OF THE RINGS (the Harry Potter of my day), and even then, I thought about being on the flip side of the story. I wanted to write stories that people love to read. But I also grew up questioning everything so science writing is a natural fit for me, too.

CTB: You’ve been published by a number of trade publishers. What lead you to create Mims House?

Darcy: In the last twenty years, publishing has changed because of technology. The introduction of ebooks and print-on-demand services means that publishing a book is a low-cost investment up-front. It meant I could publish the books that I was passionate about and bring them to market myself. I had a long history in the industry and knew what pitfalls to avoid and where to focus attention. It’s been a hard journey, but I’m thrilled to be still publishing books of my heart.

CTB: Long before STEM was a trend in children’s literature, you developed a track record for writing well received nonfiction. Where did you get the idea for writing about the board game match between AlphaGo and Lee Sedol?

Darcy: A.I.: How Patterns Helped Artificial Intelligence Defeat World Champion Lee Sedol was written when I got interested in A.I. I’m always looking kid-friendly ways to approach a topic. When I realized this story featured a world champion board game player, I thought it would appeal to kids. This game was actually a pivotal game in the development of A.I Before this, programmers tried to write rules for artificial intelligence programs. For example, they might write a rule on how to identify a photo of a cat.

Sample rules:
A cat has a round face and triangular ears.
A cat has a tail.

It worked up to a point. But what if the cat is curled up sleeping? Or perhaps, it’s stretched out to run hard as it chases a rat? It required too many rules to deal with all the positions a cat might take, and all the exceptions to the rules.

Instead, artificial intelligence today works because we provide thousands of images to a computer program, a big dataset. Each image is labeled either CAT or NOT CAT. The program analyzes the images and creates its own mathematical formula for identifying a cat.

The AlphaGo program was the first time such an A.I. program was used to challenge a human in a complicated board game. Amazingly, it won four out of five times. Also amazing—Lee Sedol, the world champion, found a way to defeat the A.I. once. The series of games redefined our relationship to A.I.

Note to readers: A documentary about the AI program and the match with Lee Sedol can be found on Youtube: AlphaGo: The Movie.

Lee Sedol 1 Overhead of Go

 

 

 

 

 

CTB: The illustrations are so fun, as is the layout of the book. How did you find that illustrator?

Darcy: Yes, Peter Willis is amazing! He has illustrated ten books with me now because his distinctive digital collages are fun and funny for kids. I first saw his portfolio on Behance.net, the Adobe social media program where artists display portfolios. Look for more about Peter Willis and his work here: https://mimshousebooks.com/blogs/books/willis1

Meet the man

 

 

 

 

CTB: There’s a lot of concern now about AI eventually being able to do more than play games. But I love that you explain that even the phones in our pockets are partially fueled by AI technology. For example, I’m a frequent user of “Siri” and my Mac laptops as far back as OS9 were voice activated and had a digital assistant.  Did you have any “aha!” moments when researching this book?

Darcy: It was fascinating to dig into the discussion of A.I. technology. Understanding the difference in the two types of approaches to A.I. helps me make decisions about how I choose to use A.I. The rules-based approach was ultimately unusable because there are too many exceptions to any rule. When A.I. analyzes big datasets, though, it can mathematically account for exceptions. It’s a brilliant solution that means A.I. can tackle a wide variety of questions. For example, from a photo, it can predict if a mole is likely to be cancerous. Or, it can help create a chemical formula for a new medicine.

One problem with A.I. is that need for big datasets. Where will programmers find the data to feed into the program? Current lawsuits revolve around the allegedly illegal use of their copyrighted or patented information. Artists object to their copyrighted images being used to train A.I., and authors object to their copyrighted novels and writings being used to train A.I.

For me, that “aha” moment was understanding how current A.I. works. It’s easier to see how the programs can help my work or fit into a lesson plan when I understand that it’s trained on selected big datasets.

CTB: Your book ran into a roadblock at the US Copyright office. In scanning the text the office assumed the book was illustrated by A.I. rather than a real person. Can you tell our readers a bit about that experience? 

Darcy: The US Copyright has decided to check books to see if a book might include text or images created by A.I. I applaud this careful look at the books! However for my A.I. book, they asked if A.I. had been used to create the book. Just because the topic of the book is artificial intelligence doesn’t mean I used A.I. to create it! After I answered their question, they came back again and asked about this specific page of the book.

AI Example page

Here, the illustrator Pete Willis is demonstrating that some common objects are or are not based on A.I. programing. We know that artificial intelligence can be used for some cell phones, robots, and video games. But cats, ice cream and board games are not based on A.I. The US Copyright office specifically asked, though, if the images labeled “A.I.” had been created using an A.I. program.

“No,” I answered, “Peter Willis illustrated the entire book, even those labeled A.I.”

They accepted my answer and the book’s copyright was approved without any further questions.

CTB: I love that you call yourself, “Queen of Revisions” in your biography. Do you have any advice for young writers who might want to follow in your footsteps?

Darcy: Over the years, I have learned that I need to revise many times. When kids ask me how many revisions I do for a project, I answer, “Until it’s right.”

It’s not a matter of getting it right in three tries. It’s getting it right that matters.

If you want to write, read! Read everything you can, putting information and language into your memories so that when you need it, the words are there to draw upon.

CTB: Thanks for being such a gracious guest. What’s up next? Any projects or books you’d like readers to watch for?

Magnet coverDarcy: Peter Willis and I are collaborating on a new book, MAGNET: How William Gilbert Discovered that Earth is a Great Magnet. The story goes back to the middle of the 1600s when scientists were first figuring out what a magnet was. Gilbert gathered lodestones, natural magnetic stones, from around the world: from Greece came red and black lodestones; from Spain came white lodestones; Chinese lodestones were dark blood-red, while Ethiopian lodestones were amber or yellowish.

We follow the natural phenomena of stones that attract other stones as scientists start to unravel and make sense of the strange properties of the stones. Look for the book in April, 2024.

 

*****

Darcy headshotDarcy Pattison is the author of science books for kids, writes award-winning fiction and non-fiction books for children. Five books have received starred PW, Kirkus, or BCCB reviews. Awards include the Irma Black Honor award, five NSTA Outstanding Science Trade Books, three Eureka! Nonfiction Honor book (CA Reading Assn.), two Junior Library Guild selections, two NCTE Notable Children’s Book in Language Arts, a Notable Social Studies Trade Book, an Arkansiana Award, and the Susannah DeBlack Arkansas Children’s History Book award. She’s the 2007 recipient of the Arkansas Governor’s Arts Award for Individual Artist for her work in children’s literature. Her books have been translated into ten languages. Always active, before her tenth birthday, she (almost) climbed the Continental Divide, turning back at the last twenty yards because it was too steep and great climbing shoes hadn’t been invented yet. She once rode a bicycle down a volcano in Bali, Indonesia and has often hiked the Rockies. She recently hiked New Zealand’s backcountry for a taste of Kiwi life, and then strolled the beaches of Australia. On her bucket list is kayaking the Nā Pali Coast of Hawaii and eating curry in Mumbai. Follow her: @FictionNotes on Twitter and @DarcyPattison on Instagram.

author christine Taylor-butler

Photo by Kecia Stovall

Your host is Christine Taylor-Butler, a graduate of MIT and author of Save the… (Tigers, Blue Whales, Polar Bears)  with Chelsea Clinton and many other nonfiction books for kids. She is also the author of the STEM-based middle grade sci-fi series The Lost Tribes. Christine was appointed as an MLK Visiting Scholar for the 2023-2024 academic year at MIT focused on STEM and children’s literacy. Follow @ChristineTB on Twitter/X, @ctaylorbutler on Bluesky or @ChristineTaylorButler on Instagram. She lives in Missouri with a tank of fish and cats that think they are dogs.