Posts Tagged “T. P. Jagger”

Top 10 Reasons to Visit MUF’s “For Writers” Page

A couple months ago I wrote a brilliant humble post entitled “Top 10 Deep (& Stolen) Thoughts about Writing,” and when I realized I now needed to announce the latest update to MUF’s “For Writers” page, I thought: Hey, that top-10 format sure made for an easy post! made an effective way to provide our loyal readers with a convenient, efficient way to gain a lot of information. So, since I’m really lazy always striving to serve MUF’s followers and provide positive returns on the time they invest in reading our blog, I now present the . . .

[INSERT DRUMROLL]

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TOP 10 REASONS TO VISIT MUF’S “FOR WRITERS” PAGE!

10. The “For Writers” page is quite extroverted. It gets lonely and depressed without visitors.

9. If you need a pointer on THE CRAFT of writing—characterization, plot, voice, or something else—“For Writers” has it.

8. I’ll give you chocolate. Well, kind of. At least the next time I use my laptop I’ll hold an m&m up to the webcam and see what happens.

7. If you’re struggling through a first draft or manuscript revision or querying, consider all THE PROCESS has to offer.

6. If you’re wondering where others turn for ideas and inspiration, peek at THE WRITING LIFE.

5. Whether it’s THE CRAFT or THE PROCESS or THE WRITING LIFE, you’ll find plenty of new links.

4. I’m getting really tired of embedding links to “For Writers” into this post.

3. Um, wait a minute and let me think. . . . I’m having a hard time coming up with ten reasons, so I need you to do something for me. Please rock your head slowly back and forth and stare at the spiral image below. Keep rocking. . . .

Spiral

You’re getting sleepy. Verrrrry sleeeeepy. That’s it. Relax. Now click over to the “For Writers” page and read no further in this list. . . .

Wow, this is great! Having hypnotized everyone, I know they’ve already clicked away from my post. I can write whatever I want! I can ramble and type gibberish! Include sentence fragments with reckless abandon! Overuse exclamation points!!! No one will even notice, but I’ll still have a list with ten items.

2. Who cares what number two is? You’re not reading this! Sometimes I can’t help but bask in my own brilliance. . . .

1. Wartless pickles stumble into underground snow clouds when dogs mow books at midnight.

WHAT!?!? You’re still here? Jeez, you were supposed to be gone fourteen sentences ago! Come on. Go over to the “For Writers” page. Get inspired. Glean wisdom. And please don’t tell anyone about the wartless pickles.

Top 10 Deep (& Stolen) Thoughts about Writing

Thank God for group blogs. Otherwise, I’d have to act like I had some deep and insightful thing to write about way more than just once every three months. Of course, the problem is that eventually my three month reprieve ends, and my quandary returns:

What the heck should my new MUF post be about?…

This time around, I considered writing a post about creating effective settings, which is something I’ve been working on in my own writing lately. But then I decided that was way too much work because I am officially not an expert on creating effective settings. Dang.

Then I considered flaunting my sagacity by discussing “objective correlative,” which is a literary device fellow-MUFer Jennifer Duddy Gill brought to my attention about a week ago. Then I realized that would be even more work than writing about setting because I don’t know squat about objective correlative except that Jennifer said I’m good at it even if I don’t know what it means. Double dang.

That left me with nothing to say. And not having anything to say really sucks when you’re supposed to say something. So I decided to not really say anything at all. Instead, I’ll let other, much wiser folks have their say. Thus, I offer you the following TOP 10 DEEP (& STOLEN) THOUGHTS ABOUT WRITING:

  1. “The sinister thing about writing is that it starts off seeming so easy and ends up being so hard.” –L. Rust Hills
  1. “The challenge for a writer is to find ‘not the way to say it.’” –Milan Kundera
  1. “Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” –E.L. Doctorow
  1. “You do not have a story until something goes wrong.” –Steven James (“Story Trumps Structure,” Writer’s Digest, February 2011, p. 37)
  1. “Good writing does not succeed or fail on the strength of its ability to persuade. . . . It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else’s head—even if in the end you conclude that someone else’s head is not a place you’d really like to be.” –Malcolm Gladwell (What the Dog Saw and Other Adventures, p. xv)
  1. “The bigger the issue, the smaller you write. Remember that. You don’t write about the horrors of war. No. You write about a kid’s burnt socks lying on the road.” –Richard Price (quoted in What a Writer Needs by Ralph Fletcher, p. 49)
  1. “It is an intriguing fact that in order to make readers care about a character, however bad, however depraved, it is only necessary to make him love someone or even something. A dog will do, even a hamster will do.” –Ruth Rendell (“What to Pack in Your Fiction Tool Kit,” Writer’s Digest, December 2010,p. 21)
  1. “All of fiction is a practical joke—making people care, laugh, cry, or be nauseated or whatever by something which absolutely is not going on at all. It’s like saying, ‘Hey, your pants are on fire.’” –Kurt Vonnegut
  1. “It’s important to write every day. Just logging hours writing will make you a better writer. Or it will make you insane. Which sometimes makes you a better writer. It’s win-win.” –Justin Halpern (as interviewed in Writer’s Digest, September 2011)
  1. “Throw up into your typewriter every morning. Clean up every noon.”–Raymond Chandler

There. Done. The MUF’s laziest most inspirational blog post ever is now complete. Laud my perspicacity. Revel in my insight. Bask in my writerly wisdom. Then feel free to share a favorite writing quote of your own while simultaneously resisting the urge to tell me to work harder on my posts.

Making a Promise

I feel a bit stupid, sitting here, staring at my keyboard, wondering how to begin a post about beginnings. But maybe that’s the way it should be. Because writing beginnings is hard work. Well, let me rephrase that—writing good beginnings is hard work. That’s probably why this beginning sucks. Because I didn’t really work all that hard at it. I’d apologize, but I’m on a tight schedule and don’t have time to be sorry.

 Sorry.

 Anyway, I don’t know about you, but I love it when I pick up a book and the first few lines pull me so completely into the story that I know I’m in for a journey I won’t soon forget. The opening provides the author’s promise of great things to come.

 Wendy Mass made me a promise about a month ago. But actually it wasn’t only one promise. It was three. And all three promises came from her novel Every Soul a Star.

 No, I didn’t reread the opening paragraph three times. At least if I did, that’s not what I’m talking about. Wendy Mass made three promises because she wrote three beginnings, choosing to tell her story from the perspectives of three different kids—Ally, Bree, and Jack. Each of them gets his or her very own Chapter 1. Let’s look at the three beginnings and consider how they manage to make such great promises to the reader.

 Chapter 1: Ally
      In Iceland, fairies live inside of rocks. Seriously. They have houses in there and schools and amusement parks and everything.
      Besides me, not many people outside of Iceland know this. But you just have to read the right books and it’s all there. When you’re homeschooled . . .

 Chapter 1: Bree
      I was switched at birth.
      There’s no other explanation for how I wound up in this family. My physicist parents are certified geniuses with, like, a zillion IQ points between them and all these grants to study things like dark matter and anti-matter, which are apparently very different things. . . .

 Chapter 1: Jack
      My father has no head.
      Well, of course he HAS one, but I’ve never seen it. All I’ve seen is about a hundred photos of the rest of his body. . . .

 These could be the beginnings to three different books, and I’d want to read all three of them. That’s because each beginning makes a tremendous promise, giving a glimpse into a character who will drive the story forward.

 In each beginning, the point of view is clear, and the presence of voice is hard to miss. Reread those three beginnings. It doesn’t require much imagination to hear each character speaking to you. But these openings provide more than clear points of view and engaging voice. They also reveal just enough characterization and plot that I’m compelled to keep reading.

 Ally? She seems to believe some strange things. Plus, I learn she’s homeschooled.

 Bree? She’s got, like, that slightly ditzy way of talking, and she, like, doesn’t seem to think she’s too smart compared to her parents.

 And Jack? For some reason, his dad’s out of the picture. Literally.

 So when you’re working to craft the perfect beginning to your story, look closely at your opening lines. Do they establish the point of view? A believable voice? Do they provide a hint of your characterization and plot? If so, you’ve probably crafted a great beginning. And once you’ve made a promise like that, you might as well keep writing.