Posts Tagged parents

Celebrating Multicultural Literature for Children

I had the honor of presenting at the 34th annual Virginia Hamilton Conference on Multicultural Literature for children this past year. This is the longest running event of its kind…focusing solely on multicultural literature for young readers.

The conference was established by professors at Kent State University while the beloved and most honored author of children’s literature, Virginia Hamilton, was alive.

Sixteen years after her death, Virginia would be thrilled that this conference is not only alive and well, but other initiatives are taking place across the country to celebrate and champion multicultural works.

One such event is Multicultural Children’s Book Day, (MCBD) celebrated on January 25, 2019.

The celebration was born out of frustration by two women in not being able to find diverse or multicultural children’s books for their families. Bloggers Valarie Budayr from Jump Into a Book and Mia Wenjen from Pragmatic Mom took matters into their own hands by creating the event in January 2012.

The mission from the beginning has been to not only raise awareness around children’s books that celebrate diversity, but to also get more of these types of books into classrooms and libraries.

“Kids need to ‘see themselves’ in the pages of the books they read,” noted Budayr. “We are determined to not only shine the spotlight on all of the multicultural books available but also offer visibility for the amazing authors and publishers who create them.”

Now in its sixth year, the MCBD online celebration attracts thousands of supporters, over 700 book reviewers and dozens of quality authors and publishers.

There are many ways that educators, media specialists, authors and families can become involved in the initiative and celebrate diverse works with young readers.

Some actionable ideas include encouraging students to bring a multicultural book to share with students in class, creating a MCBD book display in the classroom or library, or focusing on books that address social topics such as poverty, or civil rights.

Children’s book authors (including yours truly!) are supporting the initiative by becoming sponsors, intending to create awareness about our works and to support the cause.

The upcoming January 25, 2019 event promises to be the MCBD’s biggest yet!

To learn more, visit http://www.MulticulturalChildrensBookDay.com

 

The Limitless Middle Grade Imagination: Ideas for Encouraging Students’ Fiction

Intro with thesis, three main points, conclusion with cap.

The traditional five-paragraph essay format is one of those topics I’ve been teaching for… let’s just say a lot of years. Valuable and necessary, it’s a handy tool in the toolbox for middle grade students. It helps to structure and organize weighty and mature thoughts into real and powerful language on the page. Students learn to let this formula work for them, the way you let the weight of a hammer do the work of driving the nail. I love the five-paragraph structure for its simplicity and efficiency, and for the way it prompts students to write without worry.

And sometimes, I cheerfully throw it out the window.

Middle grade students — whether in a traditional classroom, a non-traditional environment, homeschool, or virtual learning setting — have vast potential as writers…all sorts of writers. At times, the taming of their wild ideas with that five-paragraph structure is appropriate, but kids in this age group can also bring fierce creativity to writing jobs as seemingly limiting as vocab sentences, and that talent should be given room to grow. And then there’s the untapped storyteller inside many a middle grade student, who needs only a bit of encouragement, a cool assignment idea, and permission from the teacher, librarian, or homeschooling parent to Go ahead…make it up. Forget the 6- to 8-sentence paragraphs that must support your thesis. Don’t dare tame ideas into any kind of structure. Let the tale-spinning begin—and set it free to roam the dark woods and swamps, the castle hallways strewn with trapdoors, the hidden monster-lairs on distant planets.

The freedom of fiction writing in the classroom has just as many (and in some cases, more) educational benefits as learning proper, formal sentence and paragraph structure. This is true at any grade level, but middle grade fiction freedom is especially important. Fiction writing projects

  • Work the imagination–not the handy gadgets and devices.
  • Bring out new talents and skills at a crucial identity-building age.
  • Allow independent, personalized work and countless project options for a variety of types of learners.
  • Can be shared in whole or in part, or in nutshell summations of premises — tasks which offer practice at additional skills.
  • Inspire many middle grade students to read more, inside and outside of the classroom.

Fiction writing projects don’t have to be limited to the classroom. Teachers and librarians might consider the following suggestions for school hours, but parents and after-school group leaders seeking enrichment projects for their middle graders might find them helpful as well.

The Historical Premise: Middle grade writers create a plot scenario with conflict and characters based on a historical setting, time period, and event.

The Character Blueprint: Writers “map” out characteristics for a character unlike any they’ve read, detailing physical and personality traits, likes, dislikes, goals, dreams, family, home, daily life.

The Conflict-driven Plot Scenario: Writers compose short situations that “up” the conflict with each new line: But the next day…suddenly…just then…unfortunately…

The Look-Alike: Writers use already-created characters — perhaps from a shared class read — and send them down unfamiliar roads of conflict, or place them in a conflict from a different novel they’ve studied.

The Choose Your Tale-teller: Writers select a format that suits their story idea best: illustrated picture book, graphic novel, comic book, story in verse.

Remember that in order to truly encourage the creativity that comes with fiction writing, teachers, parents, and librarians might have to rethink traditional lesson planning and writing “rules.” Here are some ideas for inspiring your middle graders as they create fiction.

  • Don’t go with your first idea…dig deeper. Reject that which comes too easily.
  • Don’t worry about a beginning or an end. Start in medias res and stop when you want.
  • Try creating only the premise of a story – without the overwhelming work of writing the actual story.
  • Write a detailed beginning full of mystery and sense imagery, then stop. Write another full of opposite choices to the first (night instead of day, freezing instead of sunny), then choose one to continue.
  • Write a whole scene of dialogue, without narration. Use dialect, jargon, fragments, idioms.
  • Write only a one-page real-time scene (or half a page, or two pages, etc.), without worrying about descriptions and set-up.
  • Write from the point of view of an animal or a plant, or a rock or a wall.
  • Design a character, and write unrelated scenes featuring him or her in different genres.

With fiction writing, the options for learning by doing about literature and storytelling are endless: Plot. Character. Imagery. Genre. Dialogue. Theme. Excellent practice opportunities for mechanics, vocabulary, syntax, and a host of other communication skills come into play in the revision stages, as well.

But best of all, a student has made a piece of something that was not there before, and with these new creations almost certainly come sparks of continued inspiration.

Thanks for reading and good luck to your middle grade-aged writers!

 

STEM Tuesday — Pair Up! Comparing Nonfiction Titles — Writing Craft and Resources

Going Deep

Today we are diving deep into two books that intrigue me. Books about a horrific medical epidemic. Books that both use narrative and expository plus characters to carry readers through the story. Books that plunge into history and science plus ethical and moral questions.

Fatal Fever: Tracking Down Typhoid Mary, by Gail Jarrow

Terrible Typhoid Mary: A True Story of the Deadliest Cook in America, by Susan Campbell Bartoletti

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Here’s a quick recap. In the early 1900s Mary Mallon carried typhoid but didn’t display any of the symptoms. She worked as a cook, was definitively linked to the infections of 49 people plus three deaths, was quarantined for decades, and became the brunt of a tabloid scandal. Both books look at the entangled story of her life, medical professionals who tracked her down, legal charges against her, and implications for constitutional rights.

 

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In two books on the same topic, published in the same year, written with similar audiences in mind, there is much to compare and contrast. What I find most intriguing is that both bring the science and history to light while posing enduring questions.

Dive In

Let’s look at how these books each handle one of those enduring questions. Get ready for some close reading!

After years of quarantine, Mary was finally released on parole. The terms of her release specified that she take precautions to not infect others, not work as a cook, and report regularly to the health department. But Mary broke those terms, resulting in another major outbreak and her own exile until death. The question these authors chase: Why did she risk it?

Turn to pages 133-135 of Terrible Typhoid Mary and Page 118-120 of Fatal Fever to read the texts. Here are some things to look for. I’ve included a few things I noticed and am eager to hear what you discover.

Whose story is told first?

  • Fatal Fever:
    • “Mary had no lawyer to help her.”
  • Terrible Typhoid Mary
    • “Mary never said why she broke the conditions . . .”

What words are chosen to set the tone?

  • Fatal Fever:
    • “A Witch!”
  • Terrible Typhoid Mary
    • “. . . she struggled . . .”

In what way are other characters’ reactions used? Do those reactions support or denigrate Mary’s choice?

  • Fatal Fever:
    • “The sympathy that people once felt toward Mallon evaporated.”
  • Terrible Typhoid Mary
    • “Her temerity galled Soper.”

What words or phrases convey doubt or leave interpretation open?

  • Fatal Fever:
    • “Maybe she didn’t see the harm in it, . . .”
  • Terrible Typhoid Mary
    • “Is it possible that Mary simply didn’t understand . . .”

Are you caught up in this conundrum? Of how Mary, who had been presented as a person who stepped in to care for children when needed, could do such a thing? I am.

Where do these passages leave you emotionally? Did the balance between narrative and expository impact your reaction? Does either passage affect you more? Why?

On Your Own

Now, pursue a similar close reading on your own. There are plenty of other parallel topics in these books. Try the discussion of gall bladder removal: Fatal Fever (page 93) and Terrible Typhoid Mary (pages 136-137).

How do these authors use sequencing, language, and other characters? How do their skillful use of nonfiction devices impact you as a reader?

—-

By Heather L. Montgomery

Heather L. Montgomery writes for kids who are WILD about animals. Her latest book, Bugs Don’t Hug: Six-Legged Parents and Their Kids, is a perfect picturebook for a close read.

www.HeatherLMontgomery.com


The O.O.L.F. Files

Resources for Writers

https://www.rhymezone.com/

This site might have been designed with rhyming in mind but it has many other uses. Need a thesaurus? Angling for alliterative words? Looking for lyrics? Rhymezone’s got you covered.

https://www.google.com/alerts

Needing to go deep on a topic? Set up a Google alert on your topic. Day after day it will deliver the freshest posts straight to your inbox.

http://www.bluebulbprojects.com/MeasureOfThings/default.php

When you need a measurement comparison, The Measure of Things is your best friend! How large is 110 cubic inches?

  • 9/10th the size of a human stomach
  • 1/3rd the size of a bowling ball
  • 1 1/10th the size of an ostrich egg!