Posts Tagged pakistan

WNDMG Wednesday- Author Interview with Marzieh Abbas

I’m so excited to be able to introduce you to author Marzieh Abbas. Marzieh is a celebrated award-winning author of so many books- from chapter books to picture books to beautiful board books. I have loved so many of her books, and my kids love them too!

And I am so excited to interview her about her debut gorgeous new middle grade novel in verse!

Her title is called “Aarzu All Around” which launched from Salaam reads/Simon Kids on July 29, 2025.

I love Muslim representation and verse novels, and I cannot wait to read this one!

About Aarzu All Around:

Description taken from online:

“Heartfelt and triumphant.” —Rajani LaRocca, Newbery Honor–winning Author of Red, White, and Whole

A cricket-loving Pakistani girl stifled by patriarchal expectations disguises herself as a boy to get a job to pay her sister’s medical bills in this “lyrical action-packed debut full of determination and grit” (Reem Faruqi, award-winning author of Golden Girl).

Living with her aunt and patriarchal uncle in Karachi, Pakistan, recently orphaned twelve-year-old Aarzu detests the way she and her younger sister get treated like extras and excluded from all the fun stuff. Aarzu dreams of playing cricket, just like her male cousins and the neighborhood boys in the streets, but her uncle will hear nothing of it. According to him, girls ought to master the art of making round rotis, not play sports.

When her sister requires urgent medical treatment but finances are tight, Aarzu decides to earn money herself. She hears of a part-time job at a bungalow near her school—but it’s only open to boys. Aarzu has no choice but to disguise herself as a turban-wearing boy to get the gig.

Now, Aarzu must find a way to balance school, work, chores, and secret cricket practices—all without burning out or getting caught by her uncle—or else her dreams of making the girls cricket team and her quest to save her sister will crumble around her.

Interview with Marzieh:

I loved getting to talk to Marzieh about her new book and I know you will enjoy meeting her and Aarzu as well.

MA: Thanks for having me, Shifa! I’m currently using one of your books as a mentor text, so it feels extra special to be here, chatting with you today!

SSS: Thank you!

First off- what a gorgeous cover. I loved how you included cricket. I actually don’t know anything about cricket, and I am sure so many readers will be learning a lot about it! Did you set off knowing you wanted to write a book about this sport? (side question: do you play!)

MA: I love the cover too! Chaaya Prabath is so talented, and I love that she read (and loved) the whole book despite having a brief for the elements I wanted on the cover. I’ve been extremely lucky with all the talented artists and teams I’ve gotten a chance to work with.

Coming to the second part of your question, I’ve been getting messages from readers about how much they enjoyed learning about cricket. There’s a short section where I explain how it’s played and who doesn’t love learning about a new sport?

Some background to why I chose to write about cricket: I was born, and grew up in the UAE till I was 12. When we moved to Pakistan I turned extremely patriotic— suddenly, I felt like I belonged and it wasn’t hard falling in love with cricket in a cricket-crazy nation. I mean, I used to watch the game with my Abu, my dad, even when we lived in Dubai, but experiencing the atmosphere in Karachi during a match is a completely different experience. The whole muhalla, or neighborhood, throbs with excitement! When I decided I wanted to set the book in Pakistan, I knew I wanted it to center around cricket. I never got to play, though. In school, we played baseball and netball, and growing up, there wasn’t a girls cricket team in Pakistan. I used to watch the neighborhood boys play and remember wanting to, but not being allowed (by the boys) to play. After I got married, I played with my nephews and nieces sometimes, but never with proper rules, always just for fun.

SSS: As a mom of three Muslim girls, I love Muslim representation to empower them and make them feel proud of themselves. And I love the hijab on the cover too! How was the process writing the hijabi and Muslim rep in the book?

MA: Oh, it came very naturally to me. I’ve been wearing the hijab since I was nine. Despite living in Muslim countries, I have often felt judged for my hijab. I purposely didn’t want all the girls in my novel to be hijabis, because I wanted to show we Muslims aren’t a monolith in our practices. I also wanted to show girls who were curious about Aarzu’s hijab, because not everyone understands the significance it holds in our faith, and this was an opportunity to showcase my faith and beliefs. I hated being questioned about my hijab when I was younger and honestly got tired of answering questions like ‘aren’t you hot in it?” or “can you hear us clearly?” Even though those questions sometimes came from a place of curiosity and concern. My favorite thing to do once I’ve finished a book is write the dedication and this is what I have down for Aarzu All Around:

For all the hijabis.

May our stories be celebrated,

Our voices heard,

And our dreams realized.

Ameen.

SSS: I love reading books set in other countries. How was it writing the book set in Pakistan? Was it fun to include details?

MA: It was! I found myself rediscovering sights and sounds I used to find fascinating when I was new to Pakistan. The bazaars and alleyways are a vibe and I wanted to capture all the beauty in the chaos for foreign readers! The flowers, the birds, the foods, the scents, everything!

SSS: I know your book is about girls overcoming misogyny, which is a problem not exclusive to Eastern society but is present unfortunately in different forms around the world! Can you tell us a little bit more about how Aarzu deals with this issue?

MA: Aarzu and her younger sister, Sukoon, have to deal with a misogynistic uncle, in whose house she stays after her parents pass away in an earthquake. While this may come across as a stereotype to readers who only read the book’s description, I go into a lot of detail in the book to make it clear that not all eastern men are the way that the media frames them to be. We often confuse cultural norms with religious rulings, which is really unfair to Islam. I wanted to make it clear that Islam gives a lot of respect to women, and our Holy Prophet (peace be upon him) lived this in his dealings with his daughter, Fatimah, and other women. I also draw upon other stories from the Quran and the strength of women mentioned in several chapters of the Quran, and significant women in Islamic history—- it is their stories of strength and resilience that Aarzu uses to eventually come clean… sure she makes some mistakes along the way, hiding her choices (and thus lying), but all along she feels the prick of guilt because she knows her religion teaches her better. But, I had to keep her character real, flawed, and believable.

Link to order here.

Writing Process

SSS: When did you start writing the story and was the process a long one?

MA: I took about six months to write this novel. I was also simultaneously learning how to write this longer form– learning about where which beats in the story should fall and how to weave in backstory and all that fun stuff. So, no, I wouldn’t say it took long to write. I did spend a lot of time revising once i got the bones of the story down.

SSS: How is the process of writing a novel in verse different from picture books and chapter books?

MA: I feel writing longer form is challenging because of the number of threads and themes you have to keep track of. You also need to significantly develop side characters and keep track of what you reveal when. Since I was coming from a background of writing picture books (which are just 500ish words) and early reader chapter books (my Nadia & Nadir series), I needed a way to keep myself more organized. I set up a spreadsheet to keep track of the timeline as I revised and also used a wall in my house to colorful sticky notes for each act in the novel. This way I could move things around and add and subtract scenes as I revised.

SSS: Any advice for fellow middle-grade authors?

MA: I’d say find yourself 3-4 beta readers and do get feedback on your premise before you begin writing– it always helps to know what people think of your initial idea and what parts aren’t making sense and what parts are working. Once you start writing, I feel it’s good to hold off on feedback until you’re done with a first draft. With my current WIP I got feedback too early and now feel torn about which direction to go in. It’s back to the drawing board and some journaling for me to figure out what I really want my story to be about–what message do I want my readers to takeaway? What discussions do I want my book to spur?

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

MA:How is it living on the opposite side of the globe to where your book releases?

Answer: It’s so tough! I don’t get to physically see my book on bookshelves and don’t get to do readalouds or booksignings. It isn’t always convenient to travel and connect with your target audience. Everything has to be virtual and isn’t as special as it would be in-person! Marketing and getting booked for author visits is also a struggle, because it’s so much easier to reach out if you live/can travel to different libraries and schools in your vicinity. My books also take a while to become available locally and so even though I have friends wanting to support my work, there’s a big lag. But I’m so grateful to be doing what I do.

SSS: What else can we look forward to from you?

MA: I have a new nonfiction picture book, THE CAMEL LIBRARY, A TRUE STORY FROM PAKISTAN, and a board book, RADIANT RAMADAN, releasing this year.

Thank you Marzieh for joining us!

For more Pakistani rep in MG books check out these two interviews, here and here!

 

About Marzieh Abbas:

Marzieh Abbas is a baker turned award-winning author. She loves adding magic to her creations, from a seven-layered rainbow cake to the books she writes for children all over the world. Her work is inspired by her Pakistani culture and Muslim heritage. Marzieh is a member of Julie Hedlund’s 12×12 Picture Book Challenge and a graduate of the Lyrical Language Lab and Children’s Book Academy. She is the author of the popular chapter book series Nadia and Nadir and the middle grade novel Aarzu All Around. A Dupatta Is… is her debut picture book and she has several upcoming board and picture books. She occasionally writes under the name Marzieh A. Ali. Marzieh enjoys learning new skills, jumping rope, sipping chai, and observing nature. She dreams of owning a talking parrot someday. But until then, she lives in Pakistan with her husband and children who inspire her daily. You can find her on the web at MarziehAbbas.com.

Diversity in MG Lit #2 India, Pakistan, & Tibet

Asian literature is such a broad category that I will cluster books by geography. This month I’ll be featuring books set in India, Pakistan, and Tibet. I will focus on the stories of China and southeast Asia in a later post. Throughout this series I will try to focus on new books with a particular emphasis on debut authors and small or regional presses. Please share your favorite books about India, Pakistan, and Tibet in the comments.
  • MEET. YASMIN!by Saadia Faruqi, art by Hatem Aly, published by Picture Window Books and available in August 2018.
    • For the youngest MG readers, Pakistani-American Yasmin is going to be a real treat. She is a spunky, curious second grader with a fairly typical round of family and school-centric adventures. Her mother and grandmother are hijabis. She is not—as is common (but not universal) among Pakistani girls of this age. I appreciated the inclusion of live-in grandparents, including a grandfather in a wheelchair. The text of the story never mentions Yasmin’s ethnicity as an obstacle. The end notes contain some information about Pakistan, a short glossary of words in Urdu, a recipe for lassi and a craft suggestion. Large text, generous leading, and lively illustrations on every page make this a great choice for new readers. Saadia Faruqi has written short stories and essays for adults. This is her debut children’s book. Hatem Aly is the illustrator of the Newbery Honor winning Inquisitor’s Tale
  • RUNNING ON THE ROOF OF THE WORLD by Jess Butterworth, published by Algonquin Young Readers and available May 2018.

     

    • Here is a refugee story, an adventure story, a survival story and a mystery all in one. Most MG readers will have at least heard of the Dalai Lama but they are probably less familiar with the migration of thousands of Tibetan Buddhists over the Himalayas to India. Sam and Tash are two such refugees who flee to India when Tash’s parents are arrested for participating in the resistance to Chinese rule. They bring yaks on their journey. Twelve year old me would have read it just for the yaks. This one is on the easier end of the reading scale and it handles the brutality of the political situation in Tibet with a light touch—neither denying the violence nor giving it undue detail. I wish there was a map but otherwise this is a gem of book. It’s Jess Butterwoth’s debut novel.
  • AMAL UNBOUND by Aisha Saeed published by Nancy Paulson Books and available May 2018
    • Contemporary indentured servitude is far more common world wide than any government is willing to admit. It is hardly ever a topic of fiction even for adults, but Aisha Saeed has done a nice job of taking a topic full of brutality and monstrous injustice and fashioned it into a story that will arouse a readers conscience and compassion on the topic of slavery without crushing their spirit with to much brutal detail. Amal is a book-loving girl with dreams of higher education who is swept up by a local man who has the power of a feudal lord and made to serve as a maid in his home—an arrangement from which typically no-one returns. Amal is clever enough to get away and readers will rejoice in her escape.
  • THE NIGHT DIARY by Veera Hiranandani published by Dial Books for Young Readers and available in March of 2018.
    • Set in 1947 and told in diary entries addressed to her mother who died long ago, Nisha tells the story of how her half-Hindu and half-Muslim family decided to leave their home in response to the partition of India. Nisha is shy and her social circle is quite limited which, along with the diary format, makes this a more cerebral book than the others on this list. It’s an interesting slice of recent history that will likely be new to readers.
  • ARU SHA AND THE END OF TIME,by Roshani Chokshi published by Rick Riorden Presents and available in May of 2018.
    • Here’s a story in the Rick Riorden tradition of mythology come to life. Spunky middle school girl takes a dare she shouldn’t have while touring her friends through a museum of  Indian-American artifacts. Monsters are unleashed, pluck and cultural savvy are employed, the world is saved. It’s a romp any reader of the Percy Jackson books will love.
  • THE SERPANT’S SECRET: KIRANMALA & THE KINGDOM BEYOND  by Sayantani Dasgupta published by Scholastic and available June of 2018
    • This is probably my favorite book cover of the year. Love the colors and the girl with her bow and arrows facing down an army of snakes to save New Jersey. I feel like New Jersey is going to be okay. This is another fantasy based in Indian mythology with a sprinkle of romance and dollop of sass. I have some avid mythology readers at the shop and this was their favorite read of the summer
Lots of great books to choose from. If you’ve got a favorite I didn’t mention, please recommend it in the comments. Next month I’ll be featuring books from the Hispanic American experience.

Middle-Grade Novels featuring South Asian Characters

As a writer of South Asian origin, I am always looking out for books that feature South Asian or middle-eastern characters. I interact with many middle-grade readers of South Asian descent in grades 4-8, so these books are of high interest. This post is about celebrating and sharing such books that were released in 2017 and also seeking out ways to find them.

Firstly, what makes a South Asian character? This means a book that features a character whose culture, people or heritage is portrayed from the southern region of the Asian continent. The countries and islands that make up South Asia are Tibet, Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, India, Pakistan, Andaman and Nicobar Islands, and Sri Lanka.

Secondly, how many such books are out there? The CCBC (Cooperative Children’s Book Center School of Education, University of Madison-Wisconsin) receives the majority of new U.S. trade books for children and teens each year, and provides information on the number of children’s books by and about people of color.  According to the 2016 statistics from CCBC, out of 3400 books that they received, 239 of them were by and about Asian Pacifics or Asian Pacific Americans. While it is fantastic that the number of diverse books is increasing by the year, the need for representation is still high.

Thirdly, what can we do to increase the visibility of these books? Ideally, all types of diverse books should be read and enjoyed by everyone. Therefore, here are some suggestions that are not limited to middle-grade readers of South Asian descent.

  1. Show up at diverse author events and buy the books.
  2. Read and share your views about these books with your family, friends, and on social media.
  3. Request or order the books for your schools and local libraries.
  4. Donate your time or money to organizations like We Need Diverse Books that work tirelessly to promote diverse literature.
  5. Add these books to the required reading lists so it helps kids recognize and celebrate different cultures.

With that said, here are some compelling 2017 novel recommendations, featuring South Asian characters and what the authors have to say about the stories:

Ahimsa by Supriya Kelkar : In her interview for NBC, Kelkar talked about the meaning of Ahimsa and the motivation behind writing the novel. She said, “I didn’t think much about activism when I was I child. I used to write letters to companies protesting things sometimes, but it wasn’t until much later that I learned that writing can be used for speaking up and speaking out. Ahimsa was a principle of nonviolence at a time when conflicts were generally solved through war. This was the first time this unique idea helped create a country. You don’t need to own a weapon to do this. It is within you.”

Amina’s Voice by Hena Khan : Hena wrote about her inspiration for the book in her interview with Cynsations. She said, “I wanted to write a story with a protagonist who was an “every girl” who happened to be an American Muslim. I hoped that readers of all backgrounds would be able to relate to her as much as I did to the characters I had grown up reading and loving—none of who had resembled me in any way. “

 

 

Finding Mighty by Sheela Chari : Mixed-Up Files did an interview with Sheela Chari. Sheela talked about the interracial friendship in the novel. According to Sheela, the main character “Myla was more like her as a young person – a highly observant girl who felt largely unnoticed by the world.” She said, “Because she was so much like me, it made sense to make her Indian-American, with a family and lifestyle similar to my own. “

 

 

Karma Khullar’s Mustache by Kristi Wientge : Kristi Wientge talked about why it was important for her to highlight her culture in the story at Yayomg. Kristy said, “I love highlighting things we think are SO different, but, in fact, are so, so similar to our “normal.” I’ve traveled and lived in China and England and now in Singapore and without fail, people from each place have a picture of what America is and what Americans are like and they seem to be blown away that I don’t fit neatly into any of those ideas and that I’m very much like they are.”

Pashmina by Nidhi Chanani: Nidhi Chanani talked about her story, her art, and activism in an interview with the Horn Book. According to Nidhi, “There are many communities that are underrepresented within books and art. It creates a cycle of prejudice and isolation. Art and books that showcase underrepresented identities can shift our perceptions of difference, of ourselves, and inspire people to make more inclusive art.”

 

Rise of the Jumbies by Tracey Baptiste: This story features a South Asian Character as the best friend to the main character. Tracey Baptiste talked to Sheri Larsen of Mixed-Up Files about how we can make a difference in the lives of middle schoolers. Tracy said that “Books that accurately represent different cultures and different stories are crucial now so that there isn’t an ingrained sense of “otherness” about people who don’t look the same, or who live differently.”

 

Step Up To The Plate, Maria Singh by Uma Krishnaswami: In her interview with Lee and Low, Uma Krishnaswami said that readers of this story “will see that community and caring cross boundaries of language and race. That friendship is a better choice than hatred and suspicion. I hope they will see that playing ball can be competitive but it can also be a way to come together and heal divisions.”

 

 

The Gauntlet by Karuna Riazi: Karuna talked to Hena Khan about what it means to have this book out, in terms of inclusion. In her interview for the School Library Journal, Karuna said, “It’s incredible to look back now and realize that I am actually an author, just like the other women of color authors. I always looked up to and dreamed about emulating with my words. I definitely wouldn’t have imagined it being with a book that represents the never-heard voice of Bangladeshi Americans.”

 

Which books on the list are you excited about reading? Please do share in the comments below.