Posts Tagged nonfiction

STEM Tuesday– Naturalists– Writing Tips & Resources

Hello again, STEM Tuesday friends. Here in Utah the spring has been iffy, with bitter winds and snow as recently as two weeks ago. Now that the air is warm and filled with little white blossoms from the cherry trees, it seems like we’re finally close to summer.

With the warming weather, and our monthly theme of naturalists, my first impulse is to recommend a nature walk. When I was young, I loved looking at different leaf shapes, and feeling their various textures. I remember washing out an Altoids tin and keeping an assortment of dried flowers, twigs, and rocks. These sorts of outings are timeless.

It being poetry month, I have a wonderful resource for you: a book about writing nature poems, written for and featuring young poets called A Crow Doesn’t Need a Shadow: A Guide to Writing Poetry From Nature by Lorraine Ferra.

a book cover

Indeed, the first chapter is about poetry field trips; getting into the great outdoors and experiencing the primary text of the world around us. Ferra writes,

Weather is an endless source of ideas for poems. You need only to step outside to feel the freshness of new-fallen snow, or a light rainfall. If circumstances limit your activities and keep you indoors, a poetry field trip can be as quick as a few steps to a window. From there, you can watch dark thunderclouds riding toward you like a herd of buffalo or catch sight of a rainbow before it disappears.”

While this book offers plenty of writing prompts, I’ll let you discover those yourselves (see page 21), instead opting to share some from my own arsenal.

Writing Prompt 1 | A Form Poem

Have your children try writing a seven-line diamante. It’s a little like a Mad Lib, in that they’ll need to know their parts of speech. Typically, diamante poems juxtapose two things—whether like or unlike—so the prompt is to choose two parts of nature and bookend the poem with those, like this:

seed

– –

– – –

– – – –

– – –

– –

pebble

From there, build the poem accordingly. The seven words following your first line should modify the beginning word. The seven words preceding the last line should modify the last word. Each hyphen represents a word. The double hyphen lines are filled with adjectives. The triple hyphen lines are filled with gerunds (verbs ending with -ing), and the middle line features nouns. A completed poem might look like this:

 

seed

patient, thirsty

uncurling, stretching, waving

stem, blossom, path, river

flying, twirling, sinking

kicked, settled

pebble

 

Writing Prompt 2 | Short Stories About Small Creatures

If going outside for a nature walk isn’t possible, the next best thing is bringing the outdoors in. If you feel adventurous, invite students to bring their own insects, bugs, or spiders to class (in a jar or other container). Otherwise, choose one or two to bring. Easy ones to capture might include pill bugs, common house flies, or pollinators like ladybugs. In a pinch, you can purchase some from pet stores, which usually carry live crickets (about $7 for 40), worms, and other small creatures. Several years ago, I caught a jumping spider similar to this guy in my back yard:

jumping spider

Encourage your students to write a short story from the perspective of one of these small creatures. What would the world look like? How could a normal object from school life, like a pencil or calculator, be experienced by a non-human? What kind of challenges might this kind of main character face? For example, what color of acrylic paint would a ladybug be most attracted to, or how many ants would it take to carry a cookie? This exercise may lead students to write silly stories, but it’s a fun prompt that encourages empathy.

Wherever you are, I hope you’re enjoying nature and the weather, helping your budding naturalists-in-the-making to observe and discover more about the world around them.

Best,

Stephanie

A nature-loving creative, Stephanie Jackson writes poems, articles, picture books, middle-grade novels, and more. Her nonfiction has been published in Cricket magazine and her poems have been published in The Dirigible Balloon and various literary journals including Touchstones, where she’s been a contributing poetry editor. Professional affiliations include the Society of Children’s Book Writers and Illustrators (SCBWI) and The Authors Guild. She’s graduating this month from Utah Valley University with her English degree, emphasis in creative writing. You can read more at StephanieWritesforKids.com.

 

STEM Tuesday– Periodic Table — Writing Tips & Resources

The Periodic Table of Elements is a creative project waiting to happen. I’ve included examples of art and music today. Doing creative projects using the table is both an intellectual challenge and a reward, but good learning comes only after real work anyway. Using the arts makes it fun as well, allows for upper level thinking processes and making connections.

ART

Julie Hu created a visual version of the Periodic Table when she was a student at Bowdoin College. Created in Photoshop with a Wacom stylus pen and Cintiq large-format tablet, each element in Hu’s “Periodic Graphics of Elements” has a unique design and color palette that communicates something of the element’s use or history. Hu was first inspired to make a new periodic table when she was sixteen and just becoming interested in graphic design. (She said she knew she wanted to be an artist when she was eight years old.) She turned her design skills to topics that fascinated her in chemistry, astronomy, and physics*.

* https://www.bowdoin.edu/news/2019/02/a-first-years-extraordinary-periodic-table.html

Doing art for the table offers so many possibilities for both kids of all ages and adults. Science fair projects, group projects (such as murals or journals), themed exhibits, research projects, computer graphics, collaboration, and more. Both art classes and science classes have a smorgasbord of ways for connected learning.

The website Teachers Pay Teachers offers many teacher-written activities including a collaborative poster project.  https://www.teacherspayteachers.com/Product/Periodic-Table-of-Elements-Collaborative-Poster-Science-Collaboration-Poster-3067692

MUSIC

For years I have been aware of Tom Lehrer’s song The Elements (Which uses a Gilbert & Sullivan tune). Tom, whose cutting social commentary left him on the outskirts of fame, was a mathematics professor at MIT and other places. He has been described as a satirical genius. He is noteworthy in that he assigned his body of songwriting to the public domain, meaning they can be used by anyone without payment.

You can hear the song here. He includes an older version of elements at the end, so it incorporates science history as well. And his sense of humor radiates through every note.

https://www.youtube.com/watch?v=AcS3NOQnsQM

Again we have possibilities for projects.  Students can try a hand at songwriting – or finding a tune suitable to use. It seems ready-made for a class play or musical. With summer coming up, art and music camps can find inspiration in the cleverness of both the tune and the rhythm of the table.

The Youtube channel ASAP Science has a version of the Periodic Table Song as well, along with an animation. The tune borrows from Jacque Offenbach and is catchy. I can envision 3rd and 4th graders singing this and acing high school science tests by singing to themselves.  There is the addition of simple animation, suitable to inspire students working on computer animation or graphic design.

https://www.youtube.com/watch?v=rz4Dd1I_fX0

AsapSCIENCE is a science education YouTube channel that uses humor, whiteboard doodle animation and songs to simplify complex STEM concepts. It is a colorful intersection of art, science, and pop culture where anyone can learn, participate, and grow.(from the website)

I see both versions of the The Elements song as a challenging memory exercise for folks of all ages who are concerned with keeping brain function sharp. Music teachers I have known recommend practice in small increments as a most effective learning strategy. Five minutes at a time, three or four times a day. A project for kids on a long trip or adults as a whimsical party trick or just to keep the little gray cells in shape.

There are many articles available that make the case for using art to study science. ASCD says, “It turns out that one of the best predictors of success in scientific subjects in grades K–16 is visual imaging ability.” https://www.ascd.org/el/articles/the-art-and-craft-of-science  Take advantage of a buffet of ideas to provide a fun and meaningful science education.

Margo Lemieux is a retired professor of art who took advantage of all the interesting aspects of the world to inspire art projects.

Interview with Author Cindy Jenson-Elliot: The Doomsday Detectives

The Doomsday Detectives book

I always love bringing attention to new nonfiction books for kids and this is a GOOD one! I’m delighted to welcome author Cindy Jens0n-Elliott to the Mixed-Up Files Blog today.

Cindy Jensen-Elliott

 

She will be talking about her new book, The Doomsday Detectives

The Doomsday Detectives book

JLG Gold Standard

 

Junior Library Guild Gold Standard Selection 2025

 

 

* “Packed with explanations of scientific terminology and methods of operation, this detailed and compelling book is a superb guide for curious STEM-focused readers. An outstanding resource that depicts the winding and complex journey of scientific exploration.” — Kirkus Reviews, starred review

* “This fascinating, informative volume highlights not only the people at the center of the discovery but the scientific processes by which they came to their conclusions….Perfect for kids who want to go all-in on dinosaurs.” — Booklist, starred review

 

 

 

 

JS: Welcome to the blog. I really loved this book. Let’s start with the first question: What drew you to writing about these two scientists?

Cindy J-E:   In summer 2017, I was driving to my first day at a new full-time teaching job when my agent, Stefanie Sanchez von Borstel, called to give me some updates: a rejection of a manuscript I had recently sent to her, and an opportunity. Cheryl Klein, an editor at Lee and Low Books, was seeking a picture book family biography of Walter and Luis Alvarez, the two scientists behind the discovery of evidence that an asteroid was responsible for the Cretaceous extinction. While I was intrigued – I LOVED my college geology classes and I LOVED teaching science — I was also feeling really overwhelmed. I was making a big career switch from holding five simultaneous but flexible low-paying part-time jobs in high-end communities, to holding one full-time teaching job in a low-income community. I was also switching from teaching grades 1 – 8 science and outdoor education to teaching middle school English to three different grades. As an introvert, full-time teaching has always been challenging for my psyche, especially when my kids were young. So I was especially nervous about the return to the classroom. However, writing, even in my most successful years writing for educational test companies, magazines, newspapers and publishers, has never been enough to pay the bills. But I could feel a spark of curiosity igniting.

I told Stefanie I would read Walter Alvarez’s book, T-Rex and the Crater of Doom, and see if I wanted to write a picture book biography. How long could that take, right? Over the next few months, I read Alvarez’s book before bed and on weekends, and contemplated how I might tackle a biography. By Christmas, I realized that this would have to be much more than a picture book biography. This story, involving everything in science from Paleontology and Earth Science to Astrophysics, was a science mystery much more complex than a simple biography suggested. For children to understand how scientists solved the mystery of the Cretaceous extinction, they would need to know the science that led to the discovery. I began working on a book proposal for a longer middle grade nonfiction book, and we submitted it to Cheryl in early 2018.

 

JS: How did you decide to turn this book from a “normal” biography focusing on the scientists, to a journey of discovery? 

Cindy J-E: By summer, Cheryl had rejected my first proposal — it’s hard to remember why — but she offered to let me rewrite it, along with a sample chapter, if I wanted to make another attempt. I spent the summer and fall of my second year at the school researching and writing a second draft of the proposal. This time around, I structured it as a long-form science mystery, and developed a structure that included elements I knew my students would appreciate — graphic elements, expository elements, narrative family biography and a narrative of science discovery. I would start it with the discovery of dinosaurs and the idea of extinction, and proceed to the discovery of the crater. In the proposal, I included samples of each type of writing – comic script, expository science, science and biographical narrative — as well as a 20-page outline. We turned the proposal in again and waited. Six months later – a contract!

 

JS: Whose idea was it to use graphic novel-like insets to explain the more complex science? (I think this is brilliant, by the way).

Cindy J-E: Thank you! It was my idea to use graphic nonfiction to explain some of the science through graphic narrative, and it came about because by 2019, I had been segued over to teaching science in my school instead of English, possibly because, in my very traditionally-minded school (at that time) I was teaching students to write comic narratives in English class, in addition to essays. Prepping for science teaching, however, is a lot more work than prepping for English class, so I asked my school if I could teach two grades instead of three, and two types of science – 6th grade Earth Science and 8th grade Physical Science – instead of three (Life Science). At this particular school, this was considered part-time teaching – two preps instead of three – and working 7 -2 instead of 7-4. The best way to learn science, for me, is to teach it and to have to write about it. So having my writing and teaching focused on the same topics was helpful. I wrote the book I wanted my students – 98% of whom were English-language learners – to use to learn science, so graphics were a great resource for them.

 

JS: Can you give us a couple of  intriguing fun facts that you learned while writing this book? 

Cindy J-E: Instead of  intriguing facts, I will give you some amazing facts and experiences I had in researching and writing this book.

Intriguing fact #1: I hadn’t realized how recently, in the grand scheme of things, dinosaurs were discovered at all, AND long it took people to realize that extinction was even possible. When there were parts of Earth that were still uncharted by Europeans, folks thought that maybe dinosaurs were hiding out in some deep, dark pocket of Earth.

This also points to my own realization of how often new and alternative hypotheses are ridiculed, often for decades, until enough data comes in. I tried to include a variety of voices and viewpoints with respect.

Intriguing fact #2: When I was scripting the first and last comics, I had written sound effects for the voices of dinosaurs. Then I came across a study by a scientist who studies animal sounds and the acoustics of their skulls. His work suggested that T-Rex probably sounded more like a hunting horn than a roar.

 

JS: What would you like readers to get out of this book?

Cindy J-E: I would like readers to understand the great joy, responsibility and gift science is to our world. As I say at the end, “Scientists – geologists, paleontologists, physicists, and every other researcher in every field – never stop digging for data, collecting evidence and retesting results. The scientific practices of asking questions, tossing around ideas with colleagues from around the world (who often become friends), developing a hypothesis, and testing to see if it is actually true are the eternal pleasures of doing science. Science presents a never-ending opportunity to learn and grow, and to expand the knowledge of civilization. Scientists don’t work for themselves; they work for everyone – everyone on the entire planet, now and in the future – to bring the truth to light and make it accessible and available to the whole world.” (p. 186)

I want readers to understand what the scientific process really is, how it is used, and how our knowledge changes as we gather more information. Science is not static. It is growth.

JS: How would you like teachers/librarians to use this book?

Cindy J-E: I would like this book to be used by teachers who want to collaborate across the curriculum – science and the humanities – as a class book to teaching middle school Earth science curriculum. Students can identify science processes used as the mystery is solved. They can teach students to use comics to explain their ideas.

Thanks so much for being on our blog today, Cindy. If you want to learn more about The Doomsday Detectives or Cindy, please go to her website: https://cindyjensonelliott.com/